Gay rights movement | Defn & History | Branni

Contents:

• KEV MAXEN BE FIRST MALE ACH A US MEN’S PROFSNAL SPORTS LEAGUE TO PUBLICLY E OUT AS GAY
• JACKSONVILLE JAGUARS ASSISTANT COACH KEV MAXEN MAK HISTORY AFTER COMG OUT AS GAY
• JACKSONVILLE JAGUARS' KEV MAXEN IS FIRST AMERIN MALE PRO SPORTS ACH TO E OUT AS GAY
• JAGUARS ASSOCIATE STRENGTH ACH KEV MAXEN OUT AS GAY A FIRST FOR US-BASED PRO LEAGU
• GAY LERATURE: POETRY AND PROSEGAY LERATURE: POETRY AND PROSE
• JAGUARS ASSOCIATE STRENGTH COACH COM OUT AS GAY IN A FIRST FOR U.S.-BASED PRO LEAGU
• GAY RIGHTS MOVEMENT
• THE BOOK CLUB THAT HELPED SPARK THE GAY-RIGHTS MOVEMENT

KEV MAXEN BE FIRST MALE ACH A US MEN’S PROFSNAL SPORTS LEAGUE TO PUBLICLY E OUT AS GAY

Per Outsports, Maxen is the “first publicly out male ach a major Amerin men’s pro sports league, ” wh WNBA ach Curt Miller, who publicly me out to the media as gay 2015, also a publicly out male ach an Amerin profsnal sports league. -- Jaguars assistant strength and ndng ach Kev Maxen has bee the first male ach major Amerin men's profsnal sports to publicly e out as gay, tellg he ma the cisn bee he didn't want to hi who he is any longer and to possibly spire others siar suatns.It's a cisn and move that drew praise and support om owner Shad Khan, who was a vol and emphatic supporter of a cy ordance that expand protectns on the grounds of sexual orientatn, genr inty and genr exprsn."I don't want to feel like I have to thk about anymore," Maxen said the piece published Thursday afternoon. Bisexualy has been viewed wh gay studi as distct om homosexualy, and bisexuals have found themselv exclud om gay events and anizatns although a great many “gay ins” om Socrat to Shakpeare to Osr Wil were married and fathered children.

JACKSONVILLE JAGUARS ASSISTANT COACH KEV MAXEN MAK HISTORY AFTER COMG OUT AS GAY

The word “homosexual” was, fact, created the late neteenth century as an English equivalent for German Homosexualtät, which first appeared prt 1869 a pamphlet argug agast the Pssian legal that prcribed punishments for men who engaged same-sex relatns.

JACKSONVILLE JAGUARS' KEV MAXEN IS FIRST AMERIN MALE PRO SPORTS ACH TO E OUT AS GAY

FouultIn the troductn to the first volume of his Histoire la sexualé (1976; English translatn, History of Sexualy, 1978), Michel Fouult argu that homosexualy is an ventn of the late neteenth century. The neteenth-century homosexual beme a personage, a past, a se history, and a childhood, addn to beg a type of life, a life form, and a morphology, wh an discreet anatomy and possibly a myster physlogy. Adoptg his posn, crics have argued, for example, that Walt Whman and Osr Wil (1854–1900) were not, strictly speakg, homosexuals, at least the sense that medil and psychologil tablishments unrstood that “ndn” or “speci” the twentieth century.

Whether the dividual is born homosexual or his or her homosexual sir are socially nstcted, is clear that medi-scientific theori of homosexualy as a curable disease were an ventn of the late neteenth and early twentieth centuri. Homosexualy plays by Tennsee Williams is differently unrstood, for example, than is poems by Walt Whman, and the difference is largely rooted medi-scientific nsiratns rather than ethil or polil on.

Psychoanalysis, the populary of which crted the Uned Stat the 1940s and 1950s, claimed that homosexuals were abnormal but that, wh the guidance of psychiatrists, they uld be “cured. If the play were wrten now, one might expect Brick to abandon Maggie, but as wrten by Williams, who was homosexual, the oppose happens, and the play ends “happily” when Maggie announc that she is pregnant.

JAGUARS ASSOCIATE STRENGTH ACH KEV MAXEN OUT AS GAY A FIRST FOR US-BASED PRO LEAGU

Repeatedly, Williams portrays homosexual life as threatened by vlence, eher om society or om some ner psychologil flaw; his homosexuals are saturated wh guilt and self-loathg. One rells thgs as var as Ernt Hemgway's dismissive attu toward homosexuals his books, the “pansi” played for lghs Hollywood films of the 1920s and 1930s, and Hart Crane's joyo announcement—havg, he believed, fallen love wh a woman—that he was not homosexual after all. Although Amerin lerature the first two-thirds of the twentieth century almost always impli the medi-scientific fn whenever homosexualy enters the text, Whman had his own succsors, om Bliss Carman (1861–1929) and Richard Hovey (1864–1900) to Marsn Hartley (1877–1943) to Langston Hugh (1902–1967) and Gerr Lansg (b.

Hallock vtigat one pecially tense relatnship his bgraphy of Fz-Greene Halleck (1790–1867), The Amerin Byron (2000), whom he views as a homosexual drawn to the younger poet Joseph Rodman Drake (1795–1820). Graham's importance to popular beliefs about sexualy the neteenth century should warn agast general or facile observatns about siari between attus toward homosexualy our own day and Thore's. Melville's works are as inic gay nons as Whman's, and there is even a Gay Herman Melville Rear (2002) as well as a scholarly dtry voted to queer-theory readgs of their works.

