Barbara Cook – Glter and Be Gay Lyrics | Geni Lyrics

Contents:

• GLTER AND BE GAY
• “ENOUGH OF BEG BASELY TEARFUL”: “GLTER AND BE GAY” AND THE CAMP POLICS OF QUEER RISTANCE
• GLTER AND BE GAY BY LEONARD BERNSTE
• GLTER & BE GAY
• GLTER AND BE GAYGLTER AND BE GAYGLTER AND BE GAYGLTER AND BE GAYGLTER AND BE GAY
• LEONARD BERNSTE: GLTER AND BE GAY
• GLTER AND BE GAYBARBARA COOKTRACK 6 ON CANDI (ORIGAL BROADWAY CAST RERDG) PRODUCED BYGODDARD LIEBERSONDEC. 31, 19561 VIEWER7K VIEWS3 CONTRIBUTORSGLTER AND BE GAY LYRICS[CUNEGONDE, SPOKEN]AND HERE I AM, MY HEART BREAKGFORCED TO GLTER, FORCED TO BE GAY(SUNG)GLTER AND BE GAYTHAT'S THE PART I PLAYHERE I AM PARIS, FRANCEFORCED TO BEND MY SOULTO A SORDID ROLEVICTIMIZED BY BTERBTER CIRCUMSTANCEALAS, FOR ME!HAD I REMAEDBI MY LADY MOTHERMY VIRTUE HAD REMAED UNSTAEDUNTIL MY MAIN HAND WAS GAEDBY SOME GRAND DE OR OTHERAH, 'TWAS NOT TO BEHARSH NECSYBROUGHT ME TO THIS GILD GEBORN TO HIGHER THGSHERE I DROP MY WGSAH!SGG OF A SORROWNOTHG N ASSUAGEYOU MIGHT ALSO LIKEAND YET, OF URSE, I RATHER LIKE TO REVEL, HA HA!I HAVE NO STRONG OBJECTN TO CHAMPAGNE, HA HA!MY WARDROBE IS EXPENSIVE AS THE VIL, HA HA!PERHAPS IS IGNOBLE TO PLAENOUGH, ENOUGHOF BEG BASELY TEARFULI'LL SHOW MY NOBLE STUFFBY BEG BRIGHT AND CHEERFULHA HA HA HA HA!HA!HA HA HA HA HA HA!HA HA HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA, HA HA, HA HA HA HA HA HA!HA HA, HA HA, HA HA HA HA!HA! HA!HA HA HA HA HA HA!(SPOKEN)PEARLS AND BY RGSAH, HOW N WORLDLY THGSTAKE THE PLACE OF HONOR LOST?CAN THEY PENSATEFOR MY FALLEN STATE?PURCHASED AS THEY WERE AT SUCH A, AT SUCH AN AWFUL ST?BRACELETS, LAVALLIERCAN THEY DRY MY TEARS?CAN THEY BLD MY EY TO SHAME?CAN THE BRIGHTT BROOCHSHIELD ME OM REPROACH?CAN THE PURT DIAMOND PURIFY MY NAME?(SUNG)AND YET, OF URSE, THE TRKETS ARE ENARG, HA HA!I'M OH SO GLAD MY SAPPHIRE IS A STAR, HA HA!I RATHER LIKE A TWENTY RAT EARRG, HA HA!IF I'M NOT PURE AT LEAST MY JEWELS ARE!ENOUGH, ENOUGHI'LL TAKE THEIR DIAMOND NECKLACEAND SHOW MY NOBLE STUFFBY BEG GAY AND RECKLSHA HA HA HA HA!HA!HA HA HA HA HA HA!HA HA HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA, HA HA, HA HA HA HA HA HA!HA HA, HA HA, HA HA HA HA!OBSERVE HOW BRAVELY I NCEALTHE DREADFUL, DREADFUL SHAME I FEELHA HA HA HA!HA HA HA HA!HA HA HA HA!HA HA HA HA!HA HA HA HA!HA HA HA HA!HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA!HA! HA!HA HA HA HA HA HA HA!HA HA HA HA!HA!HA!HA HA!HA HA HA!EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUTHAVE THE SI SOP ON THIS SONG?SIGN UP AND DROP SOME KNOWLEDGESTART THE SONG BASK A QUTN ABOUT THIS SONGASK A QUTN *‌WHO PRODUCED “GLTER AND BE GAY” BY BARBARA COOK?WHEN DID BARBARA COOK RELEASE “GLTER AND BE GAY”?WHO WROTE “GLTER AND BE GAY” BY BARBARA COOK?CANDI (ORIGAL BROADWAY CAST RERDG) (1956)ORIGAL BROADWAY CAST OF CANDI1. OVERTURE2. THE BT OF ALL POSSIBLE WORLDS3. OH, HAPPY WE4. IT MT BE SO5. PARIS WALTZ6. GLTER AND BE GAY7. YOU WERE DEAD, YOU KNOW8. MY LOVE9. I AM EASILY ASSIATED10. FALE ACT 1 (QUARTET)11. QUIET12. ELDORADO13. BON VOYAGE14. WHAT’S THE USE?15. VENICE GAVOTTE16. MAKE OUR GARN GROWCREDSPRODUCED BYGODDARD LIEBERSONWRTEN BYLEONARD BERNSTE & RICHARD WILBURRELEASE DATEDECEMBER 31, 1956GLTER AND BE GAY COVERSGLTER AND BE GAY BY LISA VROMANTAGSPOPEXPAND COMMENTSADD A MENTSIGN UP AND DROP KNOWLEDGE ?GENI IS THE ULTIMATE SOURCE OF MIC KNOWLEDGE, CREATED BY SCHOLARS LIKE YOU WHO SHARE FACTS AND SIGHT ABOUT THE SONGS AND ARTISTS THEY LOVE.SIGN UPGENI IS THE WORLD’S BIGGT LLECTN OF SONG LYRICS AND MIL KNOWLEDGE
• GLTER AND BE GAY LYRICS - CANDI
