Te Blood Had Gay Sex Scene "I Found You" Episo: Spoilers, GIFs

black gay guy in true blood

Part of Te Blood’s appeal is that the st portrays their characters so well that ’s hard to believe they aren’t real. Enter Lafayette, played by Nelsan Ellis. Lafayette is a gay man who is flamboyant and egreg but at the same time isn’t stereotypil.

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'TE BLOOD' ACTOR NELSAN ELLIS: FORMER STAR QU BEE HE DIDN'T 'WANT TO PLAY A GAY PART'

The Sunday, June 29 episo of Te Blood had a gay sex scene between 2 of the show's male protagonists; check out GIFs - spoilers, shockg ntent! * black gay guy in true blood *

Relled by many as talented and unrrated, Ellis beme a Te Blood fan-favore for his portrayal of the scene-stealg, gay short orr ok at Merlotte’s Bar the fictnal Louisiana town.

” Ellis’s character was ld for breakg stereotyp of gay men. "Yet over s seven seasons the seri also went the extra e by cludg many gay, lbian, and bisexual characters who were jt as diverse, dangero, and memorable as Bon Temps' other rints.

” Ellis played Lafayette Reynolds, a gay ok, through the seven-season n of “Te Blood.

TE BLOOD “I FOUND YOU” EPISO FEATURED SURPRISE GAY SEX SCENE: GIFS

'Te Blood' Actor Le Grim Qu Over Gay Role * black gay guy in true blood *

”Onle news se The Gr praised Ellis’s portrayal of Lafayette as one that “slays gay stereotyp. He was open and unapologetic about his love of sex and the male form while livg the ty fictnal town of Bon Temps, Louisiana — the type of place where ’s not necsarily safe to be gay, or black, and certaly not both at the same time. As Lafayette, Ellis expand the untry’s llective imagatn of what a queer black man uld look, sound and act like, startg jt months before California passed Proposn 8, which banned same-sex marriage, and years before Print Barack Obama announced an “evolutn” his thkg about gay rights.

Williams) such a memorable part of The Wire — his gayns isn’t the fg feature of his character. He’s gay a way that feels unique to the projects of Baltimore.

SPOILER ALERT: TE BLOOD TURNS STRAIGHT CHARACTER GAY… BUT WHICH ONE?

Nelsan Ellis reveals that "Te Blood" actor Le Grim qu the show bee he didn't want to do a gay storyle -- and the st and crew is not happy. * black gay guy in true blood *

When first aired 2005, Noah’s Arc many ways felt like a black rponse to the overwhelmg whens of Showtime’s Amerin adaptatn of Queer as Folk, another landmark show that challenged what meant to see gay men on televisn.

Noah’s Arc centered on a group of middle-class gay black men livg Los Angel. It was a way to say, “Hey, black people live gentrified gayborhoods and drk smopolans and battle HIV stigma too. I don’t answer that qutn — ‘Are you gay or not?

'TE BLOOD' ACTOR LE GRIM QU OVER GAY ROLE (REPORT)

* black gay guy in true blood *

Ne years after the last episo of The Wire aired, Williams is still sistg terviews that he’s more than jt Omar Ltle, spe a lany of rol, gay and straight, sce Omar buted.

But Grim reportedly qu December when he found out Kent was bisexual and startg a romantic relatnship wh a gay character the seventh and fal Nelsan Ellis, the actor who plays Kent’s gay lover on the show, is speakg up -- and he’s not happy.

“You qu your job bee you don’t want to play a gay part? You make a big statement when you go, ‘I don’t want to play this part bee ’s gay, ” Ellis told New York Magaze followg the airg this week of his character’s sex scene wh the new actor playg Kent. ”Yet crics argue that Grim should have known what he was gettg to when he ially signed the dotted le, given that the supernatural drama – created by the openly gay Alan Ball and produced by his pany njunctn wh HBO – routely ph the envelope when to relatnships.

