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♪ Intertg facts ♪ great YouTube Vios ♪ about the famo Aria GLITTER AND BE GAY ♪ wh great Interpreters like Damr, Dsay, Anrson. ♪

Contents:

GLITTER AND BE GAY – AN ARIA OM THE OPERETTA CANDI

* glitter and be gay opera *

The Portra of Bernste’s aria GLITTER AND BE GAY. Read Intertg facts and hear great YouTube Vios about the famo Aria “GLITTER AND BE GAY“. The Aria – the text of GLITTER AND BE GAY.

Forced to glter, forced to be gay.

Glter and be gay.

GLTER AND BE GAY: CANDI REVIEW (LA OPERA)

Hoton's Glter and Be Gay gala honored soprano Ana María Martez while the theme payed homage to Leonard Bernste his centennial year and spotlighted the var ways that the pany enhanc the atmosphere and stature of The Heights, which lls home. * glitter and be gay opera *

Famo terpretatns of GLITTER AND BE GAY. Glter and be gay – Cook. Glter and be gay – Strallen.

Glter and be gay – Chenoweth. Both were also famo queens of the night, whose spir Bernste also posed “Glter and be gay”, the unn of parody and loratura. Glter and be gay – Damr.

Glter and be gay – Dsay.

‘GLTER AND BE GAY’ THEME MAK THIS ANYTHG BUT AN OLD, BORG GALA: THIS OPERA SOARS TO NEW HEIGHTS

Cunegon's glterg aria "Glter and Be Gay" is one of soprano Barbara Cook's favore piec. The song is dramatic, wh ltle chordal acpaniment, * glitter and be gay opera *

Peter Lutz, opera-si, the onle opera gui to the aria “GLITTER AND BE GAY” om the opera CANDIDE om Leonard Bernste. Morley tackled Cunegon wh a sparklg lyric loratura and nailed every sane high note the famoly difficult, 6-mute-long showstopper “Glter and be Gay” wh astonishg ease, even addg extra high not that weren’t the sre (as wasn’t already hard enough)! What: Opera the Heights “Bravissimo 2018: Glter and Be Gay”Where: Big Brothers and Big Sisters of Greater Hoton buildgPC Moment: The gala honored soprano Ana María Martez while the theme payed homage to Leonard Bernste his centennial year and spotlighted the var ways that the pany enhanc the atmosphere and stature of The Heights, which lls home.

) soprano Kathryn Bown prentg an extravagant rendn of Bernste’s “Glter and Be Gay” and the st of the pany’s upg productn of Candi performg “Make Our Garn Grow.

Cunegon’s glterg aria “Glter and Be Gay” is one of soprano Barbara Cook’s favore piec. Glter and Be Gay Sheet Mic: This 1957 song by Candi was origally published the key C Mor the tune tempo is to be played Tempo di Valse Lente wh a metronome of q = 80. Lyrics beg: Glter and be gay,.

GLTER AND BE GAY | CANDI

Cunegon's aria "Glter and Be Gay" om Leonard Bernste's operetta Candi is a performance of a performance, a show-stoppg loratu… * glitter and be gay opera *

Glter and be Gay, Bernste, Candi, Cunegon rehearsal track. Cunegon's aria "Glter and Be Gay" om Leonard Bernste's operetta Candi is a performance of a performance, a show-stoppg loratura solo which the character scrib how she has been "forced to bend my soul to a sordid role" of beg the ged slave of the Grand Inquisor and Don Issachar. "I thk ‘Glter and Be Gay' says all, " said Blackwell.

" I ask if the aria's virtuosy is the mil equivalent of all those bbl, where any actrs n glter and be gay. All tak is Bernstien's stunng loraturas Cunegon's ravishg Glter and be Gay! I’d spent some time gettg the role ready before the rehearsals and wh the agreement of my brilliant sgg teacher Rosa Mannn and awome ach Simon Lepper I put ‘Glter and Be Gay’ as the fal aria my recal which after 40 mut of near ntuo sgg was que a high note to ask my voice to end on!

Candi: Glter and Be Gay. Leonard Bernste: Glter & Be Gay (Voice & Piano) Voice, Piano.

GLTER AND BE GAY

Candi - Glter And Be Gay Sheet mic for Piano, Vols (Piano-Voice) |. Kean has a stunng voice which she displays a solo lled "Glter and Be Gay. The Seventi saw many women's rights, gay rights, and environmental movements.

After outlg mp as social crique, I turn to Cunégon's aria “Glter and Be Gay” and trace s path through mp's eways two different s: first, the Uned Stat of the 1950s, a perd marked by McCarthy's wch-hunts, Cold War anxieti, tense homophobia, and the poser's personal stggle to accept his homosexualy, and send, the late 1980s, when sger, songwrer, and AIDS activist Michael Callen (1955–1993) rerd his own mped-up versn of “Glter and Be Gay” for what would bee his last mil project, a posthumo double album entled Legacy (1996).

