Killer Punch of a Secretly Gay Boxer

Contents:

• MET OPERA TO PRENT TERENCE BLANCHARD’S OPERA ABOUT CLOSETED GAY BOXER 2023
• NEW OPERA TELLS STORY OF GAY BOXER EE GRIFFH
• KILLER PUNCH OF A SECRETLY GAY BOXERHARD HITTINGWORLD CHAMPN BOXER EE GRIFFH ACCINTALLY KILLED BENNY PARET, HIS OPPONENT A 1962 BOUT. GRIFFH WAS ALSO BLACK AND THE CLOSET—A NEW OPERA EXPLOR HIS DRAMATIC LIFE.EY WILSONUPDATED JUL. 12, 2017 6:31PM EDT / PUBLISHED FEB. 18, 2016 12:01AM EST CHARL HOFF/NY DAILY NEWS ARCHIVE VIA GETTY IMAGJAZZ TMPETER, BANDLEAR, AND POSER TERENCE BLANCHARD TOOK UP BOXG HIS 30S. HE SE LOTS OF PARALLELS BETWEEN BOXG AND JAZZ—THE LIMED REPERTOIRE, THE ART TO , AND IMPROVISG.WHEN BLANCHARD’S BOXG TRAER, FORMER HEAVYWEIGHT CHAMPN MICHAEL BENTT, TOLD HIM ABOUT EE GRIFFH, BLANCHARD WAS PTIVATED BY THE STORY OF THE WORLD WELTER- AND MIDDLEWEIGHT CHAMPN WHO ACCINTALLY KILLED AN OPPONENT, BENNY PARET, THE RG DURG A 1962 MATCH, HTG HIM 17 TIM THE LAST ROUND. PARET WENT TO THE HOSPAL A A AND DIED 10 DAYS LATER.THE CINT HNTED GRIFFH, BEG A FG MOMENT HIS REER. GRIFFH WAS GAY, AND AT THE WEIGH- BEFORE THE FIGHT, PARET HAD TNTED HIM, LLG HIM A “MARIN,” A ROGATORY SPANISH TERM, SIAR TO “FAGGOT.” GRIFFH WAS OM THE U. S. VIRG ISLANDS, AND ALREADY STGGLED AS A BLACK MAN AMERIN, BLANCHARD SAID—AND ALONG WH THAT HE FACED THE DISCRIMATN THAT LOVG MEN BROUGHT. “I REMEMBER WHEN I WON MY FIRST GRAMMY, WHEN THEY LLED MY NAME, I LOOKED TO MY WIFE AND GAVE HER A HUG,” BLANCHARD SAID. “EE ULDN’T CELEBRATE OPENLY WH SOMEONE HE LOVED, AND WE SHOULD ALL BE WELL PAST ALL THAT KD OF TOLERANCE.”WANTG TO LEARN MORE ABOUT GRIFFH, BLANCHARD READ RON ROSS’ BGRAPHY OF HIM, NE... TEN... AND OUT! HE FOUND A QUOTE THAT STCK HIM: “I KEEP THKG HOW STRANGE IS ... I KILL A MAN AND MOST PEOPLE UNRSTAND AND FIVE ME. HOWEVER, I LOVE A MAN AND TO SO MANY PEOPLE THIS IS AN UNFIVABLE S.”TO BLANCHARD, THIS WAS TRAGILLY STILL RELEVANT. SO WHEN THE OPERA THEATER OF SAT LOUIS LLED WANTG HIM TO WRE AN OPER­A—A FIRST FOR THE MAN WHO’S DONE SR FOR ABOUT 50 MOVI, CLUDG ALL OF SPIKE LEE’S SCE 1991’S JUNGLE FEVER—HE HAD A SUBJECT MD. THEY SUGGTED SOMETHG ABOUT HURRINE KATRA, BUT BLANCHARD HAD A DIFFERENT IA—SOMETHG BASED ON GRIFFH’S LIFE.HE WROTE CHAMPN: AN OPERA JAZZ, WHICH HAS S WT COAST PREMIERE AT THE SF JAZZ CENTER (WHERE BLANCHARD IS A RINT ARTISTIC DIRECTOR) ON FEB. 19, STAGED WH A JAZZ TR, ORCHTRA, AND GOSPEL CHOS.RANDALL KLE, THE EXECUTIVE ARTISTIC DIRECTOR OF SF JAZZ, HAD HEARD OF GRIFFH. WHEN HE WAS A LTLE BOY, HE AND HIS BROTHERS ED TO WATCH GRIFFH BOX ON TV. KLE DIDN’T SEE THE FIGHT WHERE PARET WAS KILLED, BUT HE REMEMBERS HEARG ABOUT . “HE WAS WORLD FAMO,” KLE SAID ABOUT GRIFFH. “IT WAS NATNAL NEWS. I DIDN’T KNOW THE FULL STORY—THAT AT THE WEIGH-, HE’D LLED HIM A FAGGOT.”WATCHG GRIFFH BOX MA A BIG IMPRSN ON HIM, KLE SAYS.