• GLTER AND BE {FONT-SIZE:20PX;LOR:#999;FONT-STYLE:ALIC;MARG:0PX;MARG-TOP:10PX;}CANDI MIC BY LEONARD BERNSTE BOOK ADAPTED OM VOLTAIRE BY HUGH WHEELER LYRICS BY RICHARD WILBUR, STEPHEN SONDHEIM AND JOHN LATOUCHE AT THE LOEB THROUGH MAY {GRID-ROW-START:2;GRID-LUMN-START:2;GRID-LUMN-END:3;}@MEDIA (MAX-WIDTH:950PX){{GRID-LUMN-START:1;GRID-LUMN-END:2;}}{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;MARG-BOTTOM:5PX;} A{LOR:#7B1B18;} IMG{PADDG-RIGHT:7PX;}BY {LOR:#BA0600;}JOSEPH B. {BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;}{DISPLAY:NONE;}@MEDIA (MAX-WIDTH:950PX){{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;DISPLAY:BLOCK;PADDG-TOP:20PX;PADDG-BOTTOM:20PX;MARG-TOP:20PX;BORR-TOP:1PX SOLID #EBEBEB;BORR-BOTTOM:1PX SOLID #EBEBEB;}}{DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;WIDTH:TO;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;POSN:-WEBK-STICKY;POSN:STICKY;TOP:70PX;-WEBK-FLEX-DIRECTN:ROW;-MS-FLEX-DIRECTN:ROW;FLEX-DIRECTN:ROW;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:UNSET;} {DISPLAY:LE-BLOCK;PADDG:0PX;} > SPAN{WIDTH:35PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;TEXT-ALIGN:CENTER;BORR-RADI:50%;} SVG{WIDTH:25PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;} .ADDTHIS_BUTTON_EMAIL > SPAN, .ADDTHIS_BUTTON_PRT > SPAN, .ADDTHIS_BUTTON_LK > SPAN{BACKGROUND-LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_UNTER .ADDTHIS_BUTTON_EXPAND{WIDTH:35PX;HEIGHT:35PX;MARG:0PX;PADDG:0PX;BACKGROUND:NONE;TEXT-ALIGN:CENTER;BORR:1PX SOLID #EBEBEB;BORR-RADI:50%;LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_BUTTON_PACT{DISPLAY:NONE !IMPORTANT;} {MARG:0PX 5PX;}{POSN:RELATIVE;WIDTH:100%;} P{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;MARG-TOP:1EM;MARG-BOTTOM:1EM;} OL{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;PADDG-LEFT:80PX;} P A, OL A, P A:VISED, OL A:VISED{LOR:#BA0600;-WEBK-TRANSN:0.3S ALL;TRANSN:0.3S ALL;-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} P A:HOVER, OL A:HOVER{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} H1, H2, H3, H4, H5, H6{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;MARG-TOP:1EM;MARG-BOTTOM:1EM;LOR:#7B1B18;}THE LOEB PRODUCTION OF CANDI MAY NOT BE THE BT OF ALL POSSIBLE CANDIS, BUT IS VERY GOOD AND THIS IMPERFECT WORLD, THAT IS UALLY ENOUGH.IF ANY BOOK WRTEN BEFORE THE DAWN OF THE BROADWAY MIL LENDS SELF TO ADAPTATN TO A BROADWAY MIL, VOLTAIRE'S CANDI DO. IT IS FUNNY ENOUGH S OWN RIGHT THAT ONE ONLY NEEDS TO SET MIC TO THE TEXT TO GET A SLICK AND ENJOYABLE MIL EDY. IN MANY STANC, LEONARD BERNSTE AND HUGH WHEELER DO EXACTLY THAT, QUOTG WHOLE PASSAG STRAIGHT OUT OF THE BOOK. BERNSTE'S MIC--WHICH THE ORCHTRA PERFORMS EXCELLENTLY--PARODI OPERA, BACH, THE NVENTNS OF BROADWAY MILS, AND A LOT BETWEEN. THE WHOLE SATIRIC PASTICHE IS TOPPED OFF WH LYRICS THAT ARE FAHFUL TO THE WRY, IRONIC W OF THE BOOK.ABOUT THE ONLY THG THAT ULD CANDI WOULD BE SLOW PACG. GIVEN ENOUGH TIME TO DWELL ON THE OTHS OF THE WHOLE THG, MANY DIENC MIGHT BEE WEARIED WH THE OBV FOOLISHNS OF DR. PANGLOSS AND PANY. TO GUARD AGAST SUCH A REACTN, DIRECTOR GEE HAML HAS TURNED CANDI TO A THREE-RG CIRC THAT MOV AT THE SPEED OF LIGHT. THE SET SPRAWLS THE WIDTH OF THE THEATER, G THE BALNI OVER THE THEATER ENTRANCE AND A WALKWAY THAT CUTS THROUGH THE 30 OR 40 SEATS THE P. ACTORS APPEAR OM EVERY DOOR THE THEATER, SOMETIM EXG STAGE RIGHT TO APPEAR MOMENTS LATER THE BALNY WH A TOTALLY DIFFERENT STUME. HALFWAY THROUGH THE HOUR AND 45 MUTE SHOW THE DIENCE IS A WHIRL TRYG TO KEEP UP WH ALL THE QUICK CHANG AND LEAPG ABOUT, BUT THEY GET NO TERMISSN TO ALLOW