Michael Callen – Glter and Be Gay Lyrics | Geni Lyrics

Contents:

• GLTER AND BE GAYBARBARA COOKTRACK 6 ON CANDI (ORIGAL BROADWAY CAST RERDG) PRODUCED BYGODDARD LIEBERSONDEC. 31, 19561 VIEWER7K VIEWS3 CONTRIBUTORSGLTER AND BE GAY LYRICS[CUNEGONDE, SPOKEN]AND HERE I AM, MY HEART BREAKGFORCED TO GLTER, FORCED TO BE GAY(SUNG)GLTER AND BE GAYTHAT'S THE PART I PLAYHERE I AM PARIS, FRANCEFORCED TO BEND MY SOULTO A SORDID ROLEVICTIMIZED BY BTERBTER CIRCUMSTANCEALAS, FOR ME!HAD I REMAEDBI MY LADY MOTHERMY VIRTUE HAD REMAED UNSTAEDUNTIL MY MAIN HAND WAS GAEDBY SOME GRAND DE OR OTHERAH, 'TWAS NOT TO BEHARSH NECSYBROUGHT ME TO THIS GILD GEBORN TO HIGHER THGSHERE I DROP MY WGSAH!SGG OF A SORROWNOTHG N ASSUAGEYOU MIGHT ALSO LIKEAND YET, OF URSE, I RATHER LIKE TO REVEL, HA HA!I HAVE NO STRONG OBJECTN TO CHAMPAGNE, HA HA!MY WARDROBE IS EXPENSIVE AS THE VIL, HA HA!PERHAPS IS IGNOBLE TO PLAENOUGH, ENOUGHOF BEG BASELY TEARFULI'LL SHOW MY NOBLE STUFFBY BEG BRIGHT AND CHEERFULHA HA HA HA HA!HA!HA HA HA HA HA HA!HA HA HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA, HA HA, HA HA HA HA HA HA!HA HA, HA HA, HA HA HA HA!HA! HA!HA HA HA HA HA HA!(SPOKEN)PEARLS AND BY RGSAH, HOW N WORLDLY THGSTAKE THE PLACE OF HONOR LOST?CAN THEY PENSATEFOR MY FALLEN STATE?PURCHASED AS THEY WERE AT SUCH A, AT SUCH AN AWFUL ST?BRACELETS, LAVALLIERCAN THEY DRY MY TEARS?CAN THEY BLD MY EY TO SHAME?CAN THE BRIGHTT BROOCHSHIELD ME OM REPROACH?CAN THE PURT DIAMOND PURIFY MY NAME?(SUNG)AND YET, OF URSE, THE TRKETS ARE ENARG, HA HA!I'M OH SO GLAD MY SAPPHIRE IS A STAR, HA HA!I RATHER LIKE A TWENTY RAT EARRG, HA HA!IF I'M NOT PURE AT LEAST MY JEWELS ARE!ENOUGH, ENOUGHI'LL TAKE THEIR DIAMOND NECKLACEAND SHOW MY NOBLE STUFFBY BEG GAY AND RECKLSHA HA HA HA HA!HA!HA HA HA HA HA HA!HA HA HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA, HA HA, HA HA HA HA HA HA!HA HA, HA HA, HA HA HA HA!OBSERVE HOW BRAVELY I NCEALTHE DREADFUL, DREADFUL SHAME I FEELHA HA HA HA!HA HA HA HA!HA HA HA HA!HA HA HA HA!HA HA HA HA!HA HA HA HA!HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA!HA! HA!HA HA HA HA HA HA HA!HA HA HA HA!HA!HA!HA HA!HA HA HA!EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUTHAVE THE SI SOP ON THIS SONG?SIGN UP AND DROP SOME KNOWLEDGESTART THE SONG BASK A QUTN ABOUT THIS SONGASK A QUTN *‌WHO PRODUCED “GLTER AND BE GAY” BY BARBARA COOK?WHEN DID BARBARA COOK RELEASE “GLTER AND BE GAY”?WHO WROTE “GLTER AND BE GAY” BY BARBARA COOK?CANDI (ORIGAL BROADWAY CAST RERDG) (1956)ORIGAL BROADWAY CAST OF CANDI1. OVERTURE2. THE BT OF ALL POSSIBLE WORLDS3. OH, HAPPY WE4. IT MT BE SO5. PARIS WALTZ6. GLTER AND BE GAY7. YOU WERE