Contents:
- KRIST CHENOWETH B, AGE, HEIGHT, HBAND, CHILDREN, GAY, WICKED, NET WORTH, MOVI
- THE VOICE OF CHICAGO'S GAY, LESBIAN, BI, TRANS AND QUEER COMMUNITY SINCE 1985
KRIST CHENOWETH B, AGE, HEIGHT, HBAND, CHILDREN, GAY, WICKED, NET WORTH, MOVI
And my fn of Wicked, spe of the fact that has been claimed by the heterosexual mastream, is that is a gay play. I knew that the readgs/appearanc of the novel, Gregory Maguire, was gay but what I didn’t know was how much this fluenc the story.
Many of the gay referenc the novel (Maguire’s first novel for adults) were omted om the play. ) that was a gay play. It is a gay play set a world where sorcery is an optn for a major llege, and where animals and humans talk to each other and enjoy equal social stat (until the Wizard begs crackg down on the animals, forbiddg them to talk, om teachg universi, and has them herd off to farms).
Is the show an allegory for the gay experience? Krist Chenoweth Gay. In an terview wh The Advote, Chenoweth ma clear that she is both a woman of fah and one who supports gay rights.
THE VOICE OF CHICAGO'S GAY, LESBIAN, BI, TRANS AND QUEER COMMUNITY SINCE 1985
Her gay rights stance beme an issue 2005 when she was schled to bee a sgg spokwoman for a Women of Fah ncert Oklahoma. In 2010, she stood up for her “Promis, Promis” -star Sean Hay, who is openly gay, when a Newsweek reporter wrote an article qutng whether an openly gay actor uld be believable when tryg to play a straight character. Wh Wicked Awome, the Boston Gay Men’s Chos will celebrate the mic of one of the most fluential ntemporary Broadway posers ever to s down at a piano: Stephen Schwartz.
We recently nducted an email terview wh Schwartz, who discsed what ’s like to perform wh gay men’s chos, Wicked’s Box-office-btg succs, the emotnal procs of wrg “Ttimony, ” and how to wre a song that will strike a chord a ln hearts: “Tell the tth and make rhyme. Q: You’ve performed wh the San Francis and Los Angel gay men’s chos, and soon you’ll be performg wh the Boston Gay Men’s Chos. My first experience wh one of the Gay Men’s Chos was when I got a requt om the [San Francis Gay Men’s Chos] a few years back, askg if they uld put together an eveng of my material.
When I was asked to do a choral piece for the [San Francis Gay Men’s Chos], I knew pretty quickly that I wanted to do somethg that grew out of the “It Gets Better” project, a brilliant ia I much admire.