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class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ AlertMsage-jgAjgo bVCFRm jEGgOR bmhHIl alert-msage"><p>To revis this article, vis My Profile, then<!-- --> <a href="/acunt/saved">View saved stori</a></p></div><button class="BaseButton-bLlsy ButtonWrapper-xCepQ gJNxgH bSqbcl button button--utily close-alert-button" data-event-click="{"element":"Button"}" data-ttid="Button" role="button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Close Alert</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="ButtonIn-YqaGo iwlhuX button-in in in-close" focable="false" viewBox="0 0 32 32" width="32" height="32" xmlns="><path d="M16 14.586l6.364-6.364 1.414 1.414L17.414 16l6.364 6.364-1.414 1.414L16 17.414l-6.364 6.364-1.414-1.414L14.586 16 8.222 9.636l1.414-1.414z" fill-le="nonzero"></path></svg></div></button></div></div><div class="StackedNavigatnSectnLogo-gMsxSu dwOfTV"><a href="/" class="StackedNavigatnLogoLk-byNqXP dmvHfj"><picture 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nsumer-marketg-un__slot--paywall-bar-ll-to-actn"></div><div class="journey-un"></div></div></asi></div><div class="SpaceHolr-oayp fXtswJ ad-height-hold"></div><div class="StickyHeroAdWrapper-eNLJUc gStsdY ad-stickyhero ad-stickyhero--standard ad-stickyhero-enable-mobile should-hold-space"><div class="AdWrapper-dQtivb fZrssQ ad ad--hero"><div class="ad__slot ad__slot--hero" data-no-id="27rn7"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-hero" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-hero"></div><div class="journey-un"></div></div></div><div class="SpaceHolr-oayp fXtswJ ad-height-hold"></div><ma id="ma-ntent" tabx="-1" class="BasePageMaContent-kFvAuh ewPCZH page__ma-ntent"><article class="article ma-ntent" lang="en-US"><div class="ArticlePageLeBackground-EufvU tFsh"><hear class="ContentHearWrapper-clujbs hksevn ntent-hear article__ntent-hear"><div data-ttid="ContentHearContaer" class="ContentHearContaer-cGKRbE knDxNq"><div class="ContentHearHedAccredatnWrapper-GFiQf cDNVlV"><div data-ttid="ContentHearTleBlockWrapper" class="ContentHearTleBlockWrapper-cjmSKp eiGjZk"><div data-ttid="ContentHearRubric" class="ContentHearRubricBlock-LmpbT tPofh"><div data-ttid="ContentHearRubricDateBlock" class="ContentHearRubricDateBlock-kAQcZP fTFWxD"><div class="RubricWrapper-dKmCNX gPBNpL bric ContentHearRubricContaer-eTudtt iRsSlw"><a class="RubricLk-gRWSOU cwyjHY bric__lk" href="/culture/art"><span class="RubricName-fVtemz cLxcNi">Art</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd jdcWfa isouMH">This Digal Exhibn of Posters om ACT UP and Beyond Will Igne You</h1></div><div class="ContentHearAccredatn-lfctVB etVsnJ ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearDek-bIqFFZ eijTxK">The curators behd <em>Days of Rage</em>, a new virtual art exhib, tell about the graphic sign that powered some of the world's biggt queer activist movements.</div><div class="ContentHearByle-kmPyCa emiglw"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearContributorImage-cvjZXn epCAJC"><picture class="RponsiveImagePicture-cWuUZO dUOtEa ContentHearContributorImage-cvjZXn epCAJC rponsive-image"><source media="(max-width: 767px)" srcSet=" 80w" siz="66px"/><source media="(m-width: 768px)" srcSet=" 90w" siz="66px"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bHLeKI"><p class="ByleWrapper-jWHrLH hdWCIC byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd bCbgyH gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd hSmufO skIR eErqIx byle__name-lk button" href="/ntributor/ey-lucci">Ey Colucci</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2022-04-15T08:00:00-04:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd dCoEhu bDGyxQ">April 15, 2022</time></div></div><div class="SocialInsWrapper-hKMEXV ffgPVr social-ins social-ins--standard ContentHearAccredatnSocialIns-jorO fPzfaa ntent-hear__social-share"><ul data-ttid="socialInslist" class="SocialInsList-cHVTIA ivmblD social-ins__list"><li class="SocialInsListItem-mbhR fxaFQj social-ins__list-em social-ins__list-em--twter social-ins__list-em--standard"><a aria-label="Share on Twter" class="external-lk SocialInExternalLk-huuzOU blkfJb social-ins__lk social-ins__lk--twter" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" 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15.1063 9.38536 15.6928C9.86525 16.2793 10.5332 16.6818 11.276 