bars</tle><g id="el_oZ84Hna1GC_65hRV2Qwn" class="css-1fxvzwo" data-animator-group="te" data-animator-type="0"><g id="el_oZ84Hna1GC_ILVvi2tqx" class="css-1wnday1" ata-animator-group="te" data-animator-type="2"><g id="el_oZ84Hna1GC"><rect x="34" width="6" height="36" id="el_qw_T_tngXw"></rect></g></g></g><g id="el_mYVjkduhMU_p_9Pm85Ac" class="css-fwki7z" data-animator-group="te" data-animator-type="0"><g id="el_mYVjkduhMU_WxG3R40yd" class="css-t3i5e6" data-animator-group="te" data-animator-type="2"><g id="el_mYVjkduhMU"><rect x="22.67" width="6" height="36" id="el_lf9GrROk6j"></rect></g></g></g><g id="el_o-EuxhgoAw_kYNRGDfcw" class="css-t9te0w" data-animator-group="te" data-animator-type="0"><g id="el_o-EuxhgoAw_3c3bzSjOJ" class="css-1r5375t" ata-animator-group="te" data-animator-type="2"><g id="el_o-EuxhgoAw"><rect x="11.33" width="6" height="36" id="el_-iueO8klO0"></rect></g></g></g><g id="el_F7mSMPhqpC_y_fKcpSxn" class="css-qknaag" data-animator-group="te" data-animator-type="0"><g id="el_F7mSMPhqpC_R6bNB6_Ys" class="css-1vd04" ata-animator-group="te" data-animator-type="2"><g id="el_F7mSMPhqpC"><rect width="6" height="36" id="el_dS5TKNZZ5w"></rect></g></g></g></svg></div><div><div class="css-1t7yl1y">0:00<!-- -->/<!-- -->28:47</div><div class="css-og85jy">-<!-- -->28:47</div></div></div></div></hear><div class="css-uzyn7p"><div class="css-1vxyw"><p class="css-1nng8z9">transcript</p><h2 class="css-9wqu2x">The Wrers’ Revolt Agast A.I. Compani</h2><h4 class="css-qsd3hm">Tech bs have been g onle wrg to velop their chatbots — whout permissn.</h4><time dateTime="2023-07-18T10:00:12.000Z" class="css-1e605">2023-07-18T06:00:12-04:00</time></div><dl class="css-p98d0w"><dt class="css-xx7kwh"></dt><dd class="css-4gvq6l"><p class="css-8hvvyd">This transcript was created g speech regnn software. While has been reviewed by human transcribers, may nta errors. Please review the episo d before quotg om this transcript and email wh any qutns.</p></dd><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">From “The New York Tim,” I’m Michael Barbaro. This is “The Daily.”</p><p class="css-8hvvyd">[MUSIC PLAYING]</p><p class="css-8hvvyd">Today, to refe their popular technology, new artificial telligence platforms, like ChatGPT, are gobblg up the work of thors, poets, edians and actors, whout their nsent. As my lleague, Sheera Frenkel, found, a rebelln is brewg.</p><p class="css-8hvvyd">It’s Tuday, July 18.</p><p class="css-8hvvyd">[MUSIC PLAYING]</p><p class="css-8hvvyd">Sheera, is really nice to have you back. It has been far too long.</p></dd><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">I agree. It’s great to be back here.</p></dd><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">We are turng to you our ongog and very diligent efforts to unrstand this new era artificial telligence and the bate that is ragg over s like ChatGPT, which have put artificial telligence really at everyone’s fgertips.</p><p class="css-8hvvyd">And rrect me if I’m wrong, but really feels like this is shapg up as a clash between those who are really exced about the pabili of s like ChatGPT — you know, what n do next? This is so tertg. And this huge group of people who are jt eaked out about , right? And ’s gog too far, ’s too sry. And we’ve done a lot of episos about this. A recent one looked at stunts who love ChatGPT, bee n do their homework for them, and their teachers and profsors who are like, wa a mute, you’re basilly cheatg.</p><p class="css-8hvvyd">And you have been reportg on the latt chapter of this clash between human and mache. So tell about that.</p></dd><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Well, what I’ve been foced on is really jt all the battl over what go to the AI mach. And what mak them powerful, what mak them able to imate human voice is all of the ntent that we’ve put onle over all the years. It’s the poems, and the blogs, and the photographs, and the illtratns that are then pied, and scraped, and fed to the AI mach. It’s what teach them to imate human behavr.</p></dd><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Mm-hmm.</p></dd><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">And the past six months, as this software has bee really powerful and very popular, more and more people have started askg qutns about whether they want their ntent fed to AI mach. And if they don’t want there, if there’s really anythg they n do about .</p></dd><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">So tell who exactly the people are who are askg the qutns.</p></dd><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">They kd of fall to two groups. There are the people who are dog so bee ’s their livelihood. They have a pyright on their material, and they have some kd of legal protectn agast their work.</p><p class="css-8hvvyd">The other group are the hobbyists. They’re the people who are wrg stori for the fun of , that are jt creatg art bee they’re passnate about somethg. And they’re puttg stuff out to the ether of the ter. They love . They want to share wh the world. This is jt a te moment of human creativy.</p><p class="css-8hvvyd">But, you know, both of the groups are seeg ChatGPT, they’re seeg the AI pani valued at hundreds of lns of dollars, and they’re realizg that their creativy is makg someone else a lot of money. And they’re feelg exploed. They’re feelg like their creativy, their moment of spiratn is beg ed.</p></dd><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">So let’s start wh this first group of creativ who sound like they are the big fish bee they have pyright protectn.</p></dd><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Right. The are people like actors, animators, wrers, people who make their livelihood by uploadg what they’re dog to the ter. And so they’ve been really alarmed when a ChatGPT along and n produce art their style or n wre a paragraph their style.</p></dd><dl class="css-1jysr6y"><dt class="css-xx7kwh">archived rerdg (sarah silverman)</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">So I go — I go to the hotel. Super fancy hotel —</p></dd></dl><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Take, for stance, Sarah Silverman.</p></dd><dl class="css-1jysr6y"><dt class="css-xx7kwh">archived rerdg (sarah silverman)</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">— and I go to check . Oh, and the lady at the ont sk regnized me. And she was like, oh, my god, I love you. You are my top four all time favore edians.</p></dd></dl><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">She is a edian, an actor, a wrer, who has honed an credibly distctive style over s of workg.</p></dd><dl class="css-1jysr6y"><dt class="css-xx7kwh">archived rerdg (sarah silverman)</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">And I was like, you know that I know that means I’m fourth, right?</p><p class="css-8hvvyd">Not walkg away om this like, ooh, maybe I’m send, you know? No.</p></dd></dl><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">And if you go to ChatGPT and say, “Tell me a joke the style of Sarah Silverman”— which is somethg I tried out — really gets her spot on. And she argu that not only has read her jok and read her other onle edy, but that ’s even read this book that she wrote “Betwetter,” which has been upload onle and exists onle versns.</p><p class="css-8hvvyd">She appears pretty nvced that ’s sentially learned who she is and what her edic style is. It n mimic her to the gree that you thk is her wrg.</p></dd><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">And I’m gusg ChatGPT likely did that whout askg her permissn.</p></dd><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Right. There is no permissns beg asked here bee there are sentially — image the giant mach that are crawlg the ter at all tim. And any data they e across, they llect. They scrape . They don’t know what they’re dog. They’re nvertg to numbers. It’s basilly bee math the systems. And so anythg onle is nstantly beg hoovered up by the mach and fed to AI systems.</p><p class="css-8hvvyd">And so for a creative profsnal like Sarah Silverman, that feels credibly threateng terms of their livelihood, their abily to make a livg off of beg an artist wh an pennt voice that’s been honed over s. If a mache n do that, why would you need to pay Sarah Silverman to e and wre your script or pen a edy special?</p></dd><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Mm-hmm. But how n you be so sure that ChatGPT is really stealg om you if you’re someone like Sarah Silverman, or if you’re anybody, really, whose work has been upload by ChatGPT? Bee my gus is that this gets a ltle b sticky. How much of is jt guswork and how much of is really beg rived om sentially borrowed or stolen material?</p></dd><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Defely. I mean, well, to beg wh, there are the reposori where you n go and check and see if your work has been scraped. A lot of artists do this. A lot of wrers do . And they’ll see there that your name will appear or your piece of art will appear. And so for someone like Sarah Silverman, she n go and see, OK, right, my book has been scraped.