“HE WAS A BETIFUL GUY, THIS ELEGANT HUMAN BEG. THERE WAS THIS MAGIC THG ABOUT HIM,” KLE SAID. “IT’S A GREAT TRAGEDY THAT THIS ELEGANT MAN WHO WAS PART OF THE TOUGHT ASPECT OF OUR SOCIETY—A WORLD CHAMPN BOXER—ULDN’T BE HIMSELF. HE WAS A BLACK MAN AND AN UNRDOG, AND THEN HE WAS HANGG OUT GAY BARS AND GETTG BEATEN UP BY THUGS.”BENTT, THE BOXER WHO TRAED BLANCHARD, SAYS THAT CARIBBEAN SOCIETY IS PARTICULARLY MACHO AND HOMOPHOBIC. BENTT, WHOSE PARENTS WERE OM JAMAI, SAYS WHEN HE HEARD ABOUT GRIFFH, WAS THE NTEXT OF “THAT FUCKG FAGGOT.” HE MET HIM AT GLEASON’S GYM NEW YORK, AND SAID GRIFFH WAS HELPFUL AND OPEN, OFFERG HIM TIPS ON FIGHTG. BENTT ME TO ADMIRE GRIFFH FOR LIVG HIS LIFE HIS OWN WAY.“THE OLR I GOT, THE MORE I WAS LIKE, ‘THAT WAS REALLY BOLD OF THIS GUY, MAN,’” HE SAID. “I THOUGHT THAT WAS IMPRSIVE AND VERY URAGEO. HE WAS BLACK AND AN IMMIGRANT, SO HE WAS ALREADY AN OUTSIR. HE ACCEPTED HIS ATTRACTN TO MEN. I THK FUELED HIM—BOXERS FIGHT BEE THEY’RE VICTIMS AT SOME POT THEIR LIV. EE WAS HIGHLY SENSIVE, AND TO HAVE ED THE ATH OF ANOTHER FIGHTER—THAT HNTED HIM THE RT OF HIS LIFE.”GRIFFH DREAMED ABOUT PARET AND WOULD SEE AN IMAGE OF HIM THE MIRROR WHEN HE WAS SHAVG, ROSS, A FORMER BOXER WHO WROTE GRIFFH’S BGRAPHY, SAID. ROSS ADD THAT GRIFFH WAS TURNED AWAY WHEN HE TRIED TO VIS PARET THE HOSPAL.ROSS, WHO LIVED NEAR GRIFFH ON LONG ISLAND, SAYS WHEN HE WAS WRG THE BOOK, THE TWO BEME GOOD IENDS, WH GRIFFH G BY HIS HOE AND PLAYG RDS WH HIS CHILDREN, NOW GROWN.ROSS WAS ALSO AT THE ’62 BOUT AT MADISON SQUARE GARN WHEN GRIFFH RNERED PARET THE LAST ROUND, HTG HIM UNTIL HE SLID DOWN THE ROP ONTO THE FLOOR, AND HE REMEMBERS WELL.“IT WAS A TERRIBLE SCENE TO OBSERVE,” HE SAID. “I KNEW BENNY WAS BADLY HURT, AND TO SEE HIM ON THE NVAS LIKE THAT WAS AWFUL. THE CROWD WAS SHOCKED, WAG TO SEE IF BENNY WAS GOG TO GET UP. THEY WENT SILENT. IT REALLY AFFECTED BOXG. THEY TALKED ABOUT BANNG FOR A WHILE, AND THEY KEPT OFF TV FOR A LONG TIME AFTER THAT.”GRIFFH TOLD ROSS THAT HE MEANT TO KNOCK PARET OUT, BUT NEVER WANTED TO PERMANENTLY HURT HIM. AFTER PARET’S ATH, GRIFFH STOPPED FIGHTG FOR A WHILE. RECEIVG LETTERS OM OTHERS, SUCH AS TCK DRIVERS, WHO HAD ACCINTALLY KILLED SOMEONE, HELPED HIM ENORMOLY, AND HE WENT BACK TO THE SPORT, RETIRG 1977.NILE PAIEMENT, THE ARTISTIC DIRECTOR OF OPERA PARALLèLE, WHICH IS LLABORATG ON CHAMPN WH SF JAZZ, SAYS GRIFFH’S STORY IS PERFECT FOR OPERA, WHERE N ENTHRALL DIENC, AND NOT TIMIDATE THEM WH THE MIL LANGUAGE.FOR BLANCHARD, GRIFFH’S STORY IS UNIVERSAL BEE ALS WH BEG MISUNRSTOOD AND JUDGED.“LOOK AT THE YOUNG AIN AMERIN MEN GETTG KILLED BY THE POLICE, JUDGED SOLELY ON THE LOR OF THEIR SK,” HE SAID. “LOOK AT WOMEN STILL BEG JUDGED ON THEIR GENR AND ALG WH A PAY EQUY GAP.”CHAMPN EXAM HOW HUMAN BEGS TREAT EACH OTHER, SAYS BENTT, WHO IS NOW AN ACTOR.“IT’S POIGNANT MATERIAL AND RELEVANT BEE STILL HAPPENS—WE GET LABELED EVERY DAY, AND TOLD WHAT WE SHOULD HATE AND LOVE,” HE SAID. “EE HAD TO FIGHT THAT JOURNEY BY HIMSELF. JUDGMENT MAK FEEL BETTER ABOUT OURSELV, AND THAT’S WHAT THE OPERA GETS ACROSS SO BRILLIANTLY. IT POTS A FGER AT .” EY WILSON
• BOXG TRAGEDY SPIR OPERA ABOUT GAY BOXER
• GAY BOXERS ( BRIEF) AT THE OPERA