TIME TO SORT ALL OUT.THE HECTIC PACE MANDS ACTORS WHO N KEEP UP WH , AND HERE THE LOEB PRODUCTN IS BLSED. WILLIAM FALK--WHO PLAYS VOLTAIRE, DR. PANGLOSS, THE MALEVOLENT SPANISH GOVERNOR, A SULTAN AND A SAGE--GIV FIVE MASTERFUL PERFORMANC AND DOMAT THE SHOW OM START TO FISH. WH BREATHTAKGLY FAST STUME CHANG, FALK BOUNC BETWEEN CHARACTERS AND NEVER LOS NTROL. EVEN HIS FACE SEEMS TO CHANGE WHEN HE SWCH OM THE KDLY VOLTAIRE TO THE MURRO GOVERNOR. HIS VAR ACCENTS ARE ALL NVCG AND NSISTENT.MANY OF THE ACTORS RRY MULTIPLE ROL, BUT THE BT OF THE SUPPORTG QUICK CHANGE ARTISTS IS UNDOUBTEDLY PARIS BARCLAY AS THE BARON OF THUNR TEN TRONCKE, THE GRAND INQUISOR, THE SLAVE DRIVER AND A SHEIK. EVEN THE B ROL, BARCLAY'S STAGE PRENCE STEALS EVERY SCENE. HIS SUBTLE GTUR AND EXPRSNS TURN HIS CHARACTERS MOR TOURS FORCE.THE MAIN ACTORS WHO REMA THE SAME CHARACTERS THROUGHOUT THE SHOW STGGLE A B TO VELOP NSISTENTLY AMID THE RTOON ZANS OF THE SUPPORTG ROL, BUT FOR THE MOST PART THEY PE VERY WELL. CORNELIA RAVENAL, AS THE EVER-WILLG PAQUETTE, BUBBL GUILELSLY ALONG, CREATG AN ENJOYABLE RITURE. STEPHEN HAY STARTS A B SHAKILY AS MAXILIAN, CANDI'S FOPPISH FOSTER BROTHER, BUT HE BE MORE NVCG WH EACH EPISO UNTIL HE SH A WONRFUL PASSAGE WH THE GOVERNOR WHICH HE GETS SOLD AS A FEMALE SLAVE ONLY TO HAVE HIS NUTS EXPOSED AT THE LAST MUTE. HAY SOMETIM FAILS TO SG LOUDLY ENOUGH, BUT HIS ACTG EVENTUALLY MAK UP FOR THAT.KATHERE KEAN AS CUNEGON, THOUGH SOMEWHAT OVERSHADOWED BY THE PREVAILG LUNACY, GIV A Y AND ENGAGG PERFORMANCE. KEAN HAS A STUNNG VOICE WHICH SHE DISPLAYS A SOLO LLED "GLTER AND BE GAY." HER OPERATIC FIREWORKS BROUGHT A TWO-MUTE OVATN. KEAN'S ACTG IS ALMOST AS GOOD AS HER VOICE, THOUGH SHE TENDS TO OVERDO THE FLUFFY-HEAD CHILDISHNS OF THE GOLD-DIGGG CUNEGON.UNFORTUNEATELY, STEVEN JAB'S CANDI ISN'T EXAGGERATED ENOUGH, AND SEEMS VERY FLAT AGAST THE BACKGROUND PROVID BY THE RT OF THE PRODUCTN. HE SGS VERY WELL, BUT HIS ACTG RELI TOO HEAVILY ON BLOW-DRIED GOOD LOOKS AND GLASSY STAR, EVEN FOR A CHARACTER AS NAIVE AS CANDI. THE FLT MAY BE WH THE DIRECTOR FOR TRYG TOO HARD TO MAKE CANDI REFLECT THE NTRAST BETWEEN DR. PANGLOSS'S WORLD VIEW AND THE WORLD SELF. THE RULT, HOWEVER, IS A BORG CHARACTER SUBSTUTED FOR A SYMPATHETIC ONE. JAB'S PERFORMANCE DON'T HR ONE'S ENJOYMENT OF THE SHOW, JT DON'T ADVANCE THE SHOW AS MUCH AS ULD.THE MOST ENARG SGLE CHARACTER IS CAROL ELLGSON AS CUNEGON'S OLD SERVANT LADY. ELLGSON PLAYS THE OLD LADY AS A YIDDISH GRANDMOTHER, AND SHE GETS MORE AND MORE MPY AS THE SHOW GO ON, RAVG AND WADDLG ABOUT THE STAGE.A CHARACTER WH ONE BUTTOCK AND YIDDISH MANNERISMS WOULD BE HARD-PRSED NOT TO GET LGHS, BUT ELLGSON SERV ALL SHE GETS FOR HER ANIMATED {DISPLAY:BLOCK;MARG:0PX TO;WIDTH:100%;MAX-WIDTH:100%;BACKGROUND:TRANSPARENT;PADDG:10PX 0PX;} {FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;LOR:#333333;TEXT-ALIGN:CENTER;FONT-SIZE:0.7EM;TEXT-TRANSFORM:UPPERSE;DISPLAY:BLOCK;} {WIDTH:-WEBK-F-NTENT;WIDTH:-MOZ-F-NTENT;WIDTH:F-NTENT;MARG:0PX TO;TEXT-ALIGN:CENTER;}ADVERTISEMENTBEE CANDI IS SO FARCIL, (AND ANY SHOW THAT VOLV ACTORS APE SUS IS BY FN A FARCE), YOU AREN'T LIKELY TO BE EMOTNALLY AFFECTED BY ANY EP WAY. BUT THIS GRIMMT OF ALL POSSIBLE WORLDS, A FAST-PACED PIECE OF PURE ENTERTAMENT IS ALWAYS WELE. IT BEATS TENDG YOUR {FONT-SIZE:16.5PX;LE-HEIGHT:26PX;BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;MARG:1EM TO;} A{LOR:#7B1B18;}WANT TO KEEP UP WH BREAKG NEWS? 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• CANDI: GLTER AND BE GAY
• "GLTER AND BE GAY" SHEET MIC
• GLTER AND BE GAY
• GLTER AND BE GAY