DEAD, YOU KNOW8. MY LOVE9. I AM EASILY ASSIATED10. FALE ACT 1 (QUARTET)11. QUIET12. ELDORADO13. BON VOYAGE14. WHAT’S THE USE?15. VENICE GAVOTTE16. MAKE OUR GARN GROWCREDSPRODUCED BYGODDARD LIEBERSONWRTEN BYLEONARD BERNSTE & RICHARD WILBURRELEASE DATEDECEMBER 31, 1956GLTER AND BE GAY COVERSGLTER AND BE GAY BY LISA VROMANTAGSPOPEXPAND COMMENTSADD A MENTSIGN UP AND DROP KNOWLEDGE ?GENI IS THE ULTIMATE SOURCE OF MIC KNOWLEDGE, CREATED BY SCHOLARS LIKE YOU WHO SHARE FACTS AND SIGHT ABOUT THE SONGS AND ARTISTS THEY LOVE.SIGN UPGENI IS THE WORLD’S BIGGT LLECTN OF SONG LYRICS AND MIL KNOWLEDGE
• GLTER AND BE GAY
• GLTER AND BE GAYGLTER AND BE GAYGLTER AND BE GAYGLTER AND BE GAYGLTER AND BE GAY
• GLTER AND BE GAY | CANDI
• PAROL CANDI: GLTER AND BE GAY - LEONARD BERNSTE
• LEONARD BERNSTE - GLTER AND BE GAY LYRICS
• GLTER AND BE GAY LYRICS
• “ENOUGH OF BEG BASELY TEARFUL”: “GLTER AND BE GAY” AND THE CAMP POLICS OF QUEER RISTANCE
• GLTER AND BE GAY
• GLTER AND BE GAY BY LEONARD BERNSTE
• GLTER AND BE GAYLISA VROMANTRACK 8 ON BROADWAY CLASSIC 19991 VIEWER1 CONTRIBUTORGLTER AND BE GAY LYRICS[CUNEGONDE]GLTER AND BE GAYTHAT'S THE PART I PLAYHERE AM I PARIS, FRANCEFORCED TO BEND MY SOULTO A SORDID ROLEVICTIMIZED BY BTER, BTER CIRCUMSTANCEALAS, FOR ME!HAD I REMAEDBI MY LADY MOTHERMY VIRTUE HAD REMAED UNSTAEDUNTIL MY MAIN HAND WAS GAEDBY SOME GRAND DE OR OTHERAH, 'TWAS NOT TO BEHARSH NECSYBROUGHT ME TO THIS GILD GEBORN TO HIGHER THGSHERE I DROP MY WGS, AH!SGG OF A SORROW NOTHG N ASSUAGEAND YET, OF URSE, I'D RATHER LIKE TO REVEL, HA HA!I HAVE NO STRONG OBJECTN TO CHAMPAGNE, HA HA!MY WARDROBE IS EXPENSIVE AS THE VIL, HA HA!PERHAPS IS IGNOBLE TO PLAYOU MIGHT ALSO LIKEENOUGH, ENOUGHOF BEG BASELY TEARFULI'LL SHOW MY NOBLE STUFFBY BEG BRIGHT AND CHEERFULHA HA HA HA HA!HA!HA HA HA HA HA HA!HA HA HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA, HA HA, HA HA HA HA HA HA!HA HA, HA HA, HA HA HA HA!HA! HA!HA HA HA HA HA HA!(SPOKEN)PEARLS AND BY RGSAH, HOW N WORLDLY THGSTAKE THE PLACE OF HONOR LOST?CAN THEY PENSATEFOR MY FALLEN STATE?PURCHASED AS THEY WERE AT SUCH AN AWFUL ST?BRACELETS, LAVALLIERCAN THEY DRY MY TEARS?CAN THEY BLD MY EY TO SHAME?CAN THE BRIGHTT BROOCHSHIELD ME OM REPROACH?CAN THE PURT DIAMOND PURIFY MY NAME?