MET OPERA TO PRENT TERENCE BLANCHARD’S OPERA ABOUT CLOSETED GAY BOXER 2023

AdvertisementSKIP ADVERTISEMENTA Prizefighter’s Double Life, at Madison Square Garn and at StonewallA new opera productn at the Met explor the life and tragic reer of the gay boxer Ee Griffh, a welterweight champn.

Photographs om the personal llectn of Willson Lee Henrson, on the right of the bottom and far right imag, who was iends wh Ee Griffh, Vazquez for The New York TimIn the 1960s, Ee Griffh was a boxg star, known for his speed and punchg power, wh a regular prence at Madison Square neighborhoods near the Garn, he let his other si show, one of flashy outfs and unapologetic swagger, where he equented his favore gay bars and Griffh kept his two worlds separate.

“He was livg a double life, two liv, night and day, ” said Willson Lee Henrson, a gay rights activist who said he met Mr. Griffh early 1969 at the Stonewall Inn, the famo gay bar Greenwich Village, several months before a police raid touched off the Stonewall Rebelln and the morn gay rights boxer, who died 2013 at 75 om kidney failure and plitns of mentia, was known at the Stonewall for his open shirts and gold chas. Griffh unleashed a fatal barrage of punch the 12th round agast an opponent who had tnted him wh a homophobic slur.

NEW OPERA TELLS STORY OF GAY BOXER EE GRIFFH

Griffh never shied away om equentg gay clubs. That ma him a source of enarment and pri for the gay muny pecially as police raids, prsure and harassment ntued the late 1960s, said Mr.

“He was a pneer gay rights behd the scen but was never acknowledged for , ” Mr.

“He was never given cred by the gay muny or the sports muny, so he missed out on both. “In the ‘60s, beg gay wasn’t the most popular thg, and beg gay boxg culture was like sacrilege, ” said Michael Bentt, 58, a former world heavyweight champn and an actor who was iendly wh Mr.