16.832C10.7924 16.9633 10.2852 16.9825 9.793 16.888C10.0027 17.5404 10.411 18.1109 10.961 18.5197C11.5109 18.9286 12.1749 19.1552 12.86 19.168C11.6971 20.0805 10.2611 20.5754 8.783 20.573C8.518 20.573 8.257 20.558 8 20.528C9.5011 21.4921 11.248 22.0038 13.032 22.002" fill="black"></path></svg></div></a></li><li class="SocialInsListItem-mbhR fxaFQj social-ins__list-em social-ins__list-em--email social-ins__list-em--standard"><a aria-label="Share via Email" class="external-lk SocialInExternalLk-huuzOU blkfJb social-ins__lk social-ins__lk--email" data-event-click="{"element":"ExternalLk","outgogURL":"mailto:?subject=This%20Digal%20Exhibn%20of%20Posters%20om%20ACT%20UP%20and%20Beyond%20Will%20Igne%20You&" href="mailto:?subject=This%20Digal%20Exhibn%20of%20Posters%20om%20ACT%20UP%20and%20Beyond%20Will%20Igne%20You& rel="nofollow noopener" target="_blank"><div class="SocialInContaer-huXzUC pMzVC social-ins__in-ntaer"><svg class="SocialInNetworkInComponent-cZaKGz dlOAhZ in in-email" focable="false" viewBox="0 0 32 32" width="32" height="32" xmlns="><tle>Email</tle><path d="M6 23h20V9H6v14zm3.631-12H22.37l-6.368 5.661L9.631 11zM24 12.227V21H8v-8.773l8.002 7.109L24 12.227z" fill-le="evenodd"></path></svg></div></a></li></ul></div></div></div><div class="ContentHearLeadAsset-hGbumP dDDxdb lead-asset ContentHearLeadAssetWrapper-hfXHEc Grck" data-ttid="ContentHearLeadAsset"><figure class="ContentHearLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHearLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__ntent__photo"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearRponsiveAsset-bREgIb hONbnm"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz ccdiSo"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa ContentHearRponsiveAsset-bREgIb hONbnm rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="Image may nta Advertisement Poster Brochure Paper Flyer and Collage" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span><div class="CaptnWrapper-jSZdqE hTTfoq ptn ContentHearLeadAssetCaptn-hPWmSN hfnsqH"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd eNhSMp fNaHcW ptn__cred">Juan Carlos y Néstor (Juan Carlos Vidal and Néstor Latróni), “Gay is Angry,” 1971. Silkscreen prt on paper. LGBTQ Poster Collectn, ONE Archiv at the USC Librari.; Creator unknown, “Stonewall, June 27 1976,” 1976. Silkscreen prt on posterboard. LGBTQ Poster Collectn, ONE Archiv at the USC Librari.; Jordan Peimer and John Wells, “AIDSphobia, Protect Yourself om Hollywood,” 1991. Color lhograph. ACT UP/Los Angel Rerds, ONE Archiv at the USC Librari.</span></div></div></figure></div></div><asi class="PersistentAsiWrapper-VGrR oEIBz persistent-asi persistent-asi--align-left" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jNgrSF sticky-box ContentHearPersistentAsi-fsnAmQ dFzKzm"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="SocialInsWrapper-hKMEXV ffgPVr social-ins social-ins--has-background ContentHearSocialIns-jzJiyg fLarGt social-ins--share"><ul data-ttid="socialInslist" class="SocialInsList-cHVTIA ivmblD social-ins__list"><li class="SocialInsListItem-mbhR gQILrJ social-ins__list-em social-ins__list-em--twter social-ins__list-em--has-background"><a aria-label="Share on Twter" class="external-lk SocialInExternalLk-huuzOU etOOvH social-ins__lk social-ins__lk--twter" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><div class="SocialInContaer-huXzUC pMzVC social-ins__in-ntaer"><svg class="SocialInNetworkInComponent-cZaKGz dlOAhZ in in-twter" focable="false" viewBox="0 0 32 32" width="32" height="32" fill="none" xmlns="><tle>Twter</tle><path d="M13.032 22.003C19.07 22.003 22.372 17.001 22.372 12.663C22.3719 12.5216 22.3686 12.3803 22.362 12.239C23.0045 11.7744 23.5592 11.1991 24 10.54C23.401 10.8056 22.7656 10.9799 22.115 11.057C22.8003 10.6467 23.3132 10.0013 23.558 9.24103C22.9138 9.62343 22.209 9.89297 21.474 10.038C20.9799 9.50946 20.325 9.15892 19.6112 9.04091C18.8973 8.9229 18.1644 9.04403 17.5265 9.38545C16.8886 9.72688 16.3813 10.2695 16.0836 10.9289C15.7858 11.5884 15.7142 12.3277 15.88 13.032C14.5746 12.9664 13.2976 12.6269 12.132 12.0356C10.9663 11.4444 9.93808 10.6145 9.114 9.60003C8.69297 10.3223 8.56366 11.1782 8.7525 11.9926C8.94134 12.8071 9.43407 13.5187 10.13 13.982C9.60866 13.9664 9.0987 13.8258 8.643 13.572V13.614C8.64319 14.3718 8.90547 15.1063 9.38536 15.6928C9.86525 16.2793 10.5332 16.6818 11.276 16.832C10.7924 16.9633 10.2852 