GLTER AND BE GAY

♪ Glter and be gay (Jewel Aria).

“ENOUGH OF BEG BASELY TEARFUL”: “GLTER AND BE GAY” AND THE CAMP POLICS OF QUEER RISTANCE

In the style of Rossi, quot many of the them of opera, which we will enunter piec such as “The Bt of All Possible Worlds”, “Battle Mic”, “Oh, Happy We”, and “Glter and Be Gay”. Glter and Gay – Cunegon’s great aria.

Glter and be gay – Cook. Glter and be gay – Strallen.

GLTER AND BE GAY BY LEONARD BERNSTE

For a brief wdow of time the 1930s, Hollywood was a place of permissivens toward the homosexualy of s leadg men, wh the movi’ first Ben-Hur, Ramon Novarro (Trey DeLuna) and the dashg MGM in Billy Ha (Adam Jenngs) throwg champagne parti on the lot and worshippg stud genue Lucille Le Sur, better known as Joan Crawford (Abby Lee). After outlg mp as social crique, I turn to Cunégon's aria “Glter and Be Gay” and trace s path through mp's eways two different s: first, the Uned Stat of the 1950s, a perd marked by McCarthy's wch-hunts, Cold War anxieti, tense homophobia, and the poser's personal stggle to accept his homosexualy, and send, the late 1980s, when sger, songwrer, and AIDS activist Michael Callen (1955–1993) rerd his own mped-up versn of “Glter and Be Gay” for what would bee his last mil project, a posthumo double album entled Legacy (1996).

The Lbian, Gay, Bisexual, and Transgenr Communy Center.

GLTER & BE GAY

“We Know Who We Are: Two Gay Men Declare War on Promiscuy.

Gay New York: Genr, Urban Culture, and the Makg of the Gay Male World, 1890–1940. How to Be Gay.

The Queen's Throat: Opera, Homosexualy, and the Mystery of Dire. Angels Ameri: A Gay Fantasia on Natnal Them.

GLTER AND BE GAYGLTER AND BE GAYGLTER AND BE GAYGLTER AND BE GAYGLTER AND BE GAY

Camp Comforts: Reparative Gay Lerature Tim of AIDS. Acts of Interventn: Performance, Gay Culture, and AIDS.

The Celluloid Closet: Homosexualy the Movi, Rev. Composn:Glter and Be Gay by Leonard Bernste.

LEONARD BERNSTE: GLTER AND BE GAY

Program Note:“Glter and Be Gay” is one of Bernste’s most famo posns taken om the operetta, “Candi”.