KILLER PUNCH OF A SECRETLY GAY BOXERHARD HITTINGWORLD CHAMPN BOXER EE GRIFFH ACCINTALLY KILLED BENNY PARET, HIS OPPONENT A 1962 BOUT. GRIFFH WAS ALSO BLACK AND THE CLOSET—A NEW OPERA EXPLOR HIS DRAMATIC LIFE.EY WILSONUPDATED JUL. 12, 2017 6:31PM EDT / PUBLISHED FEB. 18, 2016 12:01AM EST CHARL HOFF/NY DAILY NEWS ARCHIVE VIA GETTY IMAGJAZZ TMPETER, BANDLEAR, AND POSER TERENCE BLANCHARD TOOK UP BOXG HIS 30S. HE SE LOTS OF PARALLELS BETWEEN BOXG AND JAZZ—THE LIMED REPERTOIRE, THE ART TO , AND IMPROVISG.WHEN BLANCHARD’S BOXG TRAER, FORMER HEAVYWEIGHT CHAMPN MICHAEL BENTT, TOLD HIM ABOUT EE GRIFFH, BLANCHARD WAS PTIVATED BY THE STORY OF THE WORLD WELTER- AND MIDDLEWEIGHT CHAMPN WHO ACCINTALLY KILLED AN OPPONENT, BENNY PARET, THE RG DURG A 1962 MATCH, HTG HIM 17 TIM THE LAST ROUND. PARET WENT TO THE HOSPAL A A AND DIED 10 DAYS LATER.THE CINT HNTED GRIFFH, BEG A FG MOMENT HIS REER. GRIFFH WAS GAY, AND AT THE WEIGH- BEFORE THE FIGHT, PARET HAD TNTED HIM, LLG HIM A “MARIN,” A ROGATORY SPANISH TERM, SIAR TO “FAGGOT.” GRIFFH WAS OM THE U. S. VIRG ISLANDS, AND ALREADY STGGLED AS A BLACK MAN AMERIN, BLANCHARD SAID—AND ALONG WH THAT HE FACED THE DISCRIMATN THAT LOVG MEN BROUGHT. “I REMEMBER WHEN I WON MY FIRST GRAMMY, WHEN THEY LLED MY NAME, I LOOKED TO MY WIFE AND GAVE HER A HUG,” BLANCHARD SAID. “EE ULDN’T CELEBRATE OPENLY WH SOMEONE HE LOVED, AND WE SHOULD ALL BE WELL PAST ALL THAT KD OF TOLERANCE.”WANTG TO LEARN MORE ABOUT GRIFFH, BLANCHARD READ RON ROSS’ BGRAPHY OF HIM, NE... TEN... AND OUT! HE FOUND A QUOTE THAT STCK HIM: “I KEEP THKG HOW STRANGE IS ... I KILL A MAN AND MOST PEOPLE UNRSTAND AND FIVE ME. HOWEVER, I LOVE A MAN AND TO SO MANY PEOPLE THIS IS AN UNFIVABLE S.”TO BLANCHARD, THIS WAS TRAGILLY STILL RELEVANT. SO WHEN THE OPERA THEATER OF SAT LOUIS LLED WANTG HIM TO WRE AN OPER­A—A FIRST FOR THE MAN WHO’S DONE SR FOR ABOUT 50 MOVI, CLUDG ALL OF SPIKE LEE’S SCE 1991’S JUNGLE FEVER—HE HAD A SUBJECT MD. THEY SUGGTED SOMETHG ABOUT HURRINE KATRA, BUT BLANCHARD HAD A DIFFERENT IA—SOMETHG BASED ON GRIFFH’S LIFE.HE WROTE CHAMPN: AN OPERA JAZZ, WHICH HAS S WT COAST PREMIERE AT THE SF JAZZ CENTER (WHERE BLANCHARD IS A RINT ARTISTIC DIRECTOR) ON FEB. 19, STAGED WH A JAZZ TR, ORCHTRA, AND GOSPEL CHOS.RANDALL KLE, THE EXECUTIVE ARTISTIC DIRECTOR OF SF JAZZ, HAD HEARD OF GRIFFH. WHEN HE WAS A LTLE BOY, HE AND HIS BROTHERS ED TO WATCH GRIFFH BOX ON TV. KLE DIDN’T SEE THE FIGHT WHERE PARET WAS KILLED, BUT HE REMEMBERS HEARG ABOUT . “HE WAS WORLD FAMO,” KLE SAID ABOUT GRIFFH. “IT WAS NATNAL NEWS. I DIDN’T KNOW THE FULL STORY—THAT AT THE WEIGH-, HE’D LLED HIM A FAGGOT.”WATCHG GRIFFH BOX MA A BIG IMPRSN ON HIM, KLE SAYS.