</p><p class="css-8hvvyd">But more specifilly, ’s really jt playg wh this, and ttg out for yourself and toyg wh . I was cur as I was reportg this story, so I went onle and I typed my name. And I said, “Can you wre a paragraph about the danger of onle extremism the voice of Sheera Frenkel?”</p></dd><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Which is the subject you ver, of urse —</p></dd><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Right.</p></dd><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">— over and over and over aga for “The Tim.”</p></dd><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Y, exactly. And I’ve wrten books. I’ve been wrg about for over a . It’s out there. My material is out there. And when I tell you that even after knowg about AI for a year, even after verg this topic for a year, I was creeped out at how close got my voice. I uld have easily wrten this sentence.</p></dd><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Expla that. I mean, I’m not on ChatGPT right now, so I n’t replite the search. But what happened when you said, you know, “Wre a paragraph about the subject I know bt, Sheera Frenkel,” and sp out the rults. What about felt so distctively Sheera Frenkel-que?</p></dd><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">So I will read to you. So wr this one openg sentence, which is “Onle platforms once hailed as bastns of ee exprsn have bee breedg grounds for hate, radilizatn, and the propagatn of dangero iologi.”</p><p class="css-8hvvyd">That exprsn, “the bastns of ee exprsn,” I’ve ed that. I googled . I ed that an article ls than a year ago and aga an article three years ago. I didn’t even realize that that was a phrase or a turn of phrase that I often ed until ChatGPT repeated back to me.</p></dd><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Right. It’s kd of a distctive set of words you’re sayg that you turn to. And jt borrowed om you replitg your work.</p></dd><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Well, knew my bra better than I did. I didn’t realize that that was phrasg I equently ed.</p></dd><dt class="css-xx7kwh">[lghs]</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">And I had to go to “The New York Tim” archiv to figure out, oh, yeah, ’s right, I do e that. And, oh, my god, I probably ed too often bee this mache has learned about me.</p></dd><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Right. And suffice to say, you were not, like Sarah Silverman, nsulted about your work beg scraped by ChatGPT.</p></dd><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Nope. We were never nsulted. And no one at “The New York Tim” was nsulted.</p></dd><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Got . So Sarah Silverman did not like that experience. You scribed as a ltle b eerie. I’m wonrg if ’s a touch flatterg to have ChatGPT borrow your stuff?</p><p class="css-8hvvyd">Or if you worry about the long-term enomic nsequenc of all, which is to say that someday ChatGPT might be able to replite your journalism so brilliantly, that maybe “The Tim” don’t need you on the beat anymore.</p></dd><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Yeah, you know, I’ve actually spent so much time thkg about this. And there’s a part of me that was thkg, oh, god, kd of would be nice when I was done wh reportg to plug my not to a mache and have — there are days where would be nice to have a mache wre my article for me.</p><p class="css-8hvvyd">But no, no, I thought about more, and then I was like, yeah, n imate what I’ve already done. But the whole pot of news is that what we’re brgg you is h and based on new reportg. So the nclns we’re drawg for rears are nstantly changg.</p><p class="css-8hvvyd">And AI n’t do that. It n only repeat and regurgate what’s already been given to , what’s already the system. And so whatever answer giv you might be what Sheera Frenkel thought about somethg two years ago or five years ago. But won’t be what the newt ia is or the ht reportg has brought rears.</p></dd><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Right. It might jt keep tellg the world that you thk somethg’s a bastn of ee exprsn when you thk ’s a bastn of not ee exprsn.</p></dd><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Exactly.</p></dd><dt class="css-xx7kwh">[lghs]</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">If ’s bee a bastn of hate speech and extremism.</p></dd><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">OK, so what n creativ do about, sentially, this theft, right? What n the Sheera Frenkels and the Sarah Silvermans of the world do, and what are they dog about this problem?</p></dd><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">So the creativ wh the pyright, the creativ wh the legal protectn of a pyright n file lawsus. And that’s exactly what we’re seeg happen. There’s been nearly a dozen lawsus that have been filed agast AI pani by everybody om book publishers to dividuals who have pyright protectns.</p><p class="css-8hvvyd">And one of them was Sarah Silverman, who got together wh another two thors to sue several AI pani, cludg Meta, which is the parent pany of Facebook, and OpenAI, which is the parent pany of ChatGPT, to say that their work was illegally scraped, and download, and upload to the AI systems.</p></dd><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">And Sheera, what do legal experts thk are the chanc that this kd of a lawsu om a Sarah Silverman will prevail agast a pany like ChatGPT?</p></dd><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Well, you know, this is all brand new. It’s brand new se law. But they know they have to tablish some kd of law or precent gog forward bee this is material wh a pyright. For a lot of artists, books they wrote 10 years ago or 15 years ago, that’s gog to ntue to make them money throughout their liv.</p><p class="css-8hvvyd">And y, they’re evolvg nstantly as artists. They want to thk about their material gog forward. They don’t want ChatGPT to wre their jok for them gog forward. But they also want to be paid for the books that have already been published and are already out there.</p></dd><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">And so is the feelg that old school pyright law will provi someone like Sarah Silverman wh the legal protectns that she’s seekg?</p></dd><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Well, the legal experts seem credibly hopeful that there is some kd of pyright protectn here, and that, sentially, some kd of fancial damag will be award, and that some kd of moary value will be placed on the very strong pyright protectns that creative profsnals get.</p><p class="css-8hvvyd">The problem is that even if they get that money, even if Meta or OpenAI are forced to pay some kd of damag to Sarah Silverman, the ntent, the data, n never be retrieved. It’s out there. It’s bee numbers and on and zeros fed to a mache. There’s no way to go to , to that mache, and get that data back out. Once ’s , ’s forever.</p><p class="css-8hvvyd">And so ultimately, even if they do get that fancial reward through the urt system, and they get the pyright protectn to their material affirmed by the urts, their data is gone. Their data is there forever.</p></dd><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">In other words, the horse is out of the stable. I assume that’s te, Sheera, for , for “The Tim,” for the work of people like you. We n’t retrieve your journalism back om a ChatGPT. So is “The Tim,” like Sarah Silverman, thkg of sug the AI pani?</p></dd><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">So “The New York Tim,” to the bt of our knowledge, is not lookg at a lawsu. What we’ve seen “The New York Tim” and other news publishers do is start to thk about how to start chargg for this data gog forward. I mean, “The New York Tim” is creatg tons of ntent every sgle day that the mach want to stay up to date.</p><p class="css-8hvvyd">And so they’re really tryg to figure out if there’s some kd of fancial arrangement that n be put to place where the AI pani pay . And ’s not jt news publishers. Webs, like Redd, they’re lookg at licensg their data as well. They’re sayg, this data is herently valuable and we want you to pay for .</p><p class="css-8hvvyd">But look, that’s gog to take a long time for them to e to an agreement. This is a brand new mol. This is a brand new technology. And the meantime, the data is still beg scraped. In the meantime, the systems have all the articl that have already been published. They probably are beg updated on new articl as they e out. And so all this material is still beg fed to the mach as the talks are ongog.</p></dd><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Right. And will be for some time. So you’re sayg the pyright protected creators, who would seem to have the strongt posn this equatn, are not really mountg that forceful a phback spe the anger that you’re scribg here.</p></dd><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Right. I mean, they are g the urts. They are g the legal system. But as we know, that’s slow. Wag for the urts to take actn, wag for lawyers to hammer out a fancial agreement between a massive news anizatn and an AI pany is a slow procs.