GLTER AND BE GAYBARBARA COOKTRACK 6 ON CANDI (ORIGAL BROADWAY CAST RERDG) PRODUCED BYGODDARD LIEBERSONDEC. 31, 19561 VIEWER7K VIEWS3 CONTRIBUTORSGLTER AND BE GAY LYRICS[CUNEGONDE, SPOKEN]AND HERE I AM, MY HEART BREAKGFORCED TO GLTER, FORCED TO BE GAY(SUNG)GLTER AND BE GAYTHAT'S THE PART I PLAYHERE I AM PARIS, FRANCEFORCED TO BEND MY SOULTO A SORDID ROLEVICTIMIZED BY BTERBTER CIRCUMSTANCEALAS, FOR ME!HAD I REMAEDBI MY LADY MOTHERMY VIRTUE HAD REMAED UNSTAEDUNTIL MY MAIN HAND WAS GAEDBY SOME GRAND DE OR OTHERAH, 'TWAS NOT TO BEHARSH NECSYBROUGHT ME TO THIS GILD GEBORN TO HIGHER THGSHERE I DROP MY WGSAH!SGG OF A SORROWNOTHG N ASSUAGEYOU MIGHT ALSO LIKEAND YET, OF URSE, I RATHER LIKE TO REVEL, HA HA!I HAVE NO STRONG OBJECTN TO CHAMPAGNE, HA HA!MY WARDROBE IS EXPENSIVE AS THE VIL, HA HA!PERHAPS IS IGNOBLE TO PLAENOUGH, ENOUGHOF BEG BASELY TEARFULI'LL SHOW MY NOBLE STUFFBY BEG BRIGHT AND CHEERFULHA HA HA HA HA!HA!HA HA HA HA HA HA!HA HA HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA, HA HA, HA HA HA HA HA HA!HA HA, HA HA, HA HA HA HA!HA! HA!HA HA HA HA HA HA!(SPOKEN)PEARLS AND BY RGSAH, HOW N WORLDLY THGSTAKE THE PLACE OF HONOR LOST?CAN THEY PENSATEFOR MY FALLEN STATE?PURCHASED AS THEY WERE AT SUCH A, AT SUCH AN AWFUL ST?BRACELETS, LAVALLIERCAN THEY DRY MY TEARS?CAN THEY BLD MY EY TO SHAME?CAN THE BRIGHTT BROOCHSHIELD ME OM REPROACH?CAN THE PURT DIAMOND PURIFY MY NAME?(SUNG)AND YET, OF URSE, THE TRKETS ARE ENARG, HA HA!I'M OH SO GLAD MY SAPPHIRE IS A STAR, HA HA!I RATHER LIKE A TWENTY RAT EARRG, HA HA!IF I'M NOT PURE AT LEAST MY JEWELS ARE!ENOUGH, ENOUGHI'LL TAKE THEIR DIAMOND NECKLACEAND SHOW MY NOBLE STUFFBY BEG GAY AND RECKLSHA HA HA HA HA!HA!HA HA HA HA HA HA!HA HA HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA, HA HA, HA HA HA HA HA HA!HA HA, HA HA, HA HA HA HA!OBSERVE HOW BRAVELY I NCEALTHE DREADFUL, DREADFUL SHAME I FEELHA HA HA HA!HA HA HA HA!HA HA HA HA!HA HA HA HA!HA HA HA HA!HA HA HA HA!HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA!HA! HA!HA HA HA HA HA HA HA!HA HA HA HA!HA!HA!HA HA!HA HA HA!EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUTHAVE THE SI SOP ON THIS SONG?SIGN UP AND DROP SOME KNOWLEDGESTART THE SONG BASK A QUTN ABOUT THIS SONGASK A QUTN *‌WHO PRODUCED “GLTER AND BE GAY” BY BARBARA COOK?WHEN DID BARBARA COOK RELEASE “GLTER AND BE GAY”?WHO WROTE “GLTER AND BE GAY” BY BARBARA COOK?CANDI (ORIGAL BROADWAY CAST RERDG) (1956)ORIGAL BROADWAY CAST OF CANDI1. OVERTURE2. THE BT OF ALL POSSIBLE WORLDS3. OH, HAPPY WE4. IT MT BE SO5. PARIS WALTZ6. GLTER AND BE GAY7. YOU WERE DEAD, YOU KNOW8. MY LOVE9. I AM EASILY ASSIATED10. FALE ACT 1 (QUARTET)11. QUIET12. ELDORADO13. BON VOYAGE14. WHAT’S THE USE?15. VENICE GAVOTTE16. MAKE OUR GARN GROWCREDSPRODUCED BYGODDARD LIEBERSONWRTEN BYLEONARD BERNSTE & RICHARD WILBURRELEASE DATEDECEMBER 31, 1956GLTER AND BE GAY COVERSGLTER AND BE GAY BY LISA VROMANTAGSPOPEXPAND COMMENTSADD A MENTSIGN UP AND DROP KNOWLEDGE ?GENI IS THE ULTIMATE SOURCE OF MIC KNOWLEDGE, CREATED BY SCHOLARS LIKE YOU WHO SHARE FACTS AND SIGHT ABOUT THE SONGS AND ARTISTS THEY LOVE.SIGN UPGENI IS THE WORLD’S BIGGT LLECTN OF SONG LYRICS AND MIL KNOWLEDGE

Glter and be gay.