The Lbian, Gay, Bisexual, and Transgenr Communy Center. “We Know Who We Are: Two Gay Men Declare War on Promiscuy.

GLTER AND BE GAY

Gay New York: Genr, Urban Culture, and the Makg of the Gay Male World, 1890–1940. How to Be Gay. The Queen's Throat: Opera, Homosexualy, and the Mystery of Dire.

Angels Ameri: A Gay Fantasia on Natnal Them. Camp Comforts: Reparative Gay Lerature Tim of AIDS. Acts of Interventn: Performance, Gay Culture, and AIDS.

CANDI: GLTER AND BE GAY

The Celluloid Closet: Homosexualy the Movi, Rev.

Bernste - Glter and Be Gay, om Candi (Diana Damr).

Wh mil highlights cludg “Glter and Be Gay” and “Make Your Garn Grow, ” Candi leav dienc hummg h tun and affirms that the path to happs is seldom straight. This is a poster I created for the Spotlight on Opera Glter and Be Gay Opera Gala performance.

GLTER AND BE {FONT-SIZE:20PX;LOR:#999;FONT-STYLE:ALIC;MARG:0PX;MARG-TOP:10PX;}CANDI MIC BY LEONARD BERNSTE BOOK ADAPTED OM VOLTAIRE BY HUGH WHEELER LYRICS BY RICHARD WILBUR, STEPHEN SONDHEIM AND JOHN LATOUCHE AT THE LOEB THROUGH MAY {GRID-ROW-START:2;GRID-LUMN-START:2;GRID-LUMN-END:3;}@MEDIA (MAX-WIDTH:950PX){{GRID-LUMN-START:1;GRID-LUMN-END:2;}}{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;MARG-BOTTOM:5PX;} A{LOR:#7B1B18;} IMG{PADDG-RIGHT:7PX;}BY {LOR:#BA0600;}JOSEPH B. {BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;}{DISPLAY:NONE;}@MEDIA (MAX-WIDTH:950PX){{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;DISPLAY:BLOCK;PADDG-TOP:20PX;PADDG-BOTTOM:20PX;MARG-TOP:20PX;BORR-TOP:1PX SOLID #EBEBEB;BORR-BOTTOM:1PX SOLID #EBEBEB;}}{DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;WIDTH:TO;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;POSN:-WEBK-STICKY;POSN:STICKY;TOP:70PX;-WEBK-FLEX-DIRECTN:ROW;-MS-FLEX-DIRECTN:ROW;FLEX-DIRECTN:ROW;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:UNSET;} {DISPLAY:LE-BLOCK;PADDG:0PX;} > SPAN{WIDTH:35PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;TEXT-ALIGN:CENTER;BORR-RADI:50%;} SVG{WIDTH:25PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;} .ADDTHIS_BUTTON_EMAIL > SPAN, .ADDTHIS_BUTTON_PRT > SPAN, .ADDTHIS_BUTTON_LK > SPAN{BACKGROUND-LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_UNTER .ADDTHIS_BUTTON_EXPAND{WIDTH:35PX;HEIGHT:35PX;MARG:0PX;PADDG:0PX;BACKGROUND:NONE;TEXT-ALIGN:CENTER;BORR:1PX SOLID #EBEBEB;BORR-RADI:50%;LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_BUTTON_PACT{DISPLAY:NONE !IMPORTANT;} {MARG:0PX 5PX;}{POSN:RELATIVE;WIDTH:100%;} P{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;MARG-TOP:1EM;MARG-BOTTOM:1EM;} OL{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;PADDG-LEFT:80PX;} P A, OL A, P A:VISED, OL A:VISED{LOR:#BA0600;-WEBK-TRANSN:0.3S ALL;TRANSN:0.3S ALL;-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} P A:HOVER, OL A:HOVER{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} H1, H2, H3, H4, H5, H6{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;MARG-TOP:1EM;MARG-BOTTOM:1EM;LOR:#7B1B18;}THE LOEB PRODUCTION OF CANDI MAY NOT BE THE