'TE BLOOD' ACTOR SPEAKS OUT ON EX-COSTAR'S ANTI-GAY BEHAVR: 'I'M OVER HIM'THE REAL REASON BEHD LE GRIM' EX A'T SO {FONT:NORMAL 800 1.2REM/1.25 "GRAVY",SANS-SERIF;TEXT-TRANSFORM:NONE;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#FFFFFF;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}{FONT:NORMAL 800 1.2REM/1.25 "GRAVY",SANS-SERIF;TEXT-TRANSFORM:NONE;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#FFFFFF;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}TVBY SHNNA MURPHYJULY 22, 2014/12:27 {HEIGHT:HER;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;POSN:RELATIVE;-WEBK-FLEX-WRAP:WRAP;-MS-FLEX-WRAP:WRAP;FLEX-WRAP:WRAP;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;-WEBK-TRANSFORM-ORIG:CENTER;-MS-TRANSFORM-ORIG:CENTER;TRANSFORM-ORIG:CENTER;} IMG{HEIGHT:100%;WIDTH:100%;OBJECT-F:VER;}{HEIGHT:574PX;WIDTH:1020PX;}HBOBY SHNNA MURPHYJULY 22, 2014 / 12:27 PM{"@NTEXT":","@TYPE":"NEWSARTICLE","HEADLE":"'TE BLOOD' ACTOR SPEAKS OUT ON EX-COSTAR'S ANTI-GAY BEHAVR: 'I'M OVER HIM'","THUMBNAILURL":","DATEPUBLISHED":"2014-07-22T16:27:26.000+0000","DATEMODIFIED":"2014-07-22T16:27:26.000+0000","IMAGE":{"@NTEXT":","@TYPE":"IMAGEOBJECT","URL":","WIDTH":1920,"HEIGHT":1080},"URL":","THOR":{"@TYPE":"ORGANIZATN","NAME":"MTV"},"MAENTYOFPAGE":{"@TYPE":"WEBPAGE","@ID":"},"PUBLISHER":{"@TYPE":"ORGANIZATN","@ID":","NAME":"MTV","URL":","LOGO":{"@TYPE":"IMAGEOBJECT","URL":","WIDTH":1280,"HEIGHT":720}},"CREATOR":"SHNNA MURPHY","ARTICLESECTN":"TV"}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#F3F3F3;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WHEN "TE BLOOD" RETURNED FOR S SEVENTH AND FAL SEASON EARLIER THIS SUMMER, FANS IMMEDIATELY NOTICED THAT ONE CCIAL CHARACTER HAD A DIFFERENT FACE -- JAM, THE STUDLY VAMPIRE WHO ENTERED THE SHOW SEASON SIX TO ROMANCE DEBORAH ANN WOLL'S CHARACTER, JSI, WAS NOW BEG PLAYED BY A NEW ACTOR, NATHAN {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#F3F3F3;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE ACTOR WHO IALLY PLAYED JAM, LE GRIM, ISSUED A STATEMENT SAYG THAT HIS ABPT PARTURE "HAD NOTHG TO DO WH STORYL" AND MORE TO DO WH OTHER OPPORTUNI. (HE'LL BE APPEARG 2015'S SURE-TO-BE MEGAH "FIFTY SHAS OF GREY," FOR EXAMPLE.) AND HBO, FOR S PART, ATTRIBUTED HIS CISN TO "THE CREATIVE DIRECTN OF THE CHARACTER."{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#F3F3F3;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BUT ONCE BEME CLEAR THAT GRIM' FORMER CHARACTER WAS BISEXUAL, AND HEAD FOR ROMANCE WH NELSAN ELLIS' FAN-FAVORE CHARACTER LAFAYETTE, THE STORY GOT A B EPER -- AND NOW, WEEKS AFTER BUZZFEED FIRST REPORTED THAT GRIM ED EXED THE SHOW BEE HE DIDN'T WANT TO PLAY GAY, AND THAT HIS ACTNS "BAFFLED AND ANGERED" THE "TE BLOOD" ST AND CREW, ELLIS HIMSELF IS SPEAKG {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#F3F3F3;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}"I MEAN, I N SAY I'M NOT GOG TO MAKE A MENT, BUT I JT THK THAT, YOU'RE AN ACTOR, YOU'RE AN ACTOR ON A SHOW THAT'S 'TE BLOOD,'" ELLIS TOLD VULTURE AFTER THE JULY 20 EPISO, WHICH FEATURED LAFAYETTE AND JAM' FIRST SEX SCENE. "WE'RE ALL STG THERE GOG, 'YOU QU YOUR JOB BEE ... REALLY?' I'M JT... I'M OVER HIM. YOU QU YOUR JOB BEE YOU DON'T WANT TO PLAY A GAY PART? AS IF 'S ... YOU KNOW WHAT? I'M GOG TO STOP TALKG."{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#F3F3F3;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ELLIS DIDN'T STOP THERE, HOWEVER -- HE POTED OUT THAT GRIM' ACTNS MAKE A FIVE STATEMENT, AND THAT A STATEMENT OF THIS KD N HAVE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#F3F3F3;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}"YOU MAKE A STATEMENT WHEN YOU DO SOMETHG LIKE THAT," HE NTUED. "I DID A DOCUMENTARY LLED 'DAMN WONRFUL,' ABOUT GAY SUICI, AND YOU MAKE A STATEMENT, A BIG STATEMENT, WHEN YOU GO, 'I DON'T WANT TO PLAY THIS PART BEE 'S GAY.' IF YOU HAVE A CHILD, IF YOU HAVE A SON, AND HE OUT AS GAY, WHAT ARE YOU GOG TO DO? IF YOU HAVE A DGHTER WHO OUT GAY...? YOU JT MA A STATEMENT, AND HAS RIPPLE EFFECTS."{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#F3F3F3;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ELLIS ALSO SAID THAT, AS AN ACTOR, YOU N'T E TO A PROJECT -- PECIALLY A PROJECT LIKE "TE BLOOD," WHICH BOASTED FIVE FULL YEARS OF SEX AND LGBT-IENDLY NTENT BEFORE GRIM EVEN ENTERED THE SCENE -- AND TELL YOUR BOSS WHAT YOU WILL AND WILL NOT {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#F3F3F3;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}"WHEN SCRIPTS E, WE'RE LIKE, 'WHAT ARE THEY GOG TO HAVE DO THIS WEEK?' BUT WHEN YOU MAKE A STATEMENT THAT IS A JUDGMENT ... I WAS KD OF LIKE, 'HAVE YOU MET ALAN BALL?'" HE SAID, REFERRG TO THE SHOW'S OPENLY GAY CREATOR. "I'M SUPPOSED TO DO WHAT MY BOSS TELLS ME TO DO, AS AN ACTOR. I N'T APPROACH A CHARACTER WH JUDGMENT. I CERTALY N'T TELL MY BOSS, 'I N ACT WHAT I WANT TO ACT, BUT NOT WHAT YOU TELL ME TO ACT,' PECIALLY ON A SHOW WHERE YOU E , KNOWG WHAT IS. I WAS LIKE, 'OKAY... I GUS?' I JT THOUGHT THAT, HAVG JT DONE THE DOCUMENTARY, I DIDN'T LIKE WHAT HE DID BEE HE MA A STATEMENT, AND SOMETIM YOU HAVE TO TAKE RPONSIBILY."{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#F3F3F3;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WELL, THERE YOU HAVE -- THE MYSTERY OF JAM KENT'S NEW FACE HAS OFFICIALLY BEEN SOLVED. BUT DON'T FOR ONE SEND FEEL SORRY FOR ELLIS, WHO SAYS HE ADOR AND HAS "GREAT CHEMISTRY" WH PARSONS, WHO SEEMS MORE THAN HAPPY TO BE STARRG ON THIS BLOCKBTER SHOW. AND THEN, OF URSE, THERE'S THE FACT THAT GRIM WILL LIKELY NOT BE VED TO STAR THE "TE BLOOD" MIL... OR ON ANY HBO SHOWS GENERAL, ACRDG TO {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#F3F3F3;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}"I DON'T THK HE'LL BE VED BACK TO HBO," THE ACTOR NCLUD, WH A {BOX-SIZG:BORR-BOX;CLEAR:BOTH;}{BOX-SIZG:BORR-BOX;MARG:0 TO;WIDTH:90%;M-WIDTH:288PX;MAX-WIDTH:1440PX;M-HEIGHT:194PX;}LATT NEWS