</p><p class="css-8hvvyd">And what’s tertg for me is that this other group of people that I mentned, those that don’t have a pyright protectn, the hobbyists, the enthiasts, the people that are postg to the ter for the fun of , they’re the on that are leadg the most creative rebelln or revolt agast AI.</p><p class="css-8hvvyd">[MUSIC PLAYING]</p></dd><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">We’ll be right back.</p><p class="css-8hvvyd">[MUSIC PLAYING]</p><p class="css-8hvvyd">So Sheera, tell more about this send group of creators who are fightg back agast AI platforms — the hobbyists and amatrs, as you’ve scribed them, who lack the legal pyright protectns of people like you and Sarah Silverman.</p></dd><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">So actually a group I spent a lot of time terviewg and thkg about was fan fictn wrers. And for anyone who’s not faiar — bee before I reported this story, I’d never actually read any fanfic, there are —</p></dd><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Fanfic? Now you’re an thory.</p></dd><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">I’m now ep the fandoms. The are people who watch a movie like “Star Wars” and love , but walk away om thkg, what would happen if the ma characters at the end, Kylo Ren and Rey didn’t die? What if they fell love and got married? And I’m really sorry if I’m havg movie spoilers my answers here.</p><p class="css-8hvvyd">What would happen if “Buffy the Vampire Slayer,” two of the vampir met high school and had a gay romance? I mean, they take the popular movi and TV shows, and they let their imagatns roam. And they publish the credible — I mean, book-length piec of ntent — about their favore movi and TV shows.</p><p class="css-8hvvyd">And, you know, this is not stuff they have any kd of pyright to. If anythg, they’re borrowg om ias and characters that are already out there. But they’re dog for the love of those characters and the storyl that they want to explore their own wrg.</p></dd><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">And how did wrers of fanfictn disver that their work was beg sucked up by platforms like ChatGPT?</p></dd><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">So they actually disvered this a really, really funny way, which is that fan fictn, you create your own characters. And some of them have nam like Bucky, which is a batn of several characters om “Buffy the Vampire Slayer.”</p></dd><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Right. [LAUGHS]</p></dd><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">And so they go to ChatGPT and they type , “Wre me a story about Bucky fallg love wh a vampire. Wre me a story about Bucky on a summer day eatg a popsicle.” And ChatGPT knew who that character was wh great specificy.</p><p class="css-8hvvyd">Another example that was actually given to me — and this was the most outrageo example as far as the fanfictn wrers were ncerned — is that there’s this sexual trope, lled the omegaverse, which fan fictn wrers really like to explore. And ’s very, very specific to fanfictn. And ChatGPT knew all about .</p></dd><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">You’re not gog to tell any more about ?</p></dd><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">I’m very nfed about myself.</p></dd><dt class="css-xx7kwh">[lghs]</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">And I’m pretty new to fanfictn. From what I’ve read, there’s like tentacl volved. And ’s —</p><p class="css-8hvvyd">— I don’t thk ’s appropriate for the podst.</p></dd><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Sure, sure, sure, sure.</p></dd><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">But the pot is there’s no reason an AI mache would know about unls had read and gted their fanfictn wrg.</p></dd><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Right. Why would ChatGPT know anythg about this unls was scrapg fanfictn? But Sheera, aren’t the fanfictn wrers postg stuff that’s fair game, right? They don’t have pyright.</p></dd><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">I mean, they know they don’t have pyright protectns. But they still feel really, you know, wound. They’re afonted at the ia that the mach have scraped what is, for them, very much a labor of love.</p><p class="css-8hvvyd">Some of the fan fictn wrers I spoke to had spent s dog this. They had done as a form of therapy. They had done as an act of love towards the movi and televisn shows that they felt creatively spired by. And they felt like the mach are sentially attackg the very spir of human creativy that they had been prolific about onle.</p></dd><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Hmm. Right. This is not necsarily their full time job. This is not how they make money. But you’re sayg taps to, some ways, who they are. It’s part of their inty. And so, on a moral level, they n’t tolerate ChatGPT jt stealg .</p></dd><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Right. Many of them have day jobs where they make money. But their love, their passn is gog to this fan fictn. And they’ve tablished the really tertg ternal l on the foms where they post, where if one person imat another or borrows om another whout attributn, ’s nsired outrageo. They are booted om the muny. They are exmunited.</p><p class="css-8hvvyd">They really have a lot of honor how they operate onle. And they want that to be rpected by the mach. And so li of that, they’ve had to get really, really creative about how they rebel or how they revolt agast the AI systems.</p></dd><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">And how creative have they gotten? What are they dog?</p></dd><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Right. So I mean, for stance, one of the first protts they lnched is they got together and started feedg jt absolute nonsense to ChatGPT. They figured if you’re gog to scrape our material, we’re gog to give you total irreverent nonsense to nfe you so you don’t unrstand our characters, you don’t unrstand our storyle, and you nnot mimic what we do.</p></dd><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">So they n’t sue, but they n gum up the works. They n basilly jt shove sticks and ston to this mache and try to grd out the gears.</p></dd><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Exactly. I mean, they had to thk creatively. And so they thought, if you want our material, here’s our material. We’re gog to give you nonsense.</p></dd><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">And do that tactic work?</p></dd><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">I mean, n if they do enough of . And they seem pretty mted and passnate about dog this. But they haven’t stopped there. A lot of them have also started makg their ntent private or removg om the web entirely. And so their thkg is, you know, until now they’ve shared all this eely, but if the mach are gog to e and scrape what they do, they’re gog to start lockg down.</p></dd><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">OK. Both of the techniqu, though, would seem to be pretty unterproductive if you’re the bs of creatg fan fictn. The first one jt creat a bunch of gibberish, which no one wants to read if you like fan fictn. The send one would lim who n view the fan fictn you wre. So aren’t the rebellns agast plac like ChatGPT jt hurtg the fan fictn muny? Aren’t they jt shootg themselv the foot?</p></dd><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">I mean, to a certa gree. And a lot of them say they kd of feel like they are, the short-term, dog somethg that go agast the entire spir of fan fictn. But they feel helpls. And so I thk, at this pot, they’re jt throwg darts at the wall to see what sticks and what works.</p><p class="css-8hvvyd">A lot of them have been the muni for a long time, and so their thkg is, well, I might only get to share my wrg wh a uple dozen people, stead of a uple thoand, but at least the mach won’t get me.</p></dd><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">So don’t really feel like eher of the two groups, Sheera, that we’ve been talkg about here — the group wh pyright protectns and the amatrs who don’t have pyright protectns — neher of them seem to be much of a match for the AI platforms and stoppg them om scrapg their work.</p><p class="css-8hvvyd">So that mak me thk that if you’re one of the wrers, the better solutn would be for the US ernment to step wh some simple regulatn that says, ChatGPT, for example, you n’t upload this work unls you pay for . And I know the ernment is havg the nversatns. There have been lots of ngrsnal heargs. So is that a possibily? The ernment says, no uploadg unls you pay the wrers and the creators.</p></dd><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Well, ’s te that the US ernment is havg talks wh all of the AI pani. But we have to remember that we’re still wag for the US ernment to take actn and e up wh some kd of regulatn about social media that’s been around for over a .