16.9825 9.793 16.888C10.0027 17.5404 10.411 18.1109 10.961 18.5197C11.5109 18.9286 12.1749 19.1552 12.86 19.168C11.6971 20.0805 10.2611 20.5754 8.783 20.573C8.518 20.573 8.257 20.558 8 20.528C9.5011 21.4921 11.248 22.0038 13.032 22.002" fill="black"></path></svg></div></a></li><li class="SocialInsListItem-mbhR gQILrJ social-ins__list-em social-ins__list-em--email social-ins__list-em--has-background"><a aria-label="Share via Email" class="external-lk SocialInExternalLk-huuzOU etOOvH social-ins__lk social-ins__lk--email" data-event-click="{"element":"ExternalLk","outgogURL":"mailto:?subject=This%20Digal%20Exhibn%20of%20Posters%20om%20ACT%20UP%20and%20Beyond%20Will%20Igne%20You&" href="mailto:?subject=This%20Digal%20Exhibn%20of%20Posters%20om%20ACT%20UP%20and%20Beyond%20Will%20Igne%20You& rel="nofollow noopener" target="_blank"><div class="SocialInContaer-huXzUC pMzVC social-ins__in-ntaer"><svg class="SocialInNetworkInComponent-cZaKGz dlOAhZ in in-email" focable="false" viewBox="0 0 32 32" width="32" height="32" xmlns="><tle>Email</tle><path d="M6 23h20V9H6v14zm3.631-12H22.37l-6.368 5.661L9.631 11zM24 12.227V21H8v-8.773l8.002 7.109L24 12.227z" fill-le="evenodd"></path></svg></div></a></li></ul></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kJkLmH article-body__ntent"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG eOdfIs"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bectqB body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p><a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Pairs of disembodied hands move</a> a simple dot-matrix prt of “Dis Diva” Sylvter across an empty table. Even through the smudged prt, Sylvter manag to still look glamoro and ethereal this ACT UP/Los Angel memoratn of the inic sger’s life, ma only a few years after his ath 1988 om plitns om AIDS. This poster would be held by activists at protts as a physil memorial to a late artist, sometim wh a list of chants one uld yell, cludg “AIDS is a disaster! Women die faster!” and “Healthre is a right! Not jt for the straight, male, whe,” prted on the back.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p>The Sylvter prt is jt one of the many posters featured ONE Archiv Foundatn’s new web-based exhibn <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><em>Days of Rage</em></a><em>,</em> a curated archive of posters and smaller Xeroxed flyers spanng the early gay liberatn movements of the 1970s to the safer sex public tn mpaigns of the mid-1990s. The exhibn, which lnched on April 13, was curated by Universy of Southern California profsor <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Andy Campbell</a> and USC Curatorial Practic and the Public Sphere graduate stunts <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Tracy Fenix</a> and Aten Villacis, who not only work wh Campbell but have their own experienc LGBTQ+ history, HIV/AIDS activism, and archival and digizatn work.</p><div class="GenericCalloutWrapper-tojWn bNky llout--has-top-borr" data-ttid="GenericCallout"><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image"><noscript><img alt="Image may nta Advertisement Poster and Art" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></span></div><div class="CaptnWrapper-jSZdqE hTTfoq ptn AssetEmbedCaptn-fNQBPI fmQnYP asset-embed__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd eNhSMp fNaHcW ptn__cred">Creator unknown, "ACT UP/Los Angel poster of Sylvter," c. 1990. Xerox prt taped to posterboard. ACT UP/Los Angel Rerds, ONE Archiv at the USC Librari.</span></div></figure></div><p>Dpe their llective expertise, the curatorial team didn’t simply cull om ONE Natnal Gay and Lbian Archiv’ recently digized llectn of over 4200 posters. Instead, they ved an tergeneratnal group of six activists and/or signers — om the founr of the Black queer-centric BLK Publishg Company Alan Bell to HIV and trans activist Chandi Moore to activist photographer Judy Ornelas Sisneros — to not only pick the posters, but rpond to their selectns vios by rellg their own memori and volvement activist movements.</p><div class="Contaer-bkChBi byNLHx"></div><p>Prentg a top-down view of the activists’ hands as they handle the posters, the vios notably differ om more nventnal displays of activist graphic sign as untouchable, prec objects mms and archiv. Instead, <em>Days of Rage</em> honors how the posters once were, as Campbell articulat, “embodied and activated by people the streets,” as well as reveals how they n still act as tangible lks between LGBTQ+ history and today’s queer activists.