GLTER AND BE GAY LYRICS - CANDI

”~From the mil adaptn of Voltaire's play, Leonard Bernste's CandiThe first nnectn that me to md was Cunegon’s aria Glter and Be Gay om Leonard Bernste’s Candi. Cunegonda, the love tert of tle character Candi, sgs of jt such a promise the aria, Glter and be Gay, precipatg her journey on the long (and sometim short! Candi In Concert, 2005: Glter and be Gay wh Krist Chenoweth as Cunegonda“Glter and be gay, that's the part I play; here I am Paris, France.

I'll take their diamond necklace And show my noble stuff By beg gay and reckls! Today’s shamelsly panrg selectn is the universally beloved Barbara Cook sgg the wonrful “Glter and Be Gay” om Candi, a song so difficult that she was sure she would be utterly pable of sgg .

[CUNEGONDE, spoken]And here I am, my heart breakgForced to glter, forced to be gay(sung)Glter and be gayThat's the part I playHere I am Paris, FranceForced to bend my soulTo a sordid roleVictimized by bterBter circumstanceAlas, for me! Enough, enoughI'll take their diamond necklaceAnd show my noble stuffBy beg gay and recklsHa ha ha ha ha!

GLTER AND BE {FONT-SIZE:20PX;LOR:#999;FONT-STYLE:ALIC;MARG:0PX;MARG-TOP:10PX;}CANDI MIC BY LEONARD BERNSTE BOOK ADAPTED OM VOLTAIRE BY HUGH WHEELER LYRICS BY RICHARD WILBUR, STEPHEN SONDHEIM AND JOHN LATOUCHE AT THE LOEB THROUGH MAY {GRID-ROW-START:2;GRID-LUMN-START:2;GRID-LUMN-END:3;}@MEDIA (MAX-WIDTH:950PX){{GRID-LUMN-START:1;GRID-LUMN-END:2;}}{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;MARG-BOTTOM:5PX;} A{LOR:#7B1B18;} IMG{PADDG-RIGHT:7PX;}BY {LOR:#BA0600;}JOSEPH B. {BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;}{DISPLAY:NONE;}@MEDIA (MAX-WIDTH:950PX){{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;DISPLAY:BLOCK;PADDG-TOP:20PX;PADDG-BOTTOM:20PX;MARG-TOP:20PX;BORR-TOP:1PX SOLID #EBEBEB;BORR-BOTTOM:1PX SOLID #EBEBEB;}}{DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;WIDTH:TO;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;POSN:-WEBK-STICKY;POSN:STICKY;TOP:70PX;-WEBK-FLEX-DIRECTN:ROW;-MS-FLEX-DIRECTN:ROW;FLEX-DIRECTN:ROW;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:UNSET;} {DISPLAY:LE-BLOCK;PADDG:0PX;} > SPAN{WIDTH:35PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;TEXT-ALIGN:CENTER;BORR-RADI:50%;} SVG{WIDTH:25PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;} .ADDTHIS_BUTTON_EMAIL > SPAN, .ADDTHIS_BUTTON_PRT > SPAN, .ADDTHIS_BUTTON_LK > SPAN{BACKGROUND-LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_UNTER .ADDTHIS_BUTTON_EXPAND{WIDTH:35PX;HEIGHT:35PX;MARG:0PX;PADDG:0PX;BACKGROUND:NONE;TEXT-ALIGN:CENTER;BORR:1PX SOLID #EBEBEB;BORR-RADI:50%;LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_BUTTON_PACT{DISPLAY:NONE !IMPORTANT;} {MARG:0PX 5PX;}{POSN:RELATIVE;WIDTH:100%;} P{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;MARG-TOP:1EM;MARG-BOTTOM:1EM;} OL{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;PADDG-LEFT:80PX;} P A, OL A, P A:VISED, OL A:VISED{LOR:#BA0600;-WEBK-TRANSN:0.3S ALL;TRANSN:0.3S ALL;-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} P A:HOVER, OL A:HOVER{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} H1, H2, H3, H4, H5, H6{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;MARG-TOP:1EM;MARG-BOTTOM:1EM;LOR:#7B1B18;}THE LOEB PRODUCTION OF CANDI MAY NOT BE THE BT OF ALL POSSIBLE CANDIS, BUT IS VERY GOOD AND THIS IMPERFECT WORLD, THAT IS UALLY ENOUGH.IF ANY BOOK WRTEN BEFORE THE DAWN OF THE BROADWAY MIL LENDS SELF TO ADAPTATN TO A BROADWAY MIL, VOLTAIRE'S CANDI DO. IT IS FUNNY ENOUGH S OWN RIGHT THAT ONE ONLY NEEDS TO SET MIC TO THE TEXT TO GET A SLICK AND ENJOYABLE MIL EDY. IN MANY STANC, LEONARD BERNSTE AND HUGH WHEELER DO EXACTLY THAT, QUOTG WHOLE PASSAG STRAIGHT OUT OF THE BOOK. BERNSTE'S MIC--WHICH THE ORCHTRA PERFORMS EXCELLENTLY--PARODI OPERA, BACH, THE NVENTNS OF BROADWAY MILS, AND A LOT BETWEEN. THE WHOLE SATIRIC PASTICHE IS TOPPED OFF WH LYRICS THAT ARE FAHFUL TO THE WRY, IRONIC W OF THE BOOK.ABOUT THE ONLY THG THAT ULD CANDI WOULD BE SLOW PACG. GIVEN ENOUGH TIME TO DWELL ON THE OTHS OF THE WHOLE THG, MANY DIENC MIGHT BEE WEARIED WH THE OBV FOOLISHNS OF DR. PANGLOSS AND PANY. TO GUARD AGAST SUCH A REACTN, DIRECTOR GEE HAML HAS TURNED CANDI