“HE WAS A BETIFUL GUY, THIS ELEGANT HUMAN BEG. THERE WAS THIS MAGIC THG ABOUT HIM,” KLE SAID. “IT’S A GREAT TRAGEDY THAT THIS ELEGANT MAN WHO WAS PART OF THE TOUGHT ASPECT OF OUR SOCIETY—A WORLD CHAMPN BOXER—ULDN’T BE HIMSELF. HE WAS A BLACK MAN AND AN UNRDOG, AND THEN HE WAS HANGG OUT GAY BARS AND GETTG BEATEN UP BY THUGS.”BENTT, THE BOXER WHO TRAED BLANCHARD, SAYS THAT CARIBBEAN SOCIETY IS PARTICULARLY MACHO AND HOMOPHOBIC. BENTT, WHOSE PARENTS WERE OM JAMAI, SAYS WHEN HE HEARD ABOUT GRIFFH, WAS THE NTEXT OF “THAT FUCKG FAGGOT.” HE MET HIM AT GLEASON’S GYM NEW YORK, AND SAID GRIFFH WAS HELPFUL AND OPEN, OFFERG HIM TIPS ON FIGHTG. BENTT ME TO ADMIRE GRIFFH FOR LIVG HIS LIFE HIS OWN WAY.“THE OLR I GOT, THE MORE I WAS LIKE, ‘THAT WAS REALLY BOLD OF THIS GUY, MAN,’” HE SAID. “I THOUGHT THAT WAS IMPRSIVE AND VERY URAGEO. HE WAS BLACK AND AN IMMIGRANT, SO HE WAS ALREADY AN OUTSIR. HE ACCEPTED HIS ATTRACTN TO MEN. I THK FUELED HIM—BOXERS FIGHT BEE THEY’RE VICTIMS AT SOME POT THEIR LIV. EE WAS HIGHLY SENSIVE, AND TO HAVE ED THE ATH OF ANOTHER FIGHTER—THAT HNTED HIM THE RT OF HIS LIFE.”GRIFFH DREAMED ABOUT PARET AND WOULD SEE AN IMAGE OF HIM THE MIRROR WHEN HE WAS SHAVG, ROSS, A FORMER BOXER WHO WROTE GRIFFH’S BGRAPHY, SAID. ROSS ADD THAT GRIFFH WAS TURNED AWAY WHEN HE TRIED TO VIS PARET THE HOSPAL.ROSS, WHO LIVED NEAR GRIFFH ON LONG ISLAND, SAYS WHEN HE WAS WRG THE BOOK, THE TWO BEME GOOD IENDS, WH GRIFFH G BY HIS HOE AND PLAYG RDS WH HIS CHILDREN, NOW GROWN.ROSS WAS ALSO AT THE ’62 BOUT AT MADISON SQUARE GARN WHEN GRIFFH RNERED PARET THE LAST ROUND, HTG HIM UNTIL HE SLID DOWN THE ROP ONTO THE FLOOR, AND HE REMEMBERS WELL.“IT WAS A TERRIBLE SCENE TO OBSERVE,” HE SAID. “I KNEW BENNY WAS BADLY HURT, AND TO SEE HIM ON THE NVAS LIKE THAT WAS AWFUL. THE CROWD WAS SHOCKED, WAG TO SEE IF BENNY WAS GOG TO GET UP. THEY WENT SILENT. IT REALLY AFFECTED BOXG. THEY TALKED ABOUT BANNG FOR A WHILE, AND THEY KEPT OFF TV FOR A LONG TIME AFTER THAT.”GRIFFH TOLD ROSS THAT HE MEANT TO KNOCK PARET OUT, BUT NEVER WANTED TO PERMANENTLY HURT HIM. AFTER PARET’S ATH, GRIFFH STOPPED FIGHTG FOR A WHILE. RECEIVG LETTERS OM OTHERS, SUCH AS TCK DRIVERS, WHO HAD ACCINTALLY KILLED SOMEONE, HELPED HIM ENORMOLY, AND HE WENT BACK TO THE SPORT, RETIRG 1977.NILE PAIEMENT, THE ARTISTIC DIRECTOR OF OPERA PARALLèLE, WHICH IS LLABORATG ON CHAMPN WH SF JAZZ, SAYS GRIFFH’S STORY IS PERFECT FOR OPERA, WHERE N ENTHRALL DIENC, AND NOT TIMIDATE THEM WH THE MIL LANGUAGE.FOR BLANCHARD, GRIFFH’S STORY IS UNIVERSAL BEE ALS WH BEG MISUNRSTOOD AND JUDGED.“LOOK AT THE YOUNG AIN AMERIN MEN GETTG KILLED BY THE POLICE, JUDGED SOLELY ON THE LOR OF THEIR SK,” HE SAID. “LOOK AT WOMEN STILL BEG JUDGED ON THEIR GENR AND ALG WH A PAY EQUY GAP.”CHAMPN EXAM HOW HUMAN BEGS TREAT EACH OTHER, SAYS BENTT, WHO IS NOW AN ACTOR.“IT’S POIGNANT MATERIAL AND RELEVANT BEE STILL HAPPENS—WE GET LABELED EVERY DAY, AND TOLD WHAT WE SHOULD HATE AND LOVE,” HE SAID. “EE HAD TO FIGHT THAT JOURNEY BY HIMSELF. JUDGMENT MAK FEEL BETTER ABOUT OURSELV, AND THAT’S WHAT THE OPERA GETS ACROSS SO BRILLIANTLY. IT POTS A FGER AT .” EY WILSON