</p></dd><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Mhm.</p></dd><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">The US ernment is very, very slow-actg. And the vast majory of members of Congrs are still wrappg their head around how this technology even works. And so whatever they do is years ahead. And ’s gog to be tempered by the fact that they don’t want to hold back the pani too much.</p></dd><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Mhm. Expla that.</p></dd><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">The US ernment se self an arms race, at the moment, agast Cha when to AI. Both Cha and the Uned Stat have a lot of scientists that are vted this. They have a lot of tert beg the world lears artificial telligence.</p><p class="css-8hvvyd">And so they know that every b of regulatn they put place potentially holds back those US pani, as opposed to Cha, where there’s very ltle regulatn on data and where there’s a ton of data onle that the Che ernment n easily accs and even give to Che AI pani if they want to speed ahead what’s nsired the AI arms race between the US and Cha.</p></dd><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">So the US ernment might have an tert actually sidg wh the AI platforms over the creators bee mak more petive agast our rivals.</p></dd><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Yeah. I mean, they don’t want to hamper US AI pani to the pot where they fall behd Cha.</p></dd><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Hmm. In which se, feels like the only way for creative typ and for publishg platforms, like “The Tim,” to fight back is to fight back really on their own, for the next however many years. And I’m cur, Sheera, if, your reportg, you thk the plats of the Sarah Silvermans and the publishg platforms is actually gog to make the general public sympathetic and lead to a larger sle phback agast the ChatGPT-like platforms, or if the realy is jt that people like the thgs, they’re exced about them, and that’s gog to overri any of the worri that we’re talkg about.</p></dd><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">I mean, look, right now the people that are angry are the people that n see that their work has been pied or scraped and regurgated. It’s people who are already seeg that the mach have gted their work and n py their voic a really realistic way. And we don’t know what’s gog to happen gog forward.</p><p class="css-8hvvyd">I mean, pani like Google and Facebook are still cidg on how they’re gog to tra their AI. And what happens if Facebook’s AI cis to tra on your data, and n fd posts that you wrote 10 years ago when you were llege and sound jt like you, or if Google cis to read your email and your Google docs, and n say, hey, this is what Michael sounds like when he’s planng a vatn wh his fay? Is the creeps factor then that much more that all of feel like our souls are beg replited by mach?</p></dd><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Right. And do that mean that sudnly we are all the fan fictn wrer? We are all Sarah Silverman. We are all sudnly seeg the platforms slowly suckg a versn of out and and givg to the world a way that is very weird.</p></dd><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Right. Do bee a “Black Mirror” episo? It’s unclear. But uld be that the AI systems are so extremely eful and beneficial for our liv that none of re. Bee at one pot, people were really mad about Facebook suckg up their data and servg them ads and Google dog the same. And then we ultimately cid that they provid such a eful service that was OK wh that they sucked up our data. And we’re really jt the begng of this technology. And so we don’t know yet.</p><p class="css-8hvvyd">[MUSIC PLAYING]</p><p class="css-8hvvyd">You know, one of the fanfic wrers I spoke to actually put a really lovely way that — she was the middle of wrg this new piece of fictn, and happened to be about AI robots vers humans. And she stopped midway through wrg bee she didn’t want to post onle and feed more to the mache.</p><p class="css-8hvvyd">But she said that where she’s stuck and the thought she’s really stuck on is that this piece of fictn she was wrg, not every AI robot was bad. Some of them were helpful. Some of them were nice. Some of them were good. And some of them were evil. And was really about how the rporatns behd those robots e them that cid whether they were good or evil.</p><p class="css-8hvvyd">And so she felt like she jt had so many qutns about the pani nng the AI, and how they’re g the data, and how they’re gog to license , and what value is gog to be — all the qutns are swirlg around her head. And ’s like, are the robots good or bad? We don’t know yet, and so we don’t feel fortable wh them.</p></dd><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">And so did she end up postg any of the story onle?</p></dd><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">No, she has not posted yet. I thk she still has too many qutns.</p></dd><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Well, Sheera, thank you very much. We appreciate .</p></dd><dt class="css-xx7kwh">sheera enkel</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Thank you for havg me. [MUSIC PLAYING]</p></dd><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">We’ll be right back.</p><p class="css-8hvvyd">[MUSIC PLAYING]</p><p class="css-8hvvyd">Here’s what else you need to know today — on Monday, Rsia said would end an agreement that had allowed Ukrae to export lns of tons of gra to the rt of the world, threateng global food pric and the food supply dozens of untri that rely on the gra.</p><p class="css-8hvvyd">The year-old agreement, known as the “Black Sea Gra Iniative,” was a succsful attempt to lim the global repercsns of Rsia’s war on Ukrae. But Rsia has repeatedly plaed that the agreement favored Ukrae over s own people.</p></dd><dl class="css-1jysr6y"><dt class="css-xx7kwh">archived rerdg 1</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">I eply regret the cisn by the Rsian Feratn to termate the implementatn of the “Black Sea Iniative.”</p></dd></dl><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Durg a news nference, the head of the Uned Natns said that Rsia’s cisn would e unnecsary sufferg across the world.</p></dd><dl class="css-1jysr6y"><dt class="css-xx7kwh">archived rerdg 1</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">Today’s cisn by the Rsian Feratn will strike a blow to people need everywhere.</p></dd></dl><dt class="css-xx7kwh">michael barbaro</dt><dd class="css-4gvq6l"><p class="css-8hvvyd">And smoke om wildfir Canada is returng to the US this week. By Monday afternoon, was affectg about 72 ln Amerins across 29 stat, om the Dakotas to New York. Nearly 900 wildfir are burng across Canada. Of those, the Canadian ernment says that more than 500 of them are burng out of s ntrol.</p><p class="css-8hvvyd">[MUSIC PLAYING]</p><p class="css-8hvvyd">Today’s episo was produced by Clare Toeniskoetter, Rob Szypko and Mooj Zadie. It was eded by Devon Taylor wh help om Lisa Chow, ntas origal mic by Elisheba Ittoop, and was engeered by Alyssa Moxley. Our theme mic is by Jim Bnberg and Ben Landsverk of Wonrly.</p><p class="css-8hvvyd">[MUSIC PLAYING]</p><p class="css-8hvvyd">That’s for “The Daily.” I’m Michael Barbaro. See you tomorrow.</p><p class="css-8hvvyd">[MUSIC PLAYING]</p></dd></dl></div></div></div></div><div style="posn:absolute;width:0;height:0;visibily:hidn;display:none"></div><hear class="css-1vwfk9f" data-breakpot=""><div style="width:100%" data-ttid="flt-layout"><div style="background-image:url()" class="css-18qqsen e1llfg0"><div class="css-1hmsypo e1llfg2"><div class="css-131hid3 e1llfg3"><div class="css-1uhi299 e1llfg1"></div><div class="css-1tloyb6"><div class="css-1kltdsh ehra6vc0"><a href=" class="css-2ne0py"><span class="css-1f76qa2"><img alt="The Daily logo" src="><span>The Daily</span></span></a><span class="css-1lhttlg ehra6vc1"><span class="css-sj5ozi ehra6vc2">Subscribe:</span><ul class="css-hx5n"><li><a href=" target="_blank" rel="noopener noreferrer">Apple Podsts</a></li><li><a href=" target="_blank" rel="noopener noreferrer">Google Podsts</a></li></ul></span></div></div><div class="css-1r0dpua e1llfg4"><div class="css-1gu519p edye5kn0"><div><h1 class="css-1xbyom1 edye5kn2">The Wrers’ Revolt Agast A.I. 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fight club writer gay

Yterday at Salon, Caleb Cra, thor of the highly praised novel Necsary Errors, talked a b about beg a gay novelist and the effects non-heterosexual subject matter has on the chanc for a novel’s publitn. In rponse to a qutn…

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    I got my daily dose of huy today. Fight Club is gay. I had seen the movie, read the book, and heard the theory, and still dismissed as nonsense. Clearly, was about masculy! About fightg, about men a femized world. In my fense, I hadn't known that Palahni himself was gay at the… * fight club writer gay *

    Followg the uprisg, the US self-segregat to whe and black ethno-stat, Csia and Blacktopia, while gays and lbians of all ethnici take over California, renamg Gaysia.

