The Are 10 Gay Mem That Will Make You LOL

Contents:

• 27 GAY MEM SURE TO MAKE ANYONE LGH
• THE ARE 10 GAY MEM THAT WILL MAKE YOU LOL
• FRIENDSHIP TROUBLE: AN EXAMATN OF THE GAY BT FRIEND INTY AMERIN CONSUMER CULTURE
• FUNNY GAY BIRTHDAY WISH
• TOM HOLLAND’S GAY SEX SCENE SETS SOCIAL MEDIA ALIGHT AFTER THE ACTOR SAID PLAYG THE ROLE ‘BROKE HIM’

27 GAY MEM SURE TO MAKE ANYONE LGH

Imprs the GBF, and you will have stant accs to the girlJohn: Did you get laid du?Eric: No i lled her Gay Bt Friend a fagJohn: you should ApologizeEric: Done we're iends and gus whatJohn: What?Eric: Amber and Did the nastyby jmpjwp Febary 22, 2011Get the Gay Bt Friend mug.A straight man who tri to appeal towards women by beg feme and simply acts as if they were gay. This study seeks to addrs this void by offerg an analysis of the gay bt iend through an examatn of the quali that nstute the gay bt iend inty as is prented Amerin nsumer culture. The quali are ascertaed through an analysis of popular Amerin televisn shows and movi featurg gay bt iend characters—Will & Grace, Ugly Betty, Glee, Sex and the Cy, Burlque, The Devil Wears Prada, and Sex and the Cy 2.

This say propos five tegori through which one n unrstand the quali of the gay bt iend inty: socenomic stat, the body, personal relatnships, behavr, and lack of agency. The tegori nstct the gay bt iend inty as one that is pletely modified and sentialized and that, although touted as an ditn of creasg acceptance of gay people, nstut ltle more than a new form of opprsn.

THE ARE 10 GAY MEM THAT WILL MAKE YOU LOL

Contemporary culture has bee saturated wh the gay bt iend; the July, 2010 issue of Teen Vogue pots out “the mt-have ems [for a fashnable teenage girl] clud a Proenza Schouler tie-dyed top, a shnken ary jack, neon bright chunky bracelets, and … a gay bt iend” (Talbot, 2010, page number).

Ined, the gay bt iend n even be found on the shelv of booksellers natnwi Terrance Dean’s (2010) book, Straight om Your Gay Bt Friend: The Straight-Up Tth About Relatnships, Work, and Havg a Fabulo Life. Though the reprentatns of the gay bt iend are fictnal, the pervasivens of the inty poss as one wh the potential to affect the lived experience of real people a myriad of ways.

One potential effect of this inty is the perpetuatn of the opprsive cultural unrstandg of gay men as eful for style advice, terr sign, sassy ments, their abily to cut hair, and ltle else.

FRIENDSHIP TROUBLE: AN EXAMATN OF THE GAY BT FRIEND INTY AMERIN CONSUMER CULTURE

In addn to ntributg to the margalizatn of gay men as a whole, this uld further margalize gay men who do not fill the role of the gay bt iend if the inty be signifintly more accepted than other gay inti. This should not e as a surprise, though, as gay culture has been heavily modified nsumer culture, the system where lkag between rourc, material and symbolic, and meangs, lived experience, and inty are created, mataed, and negotiated by markets (Arnould, 2010). This is exemplified Bravo’s h seri Queer Eye for the Straight Guy, which promot gayns as a mody that n improve one’s life and shows viewers where gayns n be bought (Kooijman, 2005).

Addnally, the targetg of the gay muny by “ol hunters, ” agents who would document aspects of gay culture and pch the aspects to pani lookg to make their products and advertisg “oler” (Kle, 1999), illtrat the high mody value of gayns. Prev rearch has foced on heterosexual women who beiend gay men (Buckley, 2008; Maland, 1991; Moon, 1995; Thompson, 2004), the relatnships between gay bt iends and heterosexual women (Comer & Ldsey, 2007; Shepperd, Coyle, & Hegarty, 2010), and whether media reprentatns of gay men are posive or negative (Hart, 2004; Kooijman, 2005).

This study seeks to addrs this void by offerg an analysis of the gay bt iend through an examatn of the quali that nstute the gay bt iend inty as is nstcted Amerin nsumer culture. As his female iend’s sikick, the suatnal edy’s gay bt iend’s behavr elics lghter om the dience, obscurg the social stctur supportg homophobia by divertg the dience’s attentn om the stctur to his il behavr (Gray, Jon, & Thompson, 2009).

FUNNY GAY BIRTHDAY WISH

Bee the gay bt iend character is not nfed to one genre, and gay bt iend characters om different genr share many attribut— is both possible and necsary for an analysis of the gay bt iend to clu characters om multiple genr.

In addn to boastg high viewership, the televisn shows and movi span the time perd over which the gay bt iend rose to promence, which allows the vtigator to observe the chang the nstctn of the gay bt iend inty over time. ((Though there are certaly other televisn shows and movi ntag gay bt iend characters, the shows and movi feature their gay bt iend characters more promently than many other shows.

Furthermore, there are other televisn shows and movi featurg gay characters that are not gay bt iend characters—characters whose iendships wh heterosexual women are not emphasized, e. Therefore, to exame the nstctn of the gay bt iend inty, I intify and analyze the quali the characters performatively enact to ga this inty to bee gay bt iends.

TOM HOLLAND’S GAY SEX SCENE SETS SOCIAL MEDIA ALIGHT AFTER THE ACTOR SAID PLAYG THE ROLE ‘BROKE HIM’

Many of the quali of the gay bt iend inty, however, nnot be classified as belongg to only one tegory; nsequently, there is nsirable overlap between the tegori. Jack McFarland, a gay bt iend character om Will & Grace, appears to be fairly wealthy, yet his unsuccsful reer as an actor leav him virtually unemployed for much of the seri. For example, Kurt Hummel, the gay bt iend character Glee, wears -season, signer clothg; has a large and lavishly rated bedroom; attends an expensive private school for part of season two; and driv an expensive r, a Lln Navigator, (Murphy, Falch, Brennan, & Stt, 2009) early the seri.

The absence of an explic source of wealth, particularly texts ntag material that ntradicts the apparent affluence of the gay bt iend, offers sight to the importance of this qualy. An tert fashn, particularly high-fashn, is associated wh the upper class (Barber and Lobel, 1952), so the gay bt iend’s tert fashn suggts an upper class standg. Frequent dietg is associated wh high socenomic stat (Story, French, Rnick, & Blum, 1995), and health foods are typilly more expensive than their regular unterparts, so an obssn wh “healthy” eatg and health food signifi the gay bt iend character’s high socenomic stat.

By featurg gay bt iend characters who share this batn of quali—affluent life styl, whens, an tert fashn, a slenr body, and a preoccupatn wh “healthy” eatg habs—the texts make high socenomic stat a major qualy of the gay bt iend character; thereby, nstctg the gay bt iend inty as one only available to dividuals wh high socenomic stat. The femizatn of the gay bt iend’s body tempers the masculy typilly associated wh male bodi and nstcts the gay bt iend inty as one whose body mt signify prcribed levels of masculy and femy. Kurt (Murphy, Falch, Brennan, & Stoltz, 2011a) and Marc (Horta, Becker, Kucserka, Pente, & Brock, 2007) also have straed relatnships wh their fai bee they are gay.