(SUNG)AND YET, OF URSE, THE TRKETS ARE ENARG, HA HA!I'M OH SO GLAD MY SAPPHIRE IS A STAR, HA HA!I'D RATHER LIKE A TWENTY RAT EARRG, HA HA!IF I'M NOT PURE AT LEAST MY JEWELS ARE!ENOUGH, ENOUGHI'LL TAKE THE DIAMOND NECKLACEAND SHOW MY NOBLE STUFFBY BEG GAY AND RECKLSHA HA HA HA HA!HA!HA HA HA HA HA HA!HA HA HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA, HA HA, HA HA HA HA HA HA!HA HA, HA HA, HA HA HA HA!OBSERVE HOW BRAVELY I NCEALTHE DREADFUL, DREADFUL SHAME I FEELHA HA HA HA!HA HA HA HA!HA HA HA HA!HA HA HA HA!HA HA HA HA!HA HA HA HA!HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA!HA! HA!HA HA HA HA HA HA HA!HA HA HA HA!HA!HA!HA HA!HA HA HA!EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUTHAVE THE SI SOP ON THIS SONG?SIGN UP AND DROP SOME KNOWLEDGESTART THE SONG BASK A QUTN ABOUT THIS SONGASK A QUTN *‌WHEN DID LISA VROMAN RELEASE “GLTER AND BE GAY”?WHO WROTE “GLTER AND BE GAY” BY LISA VROMAN?BROADWAY CLASSIC (1999)LISA VROMAN1. I FEEL PRETTY2. THK OF ME3. UNUAL WAY4. A WONRFUL GUY5. A BOY LIKE THAT / I HAVE A LOVE6. TILL THERE WAS YOU7. TAKE OF MY SOLU8. GLTER AND BE GAY9. SOMEBODY SOMEWHERE10. SUMMERTIME11. FULL MOON12. WISHG YOU WERE SOMEHOW HERE AGA13. THE SOUND OF MIC14. UNEXPECTED SONG15. MEDLEY: I HAVE DREAMED / OUT OF MY DREAMS16. I COULD HAVE DANCED ALL NIGHTCREDSWRTEN BYLEONARD BERNSTE & RICHARD WILBURRELEASE DATE1999GLTER AND BE GAY IS A COVER OFGLTER AND BE GAY BY BARBARA COOKTAGSPOPMILSEXPAND COMMENTSADD A MENTSIGN UP AND DROP KNOWLEDGE ?GENI IS THE ULTIMATE SOURCE OF MIC KNOWLEDGE, CREATED BY SCHOLARS LIKE YOU WHO SHARE FACTS AND SIGHT ABOUT THE SONGS AND ARTISTS THEY LOVE.SIGN UPGENI IS THE WORLD’S BIGGT LLECTN OF SONG LYRICS AND MIL KNOWLEDGE
• GLTER AND BE GAYMICHAEL CALLENTRACK 7 ON LEGACY PRODUCED BYRICHARD DWORK19961 VIEWER1 CONTRIBUTORGLTER AND BE GAY LYRICSGLTER AND BE GAYTHAT’S THE PART I PLAYHERE I AM PARIS, FRANCEFORCED TO BEND MY SOULTO A SORDID ROLEVICTIMIZED BY BTERBTER CIRCUMSTANCEALAS FOR MEHAD I REMAED BI MY LADY MOTHERMY VIRTURE HAD REMAED UNSTAEDUNTIL MY MAIN HAND WAS GAEDBY SOME GRAND DE…OR OTHERAH, T’WAS NOT TO BEHARSH NECSYBROUGHT ME TO THIS GUILD GEBORN TO HIGHER THGSHERE I DROOP MY WGSAHHHHHHHHHHSGG OF THE SORROWNOTHG N ASSUAGEAND YET, OF URSE, I RATHER LIKе TO REVELI HAVE NO STRONG OBJеCTN TO CHAMPAGNEMY WARDROBE IS EXPENSIVE AS THE VIL, AH HA!PERHAPS IS IGNOBLE TO PLAYOU MIGHT ALSO LIKEENOUGH! ENOUGH!OF BEG BASELY TEARFULI’LL SHOW MY NOBLE STUFFBY BEG BRIGHT AND CHEERFULAHHHHHHHA HA HA HA HA HA HA ETCPEARLS AND BY RGSAH, HOW N WORLDLY THGSTAKE THE PLACE OF HONOR LOSTCAN THEY PENSATEFOR MY FALLEN STATEPURCHASED AS THEY WERE AT SUCH AN AWFUL STBRACELETS! LAVALIERS!CAN THEY DRY MY TEARSCAN THEY BLD MY EY TO SHAMECAN THE BRIGHTT BROOCHSHIELD ME OM REPROACHCAN THE PURT DIAMONDPURIFY MY NAME?AND YET, OF URSE, THE TRKETS ARE ENARG, AH HAI’M ALSO GLAD MY SAPPHIRE IS A STARI RATHER LIKE A 20 RAT EARRGIF I’M NOT PURE, AT LEAST MY JEWELS AREENOUGH ENOUGHI’LL TAKE THEIR DIAMOND NECKLACEAND SHOW MY NOBLE STUFFBY BEG