    Palahni se Amerins as beg “out of love wh a narrative of one great rabow, and everyone beg homogenised and allowed to live wh this system”. “I’m whe, so I uld make the wh total dolts; I’m gay so I n trash the gays. ”Gaysia, then, don’t fare so well.

    *BEAR-MAGAZINE.COM* FIGHT CLUB WRITER GAY

    Comment on this story</tle><path d="M14 14V2H2v9.47h8.18L12.43 13ZM3 10.52V3h10v9.23l-2.5-1.66Z"></path></svg></button><span aria-hidn="te" class="wpds-c-fBEbFG">Comment</span><span class="wpds-c-fOvfhP wpds-c-fOvfhP-kshkDy-isCommentType-te none" aria-hidn="te"><span class="ment-unt font-xxxxs sc-ral-unt"><span></span></span></span></div></div></div></div></div><div class="teaser-ntent grid-center"><div class="article-body grid-center grid-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null"><i>In Staff Picks, Book World edors and wrers share what they’ve been readg off the clock. We hope you’ll be spurred to read some of the books, and turn, we’d love to know what you’ve enjoyed lately so we n add to our pil.</i></p></div><div class="article-body grid-center grid-body" data-qa="article-body"><div class="db dn-ns mr-neg-gutter ml-neg-gutter mb-md hi-for-prt" data-qa="subscribe-promo"><div data-orientatn="horizontal" role="separator" class="wpds-c-dbVHzF wpds-c-dbVHzF-hDkAcj-variant-flt"></div><a class="pt-sm pb-sm flex ems-center bold font-xxxs font-xxs-ns jtify-center" href=" target="_blank" rel="noreferrer noopener" style="lor:#166dfc;borr:none"><svg class="ntent-box" width="24" height="24" viewBox="0 0 24 24" xmlns=" aria-hidn="te" focable="false" role="img"><tle>Wp</tle><path d="M11.055 8.728l-1.018-1.019-.782.782v6.292l1.782 1.564.018-.019v-7.6zm-4.11.236L5.674 7.71l-.836.855v6.237l1.545 1.327.564-.636V8.964zm2.656 9.074l-2.528-2.182-1.927 2.182-2.619-2.255v-3.564h-.509c-.454 0-.672.273-.745.636H1.09a2.89 2.89 0 0 1-.091-.69c0-.473.2-1.71 1.527-1.71V7.691c0-1.073-.709-1.127-.709-2.054 0-1.037.982-2 2.782-2.637l.164.145c-.6.291-1.09.655-1.09 1.437 0 1.2 1.163.89 1.163 2.782v.727l2.127-2.236 2.237 2.2 2.109-2.2 2.036 2v6.728l-3.745 3.455zm11.108-9.625l-1.073-.982-.964 1.018v6.6c.855.11 1.491.4 2.019.964l.018-.018V8.413zm-2.382.418l-.528.545v10.237l.528.492V8.83zm1.49 9.055c-.308-.382-.69-.709-1.145-.836v3.782l-.036.018-1-.927-2.11 1.945-.036-.018V16.96c-.636.145-1.327.545-1.854 1.2l-.146-.091c.127-1.4.818-2.436 2-2.837v-3.545h-.382c-.527 0-.89.363-.963.763h-.219c-.054-.145-.127-.381-.127-.836 0-.891.6-1.564 1.582-1.564h.11V8.085l-.655-.582-.51.51-.254-.237 2.018-2.073 1.71 1.564V9.05l.527-.564v-2.09h.345v1.727l2.273-2.419L23 7.576v7.91l-3.182 2.4z" fill-le="evenodd"></path></svg><span class="mr-xs ml-xs gray-darkt flex ems-center">Get the full experience.<span class="ml-xs subs-theme blue">Choose your plan</span></span><svg class="ntent-box" width="16" height="16" viewBox="0 0 16 16" xmlns=" style="fill:#166dfc" aria-hidn="te" focable="false" role="img"><tle>ArrowRight</tle><path d="M7.664 1.25l6 6a1 1 0 010 1.414l-6 6L6.25 13.25 10.499 9H2V7h8.585L6.25 2.664 7.664 1.25z" fill-le="nonzero"></path></svg></a><div data-orientatn="horizontal" role="separator" class="wpds-c-dbVHzF wpds-c-dbVHzF-hDkAcj-variant-flt"></div></div></div><div class="article-body grid-center grid-body" data-qa="article-body"><div id="listicle-rd-CPHZMVIDWVAP5N56XDBYXDNLXU-0"><div id="list-headle-CPHZMVIDWVAP5N56XDBYXDNLXU-0" tabx="0" class="wpds-c-jKHtLo"><div></div><h3 class="wpds-c-eKlvKd listicle-headle" data-qa="list-headle">‘Properti of Thirst,’ by Marianne Wiggs (2022)</h3></div><a href="#sendary-nav" class="skip-lk sr-only sr-only-focable black unrle brad-md pa-lg mb-xs borr-box font-sans-serif font-bold">Return to menu</a><div class="article-body grid-center grid-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null"><b>Nora Kg, </b>edor</p></div><div class="article-body grid-body grid-center" data-qa="article-body"><div data-qa="article-image" class="hi-for-prt"><div style="m-height:358px"></div></div><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">I was lucky enough this summer to have a longtime librarian as a hoe gut. Who better to offer a book remendatn (other than the ntributors to this lumn)? So, I asked my iend: What’s the bt book you have read this year? Whout skippg a beat, he answered: “<a href=" target=_blank>Properti of Thirst</a>,” by Marianne Wiggs, which me out paperback May. Conveniently, this book was already on my TBR pile. In fact, I had wanted to wre a feature about bee of s amazg backstory. Wiggs was nearly fished wrg the book when, 2016, she had a massive stroke. The Pulzer falist (and ex-wife of Salman Rhdie), now 75, not only lost the abily to wre but fot what she had already wrten. She enlisted the help of her dghter, Lara Porzak, to help her plete the 517-page novel. In the afterword, Lara scrib the experience poignant tail: Over the urse of several years, she read the book aloud to her mother multiple tim, until the characters me to feel like Lara and Marianne’s fay. Mother and dghter chatted “about their daily shenanigans and potential adventur, anythg to brg them back to the fabric of Mom’s memory.” Through this “powerful alchemy,” Lara wr, “art happened: the procs of fishg the novel shifted om beg an impossible burn to the very life-affirmg thg that helped to heal.” I am only about 50 pag to this sweepg, poetic novel — about a California rancher and his fay fightg, among other enemi, Los Angel over water rights — and I am already hooked.</p></div></div></div><div class="article-body grid-center grid-body" data-qa="article-body"><div id="listicle-rd-3GBE2C6DWJFAFKY4MALQQL5STI-1"><div id="list-headle-3GBE2C6DWJFAFKY4MALQQL5STI-1" tabx="0" class="wpds-c-jKHtLo"><div></div><h3 class="wpds-c-eKlvKd listicle-headle" data-qa="list-headle">‘Tomorrow Will Be Different: Love, Loss, and the Fight for Trans Equaly,’ by Sarah McBri (2018)</h3></div><a href="#sendary-nav" class="skip-lk sr-only sr-only-focable black unrle brad-md pa-lg mb-xs borr-box font-sans-serif font-bold">Return to menu</a><div class="article-body grid-center grid-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null"><b>Becky Meloan,</b> edorial ai</p></div><div class="article-body grid-body grid-center" data-qa="article-body"><div data-qa="article-image" class="hi-for-prt"><div style="m-height:358px"></div></div><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">Readg The Post’s <a href=" target="_blank">recent survey of trans Amerins</a> got me thkg about a powerful book — “<a href=" target="_blank">Tomorrow Will Be Different: Love, Loss, and the Fight for Trans Equaly</a>,” by Sarah McBri. Now a Delaware state senator and recently announced <a href=" target="_blank">ndidate for the U.S. Hoe</a>, McBri wrote her life story before she was elected to office. Interted polics om a young age, and also eply certa she would someday need to tell her parents that she wasn’t a boy like they thought she was, she grew up believg that eventually g out as a trans woman would make impossible to pursue her polil ambns. Beg unable to live the world the way she saw herself fally beme unbearable durg her senr year of llege. Takg baby steps, she me out to iends, fay, classmat and mentors, and fortunately found the rpons varied but affirmg. As she me to terms wh her inty, she ntued down the polil path she had always dreamed of — mpaigng for Be Bin Delaware, and workg to pass LGBTQ legislatn Delaware and later the Obama Whe Hoe. Her <a href=" target="_blank">ndid, down-to-earth memoir</a> is a gift to those who seek to unrstand more about the personal and public journeys trans people face today’s world.