BT OF ALL POSSIBLE CANDIS, BUT IS VERY GOOD AND THIS IMPERFECT WORLD, THAT IS UALLY ENOUGH.IF ANY BOOK WRTEN BEFORE THE DAWN OF THE BROADWAY MIL LENDS SELF TO ADAPTATN TO A BROADWAY MIL, VOLTAIRE'S CANDI DO. IT IS FUNNY ENOUGH S OWN RIGHT THAT ONE ONLY NEEDS TO SET MIC TO THE TEXT TO GET A SLICK AND ENJOYABLE MIL EDY. IN MANY STANC, LEONARD BERNSTE AND HUGH WHEELER DO EXACTLY THAT, QUOTG WHOLE PASSAG STRAIGHT OUT OF THE BOOK. BERNSTE'S MIC--WHICH THE ORCHTRA PERFORMS EXCELLENTLY--PARODI OPERA, BACH, THE NVENTNS OF BROADWAY MILS, AND A LOT BETWEEN. THE WHOLE SATIRIC PASTICHE IS TOPPED OFF WH LYRICS THAT ARE FAHFUL TO THE WRY, IRONIC W OF THE BOOK.ABOUT THE ONLY THG THAT ULD CANDI WOULD BE SLOW PACG. GIVEN ENOUGH TIME TO DWELL ON THE OTHS OF THE WHOLE THG, MANY DIENC MIGHT BEE WEARIED WH THE OBV FOOLISHNS OF DR. PANGLOSS AND PANY. TO GUARD AGAST SUCH A REACTN, DIRECTOR GEE HAML HAS TURNED CANDI TO A THREE-RG CIRC THAT MOV AT THE SPEED OF LIGHT. THE SET SPRAWLS THE WIDTH OF THE THEATER, G THE BALNI OVER THE THEATER ENTRANCE AND A WALKWAY THAT CUTS THROUGH THE 30 OR 40 SEATS THE P. ACTORS APPEAR OM EVERY DOOR THE THEATER, SOMETIM EXG STAGE RIGHT TO APPEAR MOMENTS LATER THE BALNY WH A TOTALLY DIFFERENT STUME. HALFWAY THROUGH THE HOUR AND 45 MUTE SHOW THE DIENCE IS A WHIRL TRYG TO KEEP UP WH ALL THE QUICK CHANG AND LEAPG ABOUT, BUT THEY GET NO TERMISSN TO ALLOW TIME TO SORT ALL OUT.THE HECTIC PACE MANDS ACTORS WHO N KEEP UP WH , AND HERE THE LOEB PRODUCTN IS BLSED. WILLIAM FALK--WHO PLAYS VOLTAIRE, DR. PANGLOSS, THE MALEVOLENT SPANISH GOVERNOR, A SULTAN AND A SAGE--GIV FIVE MASTERFUL PERFORMANC AND DOMAT THE SHOW OM START TO FISH. WH BREATHTAKGLY FAST STUME CHANG, FALK BOUNC BETWEEN CHARACTERS AND NEVER LOS NTROL. EVEN HIS FACE SEEMS TO CHANGE WHEN HE SWCH OM THE KDLY VOLTAIRE TO THE MURRO GOVERNOR. HIS VAR ACCENTS ARE ALL NVCG AND NSISTENT.MANY OF THE ACTORS RRY MULTIPLE ROL, BUT THE BT OF THE SUPPORTG QUICK CHANGE ARTISTS IS UNDOUBTEDLY PARIS BARCLAY AS THE BARON OF THUNR TEN TRONCKE, THE GRAND INQUISOR, THE SLAVE DRIVER AND A SHEIK. EVEN THE B ROL, BARCLAY'S STAGE PRENCE STEALS EVERY SCENE. HIS SUBTLE GTUR AND EXPRSNS TURN HIS CHARACTERS MOR TOURS FORCE.THE MAIN ACTORS WHO REMA THE SAME CHARACTERS THROUGHOUT THE SHOW STGGLE A B TO VELOP NSISTENTLY AMID THE RTOON ZANS OF THE SUPPORTG ROL, BUT FOR THE MOST PART THEY PE VERY WELL. CORNELIA RAVENAL, AS THE EVER-WILLG PAQUETTE, BUBBL GUILELSLY ALONG, CREATG AN ENJOYABLE RITURE. STEPHEN HAY STARTS A B SHAKILY AS MAXILIAN, CANDI'S FOPPISH FOSTER BROTHER, BUT HE BE MORE NVCG WH EACH EPISO UNTIL HE SH A WONRFUL PASSAGE WH THE GOVERNOR WHICH HE GETS SOLD AS A FEMALE SLAVE ONLY TO HAVE HIS NUTS EXPOSED AT THE LAST MUTE. HAY SOMETIM FAILS TO SG LOUDLY ENOUGH, BUT HIS ACTG EVENTUALLY MAK UP FOR THAT.KATHERE KEAN AS CUNEGON, THOUGH SOMEWHAT OVERSHADOWED BY THE PREVAILG LUNACY, GIV A Y AND ENGAGG PERFORMANCE. KEAN HAS A STUNNG VOICE WHICH SHE DISPLAYS A SOLO LLED "GLTER AND BE GAY." HER OPERATIC FIREWORKS BROUGHT A TWO-MUTE OVATN. KEAN'S ACTG IS ALMOST