GAY AND RECKLSAH HA AH HAH…HA HA HA HA HA HA ETCOBSERVE HOW BRAVELY I NCEALTHE DREADFUL DREADFULSHAME I FEELAH HA HA HA HAHAAHA HA HA HAAAAAAAAAHA HA HA HAEMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUTHAVE THE SI SOP ON THIS SONG?SIGN UP AND DROP SOME KNOWLEDGESTART THE SONG BASK A QUTN ABOUT THIS SONGASK A QUTN *‌WHO PRODUCED “GLTER AND BE GAY” BY MICHAEL CALLEN?WHEN DID MICHAEL CALLEN RELEASE “GLTER AND BE GAY”?LEGACY (1996)MICHAEL CALLEN1. LOVE WORTH FIGHTG FOR2. BETTER IN THE MOONLIGHT3. REFE THE FAY4. SIX-THIRTY SUNDAY MORNG / RIGHT AS THE RA5. NOW6. TWO MEN DANCE THE TANGO7. GLTER AND BE GAY8. MY IMAGATN9. CRAZY WORLD10. WE’VE HAD ENOUGH11. NO NO12. GRA B MOVIE13. WARM AS THE WD14. KEROSENE LANTERN15. SOMETIM NOT OFTEN ENOUGH16. THEY ARE FALLG ALL AROUND ME17. WISH I HAD A DIME18. Y I’LL TAKE MY CHANC19. NOTHG LASTS FOREVER20. SEE HERE21. HEALG POWER OF LOVE22. ROUNDABOUT23. STREET OF DREAMS24. MOTHER MOTHER25. DO NOT TURN AWAY26. ONE MORE LULLABY27. GOODBYE28. SE29. SACREDCREDSPRODUCED BYRICHARD DWORKPROGRAMMED BYELLT SOKOLOV & CLIFF TOWNSENDRELEASE DATE1996TAGSPOPEXPAND COMMENTSADD A MENTSIGN UP AND DROP KNOWLEDGE ?GENI IS THE ULTIMATE SOURCE OF MIC KNOWLEDGE, CREATED BY SCHOLARS LIKE YOU WHO SHARE FACTS AND SIGHT ABOUT THE SONGS AND ARTISTS THEY LOVE.SIGN UPGENI IS THE WORLD’S BIGGT LLECTN OF SONG LYRICS AND MIL KNOWLEDGE
• GLTER AND BE GAY
• GLTER AND BE {FONT-SIZE:20PX;LOR:#999;FONT-STYLE:ALIC;MARG:0PX;MARG-TOP:10PX;}CANDI MIC BY LEONARD BERNSTE BOOK ADAPTED OM VOLTAIRE BY HUGH WHEELER LYRICS BY RICHARD WILBUR, STEPHEN SONDHEIM AND JOHN LATOUCHE AT THE LOEB THROUGH MAY {GRID-ROW-START:2;GRID-LUMN-START:2;GRID-LUMN-END:3;}@MEDIA (MAX-WIDTH:950PX){{GRID-LUMN-START:1;GRID-LUMN-END:2;}}{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;MARG-BOTTOM:5PX;} A{LOR:#7B1B18;} IMG{PADDG-RIGHT:7PX;}BY {LOR:#BA0600;}JOSEPH B. {BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;}{DISPLAY:NONE;}@MEDIA (MAX-WIDTH:950PX){{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;DISPLAY:BLOCK;PADDG-TOP:20PX;PADDG-BOTTOM:20PX;MARG-TOP:20PX;BORR-TOP:1PX SOLID #EBEBEB;BORR-BOTTOM:1PX SOLID #EBEBEB;}}{DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;WIDTH:TO;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;POSN:-WEBK-STICKY;POSN:STICKY;TOP:70PX;-WEBK-FLEX-DIRECTN:ROW;-MS-FLEX-DIRECTN:ROW;FLEX-DIRECTN:ROW;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:UNSET;} {DISPLAY:LE-BLOCK;PADDG:0PX;} > SPAN{WIDTH:35PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;TEXT-ALIGN:CENTER;BORR-RADI:50%;} SVG{WIDTH:25PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;} .ADDTHIS_BUTTON_EMAIL > SPAN, .ADDTHIS_BUTTON_PRT > SPAN, .ADDTHIS_BUTTON_LK > SPAN{BACKGROUND-LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_UNTER .ADDTHIS_BUTTON_EXPAND{WIDTH:35PX;HEIGHT:35PX;MARG:0PX;PADDG:0PX;BACKGROUND:NONE;TEXT-ALIGN:CENTER;BORR:1PX SOLID #EBEBEB;BORR-RADI:50%;LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_BUTTON_PACT{DISPLAY:NONE !IMPORTANT;} {MARG:0PX 5PX;}{POSN:RELATIVE;WIDTH:100%;} P{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;MARG-TOP:1EM;MARG-BOTTOM:1EM;} OL{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;PADDG-LEFT:80PX;} P A, OL A, P A:VISED, OL A:VISED{LOR:#BA0600;-WEBK-TRANSN:0.3S ALL;TRANSN:0.3S ALL;-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} P A:HOVER, OL A:HOVER{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} H1, H2, H3, H4, H5, H6{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;MARG-TOP:1EM;MARG-BOTTOM:1EM;LOR:#7B1B18;}THE LOEB PRODUCTION OF CANDI MAY NOT BE THE BT OF ALL POSSIBLE CANDIS, BUT IS VERY GOOD AND THIS IMPERFECT WORLD, THAT IS UALLY ENOUGH.IF ANY BOOK WRTEN BEFORE THE DAWN OF THE BROADWAY MIL LENDS SELF TO ADAPTATN TO A BROADWAY MIL, VOLTAIRE'S CANDI DO. IT IS FUNNY ENOUGH S OWN RIGHT THAT ONE ONLY NEEDS TO SET MIC TO THE TEXT TO GET A SLICK AND ENJOYABLE MIL EDY. IN MANY STANC, LEONARD BERNSTE AND HUGH WHEELER DO EXACTLY THAT, QUOTG WHOLE PASSAG STRAIGHT OUT OF THE BOOK. BERNSTE'S MIC--WHICH THE ORCHTRA PERFORMS EXCELLENTLY--PARODI OPERA, BACH, THE NVENTNS OF BROADWAY MILS, AND A LOT BETWEEN. THE WHOLE SATIRIC PASTICHE IS TOPPED OFF WH LYRICS THAT ARE FAHFUL TO THE WRY, IRONIC W OF THE BOOK.ABOUT THE ONLY THG THAT ULD CANDI WOULD BE SLOW PACG. GIVEN ENOUGH TIME TO DWELL ON THE OTHS OF THE WHOLE THG, MANY DIENC MIGHT BEE WEARIED WH THE OBV FOOLISHNS OF DR. PANGLOSS AND PANY. TO GUARD AGAST SUCH A REACTN, DIRECTOR GEE HAML HAS TURNED CANDI TO A THREE-RG CIRC THAT MOV AT THE SPEED OF LIGHT. THE SET SPRAWLS THE WIDTH OF THE THEATER, G THE BALNI OVER THE THEATER ENTRANCE AND A WALKWAY THAT CUTS THROUGH THE 30 OR 40 SEATS THE P. ACTORS APPEAR OM EVERY DOOR THE THEATER, SOMETIM EXG STAGE RIGHT TO APPEAR MOMENTS LATER THE BALNY WH A TOTALLY DIFFERENT STUME. HALFWAY THROUGH THE HOUR AND 45 MUTE SHOW THE DIENCE IS A WHIRL TRYG TO KEEP UP WH ALL THE QUICK CHANG AND LEAPG ABOUT, BUT THEY GET NO TERMISSN TO ALLOW TIME TO SORT ALL OUT.THE HECTIC PACE MANDS ACTORS WHO N KEEP UP WH , AND HERE THE LOEB PRODUCTN IS BLSED. WILLIAM FALK--WHO PLAYS VOLTAIRE, DR. PANGLOSS, THE MALEVOLENT SPANISH GOVERNOR, A SULTAN AND A SAGE--GIV FIVE MASTERFUL PERFORMANC AND DOMAT THE SHOW OM START TO FISH. WH BREATHTAKGLY