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB kNleGZ sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="Contaer-bkChBi byNLHx"></div><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="8j4r4w"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="zs14je"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bectqB body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>Below, <em>Them</em> spoke wh <em>Days of Rage</em>’s curatorial team on creatg an accsible digal exhibn, brgg together a multigeneratnal group of activists and signers, and how historil posters n fluence the future of queer activism.</p><div class="AdWrapper-dQtivb fZrssQ ad ad---ntent"><div class="ad__slot ad__slot---ntent" data-no-id="25i17i"></div></div><p><strong>Your cisn to anize</strong> <em><strong>Days of Rage</strong></em> <strong>as a web-based exhibn seems signifint; remov the equent barriers to entry accsg archival LGBTQ+ materials. Why did you nceive of</strong> <em><strong>Days of Rage</strong></em> <strong>as web-based?</strong></p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p><strong>Tracy Fenix:</strong> Accsibily is really important, pecially durg a time of ongog panmics. This exhibn particularly illumat public health mpaigns through different s, startg wh the AIDS crisis the 1980s and ‘90s, which is still relevant today. A lot of the activists are now elrs and long-term survivors. Younger generatns too might be experiencg other forms of disabily, or might intify as untectable or be recently seronverted. I thk that brgs out different ways of playg wh how the posters are shared and activated. How do we make space for the plitns durg the COVID panmic and the uncertaty of the different ongog cris that we’re impacted by?</p><p>As you said too, the barrier to accsg archival materials is really challengg, pecially if you’re not a graduate rearcher or a Ph.D. stunt, but jt a muny member wantg to engage wh the materials Oftentim if you don’t have stutnal accs, you n’t get to them.</p><p><strong>Andy Campbell:</strong> Of the archiv I’ve ever been to, though, the ONE Archiv is one of the iendlit. They make a lot of effort their physil lotn to be open to all kds of people and to work wh whoever wants to see materials. ONE do the bt job of makg materials physilly — and now digally — accsible.</p><p><strong>Aten Villacis:</strong> There’s also the qutn of when thgs bee digized, what do you actually do wh them? How do you beg to thk through and honor the actual objects that the image refers to? Wh <em>Days of Rage,</em> we’ve done that a multisensory way terms of the voice of activists, the webse, and the imag. The se is er-iendly and nsc of technologil barriers for people who are olr. This project was very multigeneratnal so easy accs is important.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="4452ka"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div><div data-attr-viewport-monor="" class="RecircMostPopularWrapper-bRuGTi jkTTgR recirc-most-popular-wrapper viewport-monor-anchor"><div class="RecircMostPopularConter-jiViNn ktrplG recirc-most-popular-sparrow-trackg hi-asi-ad" data-most-popular-id="mod-most-popular-25"><div class="RecircMostPopularHeadg-iVzhzt jKtkdT">Most Popular</div><ul 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emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name">Abby Monteil</span></span></p></div></div></div></div></div></div></li><li><div class="AdWrapper-dQtivb fZrssQ RecircMostPopularSummaryItem-jQxxiw gmWMTZ ad ad--asi"><div class="ad__slot ad__slot--asi" data-no-id="bt3ep"></div></div></li></ul><div class="RecircMostPopularFooter-enPjgs laPXdt"></div></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="pze9"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bectqB body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image"><noscript><img alt="Image may nta Human Person Gold Trophy Gold Medal and Fger" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></span></div><div class="CaptnWrapper-jSZdqE hTTfoq ptn AssetEmbedCaptn-fNQBPI fmQnYP asset-embed__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd eNhSMp fNaHcW ptn__cred">Daniel Hyo Kim nversatn wh Tracy Fenix, "Lookg at Frank T. Ventgen for Wt Amerin Advertisg, 'Florida Orange Juice is Hazardo to Your Existence,'" 1977. Offset prt. LGBTQ Poster Collectn, ONE Archiv at the USC Librari.