Gay! A Gayook Productn mil aimed at a homosexual dience which appeared New Wimbledon Theatre 2007. Set the Thatcher years, the play follows the story of a young man tryg to fd his sexualy. The mil boasts a star-studd st, wh Andie Vg as Vibroman, Brian Hampton...
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GAY! A GAY MIL
* gay musical called gay *
But is only the past fifty years or so that tuners have actually featured openly gay characters onstage—and the rult has been some of the bt Broadway shows of all time.
If this same-sex central romance broke new ground, however, the show’s sre—by show-tune master Jerry Herman (Hello, Dolly!)—wears s classic Broadway sound like a sash of honor, om the openg para of cross-drsed beti to drag queen Zaza’s first-act fale (and stant gay-pri anthem) “I Am What I Am” through the celebratory “The Bt of Tim.” Revived on Broadway 2004 and 2010, the old girl has held up surprisgly well as a morn twist on nostalgia. A Chos Le (1975)Broadway began movg toward gay visibily the post-Stonewall era—the gay-bar scene Applse, Tommy Tune takg a long step forward Seaw—but was 1975’s A Chos Le that blew the closet door off s hg.
Several of the dners are gay, and Pl—a character moled on Nicholas Dante (who wrote the show’s book wh Jam Kirkwood Jr.)—is given one of the show’s only two solo spots onstage: an emotnal monologue about his trmatic childhood.
A BRIEF HISTORY OF GAY THEATER, THREE ACTS
A Chos Le won a Pulzer and ran for a rerd-breakg 15 years, and s msage me through loud and clear: Not jt that there were gay people on Broadway, but that there had been gay people on Broadway all along, kickg up their heels right unr our nos. Book wrer Jeff Whty and -poser Jeff Marx—joed by future double-EGOT wner Robert Lopez—brg a regnizably morn gay sensibily to the show, as exemplified by the characters of Nicky and Rod, Avenue Q’s take on Same Street’s rint odd uple, Ernie and Bert.
The origal 1966 versn of this portra of German life the early 1930s—wh a book by Joe Masteroff and a classic sre by John Kanr and Fred Ebb—scbbed the gayns om s source material, Christopher Isherwood's 1939 novella Goodbye to Berl. However, when me to the stori we were tellg, the narrative often shifted back to the heteronormative the begng, gay them were all the subtext and packed away as double entendr by lyricists such as Cole Porter.