“It’s unfortunate that an actor today would feel unfortable playg gay, pecially on a program that has always put LGBT characters ont and center, ” Stacy Lambe, Associate Edor for the gay and lbian-foced OUT Magaze said. Take a look back at some of the gay sex dreams that have appeared on Te Blood, which, often feature Kwanten as the betiful season 6, Jason Stackhoe shared a sexy dream sequence after drkg the vae of the vampire-fairy Warlow, played by Rob Kazsky.

Earlier the show's n, Jason received a surprise bedfellow the form of Eddie, a middle-aged gay vampire.

NELSAN ELLIS (LAFAYETTE) TALKS ‘TE BLOOD,’ GAY MARRIAGE, TYLER PERRY

Lafayette, Bon Temps' only openly gay and androgyno dg aler, regularly claps back at bigoted whe folks and homophob ’s also worth notg that Tara herself eventually beme a vampire, spe beg extremely wary of them earlier the seri. Te Blood “I Found You” Episo Featured Surprise Gay Sex Scene: GIFs. As steamy as the Jason-Eric scene was, wasn’t even the first homoerotic dream for straight-so-far Jason.

'TE BLOOD' ACTOR QU SHOW OVER GAY CONTENT

And, of urse, there’s rint bisexual Pam and openly gay Lafayette, the latter of whom is now settled down wh J. Lafayette is a flamboyant, charismatic gay man. Bee he is gay, people tend to unrtimate Lafayette, but he has taken down human men.

Now, a new report claims those "differenc" stemmed om a gay plotle.

TE BLOOD'S LAFAYETTE SLAYS GAY STEREOTYP

Buzzfeed reports that Grim -- who prevly played Jam, the vampire boyiend of Jsi (Deborah Ann Woll) -- qu bee the Season 7 script of the vampire-centric HBO show clud a romance between his character and the openly gay Lafayette (Nelsan Ellis). "But once beme clear that Grim' former character was bisexual, and head for romance wh Nelsan Ellis' fan-favore character Lafayette, the story got a b eper -- and now, weeks after Buzzfeed first reported that Grim ed exed the show bee he didn't want to play gay, and that his actns "baffled and angered" the "Te Blood" st and crew, Ellis himself is speakg out.

You qu your job bee you don't want to play a gay part? "I did a documentary lled 'Damn Wonrful, ' about gay suici, and you make a statement, a big statement, when you go, 'I don't want to play this part bee 's gay. ' If you have a child, if you have a son, and he out as gay, what are you gog to do?

TE BLOOD’S NELSAN ELLIS TALKS GAY STEREOTYP & TYLER PERRY

If you have a dghter who out gay...? '" he said, referrg to the show's openly gay creator.