FAST STUME CHANG, FALK BOUNC BETWEEN CHARACTERS AND NEVER LOS NTROL. EVEN HIS FACE SEEMS TO CHANGE WHEN HE SWCH OM THE KDLY VOLTAIRE TO THE MURRO GOVERNOR. HIS VAR ACCENTS ARE ALL NVCG AND NSISTENT.MANY OF THE ACTORS RRY MULTIPLE ROL, BUT THE BT OF THE SUPPORTG QUICK CHANGE ARTISTS IS UNDOUBTEDLY PARIS BARCLAY AS THE BARON OF THUNR TEN TRONCKE, THE GRAND INQUISOR, THE SLAVE DRIVER AND A SHEIK. EVEN THE B ROL, BARCLAY'S STAGE PRENCE STEALS EVERY SCENE. HIS SUBTLE GTUR AND EXPRSNS TURN HIS CHARACTERS MOR TOURS FORCE.THE MAIN ACTORS WHO REMA THE SAME CHARACTERS THROUGHOUT THE SHOW STGGLE A B TO VELOP NSISTENTLY AMID THE RTOON ZANS OF THE SUPPORTG ROL, BUT FOR THE MOST PART THEY PE VERY WELL. CORNELIA RAVENAL, AS THE EVER-WILLG PAQUETTE, BUBBL GUILELSLY ALONG, CREATG AN ENJOYABLE RITURE. STEPHEN HAY STARTS A B SHAKILY AS MAXILIAN, CANDI'S FOPPISH FOSTER BROTHER, BUT HE BE MORE NVCG WH EACH EPISO UNTIL HE SH A WONRFUL PASSAGE WH THE GOVERNOR WHICH HE GETS SOLD AS A FEMALE SLAVE ONLY TO HAVE HIS NUTS EXPOSED AT THE LAST MUTE. HAY SOMETIM FAILS TO SG LOUDLY ENOUGH, BUT HIS ACTG EVENTUALLY MAK UP FOR THAT.KATHERE KEAN AS CUNEGON, THOUGH SOMEWHAT OVERSHADOWED BY THE PREVAILG LUNACY, GIV A Y AND ENGAGG PERFORMANCE. KEAN HAS A STUNNG VOICE WHICH SHE DISPLAYS A SOLO LLED "GLTER AND BE GAY." HER OPERATIC FIREWORKS BROUGHT A TWO-MUTE OVATN. KEAN'S ACTG IS ALMOST AS GOOD AS HER VOICE, THOUGH SHE TENDS TO OVERDO THE FLUFFY-HEAD CHILDISHNS OF THE GOLD-DIGGG CUNEGON.UNFORTUNEATELY, STEVEN JAB'S CANDI ISN'T EXAGGERATED ENOUGH, AND SEEMS VERY FLAT AGAST THE BACKGROUND PROVID BY THE RT OF THE PRODUCTN. HE SGS VERY WELL, BUT HIS ACTG RELI TOO HEAVILY ON BLOW-DRIED GOOD LOOKS AND GLASSY STAR, EVEN FOR A CHARACTER AS NAIVE AS CANDI. THE FLT MAY BE WH THE DIRECTOR FOR TRYG TOO HARD TO MAKE CANDI REFLECT THE NTRAST BETWEEN DR. PANGLOSS'S WORLD VIEW AND THE WORLD SELF. THE RULT, HOWEVER, IS A BORG CHARACTER SUBSTUTED FOR A SYMPATHETIC ONE. JAB'S PERFORMANCE DON'T HR ONE'S ENJOYMENT OF THE SHOW, JT DON'T ADVANCE THE SHOW AS MUCH AS ULD.THE MOST ENARG SGLE CHARACTER IS CAROL ELLGSON AS CUNEGON'S OLD SERVANT LADY. ELLGSON PLAYS THE OLD LADY AS A YIDDISH GRANDMOTHER, AND SHE GETS MORE AND MORE MPY AS THE SHOW GO ON, RAVG AND WADDLG ABOUT THE STAGE.A CHARACTER WH ONE BUTTOCK AND YIDDISH MANNERISMS WOULD BE HARD-PRSED NOT TO GET LGHS, BUT ELLGSON SERV ALL SHE GETS FOR HER ANIMATED {DISPLAY:BLOCK;MARG:0PX TO;WIDTH:100%;MAX-WIDTH:100%;BACKGROUND:TRANSPARENT;PADDG:10PX 0PX;} {FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;LOR:#333333;TEXT-ALIGN:CENTER;FONT-SIZE:0.7EM;TEXT-TRANSFORM:UPPERSE;DISPLAY:BLOCK;} {WIDTH:-WEBK-F-NTENT;WIDTH:-MOZ-F-NTENT;WIDTH:F-NTENT;MARG:0PX