</span></div></figure><p><strong>I’m glad you mentned the multigeneratnal aspect of the exhibn, which is pecially apparent your choice of the six activists and signers. How did you approach gettg them volved?</strong></p><p><strong>AC:</strong> We were thkg: What are the different generatns of activism and sign our muny? We wanted to get people who had s of experience together wh people who were maybe newly out of school or younger. For example, Alan Bell is a really important part of the story of queer life Southern California. He me om New York, but moved to Southern California durg the begng of the AIDS panmic and began a safer sex party lled Black Jack, which was a mutual masturbatn party. He veloped a newsletter for participants that sex party, which beme <em>BLK.</em> Eventually, that grew to BLK Publishg Company, which published magaz and perdils for all different parts of the Black queer muny Los Angel.</p><p>If Bell is the example of the elr activist, Silas Munro and <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Daniel Hyo Kim</a> are exampl of younger activists/signers, both of whom pick up on the legaci of someone like Bell. We’re hopg people read across the activists and signers that we ved and make nnectns between their experienc, the way they’re seeg the posters they chose, and the kds of narrativ or stori they tell. It’s makg clear the l of generatnal transmissn. As we know, many queer people have the fai that we’re born to, but also have the fai we choose to make around . It’s really about the procs of muny formatn through graphic sign — through activist sign.</p><div class="GroupCalloutWrapper-bPWknp htWUKO llout llout--group llout--group-2" data-ttid="GroupCalloutWrapper"><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed llout--group-em llout--group-em-1"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image"><noscript><img alt="Image may nta Advertisement Poster and Trophy" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></span></div><div class="CaptnWrapper-jSZdqE hTTfoq ptn AssetEmbedCaptn-fNQBPI fmQnYP asset-embed__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd eNhSMp fNaHcW ptn__cred">Jordan Peimer and John Wells, “AIDSphobia, Protect Yourself om Hollywood,” 1991. Color lhograph. ACT UP/Los Angel Rerds, ONE Archiv at the USC Librari.</span></div></figure><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed llout--group-em llout--group-em-2"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image"><noscript><img alt="Image may nta Advertisement Poster Brochure Paper Flyer and Text" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></span></div><div class="CaptnWrapper-jSZdqE hTTfoq ptn AssetEmbedCaptn-fNQBPI fmQnYP asset-embed__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd eNhSMp fNaHcW ptn__cred">Creator unknown, “Stonewall, June 27 1976,” 1976. Silkscreen prt on posterboard. LGBTQ Poster Collectn, ONE Archiv at the USC Librari.</span></div></figure></div><p><strong>There has been a rurgence of tert the visual history of activism lately, particularly activist posters, publitns and exhibns. I’m thkg specifilly of the current exhibn and related book</strong> <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><em><strong>Up Agast the Wall: Art, Activism, and the AIDS Poster</strong></em></a> <strong>at the Universy of Rochter’s Memorial Art Gallery. Why do you thk there’s a renewed tert the posters?</strong></p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="ojurt7"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div><div data-attr-viewport-monor="" class="RecircMostPopularWrapper-bRuGTi jkTTgR recirc-most-popular-wrapper viewport-monor-anchor"><div class="RecircMostPopularConter-jiViNn ktrplG recirc-most-popular-sparrow-trackg hi-asi-ad" data-most-popular-id="mod-most-popular-26"><div class="RecircMostPopularHeadg-iVzhzt jKtkdT">Most Popular</div><ul 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emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name">Abby Monteil</span></span></p></div></div></div></div></div></div></li><li><div class="AdWrapper-dQtivb fZrssQ RecircMostPopularSummaryItem-jQxxiw gmWMTZ ad ad--asi"><div class="ad__slot ad__slot--asi" data-no-id="1mi9hr"></div></div></li></ul><div class="RecircMostPopularFooter-enPjgs laPXdt"></div></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="7yxedh"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bectqB body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p><strong>AV:</strong> One thg a number of different activists said to was that we’re livg now a time where we basilly have a whole new versn of all the figur. All of the far-right…</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p><strong>AC:</strong> Demagogu? Asshol?