Lafayette is a gay man who is flamboyant and egreg but at the same time isn’t stereotypil. Here, he tells VIBE how he brought Lafayette to life, what the gay muny thks about the character and how he plans to transn beyond his Te Blood role.

So that stereotype you were playg mt have been a Queenie type of gay guy, huh?

*BEAR-MAGAZINE.COM* BLACK GAY GUY IN TRUE BLOOD

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data-qa="name-wh-optnal-lk" data-cy="name-wh-optnal-lk"><span data-qa="attributn-text" class="wpds-c-cNdzuP">Perspective by <!-- --> </span><span data-qa="thor-name" rel="thor" class="wpds-c-cNdzuP wpds-c-cNdzuP-cIdiJW-isLk-false"> Aled L. Mart, Jr.</span></div></div><span class="wpds-c-ewNrgJ thor-scriptn" data-qa="thor-scriptn"> Aled L. Mart, Jr., is assistant profsor of media studi at the Universy of Iowa and thor of "The Generic Closet: Black Gayns and the Black-Cast S."</span></span></div></span></div></div><div data-ttid="timtamp" class="wpds-c-kgabfe wpds-c-kgabfe-ieEDlgV-css"><span data-ttid="display-date" class="wpds-c-iKQyrV">June 23, 2021 at 6:00 a.m. EDT</span></div></div></div></hear></div><article class="grid-article mb-xxl-ns" data-qa="ma"><div data-ttid="le-art" data-qa="le-art" class=""><figure class="overflow-hidn relative hi-for-prt center center mb-sm mb-md-ns ml-to-ns mr-to-ns grid-mobile-full-bleed"><div style="filter:blur(10px);transn:filter .1s;le-height:0" class="w-100 mw-100 h-to" width="600" height="400"><img style="background-size:ver;max-width:1600px;background-image:url('data:image/svg+xml;charset=utf-8,%3Csvg xmlns='http%3A//; xmlns%3Axlk='http%3A//; viewBox='0 0 1280 853'%3E%3Cfilter id='b' lor-terpolatn-filters='sRGB'%3E%3CfeGssianBlur stdDeviatn='.5'%3E%3C/feGssianBlur%3E%3CfeComponentTransfer%3E%3CfeFuncA type='discrete' tableValu='1 1'%3E%3C/feFuncA%3E%3C/feComponentTransfer%3E%3C/filter%3E%3Cimage filter='url(%23b)' x='0' y='0' height='100%25' width='100%25' xlk%3Ahref='data%3Aimage/png;base64,iVBORw0KGgoAAAANSUhEUgAAAAkAAAAGCAIAAACepSOSAAAACXBIWXMAAC4jAAAuIwF4pT92AAAAs0lEQVQI1wGoAFf/AImSoJSer5yjs52ktp2luJuluKOpuJefsoCNowB+kKaOm66grL+krsCnsMGrt8m1u8mzt8OVoLIAhJqzjZ2tnLLLnLHJp7fNmpyjqbPCqLrRjqO7AIeUn5ultaWtt56msaSnroZyY4mBgLq7wY6TmwCRfk2Pf1uzm2WulV+xmV6rmGyQfFm3nWSBcEIAfm46jX1FkH5Djn5AmodGo49MopBLlIRBfG8yj/dfjF5TUAAAAASUVORK5CYII='%3E%3C/image%3E%3C/svg%3E')" alt="" class="w-100 mw-100 h-to" width="600" height="400" srcSet=" 400w, 540w, 691w, 767w, 916w, 1200w" siz="(max-width: 440px) 440px,(max-width: 600px) 691px,(max-width: 768px) 691px,(m-width: 769px) and (max-width: 1023px) 960px,(m-width: 1024px) and (max-width: 1299px) 530px,(m-width: 1300px) and (max-width: 1439px) 691px,(m-width: 1440px) 916px,440px" dg="async"/></div><figptn class="ml-gutter mr-gutter mr-to-ns ml-to-ns font--subhead font-xxxs mt-xs left gray-dark">Billy Porter plays Pray Tell a scene om Netflix's "Pose" 2019. (Chris Sorensen for The Washgton Post) </figptn></figure></div><div class="grid-body"><div class="wpds-c-PJLV wpds-c-PJLV-hSmMVC-isLive-false"><div class="wpds-c-jUMcim wpds-c-jUMcim-ibVGacg-css hi-for-prt mb-sm"><div class="PJLV PJLV-ieDMgMI-css flex ems-center" nfig="[object Object]" data-qa="article-actns"><div class="wpds-c-mfMEg"><div class="wpds-c-kSOqLF wpds-c-hnjNCH wpds-c-kSOqLF-bywHgD-variant-primary wpds-c-kSOqLF-biynoz-nsy-pact wpds-c-kSOqLF-hZSyid-isOutle-te wpds-c-kSOqLF-ejCoEP-in-left wpds-c-kSOqLF-futx-cv wpds-c-hnjNCH-eNNUQD-cv wpds-c-hnjNCH-jGqLyO-cv"><div id="gift-share" data-ttid="gift-share" class="PJLV PJLV-ieGzigK-css hi-for-prt"><button aria-haspopup="dialog" aria-expand="false" aria-ntrols="gift-share-drawer" role="button" tabx="0" aria-label="Share this article" id="gift-share-drawer-ntrol" data-ttid="gift-share-drawer-ntrol" class="wpds-c-PJLV wpds-c-gsmDXe wpds-c-gsmDXe-dTGBTO-placement-ActnBar foc-highlight"><svg xmlns=" fill="currentColor" viewBox="0 0 16 16" class="wpds-c-fBqPWp wpds-c-fBqPWp-idCxsxc-css " aria-hidn="te" focable="false" role="img"><path fill="currentColor" d="M8 .6v3.8h.1c-4.4 0-7.3 4.5-6.9 8.8.1.8.2 1.2.2 1.2l.2 1 .4-1.3c.8-2 2-4 6.2-3.9H8v4l7-6.9L8 .6Zm1 11.3V9.3h-.9c-3 0-4.8.5-6.2 2.9.5-3.3 2.7-6.8 6.2-6.8H9V3l4.5 4.4L9 11.9Z"></path></svg></button></div><span aria-hidn="te" class="wpds-c-fBEbFG">Share</span></div></div><div class="wpds-c-mfMEg"><div class="wpds-c-kSOqLF