</p></div></div></div><div class="article-body grid-center grid-body" data-qa="article-body"><div id="listicle-rd-UDAI7GXWTVGMTMYRKENRAIN7MY-2"><div id="list-headle-UDAI7GXWTVGMTMYRKENRAIN7MY-2" tabx="0" class="wpds-c-jKHtLo"><div></div><h3 class="wpds-c-eKlvKd listicle-headle" data-qa="list-headle">‘The Lonelit Amerins,’ by Jay Caspian Kang (2021)</h3></div><a href="#sendary-nav" class="skip-lk sr-only sr-only-focable black unrle brad-md pa-lg mb-xs borr-box font-sans-serif font-bold">Return to menu</a><div class="article-body grid-center grid-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null"><b>Sophia Nguyen, </b>news and featur wrer</p></div><div class="article-body grid-body grid-center" data-qa="article-body"><div data-qa="article-image" class="hi-for-prt"><div style="m-height:358px"></div></div><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">A ltle after 10 a.m. on June 29, I download the PDF of the Supreme Court’s opn on affirmative actn — was long, and a lot of people were dog exactly the same thg, so took awhile — and then CTRL-F’ed for “Asian.” Is strange to say that I got more hs than I’d expected? The se, and the nversatn surroundg , theoretilly ncerned Asian Amerins; yet they (I suppose “we”) felt peculiarly cintal. Readg the ter that day felt like beg stuck traffic on the eeway: loud, tense, unmovg but somehow ducg motn sickns.</p></div><div class="article-body grid-full-bleed" data-qa="article-body"><div class="cb dn db-ns" data-qa="article-body-ad" data-ttid="article-body-ad-sktop"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-none pt-lg pb-lg" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"><div>Advertisement</div></div></div></div></div></div><div class="article-body grid-full-bleed" data-qa="article-body"><div class="cb db dn-ns" data-qa="article-body-ad" data-ttid="article-body-ad-mobile"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-sm pt-sm pb-sm" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"></div></div></div></div></div><div class="article-body grid-center grid-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">In other words, felt like the right time to revis Jay Caspian Kang’s bracg 2021 book, “<a href=" target=_blank>The Lonelit Amerins</a>.” Lacg reportg wh polemic, ’s almost the oppose of a racial explaer: It’s rtls, cranky, a rare batn of nceptually rigoro and journalistilly cur. It’s the kd of book you thk wh and argue about, and that mak you feel — maybe foolishly — fally, we’re gettg somewhere.</p></div></div></div><div class="article-body grid-center grid-body" data-qa="article-body"><div id="listicle-rd-24T42633PVADXBAF4ZLVBEJBKA-3"><div id="list-headle-24T42633PVADXBAF4ZLVBEJBKA-3" tabx="0" class="wpds-c-jKHtLo"><div></div><h3 class="wpds-c-eKlvKd listicle-headle" data-qa="list-headle">‘Juno Lov Legs,’ by Karl Geary (2023)</h3></div><a href="#sendary-nav" class="skip-lk sr-only sr-only-focable black unrle brad-md pa-lg mb-xs borr-box font-sans-serif font-bold">Return to menu</a><div class="article-body grid-center grid-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null"><b>Ron Charl, </b>fictn cric</p></div><div class="article-body grid-body grid-center" data-qa="article-body"><div data-qa="article-image" class="hi-for-prt"><div style="m-height:358px"></div></div><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">A few weeks ago <a href=" target=_blank>our ee Book Club newsletter</a>, I asked for exampl of cur differenc between U.S. and Brish book jackets. When a rear directed me to Karl Geary’s new novel, “<a href=" target=_blank>Juno Lov Legs</a>,” I uldn’t rist lvg beneath s ver(s). This is the story of Juno, a sharp-wted Irish girl the 1980s who’s too fiant to fd peace her dysfunctnal home or her btal Catholic school. “I was a lot,” she adms. “I was too much.” But her alholic father and toxic neighborhood would be too much for anyone. Deprsed by poverty and social isolatn, Juno experienc moments of peace by buryg herself the woods wh flowers and pretendg to be ad. She fds refuge only her iendship wh another young misf, a gay classmate she nicknam Legs. “We uldn’t be hurt,” she says, “not when the other was there.” Alas, that’s not entirely te. The trop of Irish tragedy arrive wh predictable regulary the pag, but the raw, liltg poetry of Juno’s voice provis a seri of heartbreakg revelatns.</p></div></div></div><div class="article-body grid-center grid-body" data-qa="article-body"><div id="listicle-rd-HZHP4E4E4BHULK57DQSQK5RI3Q-4"><div id="list-headle-HZHP4E4E4BHULK57DQSQK5RI3Q-4" tabx="0" class="wpds-c-jKHtLo"><div></div><h3 class="wpds-c-eKlvKd listicle-headle" data-qa="list-headle">‘The Rabow,’ by D.H. Lawrence (1915) and ‘Dpair,’ by Vladimir Nabokov (1937)</h3></div><a href="#sendary-nav" class="skip-lk sr-only sr-only-focable black unrle brad-md pa-lg mb-xs borr-box font-sans-serif font-bold">Return to menu</a><div class="article-body grid-center grid-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null"><b>Bec Rothfeld, </b>nonfictn cric</p></div><div class="article-body grid-body grid-center" data-qa="article-body"><div data-qa="article-image" class="hi-for-prt"><div style="m-height:358px"></div></div><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">In high school, I loved the novels of D.H. Lawrence. I am generally not much of a re-rear — I am too plagued by anxiety that, on my ath bed, I will regret havg read “<a href=" target=_blank>Lola</a>” four tim when I have yet to read “<a href=" target=_blank>Middlemarch</a>” even once — but I do make a pot of returng to books I was too young to appreciate when I first happened upon them. For no reason other than hunger for an Unrtakg and the vague spicn that his unabashed sensualy mak him summery, I set out to read all of Lawrence’s novels, begng wh “<a href=" target=_blank>The Rabow</a>.” Do the prose hold up? In a way, holds up all too well. It is exactly the sort of thg I loved when I was a teenager, full of unmigated sex, ath and profundy. The wrg is betiful, but is also surgg, and I am no longer an appropriately ecstatic mood.</p></div><div class="article-body grid-full-bleed" data-qa="article-body"><div class="cb dn db-ns" data-qa="article-body-ad" data-ttid="article-body-ad-sktop"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-none pt-lg pb-lg" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"><div>Advertisement</div></div></div></div></div></div><div class="article-body grid-full-bleed" data-qa="article-body"><div class="cb db dn-ns" data-qa="article-body-ad" data-ttid="article-body-ad-mobile"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-sm pt-sm pb-sm" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"></div></div></div></div></div><div class="article-body grid-center grid-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">So I fected to an thor for whom I am always the mood. My personal email addrs volv Nabokov’s name, and I cid to read all his novels. I started wh “<a href=" target=_blank>Mary</a>,” his but, which is about a Rsian exile pg for his first love and his homeland as he languish Berl; is not Nabokov’s bt, but is already lovely, nse wh lhly redolent scriptn. Next I turned to “<a href=" target=_blank>Dpair</a>,” his seventh novel, which is unmistakably the work of the master. The narrator is a classilly Nabokovian trickster, a supercil and schemg athete prone to dark sexual fantasy and meta-textual forays. It is well worth readg, but I know that the bt is yet to e. Let hot Nabokov summer mence!