By pokg fun at 18th-century society The Beggar’s Opera, John Gay land himself a major h and, says Berta Jonc, paved the way for the morn mil" data-ttid="meta-scriptn
Contents:
GAY: THE BEGGAR'S OPERA
* gay beggars opera *
None of s ial proponents, least of all s thor John Gay, anticipated this legacy.
When and why did Gay wre The Beggar’s Opera? Gay wrote the The Beggar’s Opera to needle placent high-end nsumers. Opera seria is the foil to Gay’s work, which like s target featur warrg divas, sie arias, an overture, three acts, a prison scene and a happy endg.
BROWSE: GAY - THE BEGGAR'S OPERA
The Beggar’s Opera, a ballad opera three acts by John Gay, performed at Lln’s Inn Fields Theatre, London, 1728 and published the same year. The work b edy and polil satire prose terspersed wh songs set to ntemporary and tradnal English, Irish, Sttish, and * gay beggars opera *
But Gay thst the actn of The Beggar’s Opera ep to London’s unrworld.
Most importantly, song exists The Beggar’s Opera not to climax affectively but to school listeners social did Gay's characters The Beggar’s Opera e om?
Gay: The Beggar's Opera. Eloquence: ELQ4428629. Buy 2 CDs onle. Graham Clark (Matt), Stafford Dean (Lock), John Gibbs (Jemmy Twcher), Michael Horrn (The Player), Kiri Te Kanawa (Polly Peachum), Angela Lansbury (Mrs. Peachum), Aled Marks (The Jailer & Mr. Peachum), Warren Mchell (The Beggar & The Drawer), Jam Morris (Macheath), Ann Murray (Jenny... * gay beggars opera *
Gay drew his characters om real-life crimals. Gay took the name of Jenny Diver, who betrays Macheath, om London’s most famo pickpocket. To this Gay add ad homem attacks: Macheath and Peachum were alternately stand-s for First Mister Robert Walpole, whose nickname ‘Great Man’ is also Macheath’s.
Wantg dienc to grasp the ironic lson of each song stantly, Gay fted new words to so-lled ‘mon’ tun – that is, melodi already known to dienc, maly through prt. And Gay based his plot on events taken om the popular is the storyle of The Beggar’s Opera? The work’s narrator, a Beggar, here terven wh the ex macha of havg the rabble ‘cry reprieve’, by which means Macheath walks spired Gay to wre The Beggar’s Opera?
The Beggar’s Opera was thought by s earlit dienc to be wholly origal, but Gay fact borrowed his central ia of ic versn om the édie en vville, the Parisian street theatre which melodi om tragédie en mique were paired wh ribald actn. While mock stage tragedy had been embraced by London dienc sce the Rtoratn, Gay followed the Parisian mol by parodyg song rather than speech to rail agast the lg class. The difference was that French vville was a speci of media ll’arte which Harlequ, Columbe and other media figur sang durg their antics, while Gay’s personae and actn rived om the grimmt rners of the news.