</p><p><strong>AV:</strong> Right! It’s like the many-head hydra. They jt keep g back! I thk there’s a real irreverence to a lot of the posters terms of how they addrs the subject matter and certa people. And now there’s this omniprent qutn: How <em>should</em> we addrs the ntemporary figur and stggl?</p><asi aria-hidn="te" class="PullQuoteEmbedWrapper-sc-EoVjf fQbAzo"><div class="PullQuoteDerativeBorr-sc-iUyOLj fAzNVP"></div><div class="PullQuoteEmbedContent-sc-kTcfhx eoUd"><p>“Part of the reason for not simply puttg up imag of the digized poster and wrg a ptn was to leave room for what is so difficult to pture, which is the feelgs around the objects.” — Andy Campbell</p></div></asi><p><strong>What do you thk the visual history of LGBTQ+ activism n teach queer activists or queer people of today?</strong></p><p><strong>TF:</strong> That’s a great qutn that I thk should really be the impet for any signer gog forward. How do you rry the legaci forward any work, but also expand queer futur all different forms? That’s a qutn an artist, activist, or signer should always have. I see as a rhetoril qutn. But, qutng posnali as you’re workg through material relatn to where you’re at, who you’re talkg wh, and how you’re amg or ntextualizg people’s bodi or relatnships to their lived experienc is really important. I also thk about how ccial the posters were the activatn of the movements.</p><p><strong>AC:</strong> One of the thgs that happened the ssns wh activists was disverg lks between the past and prent. For example, Tracy’s ssn wh Daniel Hyo Kim, they look at a poster that was tied to the Briggs Iniative <em>[a 1978 ballot iative seekg to ban anyone who had engaged “public homosexual activy” or “public homosexual nduct” om workg California public schools].</em> Part of what they talked about was how we’re aga livg through this issue of queer people tnal settgs and the kd of anxiety and fear that produc. We’re back here aga wh the trans bills that are proliferatg all over the natn and the “Don’t Say Gay” bills mandatg what n and nnot be said the classroom. It’s easy to tap to a place where you might feel feated.</p><div class="GenericCalloutWrapper-tojWn iezhXq llout--has-top-borr" data-ttid="GenericCallout"><div class="ContentCardEmbedWrapper-kULtsE iGAJsG ntent-rd-embed ntent-rd-embed--stacked" data-ttid="ContentCardEmbedWrapper"><div class="ContentCardEmbedImage-iwqgVw jlIubp ntent-rd-embed__image" data-ttid="ContentCardEmbedImage"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa rponsive-image"><img alt="article image" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/></picture></span></div><div class="ContentCardEmbedInfo-bDftKl bGnSrq"><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentCardEmbedHed-kJVPGC iUEiRd gFmvMS cewqFA ntent-rd-embed__hed" data-ttid="ContentCardEmbedHed"><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ContentCardEmbedHedLk-eXLwe iUEiRd gFmvMS hRaEiJ eFUKSb ntent-rd-embed__hed-lk" href="/story/aids-40th-anniversary-memorials-nyc" data-ttid="ContentCardEmbedHedLk">How a New Generatn of AIDS Memorials Is Sheddg Light on the Epimic</a></div><div data-ttid="ContentCardEmbedDek" class="ContentCardEmbedDek-bA-DKch hXdQfY">In New York, Seattle, and Chigo, public art is movg past talli of the ceased to reckon wh the prent realy of HIV.</div></div></div></div><p><strong>It seems like the activists’ reflectns on the posters add a lot of meang to the experience of</strong> <em><strong>Days of Rage.</strong></em></p><p><strong>AC:</strong> One of my favore moments all of the vios is when Alan Bell looks at this poster of [artist and activist] Ray Navarro, who he didn’t know personally but is aware of as an activist. Then, he looks at the poster of Sylvter, who appeared on the send ver of <em>BLK.