</p></div><div class="article-body grid-center grid-body" data-qa="article-body"><div id="gift-share-le" data-ttid="gift-share-le" class="PJLV PJLV-ilotWTr-css hi-for-prt"><button aria-haspopup="dialog" aria-expand="false" aria-ntrols="gift-share-drawer" role="button" tabx="0" aria-label="Share this article" id="gift-share-drawer-ntrol-le" data-ttid="gift-share-drawer-ntrol-le" class="wpds-c-PJLV wpds-c-gsmDXe wpds-c-gsmDXe-goNocI-placement-Inle foc-highlight"><div data-ttid="gift-share-terstial-trigger" class="wpds-c-kPqOkS wpds-c-kPqOkS-jtSXsT-hasSubsText-false"><span class="wpds-c-hBJqc"><span class="wpds-c-dzSncg">Share this article</span></span><span class="wpds-c-eCvK"><span class="wpds-c-enedHQ wpds-c-enedHQ-cCdK-isShown-false">Share</span><svg xmlns=" fill="currentColor" viewBox="0 0 16 16" aria-hidn="te" focable="false" role="img" class="wpds-c-fBqPWp wpds-c-fDHGth"><path fill="currentColor" d="M8 .6v3.8h.1c-4.4 0-7.3 4.5-6.9 8.8.1.8.2 1.2.2 1.2l.2 1 .4-1.3c.8-2 2-4 6.2-3.9H8v4l7-6.9L8 .6Zm1 11.3V9.3h-.9c-3 0-4.8.5-6.2 2.9.5-3.3 2.7-6.8 6.2-6.8H9V3l4.5 4.4L9 11.9Z"></path></svg></span></div></button></div></div></div></div><div class="article-body grid-center grid-body" data-qa="article-body"><div id="listicle-rd-PHER3JLZK5HLRN6Y5B5RVYH2CA-5"><div id="list-headle-PHER3JLZK5HLRN6Y5B5RVYH2CA-5" tabx="0" class="wpds-c-jKHtLo"><div></div><h3 class="wpds-c-eKlvKd listicle-headle" data-qa="list-headle">‘The Atheist the Attic,’ by Samuel R. Delany (2018)</h3></div><a href="#sendary-nav" class="skip-lk sr-only sr-only-focable black unrle brad-md pa-lg mb-xs borr-box font-sans-serif font-bold">Return to menu</a><div class="article-body grid-center grid-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null"><b>Jab Brogan, </b>edor</p></div><div class="article-body grid-body grid-center" data-qa="article-body"><div data-qa="article-image" class="hi-for-prt"><div style="m-height:358px"></div></div><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">As Julian Lus wr a <a href=" target=_blank>magnificent recent New Yorker profile</a>, Samuel R. Delany begs his days wh an “atheist’s prayer, hailg faraway celtial bodi wh a lany spired by the seventeenth-century philosopher Bach Spoza.” It’s an apt nnectn, bee Spoza, our greatt thker of the relatnships between bodi — the way they ph and pull one another, but also the way they rs and spire — has long been a rource for the queer imagatn. And Delany, who is bt known for his often-experimental science fictn novels, has spent his long and very queer reer imagg the many ways that bodi of all kds n e together.</p></div><div class="article-body grid-full-bleed" data-qa="article-body"><div class="cb dn db-ns" data-qa="article-body-ad" data-ttid="article-body-ad-sktop"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-none pt-lg pb-lg" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"><div>Advertisement</div></div></div></div></div></div><div class="article-body grid-full-bleed" data-qa="article-body"><div class="cb db dn-ns" data-qa="article-body-ad" data-ttid="article-body-ad-mobile"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-sm pt-sm pb-sm" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"></div></div></div></div></div><div class="article-body grid-center grid-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">“<a href=" target=_blank>The Atheist the Attic</a>,” a novella that may be his fal work of prose fictn, is a strange but ftg artifact the arc of his reer. It claims to be a seri of diary entri by the mathematician and philosopher Gottied Leibniz documentg his (wholly imaged) vis to the home of Spoza. At s heart is a dizzyg nversatn between two of history’s greatt mds a way that uld have been renred only by one of our most brilliant livg wrers.</p></div><div class="article-body grid-center grid-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">It is a challengg book the way that visg Delany himself — an experience that Lus perfectly ptur his profile — n be. But as is often the se wh Delany’s wrg, s rewards lie stg wh those challeng. (Those new to Delany’s work may want to stead beg wh “<a href=" target=_blank>Nova</a>,” “<a href=" target=_blank>Trouble on Tron</a>” or my favore, “<a href=" target=_blank>Tal of Nevèrÿon</a>.”) As Delany has Leibniz observe, “Well, thkg about what’s not supposed to require thkg, that <i>is </i>philosophy, no?” Havg spent s thkg about topics once emed below nsiratn, Delany has given ample reasons to go on philosophizg, endlsly and expansively.</p></div></div></div><div class="article-body grid-center grid-body" data-qa="article-body"><div id="listicle-rd-EC2T7CG3HNDHPJJFJ35BXZNTNU-6"><div id="list-headle-EC2T7CG3HNDHPJJFJ35BXZNTNU-6" tabx="0" class="wpds-c-jKHtLo"><div></div><h3 class="wpds-c-eKlvKd listicle-headle" data-qa="list-headle">‘Blood, Bon & Butter: The Inadvertent Edutn of a Reluctant Chef,’ by Gabrielle Haton (2011)</h3></div><a href="#sendary-nav" class="skip-lk sr-only sr-only-focable black unrle brad-md pa-lg mb-xs borr-box font-sans-serif font-bold">Return to menu</a><div class="article-body grid-center grid-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null"><b>Jill Pellettieri, </b>edor</p></div><div class="article-body grid-body grid-center" data-qa="article-body"><div data-qa="article-image" class="hi-for-prt"><div style="m-height:358px"></div></div><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">I ok more the summer, so seemed like the perfect time to turn to <a href=" target=_blank>Haton’s book about her life and reer</a>. I enjoyed a meal at Haton’s now-shuttered rtrant Pne almost a and a half ago, and I n still remember the succulent pork belly I ate, a food that I’d never liked much before and that I’ve never liked much sce. Pl, a good food memoir is almost always my thg. But Haton’s book is not jt for lovers of the genre. The book has the same zy timacy as her rtrant. Haton v rears to her life experienc, scribg the relatnships that shaped her wh the same re and precisn she brgs to her okg. She wr of her mother: “So what is there to make of the simplistic thg I’ve e to utter explanatn, which is so drab, so monochromatic, so water on top of ice even though ’s the most direct, most distilled path om my heart to my mouth: I feel better whout her.” Her scriptns of food are so strikg she n make even the most dited rnivore salivate for a 35-cent t of sard. Pne may have closed, but thankfully rears n still revel Haton’s artistry through her wrg.