TO A THREE-RG CIRC THAT MOV AT THE SPEED OF LIGHT. THE SET SPRAWLS THE WIDTH OF THE THEATER, G THE BALNI OVER THE THEATER ENTRANCE AND A WALKWAY THAT CUTS THROUGH THE 30 OR 40 SEATS THE P. ACTORS APPEAR OM EVERY DOOR THE THEATER, SOMETIM EXG STAGE RIGHT TO APPEAR MOMENTS LATER THE BALNY WH A TOTALLY DIFFERENT STUME. HALFWAY THROUGH THE HOUR AND 45 MUTE SHOW THE DIENCE IS A WHIRL TRYG TO KEEP UP WH ALL THE QUICK CHANG AND LEAPG ABOUT, BUT THEY GET NO TERMISSN TO ALLOW TIME TO SORT ALL OUT.THE HECTIC PACE MANDS ACTORS WHO N KEEP UP WH , AND HERE THE LOEB PRODUCTN IS BLSED. WILLIAM FALK--WHO PLAYS VOLTAIRE, DR. PANGLOSS, THE MALEVOLENT SPANISH GOVERNOR, A SULTAN AND A SAGE--GIV FIVE MASTERFUL PERFORMANC AND DOMAT THE SHOW OM START TO FISH. WH BREATHTAKGLY FAST STUME CHANG, FALK BOUNC BETWEEN CHARACTERS AND NEVER LOS NTROL. EVEN HIS FACE SEEMS TO CHANGE WHEN HE SWCH OM THE KDLY VOLTAIRE TO THE MURRO GOVERNOR. HIS VAR ACCENTS ARE ALL NVCG AND NSISTENT.MANY OF THE ACTORS RRY MULTIPLE ROL, BUT THE BT OF THE SUPPORTG QUICK CHANGE ARTISTS IS UNDOUBTEDLY PARIS BARCLAY AS THE BARON OF THUNR TEN TRONCKE, THE GRAND INQUISOR, THE SLAVE DRIVER AND A SHEIK. EVEN THE B ROL, BARCLAY'S STAGE PRENCE STEALS EVERY SCENE. HIS SUBTLE GTUR AND EXPRSNS TURN HIS CHARACTERS MOR TOURS FORCE.THE MAIN ACTORS WHO REMA THE SAME CHARACTERS THROUGHOUT THE SHOW STGGLE A B TO VELOP NSISTENTLY AMID THE RTOON ZANS OF THE SUPPORTG ROL, BUT FOR THE MOST PART THEY PE VERY WELL. CORNELIA RAVENAL, AS THE EVER-WILLG PAQUETTE, BUBBL GUILELSLY ALONG, CREATG AN ENJOYABLE RITURE. STEPHEN HAY STARTS A B SHAKILY AS MAXILIAN, CANDI'S FOPPISH FOSTER BROTHER, BUT HE BE MORE NVCG WH EACH EPISO UNTIL HE SH A WONRFUL PASSAGE WH THE GOVERNOR WHICH HE GETS SOLD AS A FEMALE SLAVE ONLY TO HAVE HIS NUTS EXPOSED AT THE LAST MUTE. HAY SOMETIM FAILS TO SG LOUDLY ENOUGH, BUT HIS ACTG EVENTUALLY MAK UP FOR THAT.KATHERE KEAN AS CUNEGON, THOUGH SOMEWHAT OVERSHADOWED BY THE PREVAILG LUNACY, GIV A Y AND ENGAGG PERFORMANCE. KEAN HAS A STUNNG VOICE WHICH SHE DISPLAYS A SOLO LLED "GLTER AND BE GAY." HER OPERATIC FIREWORKS BROUGHT A TWO-MUTE OVATN. KEAN'S ACTG IS ALMOST AS GOOD AS HER VOICE, THOUGH SHE TENDS TO OVERDO THE FLUFFY-HEAD CHILDISHNS OF THE GOLD-DIGGG CUNEGON.UNFORTUNEATELY, STEVEN JAB'S CANDI ISN'T EXAGGERATED ENOUGH, AND SEEMS VERY FLAT AGAST THE BACKGROUND PROVID BY THE RT OF THE PRODUCTN. HE SGS VERY WELL, BUT HIS ACTG RELI TOO HEAVILY ON BLOW-DRIED GOOD LOOKS AND GLASSY STAR, EVEN FOR A CHARACTER AS NAIVE AS CANDI. THE FLT MAY BE WH THE DIRECTOR FOR TRYG TOO HARD TO MAKE CANDI REFLECT THE NTRAST BETWEEN DR. PANGLOSS'S WORLD VIEW AND THE WORLD SELF. THE RULT, HOWEVER, IS A BORG CHARACTER SUBSTUTED FOR A SYMPATHETIC ONE. JAB'S PERFORMANCE DON'T HR ONE'S ENJOYMENT OF THE SHOW, JT DON'T ADVANCE THE SHOW AS MUCH AS ULD.THE MOST ENARG SGLE CHARACTER IS CAROL ELLGSON AS CUNEGON'S OLD SERVANT LADY. ELLGSON PLAYS THE OLD LADY AS A YIDDISH GRANDMOTHER, AND SHE GETS MORE AND MORE MPY AS THE SHOW GO ON, RAVG AND WADDLG ABOUT THE STAGE.A CHARACTER WH ONE BUTTOCK AND YIDDISH MANNERISMS WOULD BE HARD-PRSED NOT TO GET LGHS, BUT ELLGSON SERV ALL SHE GETS FOR HER ANIMATED {DISPLAY:BLOCK;MARG:0PX TO;WIDTH:100%;MAX-WIDTH:100%;BACKGROUND:TRANSPARENT;PADDG:10PX 0PX;} {FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;LOR:#333333;TEXT-ALIGN:CENTER;FONT-SIZE:0.7EM;TEXT-TRANSFORM:UPPERSE;DISPLAY:BLOCK;} {WIDTH:-WEBK-F-NTENT;WIDTH:-MOZ-F-NTENT;WIDTH:F-NTENT;MARG:0PX TO;TEXT-ALIGN:CENTER;}ADVERTISEMENTBEE CANDI IS SO FARCIL, (AND ANY SHOW THAT VOLV ACTORS APE SUS IS BY FN A FARCE), YOU AREN'T LIKELY TO BE EMOTNALLY AFFECTED BY ANY EP WAY. BUT THIS GRIMMT OF ALL POSSIBLE WORLDS, A FAST-PACED PIECE OF PURE ENTERTAMENT IS ALWAYS WELE. IT BEATS TENDG YOUR {FONT-SIZE:16.5PX;LE-HEIGHT:26PX;BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;MARG:1EM TO;} A{LOR:#7B1B18;}WANT TO KEEP UP WH BREAKG NEWS? 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Cunegon's aria "Glter and Be Gay" om Leonard Bernste's operetta Candi is a performance of a performance, a show-stoppg loratura solo which the character scrib how she has been "forced to bend my soul to a sordid role" of beg the ged slave of the Grand Inquisor and Don Issachar.