Sedgwick se Jam as a homosexual who rarely alt openly wh male timacy but whose work foc on “homosocial” (her term) suatns that occur when, for example, two men stggle for the attentn of a woman; emotns are directed by each man more strongly toward his petor than toward their shared object of sire. Billy Budd is a very different matter, for, Sedgwick wr, “every impulse of every person this book that uld at all be lled sire uld be lled homosexual sire, beg directed by men exclively toward men” (p.

GAY LERATURE: POETRY AND PROSEGAY LERATURE: POETRY AND PROSE

Although Sedgwick nsirs Billy Budd to be suffed wh homosexual sir, she pots out that there is only one homosexual the morn sense the story: Claggart, who has the self-loathg of those who have ternalized homophobia, and who is “praved bee he is, his sir, a pervert, ” or “homosexual” (Sedgwick, 1990, p.

The many homosexual Amerin poets the early twentieth century who were athet clud Amy Lowell (1874–1925), Wilbur Unrwood (1876–1935), Donald Evans (1884–1921), Gee Sylvter Viereck (1884–1962), John Gould Fletcher (1886–1950), Clark Ashton Smh (1893–1961), and Samuel Greenberg (1883–1917), whose poems Hart Crane emulated his own early work. That year he published his most popular novel, The Hoe of the Vampire, which vampirism is a for homosexualy, and Neveh and Other Poems, much of which volv sexual passn of a thoroughly f--siècle stamp.

Viereck knew Magn Hirschfeld (1868–1935), an early German “sexologist” and fenr of male-male love, and based Children of Lilh on Hirshfeld's fn of homosexualy as a “transnal sex, ” mergg the mascule wh the feme. Public attus toward homosexuals are suggted by an cint the early 1940s when John Crowe Ransom (1888–1974), who had accepted a poem by Robert Dunn (1919–1988) for the Kenyon Review, whdrew his offer after Dunn published an say another journal on homosexualy. Ransom plimented Dunn for havg taken such a bold stand—although actually the say is impartial, argug that homosexualy is no better, if no worse, than any other kd of life—but sisted that the poem schled for the Review might now be read as “homosexual advertisement” (Faas, 1983, p.

JAGUARS ASSOCIATE STRENGTH COACH COM OUT AS GAY IN A FIRST FOR U.S.-BASED PRO LEAGU

Astonishg though Ransom's act seems today, homosexualy at this time was still treated throughout the untry as crimal behavr, and until 1973 was nsired a mental disorr by the Amerin Psychiatric Associatn. Stt Fzgerald (1896–1940), but the evince is slight, and any se, a lerature domated by Ezra Pound (1885–1972), William Flkner (1897–1962), and Eugene O'Neill (1888–1953), gay and lbian ncerns had ltle room.

1928), and William Inge (1913–1973), and highly regard novels wh homosexual them and suatns, such as Two Ser Ladi (1943) by Jane Bowl (1917–1973), The Member of the Weddg (1946) by Carson McCullers (1917–1967), The Cy and the Pillar (1948) by Gore Vidal (b. Well-known homosexual poets clud Male Gleason (1903–1979), Elizabeth Bishop (1911–1979), William Bronk (1918–1999), Robert Dunn (1919–1988), Jam Schuyler (1923–1991), Rob Blaser (b. The so-lled School of Boston, which provid one of the avant-gar's rpons the 1960s to the mastream works of Robert Lowell (1917–1977) and Sylvia Plath (1932–1963), was almost entirely gay, cludg such poets as John Weers (1934–2002), Gerr Lansg, and Stephen Jonas (1920–1970).

The one thg that the works of all the poets have mon—although this is also not necsarily or sentially gay—is that they are immensely subversive, socially and often lguistilly, of the stat quo.

GAY RIGHTS MOVEMENT

The gay liberatn movement and the gradual public awarens that homosexualy was not the disease the psychiatric tablishment had claimed led to a luge of “g-out” stori, which the thor narrat her or his progrs om “the closet” to an open life as a gay woman or man.

THE BOOK CLUB THAT HELPED SPARK THE GAY-RIGHTS MOVEMENT

Numero anthologi of gay wrg—Stephen Coote's The Pengu Book of Homosexual Verse (1983), Carl Morse and Joan Lark's Gay and Lbian Poetry Our Time (1989), and Edmund Whe's Faber Book of Gay Short Fictn (1991), to ce three of the most rpected—prent no evince that “gay wrg” is sentially more than wrg about gay life. 1965), refully documents a range of poetic tradns om the formalist to the highly experimental whout fdg any that grew om a basilly gay athetic: “Of urse there are poems that overtly flnt their sexualy, ” Liu nclus, “but there are so many quieter poems (and poets) who might elu the most fely tuned gaydar [sensivy to others' gay inty].

Among recent admired experimental works of gay fictn are My Mother: Demonology (1993) by Kathy Acker, Jack the Mornist (1985) by Robert Glück, The Letters of Ma Harker (1998) by Dodie Bellamy (b. One of the first morn novels to al wh a homosexual figure sympathetilly and realistilly—A Sgle Man (1964) by the Anglo-Amerin novelist Christopher Isherwood (1904–1986)—suggted the same.

The thirty-two years that separate Isherwood's and Holleran's books were so fired wh crisis—the gay liberatn movement and then AIDS—that the fundamental flaw homosexual culture, namely, that has been profoundly a culture for and of the young, has not received as much attentn as should. Melville's isolato exemplify Emersonian self-reliance, but homosexualy Isherwood's and Holleran's works is seen all too accurately as a re of passage to a dimished sexual and emotnal matury that no culture should wish on s members.