</em> There’s this moment where Alan stops talkg and is rememberg not only this inic cultural figure but someone who he knew and worked wh directly. Part of the reason for not simply puttg up imag of the digized poster and wrg a ptn was to leave room for what is so difficult to pture, which is the feelgs around the objects. What happens when people actually accs them and somethg gets tripped their body, md, or emotns?</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="l568v"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div><div data-attr-viewport-monor="" class="RecircMostPopularWrapper-bRuGTi jkTTgR recirc-most-popular-wrapper viewport-monor-anchor"><div class="RecircMostPopularConter-jiViNn ktrplG recirc-most-popular-sparrow-trackg hi-asi-ad" data-most-popular-id="mod-most-popular-27"><div class="RecircMostPopularHeadg-iVzhzt jKtkdT">Most 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SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Celebry</span></div><a class="SummaryItemHedLk-civM jRfyII summary-em-trackg__hed-lk summary-em__hed-lk summary-em__hed-lk--unrle-disable" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ jbVqqA summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Wayne Brady Com Out as Pansexual Wh Exuberant TikTok Vio</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY dHMSJg summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH ecFEgL byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name">Abby Monteil</span></span></p></div></div></div></div></div></div></li><li><div class="AdWrapper-dQtivb fZrssQ RecircMostPopularSummaryItem-jQxxiw gmWMTZ ad ad--asi"><div class="ad__slot ad__slot--asi" data-no-id="qel16"></div></div></li></ul><div class="RecircMostPopularFooter-enPjgs laPXdt"></div></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="vkw8k5"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bectqB body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p><strong>AV:</strong> There is a story about Sylvter and Ray Navarro actually — not jt that they were both nng New York and LA circl and dog activism. Ray Navarro was a part of a llective lled DIVA TV (Damned Interferg Vio Activists Televisn), a subset of ACT UP/New York, which was around for about two or three years before dispersg. As people would pass om plitns om AIDS when they were all producg the vio works together, they would make memorative vios of the one that was lost the style of the llective’s vio practice. Ray Navarro’s vio is actually set to Sylvter’s “You Make Me Feel (Mighty Real)” and has Navarro at the ont of a prott a wheelchair the latter stag of AIDS. There are stori between the objects that we might not know. The posters also memorate the liv of the people that are then ma prent at future protts. There’s a revivifitn or honorg of those who me before.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-3 viewport-monor-anchor"></div><p><em>This terview has been nnsed and eded for length and clary.</em></p><p><a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Days of Rage</a> <em>is now exhibg virtually through ONE Archiv Foundatn.</em></p><p><strong>Get the bt of what's queer.</strong> <a href="><em>Sign up for our weekly newsletter here.</em></a></p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="apqb7a"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un 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class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ kBFaWv summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Diedrick Brackens Is Makg Space for Black Queerns the Art World</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY dHMSJg summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH ecFEgL byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd bCbgyH gnILss byle__preamble">By </span>Isiah Magso</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff jCBznZ summary-em 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summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="A Look Into The Future: Four Pivotal Queer Artists Discs Their Most Powerful Work" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX gPBNpL bric SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Art</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk summary-em__hed-lk--unrle-disable" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href="/story/a-look-to-the-future-queer-artists-discs-their-work" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp 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gay liberation poster