wpds-c-hnjNCH wpds-c-kSOqLF-bywHgD-variant-primary wpds-c-kSOqLF-biynoz-nsy-pact wpds-c-kSOqLF-hZSyid-isOutle-te wpds-c-kSOqLF-ejCoEP-in-left wpds-c-kSOqLF-futx-cv wpds-c-hnjNCH-eNNUQD-cv wpds-c-hnjNCH-jGqLyO-cv"><button aria-label="Comment" class="wpds-c-gPbxFP"><svg xmlns=" viewBox="0 0 16 16" fill="var(--wpds-lors-primary)" aria-hidn="te" focable="false" role="img" class="wpds-c-kKAfCG wpds-c-efqEZa flex ems-center jtify-center brad-lg poter transn-400 ease--out transn-lors" aria-label="Comment on this story"><tle>Comment on this story</tle><path d="M14 14V2H2v9.47h8.18L12.43 13ZM3 10.52V3h10v9.23l-2.5-1.66Z"></path></svg></button><span aria-hidn="te" class="wpds-c-fBEbFG">Comment</span><span class="wpds-c-fOvfhP wpds-c-fOvfhP-kshkDy-isCommentType-te none" aria-hidn="te"><span class="ment-unt font-xxxxs sc-ral-unt"><span></span></span></span></div></div></div></div></div><div class="teaser-ntent grid-center"><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">As June’s annual celebratn of LGBTQ pri to an end, so, too, do “Pose,” the hight-profile seri to feature the stori of Black and Lato queer and trans characters and actors.</p></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">“Pose” would have been unimagable even a few s ago. Tradnally, most LGBTQ characters on televisn were Whe, and the few Black gay characters were distorted stereotyp — feme, stuck tradnally female jobs, the source of humor about genr and genr rol or sequtered otherwise Whe televisual worlds. Progrs has been slow. It has taken over three s and dramatic chang televisn’s bs mol to create opportuni for new characters and shows that have fally begun to dispt the lk between Whens and LGBTQ sexualy popular culture.</p></div></div><div></div><div class="article-body" data-qa="article-body"><div class="db dn-ns mr-neg-gutter ml-neg-gutter mb-md hi-for-prt" data-qa="subscribe-promo"><div data-orientatn="horizontal" role="separator" class="wpds-c-dbVHzF wpds-c-dbVHzF-hDkAcj-variant-flt"></div><a class="pt-sm pb-sm flex ems-center bold font-xxxs font-xxs-ns jtify-center" href=" target="_blank" rel="noreferrer noopener" style="lor:#166dfc;borr:none"><svg class="ntent-box" width="24" height="24" viewBox="0 0 24 24" xmlns=" aria-hidn="te" focable="false" role="img"><tle>Wp</tle><path d="M11.055 8.728l-1.018-1.019-.782.782v6.292l1.782 1.564.018-.019v-7.6zm-4.11.236L5.674 7.71l-.836.855v6.237l1.545 1.327.564-.636V8.964zm2.656 9.074l-2.528-2.182-1.927 2.182-2.619-2.255v-3.564h-.509c-.454 0-.672.273-.745.636H1.09a2.89 2.89 0 0 1-.091-.69c0-.473.2-1.71 1.527-1.71V7.691c0-1.073-.709-1.127-.709-2.054 0-1.037.982-2 2.782-2.637l.164.145c-.6.291-1.09.655-1.09 1.437 0 1.2 1.163.89 1.163 2.782v.727l2.127-2.236 2.237 2.2 2.109-2.2 2.036 2v6.728l-3.745 3.455zm11.108-9.625l-1.073-.982-.964 1.018v6.6c.855.11 1.491.4 2.019.964l.018-.018V8.413zm-2.382.418l-.528.545v10.237l.528.492V8.83zm1.49 9.055c-.308-.382-.69-.709-1.145-.836v3.782l-.036.018-1-.927-2.11 1.945-.036-.018V16.96c-.636.145-1.327.545-1.854 1.2l-.146-.091c.127-1.4.818-2.436 2-2.837v-3.545h-.382c-.527 0-.89.363-.963.763h-.219c-.054-.145-.127-.381-.127-.836 0-.891.6-1.564 1.582-1.564h.11V8.085l-.655-.582-.51.51-.254-.237 2.018-2.073 1.71 1.564V9.05l.527-.564v-2.09h.345v1.727l2.273-2.419L23 7.576v7.91l-3.182 2.4z" fill-le="evenodd"></path></svg><span class="mr-xs ml-xs gray-darkt flex ems-center">Get the full experience.<span class="ml-xs subs-theme blue">Choose your plan</span></span><svg class="ntent-box" width="16" height="16" viewBox="0 0 16 16" xmlns=" style="fill:#166dfc" aria-hidn="te" focable="false" role="img"><tle>ArrowRight</tle><path d="M7.664 1.25l6 6a1 1 0 010 1.414l-6 6L6.25 13.25 10.499 9H2V7h8.585L6.25 2.664 7.664 1.25z" fill-le="nonzero"></path></svg></a><div data-orientatn="horizontal" role="separator" class="wpds-c-dbVHzF wpds-c-dbVHzF-hDkAcj-variant-flt"></div></div></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">In the 1950s and 1960s, televisn mostly attempted to be offensive to a mass dience. When lbian and gay characters were clud (there was virtually no discsn of bisexualy or trans people), they were stereotyped ritur: Gay men were “feme” and often had “women’s” reers such as hairdrser and terr signer, and lbians were “butch” bee they, prumably, wanted to be “men.” One goal of the portrayals was to make lbian and gay inty visible to viewers, siar ways that race n often be read onto the body.