“I mentned that there was this gay boxer who was an outst many muni and was loved other muni, ” said Mr. Griffh a mockg lisp and lled him “maricón, ” a Spanish anti-gay slur that enraged Mr.

”A boxer wh style and panache‘He went to the nightclubs, drag clubs, gay bars and he took all ’Mr.

BOXG TRAGEDY SPIR OPERA ABOUT GAY BOXER

Griffh equented gay bars and clubs midtown like L Jard, the Gild Grape and Better Days. “He went to the nightclubs, drag clubs, gay bars and he took all , ” said Jam Robson, the opera’s director. Griffh told The Tim “He was a pneer gay rights behd the scen but was never acknowledged for , ” said Mr.

”The beatg and his drkg hastened his cle, leavg the chiseled champ who was once the toast of the gay clubs now livg a cluttered efficiency apartment on Long Island wh his trophi and champnship belts storage bags. In “Champn, ” which premiered 2013, Blanchard reunts how an environment of hyper-masculy and homophobia led to that fatal night at Madison Square Garn and how Griffh was hnted by for the rt of his life.

His fal Nelson as an unnamed man a gay bar and Ryan Speedo Green as young Ee Howard / Met OperaWhile Act II foc on Griffh’s twilight years and his stggl wh mentia and juri om a btal attack outsi of a gay bar the 1990s, the openg act foc on the boxer’s early life and his rivalry wh Paret. Usg what he’s learned over a -long pivot to posg operas, after makg a name for himself wh stud albums and 30 years’ worth of film sr for Spike Lee, Blanchard add sectns for the productn’s more-than-40-person chos and two new arias, which are played by a full orchtra and jazz ensemble nducted by Yannick Nézet-Ségu, the Metropolan Opera’s first openly gay mic director. The Metropolan Opera will prent s premiere of Terence Blanchard’s first opera, “Champn, ” about closeted gay boxer Ee Griffh, April 2023 followg the succs of the poser’s “Fire Shut Up My Bon” on the openg night of this season.

GAY BOXERS ( BRIEF) AT THE OPERA

Champn tells the story of Ee Griffh, a closeted gay boxer -- an era when gay people were outsts --who ris om obscury to bee world champn and, one of the great tragedi sports history, kills his homophobic archrival the rg. At the weigh- for a 1962 champnship bout at Madison Square Garn, Griffh's Cuban opponent, Benny Paret, tnted him wh an anti-gay slur.

Louis, tells the story of Griffh, who was gay but did not e out until 2008.

Before that life-changg televised fight, a room full of prs and officials, Paret had mocked Griffh wh a rogatory term for homosexual. Years later, Griffh's sexualy was revealed after he was nearly killed by a gang outsi a gay bar New York. As a fighter and a gay man.