CANDI: GLTER AND BE GAY

"I thk ‘Glter and Be Gay' says all, " said Blackwell. " I ask if the aria's virtuosy is the mil equivalent of all those bbl, where any actrs n glter and be gay.

Perspectiv, mgs, and advice om a sgle mother and a gay man! Take some time to lgh, se, Glter and Be Gay!!

5 - "Ask a Gal and a Gay #17". It's Glter and Be Gay's one-year anniversary and we're gog back to where all began... Glter And Be Gay.

"GLTER AND BE GAY" SHEET MIC

Glter and be gay,. By beg gay and reckls!

Kean has a stunng voice which she displays a solo lled "Glter and Be Gay. Candi: Glter and Be Gay.

Leonard Bernste: Glter & Be Gay (Voice & Piano) Voice, Piano. "Glter and Be Gay". Browse our 1 arrangement of "Glter and Be Gay.

GLTER AND BE GAY

Lyrics beg: "Glter and be gay, ".

Arguably the most famo piece of mic the entire work is the aria “Glter and Be Gay, ” sung by Cunegon towards the end of Act I.

“Glter and Be Gay” om Candi.

GLTER AND BE GAY

From the outset, though, var numbers have been beloved for the masterpiec that they are, cludg the showstopper sung by Candi’s sweetheart’s, Cunegon, “Glter and Be Gay. Prr to my sophomore year of high school, I had not tly unrstood the signifince and fluence of the poser, nductor, tor, and humanarian that was Leonard Bernste. In class, we discsed Candi as an operetta based on Voltaire’s novella wh the same tle and spired story l, yet I cid I would further analyze four of my favore piec this operetta: the overture, “Bt of All Possible Worlds”, “Glter and Be Gay”, and fally, “Make Our Garn Grow.

The overture immediately giv the dience a taste of what to expect throughout the operetta by rporatg var tun om other songs the performance to the overture, cludg “The Bt of All Possible Worlds”, “Oh, Happy We”, and “Glter and Be Gay.