</p></div><div class="article-body" data-qa="article-body"><div class="cb dn db-ns" data-qa="article-body-ad" data-ttid="article-body-ad-sktop"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-none pt-lg pb-lg" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"><div>Advertisement</div></div></div></div></div></div><div class="article-body" data-qa="article-body"><div class="cb db dn-ns" data-qa="article-body-ad" data-ttid="article-body-ad-mobile"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-sm pt-sm pb-sm" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"></div></div></div></div></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">In the 1970s, the growg sophistitn of televisn ratgs systems dramatilly changed TV programmg. Networks uld more clearly and quickly unrstand who was watchg a particular seri, makg easier to target 18-to-34-year-olds, whom advertisers veted. And so, works (mostly CBS and NBC) began buyg “hip” programmg om pennt producers such as Tanm (owned by Norman Lear and Bud York) and MTM Enterpris (owned by Grant Tker and Mary Tyler Moore). This shift rulted pathbreakg programs such as “All the Fay,” “Sanford and Son” and “The Mary Tyler Moore Show” that tackled issu such as class, race and genr, topics prevly nsired too difficult for TV.</p></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">On ocsn, the “hip” programs clud episodic discsns of sexualy. And unlike earlier lbian and gay portrayals, the characters the shows were often dissociated om historil stereotyp, part reflectg a change public nscns after the 1969 Stonewall uprisg. For example, a 1977 episo of the “Sanford and Son” spoff “Sanford Arms” featured Travis, a Black gay civil rights attorney who was a iend of one of the seri’ characters. In the episo “Phil’s Assertn School,” Travis monstrated that (Black) gay men weren’t all effemate and, wh his job as an attorney (who ultimately end up helpg a seri star get out of a legal bd), that gay men uld have reers outsi the nf of “feme” pursus.</p></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">Yet, as nservative wds swept through the untry the 1980s and as AIDS (ially lled GRID: gay related immune ficiency) began to cimate gay muni, this progrs erod. Black gay characters, when they appeared on televisn at all, returned to beg more effemate. For example, on “Saturday Night Live,” Eddie Murphy portrayed Dn. While he never said Dn was gay, the clu were ample for viewers who unrstood stereotyp of gay men — Dn was a hairdrser, equently discsed his “roommate” Carlos and had a tramark giggle.</p></div><div class="article-body" data-qa="article-body"><div class="cb dn db-ns" data-qa="article-body-ad" data-ttid="article-body-ad-sktop"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-none pt-lg pb-lg" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"><div>Advertisement</div></div></div></div></div></div><div class="article-body" data-qa="article-body"><div class="cb db dn-ns" data-qa="article-body-ad" data-ttid="article-body-ad-mobile"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-sm pt-sm pb-sm" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"></div></div></div></div></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">The portrayal of Black gay men on televisn started to change the 1990s for three reasons. The works — which now clud broadst and ble — realized that the young adult children of the Whe dienc they targeted the 1970s were more willg to nsume ntent wh gay characters than their parents had been. Send, the expansn of ble televisn allowed for narrower dience targetg. Third, lifavg medil advanc shifted AIDS om a ath sentence to a manageable chronic illns, erasg some of the stigma attached to .