Gay liberatn prt.  • 10 (0.25 mm) thick • Slightly glossy • Fgerprt ristant

Contents:

GAY LIBERATN FRONT POSTER

Peter Hujar, Gay Liberatn Front Poster Image, 1969, Gelat silver prt, 2013.108:1.76 * gay liberation poster *

Some highlights of materials clud the project are visually stunng posters and signs created by ACT UP durg the 1980s; inic posters created for the “Gay-Ins” anized by the Gay Liberatn Front durg the 1970s as well as early pri celebratns; signs om the historic march on Washgton; and some of the earlit signs created for monstratns anized by 1950s-era homophile anizatns like the Mattache Society. Gay Liberatn Front poster, c.

Not jt for the straight, male, whe, ” prted on the Sylvter prt is jt one of the many posters featured ONE Archiv Foundatn’s new web-based exhibn Days of Rage, a curated archive of posters and smaller Xeroxed flyers spanng the early gay liberatn movements of the 1970s to the safer sex public tn mpaigns of the mid-1990s. Dpe their llective expertise, the curatorial team didn’t simply cull om ONE Natnal Gay and Lbian Archiv’ recently digized llectn of over 4200 posters.

For example, Tracy’s ssn wh Daniel Hyo Kim, they look at a poster that was tied to the Briggs Iniative [a 1978 ballot iative seekg to ban anyone who had engaged “public homosexual activy” or “public homosexual nduct” om workg California public schools]. We’re back here aga wh the trans bills that are proliferatg all over the natn and the “Don’t Say Gay” bills mandatg what n and nnot be said the classroom.

THE GAY LIBERATN MOVEMENT

" It was curated by Andy Campbell and -curated by Tracy Fenix and Aten Villacis, anized by ONE Archiv Foundatn, and ma possible by a grant om Los Angel County Department of Arts and mandg actn on the AIDS crisis to llg out homophobic policians, this exhibn honors LGBTQ+ people who ma their voic heard.

Gay is Angry.

Curated by Andy Campbell and anized by ONE Archiv FoundatnDigned by the artist and signer Juan Carlos Vidal and the poet Ntor Latroni 1971, this poster served as the ver of a lendar produced by the Third World Gay Revolutn, which was anized 1970 by Black and Lato members of the Gay Liberatn MORE.

GAY LIBERATN FRONT POSTER IMAGE

Curated by Andy Campbell and anized by ONE Archiv FoundatnHomophobic sger Ana Bryant, a brand ambassador for Florida Cs, led a mpaign 1977 to repeal an ordance Da County, Florida prohibg discrimatn on the basis of sexual orientatn.

Curated by Andy Campbell and anized by ONE Archiv FoundatnIn 1976, seven years after the Stonewall uprisgs Greenwich Village New York Cy, Los Angel-based gay and lbian activists sought to hold space for this historic moment. The text of the poster reads, "Full rights for gays; end racism and sexism; disuny the problem; solidary the answer. Police Raids: Gays to W.

THE GAY LIBERATN MOVEMENT

Activists were marchg agast gratuo police force agast the gay patrons of Club 80, a sex-on-premis venue the Darlghurst sectn of Oxford Street (Sydney's gay district), which happened jt one week prr to this graphic beg MORE. Curated by Andy Campbell and anized by ONE Archiv FoundatnThe AIDS crisis of the 1980s wrecked fantasi of sexual liberatn for the gay muny. Holy Homophobia.

Here he reproduced the visage of Senator Jse Helms om North Carola, creatg a damng portra of the sanctimon language the legislator ed to agate for his homophobic MORE. Stop Anti-Gay/Lbian Vlence.

*BEAR-MAGAZINE.COM* GAY LIBERATION POSTER

Gay Liberatn Front poster | The New York Public Library .

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