AS GOOD AS HER VOICE, THOUGH SHE TENDS TO OVERDO THE FLUFFY-HEAD CHILDISHNS OF THE GOLD-DIGGG CUNEGON.UNFORTUNEATELY, STEVEN JAB'S CANDI ISN'T EXAGGERATED ENOUGH, AND SEEMS VERY FLAT AGAST THE BACKGROUND PROVID BY THE RT OF THE PRODUCTN. HE SGS VERY WELL, BUT HIS ACTG RELI TOO HEAVILY ON BLOW-DRIED GOOD LOOKS AND GLASSY STAR, EVEN FOR A CHARACTER AS NAIVE AS CANDI. THE FLT MAY BE WH THE DIRECTOR FOR TRYG TOO HARD TO MAKE CANDI REFLECT THE NTRAST BETWEEN DR. PANGLOSS'S WORLD VIEW AND THE WORLD SELF. THE RULT, HOWEVER, IS A BORG CHARACTER SUBSTUTED FOR A SYMPATHETIC ONE. JAB'S PERFORMANCE DON'T HR ONE'S ENJOYMENT OF THE SHOW, JT DON'T ADVANCE THE SHOW AS MUCH AS ULD.THE MOST ENARG SGLE CHARACTER IS CAROL ELLGSON AS CUNEGON'S OLD SERVANT LADY. ELLGSON PLAYS THE OLD LADY AS A YIDDISH GRANDMOTHER, AND SHE GETS MORE AND MORE MPY AS THE SHOW GO ON, RAVG AND WADDLG ABOUT THE STAGE.A CHARACTER WH ONE BUTTOCK AND YIDDISH MANNERISMS WOULD BE HARD-PRSED NOT TO GET LGHS, BUT ELLGSON SERV ALL SHE GETS FOR HER ANIMATED {DISPLAY:BLOCK;MARG:0PX TO;WIDTH:100%;MAX-WIDTH:100%;BACKGROUND:TRANSPARENT;PADDG:10PX 0PX;} {FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;LOR:#333333;TEXT-ALIGN:CENTER;FONT-SIZE:0.7EM;TEXT-TRANSFORM:UPPERSE;DISPLAY:BLOCK;} {WIDTH:-WEBK-F-NTENT;WIDTH:-MOZ-F-NTENT;WIDTH:F-NTENT;MARG:0PX TO;TEXT-ALIGN:CENTER;}ADVERTISEMENTBEE CANDI IS SO FARCIL, (AND ANY SHOW THAT VOLV ACTORS APE SUS IS BY FN A FARCE), YOU AREN'T LIKELY TO BE EMOTNALLY AFFECTED BY ANY EP WAY. BUT THIS GRIMMT OF ALL POSSIBLE WORLDS, A FAST-PACED PIECE OF PURE ENTERTAMENT IS ALWAYS WELE. IT BEATS TENDG YOUR {FONT-SIZE:16.5PX;LE-HEIGHT:26PX;BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;MARG:1EM TO;} A{LOR:#7B1B18;}WANT TO KEEP UP WH BREAKG NEWS? SUBSCRIBE TO OUR EMAIL {MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;PADDG:20PX 20PX;BORR-TOP:1PX SOLID #CCC;BORR-BOTTOM:1PX SOLID #CCC;MARG:20PX TO;}{DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:ROW;-MS-FLEX-DIRECTN:ROW;FLEX-DIRECTN:ROW;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;MARG:0PX TO;}@MEDIA (MAX-WIDTH:425PX){{-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;-WEBK-ALIGN-EMS:FLEX-START;-WEBK-BOX-ALIGN:FLEX-START;-MS-FLEX-ALIGN:FLEX-START;ALIGN-EMS:FLEX-START;}}{DISPLAY:BLOCK;MARG-RIGHT:20PX;FONT:0.85EM/1.5EM 'COLABORATE LIGHT';TEXT-TRANSFORM:UPPERSE;}{GRID-LUMN-START:2;GRID-ROW-START:3;BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;WIDTH:100%;}@MEDIA (MAX-WIDTH:950PX){{GRID-ROW-START:4;BOX-SIZG:BORR-BOX;GRID-LUMN-START:1;GRID-LUMN-END:2;}}{GRID-ROW-START:2;GRID-ROW-END:4;GRID-LUMN-START:3;POSN:RELATIVE;}@MEDIA 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Glter and Be Gay Opera Gala Poster.

GLTER AND BE GAY

7 KRISTEN LUS, SOPRANO - GLTER AND BE GAY

“ENOUGH OF BEG BASELY TEARFUL”: “GLTER AND BE GAY” AND THE CAMP POLICS OF QUEER RISTANCE

*BEAR-MAGAZINE.COM* GLITTER AND BE GAY OPERA

GLITTER AND BE GAY - an aria om the opera Candi | ♪ Opera gui .

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