</p></div><div class="article-body" data-qa="article-body"><div id="gift-share-le" data-ttid="gift-share-le" class="PJLV PJLV-ilotWTr-css hi-for-prt"><button aria-haspopup="dialog" aria-expand="false" aria-ntrols="gift-share-drawer" role="button" tabx="0" aria-label="Share this article" id="gift-share-drawer-ntrol-le" data-ttid="gift-share-drawer-ntrol-le" class="wpds-c-PJLV wpds-c-gsmDXe wpds-c-gsmDXe-goNocI-placement-Inle foc-highlight"><div data-ttid="gift-share-terstial-trigger" class="wpds-c-kPqOkS wpds-c-kPqOkS-jtSXsT-hasSubsText-false"><span class="wpds-c-hBJqc"><span class="wpds-c-dzSncg">Share this article</span></span><span class="wpds-c-eCvK"><span class="wpds-c-enedHQ wpds-c-enedHQ-cCdK-isShown-false">Share</span><svg xmlns=" fill="currentColor" viewBox="0 0 16 16" aria-hidn="te" focable="false" role="img" class="wpds-c-fBqPWp wpds-c-fDHGth"><path fill="currentColor" d="M8 .6v3.8h.1c-4.4 0-7.3 4.5-6.9 8.8.1.8.2 1.2.2 1.2l.2 1 .4-1.3c.8-2 2-4 6.2-3.9H8v4l7-6.9L8 .6Zm1 11.3V9.3h-.9c-3 0-4.8.5-6.2 2.9.5-3.3 2.7-6.8 6.2-6.8H9V3l4.5 4.4L9 11.9Z"></path></svg></span></div></button></div></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">The rult: an crease Black gay reprentatn. The began wh “In Livg Color’s” “Men On …” sketch featurg Antoe Merriweather and Blae Edwards as two cultural crics who viewers were supposed to assume were gay based on their disda for all thgs female and the lisps wh which they spoke. But by 1991, the remnants of the past were left behd. From 1991 to 1993, for example, “Roc” clud four episos wh Rsell, Roc’s uncle, played by “Shaft” star Richard Roundtree — known for exudg hyper manls. Roundtree’s first appearance as Rsell, on the 1991 episo “Can’t Help Lovg the Man,” also marked the first time the word “marriage” was ed to scribe a ceremony between two same-sex dividuals. (“The Goln Girls” episo “Sister of the Bri” aired earlier 1991 but lled Clayton (Blanche’s brother) and Doug’s vows a “mment ceremony.”)</p></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">The emergence of new channels and the growth of ble works such as Lifetime and HBO (both of which began producg origal programs) rulted a para of firsts for Black gay televisn reprentatn. Black-st ss, cludg “Moha” (1997) and “Good News” (1997), featured Black gay characters, wh “Moha” pictg the first Black gay teenager and the episo “Labels” beg the first by a Black gay wrer, Demetri Bady. Multicultural ss such as “Cutters” and “Sp Cy” clud Black gay men as part of the fabric of the seri, wh “Cutters” (1993) beg the first show to feature a Black gay character a -starrg role. RuPl also hosted “The RuPl Show” on VH1, the first time a Black gay man (and drag queen) hosted a talk/variety show. The show weled big-name celebri such as Diana Ross and Patti LaBelle alongsi performanc om Broadway shows.</p></div><div class="article-body" data-qa="article-body"><div class="cb dn db-ns" data-qa="article-body-ad" data-ttid="article-body-ad-sktop"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-none pt-lg pb-lg" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"><div>Advertisement</div></div></div></div></div></div><div class="article-body" data-qa="article-body"><div class="cb db dn-ns" data-qa="article-body-ad" data-ttid="article-body-ad-mobile"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-sm pt-sm pb-sm" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"></div></div></div></div></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">Televisn shows the 2000s built on the gas, wh “The Wire,” “Te Blood” and “Noah’s Arc” all featurg Black gay characters. Not only were more Black gay characters appearg shows, but the portrayal of Black gay men was also changg. “The Wire” featured Omar, a character who not only fied old stereotyp, but also was the first Black gay character whose sexualy was sendary to his inty — which foced more on the fear and rpect he mand om Baltimoreans. “Te Blood’s” Lafayette was a short-orr ok and dg aler. Demonstratg how far thgs had e, 2006, “Noah’s Arc” premiered, beg the first seri to clu a primary st posed entirely of Black gay men and executive produced by a Black gay man, Patrik-Ian Polk.</p></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">Together, the programs and characters monstrated that Black gay men uld be multifaceted dividuals who uld remix stereotyped tras to create characters who were ls easily tegorized as “good” or “bad.”</p></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">And wasn’t only ble that offered a more nuanced portrayal of Black gay men. Network ss, “All of Us,” “The Game” and “Will and Grace,” all clud episos wh Black gay characters relatnships. The characters reprented an attempt by wrers and producers to offer more nuanced reprentatns of Black LGBTQ characters.