</p></div></div></div><div class="article-body grid-center grid-body" data-qa="article-body"><div id="listicle-rd-4FBGP2ZKBJAKXJCOAX5ZVUZBKI-7"><div id="list-headle-4FBGP2ZKBJAKXJCOAX5ZVUZBKI-7" tabx="0" class="wpds-c-jKHtLo"><div></div><h3 class="wpds-c-eKlvKd listicle-headle" data-qa="list-headle">‘Thunr at Twilight: Vienna 1913-1914,’ by Freric Morton (1989) and ‘1913: The Year Before the Storm,’ by Florian Illi (2013)</h3></div><a href="#sendary-nav" class="skip-lk sr-only sr-only-focable black unrle brad-md pa-lg mb-xs borr-box font-sans-serif font-bold">Return to menu</a><div class="article-body grid-center grid-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null"><b>John Williams, </b>Book World edor</p></div><div class="article-body grid-body grid-center" data-qa="article-body"><div data-qa="article-image" class="hi-for-prt"><div style="m-height:358px"></div></div><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">I have a cent-size shelf of acclaimed books about World War I at home, a few of which I’ve even read, and yet the full motivatns and ntours of the epochal nflict — te to s reputatn — still elu my unrstandg. I have my sights set for soon on a uple of other big acunts of the era, cludg Barbara Tuchman’s “<a href=" target=_blank>The Guns of Augt</a>,” but for now I’m readg about one of history’s great unknowg prologu, the year before the war. Freric Morton’s “<a href=" target=_blank>Thunr at Twilight</a>” tak to Vienna the months before the assassatn of Franz Ferdand Sarajevo. We get energetic narrative portras of Ferdand and his polil rivals; of Frd and Jung; and, wh ep forhadowg of the send global taclysm that would e, of Stal and Hler. Florian Illi’s “<a href=" target=_blank>1913</a>” is a more tentnally agmented, imprsnistic diary of sorts, proceedg through the year month by month and focg more on artistic figur (Kafka, Pisso, Klimt, Stravsky …) than polil on. Each book might make history too digtible by (at least) half, but when to a time that sent the world to a sensels spiral of horrors, ’s hard to md.</p></div></div></div><div class="article-body grid-center grid-body" data-qa="article-body"><div id="listicle-rd-ZMKSNXRUB5HQFDBG6KPX5WYBZI-8"><div id="list-headle-ZMKSNXRUB5HQFDBG6KPX5WYBZI-8" tabx="0" class="wpds-c-jKHtLo"><div></div><h3 class="wpds-c-eKlvKd listicle-headle" data-qa="list-headle">‘Last Post,’ by Freric Raphael (2023)</h3></div><a href="#sendary-nav" class="skip-lk sr-only sr-only-focable black unrle brad-md pa-lg mb-xs borr-box font-sans-serif font-bold">Return to menu</a><div class="article-body grid-center grid-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null"><b>Michael Dirda, </b>lumnist</p></div><div class="article-body grid-full-bleed" data-qa="article-body"><div class="cb dn db-ns" data-qa="article-body-ad" data-ttid="article-body-ad-sktop"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-none pt-lg pb-lg" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"><div>Advertisement</div></div></div></div></div></div><div class="article-body grid-full-bleed" data-qa="article-body"><div class="cb db dn-ns" data-qa="article-body-ad" data-ttid="article-body-ad-mobile"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-sm pt-sm pb-sm" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"></div></div></div></div></div><div class="article-body grid-center grid-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">Freric Raphael is a Brish novelist, sayist and screenwrer, whose films clu “<a href=" target=_blank>Darlg</a>,” starrg Julie Christie, for which he won an Amy Award. In recent years he’s been wrg var sorts of memoirs. The latt, the curly stctured “<a href=" target=_blank>Last Post</a>,” nsists of say-length letters addrsed to ad iends, mentors and enemi — the clu lerary cric Gee Steer, book edor Tom Maschler, poser and lyricist Llie Bricse, artist Michael Ayrton and many others. The “letters” are all sentially acunts of Raphael’s associatn wh the emenc, upled wh cril appreciatns of their achievements. Each addrs s recipient as though he or she were still alive, as the openg to that for director Stanley Kubrick: “Dear Stanley, Did I ever hear you lgh or see you se?” This send-person approach do take gettg ed to.</p></div><div class="article-body grid-center grid-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">Two other thgs make Raphael’s piec remarkable. First, they are packed wh sndalo, sometim vengeful anecdot about Fleet Street, publishg, the London lerary scene and the ternatnal film world. Send, Raphael wr extravagantly pun-filled, alln-rich prose, as if S.J. Perelman had done really, really well classics at Cambridge.</p></div><div class="article-body grid-center grid-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">While the full dazzle of Raphael’s verbal fireworks requir extensive quotatn, he n also be wryly ncise. Of a celebry uple, he not: “If not yet married, you were certaly joed at the hype.”</p></div><div class="article-body grid-center grid-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">“Last Post” has been my bedsi book for the past week, and I’ve only begun to sample s dub pleasur.</p></div></div></div></div><div></div><div class="wpds-c-dhzjXW wpds-c-dhzjXW-iPJLV-css mt-md grid-center grid-body"><div id="gift-share-end" data-ttid="gift-share-end" class="PJLV PJLV-idiqKOk-css hi-for-prt"><button aria-haspopup="dialog" aria-expand="false" aria-ntrols="gift-share-drawer" role="button" tabx="0" aria-label="Share this article" id="gift-share-drawer-ntrol-end" data-ttid="gift-share-drawer-ntrol-end" class="wpds-c-PJLV wpds-c-gsmDXe wpds-c-gsmDXe-iIVoLq-placement-Shortcut foc-highlight"><div class="wpds-c-UazGY" id="gift-share-shortcut" data-ttid="gift-share-shortcut"><svg xmlns=" fill="var(--wpds-lors-primary)" viewBox="0 0 16 16" aria-hidn="te" focable="false" role="img" class="wpds-c-fVfumU "><path fill="currentColor" d="M8 .6v3.8h.1c-4.4 0-7.3 4.5-6.9 8.8.1.8.2 1.2.2 1.2l.2 1 .4-1.3c.8-2 2-4 6.2-3.9H8v4l7-6.9L8 .6Zm1 11.3V9.3h-.9c-3 0-4.8.5-6.2 2.9.5-3.3 2.7-6.8 6.2-6.8H9V3l4.5 4.4L9 11.9Z"></path></svg><div class="PJLV wpds-c-kwcHlj">Share</div></div></button></div><div class="wpds-c-hcekgi"><div class="mb-lg-mod" data-qa="ments-btn-div"><button aria-label="Scroll to the ments sectn" data-qa="ments-btn" class="wpds-c-kSOqLF wpds-c-kSOqLF-SQjOY-variant-sendary wpds-c-kSOqLF-eHdizY-nsy-flt wpds-c-kSOqLF-ejCoEP-in-left wpds-c-kSOqLF-igqYgPb-css ments hi-for-prt"><svg xmlns=" viewBox="0 0 16 16" fill="currentColor" aria-hidn="te" focable="false" role="img" class="wpds-c-fBqPWp "><path d="M14 14V2H2v9.47h8.18L12.43 13ZM3 10.52V3h10v9.23l-2.5-1.66Z"></path></svg><span></span> Comments</button></div></div></div><div class="grid-center grid-body"><div></div></div></ma></div><div class="grid-center grid-mobile-full-bleed"><div class="hi-for-prt ml-to mr-to mt-md pt-lg recirc" data-qa="recirc"><div class="flex-l jtify-center hi-for-prt"><div class="pr-sm ml-sm ml-0-ns b-l br-l bc-gray-darkt more-om-post"><div></div><div class="dn db-l pb-md pt-md"><div data-qa="newsletter" class="hi-for-prt relative"><div class="dib w-100"><div><div class="flex jtify-center align self-center center transn-all duratn-400 ease--out" data-qa="sc-newsletter-signup" aria-label=""><svg aria-labelledby="react-aria-1-aria" role="img" viewBox="0 0 100 80"><tle id="react-aria-1-aria">Loadg... .

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