Why Donatello’s famoly androgyno sculpture of “David” should be tepreted as a reflectn of gay culture Renaissance Florence." data-reactroot="
Contents:
GAY ART HISTORY TOURS HOMOEROTILLY RETHK THE METROPOLAN MM’S ARTWORK
* renaissance gay art *
Even as they emphasised the Christian msage of this scene, homosexual artists of the Renaissance were not bld to the more obv meang of the Ganyme myth. While many homosexual men had to rema gey about their love, there were some outspoken artists who were relatively open about their sir. Today his works, cludg a patg of Ganyme before he is rried off, are some of the few ma by a homosexual artist that explore the psychology of gay men.
The dashgly charmg -founr of the Llie-Lohman Mm v si his SoHo apartment—an unbelievable monument to gay creativy and art. " data-reactroot=" * renaissance gay art *
Dpe the ubiquy of Ganyme wtern art, his populary fell away the late neteenth century favour of another symbol for homosexual love. It may be that openly displayg a work of Ganyme, wh all of s illic homosexual unrton, would too openly 'out' a llector as a Ganyme himself.
In one of the most famo portras of Wckelmann, the great art historian and homosexual n be seen proudly examg an engravg of a statue of Anto. In the 'Gay Corner' of the Congrsnal Cemetery Washgton, you will fd the name of Anto scribed on an obelisk unr the shady branch of a cherry tree. (A mockg name aimed at Bazzi’s homosexualy that Bazzi later began to embrace) was a pater of the Italian renaissance, born Savoy, Italy.