</p></div><div class="article-body" data-qa="article-body"><div class="cb dn db-ns" data-qa="article-body-ad" data-ttid="article-body-ad-sktop"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-none pt-lg pb-lg" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"><div>Advertisement</div></div></div></div></div></div><div class="article-body" data-qa="article-body"><div class="cb db dn-ns" data-qa="article-body-ad" data-ttid="article-body-ad-mobile"><div aria-hidn="te" class="hi-for-prt relative flex jtify-center ntent-box ems-center b bh mb-md mt-sm pt-sm pb-sm" style="m-height:250px;borr-top-lor:;borr-bottom-lor:"><div class="center absolute w-100 borr-box" style="top:"><div class="dib gray-dark pl-xs pr-xs font-sans-serif light font-xxxxs lh-md" style="--primary-borr-lor:"></div></div><div data-ttid="placeholr-box" class="w-100 h-100 absolute flex flex-lumn jtify-center borr-box bg-offwhe" style="width:300px;height:250px"><div class="flex flex-lumn jtify-center font-sans-serif center font-xxs light gray-dark lh-md"></div></div></div></div></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">In the years sce the breakthroughs, numero seri, cludg “Are We There Yet?,” “Dear Whe People” and “Brooklyn Ne-Ne,” have had Black gay characters, monstratg perhaps that the old lkage between Whens and LGBTQ sexualy on TV is fadg.</p></div><div class="article-body" data-qa="article-body"><p data-ttid="drop-p-letter" data-el="text" class="wpds-c-cYdRxM wpds-c-cYdRxM-iPJLV-css overriStyl font-py" dir="null">The chang matter. Reprentatn n signal acceptance and normalcy that n be important for Black queer boys and men. Yet the battle do not end wh more — or more nuanced — reprentatn. For entertament dtri to tly make progrs reprentg Black LGBTQ characters, they need to hire more LGBTQ people of lor to work ont of and behd the meras while creatg programmg that don’t force sgle LGBTQ characters to reprent all LGBTQ experienc. Only then n nversatns about LGBTQ stereotyp be firmly left the past.</p></div><div class="wpds-c-jkoBlc wpds-c-jkoBlc-leHWbT-removeAllStyl-te"><div class="wpds-c-dhzjXW wpds-c-dhzjXW-iPJLV-css overriStyl mt-md tt"><div id="gift-share-end" data-ttid="gift-share-end" class="PJLV PJLV-idiqKOk-css hi-for-prt"><button aria-haspopup="dialog" aria-expand="false" aria-ntrols="gift-share-drawer" role="button" tabx="0" aria-label="Share this article" id="gift-share-drawer-ntrol-end" data-ttid="gift-share-drawer-ntrol-end" class="wpds-c-PJLV wpds-c-gsmDXe wpds-c-gsmDXe-iIVoLq-placement-Shortcut foc-highlight"><div class="wpds-c-UazGY" id="gift-share-shortcut" data-ttid="gift-share-shortcut"><svg xmlns=" fill="var(--wpds-lors-primary)" viewBox="0 0 16 16" aria-hidn="te" focable="false" role="img" class="wpds-c-fVfumU "><path fill="currentColor" d="M8 .6v3.8h.1c-4.4 0-7.3 4.5-6.9 8.8.1.8.2 1.2.2 1.2l.2 1 .4-1.3c.8-2 2-4 6.2-3.9H8v4l7-6.9L8 .6Zm1 11.3V9.3h-.9c-3 0-4.8.5-6.2 2.9.5-3.3 2.7-6.8 6.2-6.8H9V3l4.5 4.4L9 11.9Z"></path></svg><div class="PJLV wpds-c-kwcHlj">Share</div></div></button></div><div class="wpds-c-hcekgi"><div class="mb-lg-mod" data-qa="ments-btn-div"><button aria-label="Scroll to the ments sectn" data-qa="ments-btn" class="wpds-c-kSOqLF wpds-c-kSOqLF-SQjOY-variant-sendary wpds-c-kSOqLF-eHdizY-nsy-flt wpds-c-kSOqLF-ejCoEP-in-left wpds-c-kSOqLF-igqYgPb-css ments hi-for-prt"><svg xmlns=" viewBox="0 0 16 16" fill="currentColor" aria-hidn="te" focable="false" role="img" class="wpds-c-fBqPWp "><path d="M14 14V2H2v9.47h8.18L12.43 13ZM3 10.52V3h10v9.23l-2.5-1.66Z"></path></svg><span></span> Comments</button></div></div></div><div class="PJLV PJLV-iipsdti-css"><div></div></div><div class="PJLV PJLV-iipsdti-css"><div></div></div><sectn class="PJLV PJLV-icEohIP-css dn-ns hi-for-prt" data-ttid="mostRead" subscriptns-sectn="ntent"><div data-ttid="lazy-most-read-parent" class=""><div style="m-height:800px"></div></div></sectn><div class="PJLV PJLV-ickXkbz-css"><div data-qa="newsletter" class="hi-for-prt relative"><div class="dib w-100"><div><div class="flex jtify-center align self-center center transn-all duratn-400 ease--out" data-qa="sc-newsletter-signup" aria-label=""><svg aria-labelledby="react-aria-1-aria" role="img" viewBox="0 0 100 80"><tle id="react-aria-1-aria">Loadg....

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