TO;TEXT-ALIGN:CENTER;}ADVERTISEMENTBEE CANDI IS SO FARCIL, (AND ANY SHOW THAT VOLV ACTORS APE SUS IS BY FN A FARCE), YOU AREN'T LIKELY TO BE EMOTNALLY AFFECTED BY ANY EP WAY. BUT THIS GRIMMT OF ALL POSSIBLE WORLDS, A FAST-PACED PIECE OF PURE ENTERTAMENT IS ALWAYS WELE. IT BEATS TENDG YOUR {FONT-SIZE:16.5PX;LE-HEIGHT:26PX;BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;MARG:1EM TO;} A{LOR:#7B1B18;}WANT TO KEEP UP WH BREAKG NEWS? SUBSCRIBE TO OUR EMAIL {MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;PADDG:20PX 20PX;BORR-TOP:1PX SOLID #CCC;BORR-BOTTOM:1PX SOLID #CCC;MARG:20PX TO;}{DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:ROW;-MS-FLEX-DIRECTN:ROW;FLEX-DIRECTN:ROW;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;MARG:0PX TO;}@MEDIA (MAX-WIDTH:425PX){{-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;-WEBK-ALIGN-EMS:FLEX-START;-WEBK-BOX-ALIGN:FLEX-START;-MS-FLEX-ALIGN:FLEX-START;ALIGN-EMS:FLEX-START;}}{DISPLAY:BLOCK;MARG-RIGHT:20PX;FONT:0.85EM/1.5EM 'COLABORATE LIGHT';TEXT-TRANSFORM:UPPERSE;}{GRID-LUMN-START:2;GRID-ROW-START:3;BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;WIDTH:100%;}@MEDIA (MAX-WIDTH:950PX){{GRID-ROW-START:4;BOX-SIZG:BORR-BOX;GRID-LUMN-START:1;GRID-LUMN-END:2;}}{GRID-ROW-START:2;GRID-ROW-END:4;GRID-LUMN-START:3;POSN:RELATIVE;}@MEDIA (MAX-WIDTH:950PX){{GRID-ROW-START:3;GRID-LUMN-START:1;}}@MEDIA (MAX-WIDTH:950PX){{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;}}{MARG:0 TO;OPACY:0.3;MARG-TOP:50PX;} .SPNER{MARG:0 TO;WIDTH:70PX;TEXT-ALIGN:CENTER;} .SPNER > DIV{WIDTH:18PX;HEIGHT:18PX;BACKGROUND-LOR:#333;BORR-RADI:100%;DISPLAY:LE-BLOCK;-WEBK-ANIMATN:SK-BOUNCELAY 1.4S FE EASE--OUT BOTH;-WEBK-ANIMATN:SK-BOUNCELAY 1.4S FE EASE--OUT BOTH;ANIMATN:SK-BOUNCELAY 1.4S FE EASE--OUT BOTH;} .SPNER .BOUNCE1{-WEBK-ANIMATN-LAY:-0.32S;-WEBK-ANIMATN-LAY:-0.32S;ANIMATN-LAY:-0.32S;} .SPNER .BOUNCE2{-WEBK-ANIMATN-LAY:-0.16S;-WEBK-ANIMATN-LAY:-0.16S;ANIMATN-LAY:-0.16S;}@-WEBK-KEYAM SK-BOUNCELAY{ 0%, 80%, 100%{-WEBK-TRANSFORM:SLE(0);} 40%{-WEBK-TRANSFORM:SLE(1);}}@-WEBK-KEYAM SK-BOUNCELAY{0%,80%,100%{-WEBK-TRANSFORM:SLE(0);-WEBK-TRANSFORM:SLE(0);-MS-TRANSFORM:SLE(0);TRANSFORM:SLE(0);}40%{-WEBK-TRANSFORM:SLE(1);-WEBK-TRANSFORM:SLE(1);-MS-TRANSFORM:SLE(1);TRANSFORM:SLE(1);}}@KEYAM SK-BOUNCELAY{0%,80%,100%{-WEBK-TRANSFORM:SLE(0);-WEBK-TRANSFORM:SLE(0);-MS-TRANSFORM:SLE(0);TRANSFORM:SLE(0);}40%{-WEBK-TRANSFORM:SLE(1);-WEBK-TRANSFORM:SLE(1);-MS-TRANSFORM:SLE(1);TRANSFORM:SLE(1);}}{MARG-TOP:20PX;}@MEDIA (MAX-WIDTH:950PX){{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;MARG-TOP:20PX;}}{GRID-ROW-START:2;GRID-ROW-END:3;GRID-LUMN-START:1;GRID-LUMN-END:2;}@MEDIA (MAX-WIDTH:950PX){{DISPLAY:NONE;}}{DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;WIDTH:TO;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;POSN:-WEBK-STICKY;POSN:STICKY;TOP:70PX;} {DISPLAY:LE-BLOCK;PADDG:0PX;} > SPAN{WIDTH:35PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;TEXT-ALIGN:CENTER;BORR-RADI:50%;} SVG{WIDTH:25PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;} .ADDTHIS_BUTTON_EMAIL > SPAN, .ADDTHIS_BUTTON_PRT > SPAN, .ADDTHIS_BUTTON_LK > SPAN{BACKGROUND-LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_UNTER .ADDTHIS_BUTTON_EXPAND{WIDTH:35PX;HEIGHT:35PX;MARG:0PX;PADDG:0PX;BACKGROUND:NONE;TEXT-ALIGN:CENTER;BORR:1PX SOLID #EBEBEB;BORR-RADI:50%;LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_BUTTON_PACT{DISPLAY:NONE !IMPORTANT;}{MARG-BOTTOM:24PX;}@MEDIA (MAX-WIDTH:768PX){{DISPLAY:NONE;}}{DISPLAY:BLOCK;MARG:0PX TO;WIDTH:100%;MAX-WIDTH:100%;BACKGROUND:TRANSPARENT;PADDG:10PX 0PX;} {FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;LOR:#333333;TEXT-ALIGN:CENTER;FONT-SIZE:0.7EM;TEXT-TRANSFORM:UPPERSE;DISPLAY:BLOCK;} {WIDTH:-WEBK-F-NTENT;WIDTH:-MOZ-F-NTENT;WIDTH:F-NTENT;MARG:0PX TO;TEXT-ALIGN:CENTER;}{DISPLAY:NONE;MARG-BOTTOM:24PX;}@MEDIA (MAX-WIDTH:768PX){{DISPLAY:BLOCK;}}{DISPLAY:BLOCK;MARG:0PX TO;WIDTH:100%;MAX-WIDTH:100%;BACKGROUND:TRANSPARENT;PADDG:10PX 0PX;} {FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;LOR:#333333;TEXT-ALIGN:CENTER;FONT-SIZE:0.7EM;TEXT-TRANSFORM:UPPERSE;DISPLAY:BLOCK;} {WIDTH:-WEBK-F-NTENT;WIDTH:-MOZ-F-NTENT;WIDTH:F-NTENT;MARG:0PX TO;TEXT-ALIGN:CENTER;}{LE-HEIGHT:1.3EM;BACKGROUND:#A50A0E;} .NTAER{MAX-WIDTH:1000PX;MARG:0 TO;} LI{LIST-STYLE:NONE;PADDG:20PX 76PX 0PX;} A{FONT-SIZE:1.5EM;FONT-FAY:'BIG MOORE';} .TABLISHED{FONT-SIZE:10PX;PADDG:0 76PX 5PX;MARG:0;} {MAX-WIDTH:1000PX;MARG:0PX TO;PADDG:20PX 60PX 0PX 60PX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:ROW;-MS-FLEX-DIRECTN:ROW;FLEX-DIRECTN:ROW;FONT-FAY:'ROBOTO',SANS-SERIF;BOX-SIZG:BORR-BOX;} .PYRIGHT{PADDG-BOTTOM:20PX;FONT-SIZE:12.4PX;LE-HEIGHT:18.72PX;TEXT-ALIGN:CENTER;}@MEDIA (MAX-WIDTH:600PX){ LI{PADDG:20PX 60PX 0PX;} {-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;PADDG:0PX 60PX 0PX 60PX;}} {MARG:TO;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;MARG-BOTTOM:10PX;MAX-WIDTH:200PX;} SVG{HEIGHT:31PX;WIDTH:100%;} {-WEBK-FLEX:1 1 0;-MS-FLEX:1 1 0;FLEX:1 1 0;} A{LOR:WHE;} H1{LOR:WHE;} {BACKGROUND:#790B0B;} A{LOR:WHE;} .TABLISHED{LOR:WHE;} .PYRIGHT{LOR:WHE;}THE HARVARD CRIMSONTHE UNIVERSY DAILY, EST. {HEIGHT:-WEBK-M-NTENT;HEIGHT:-MOZ-M-NTENT;HEIGHT:M-NTENT;-WEBK-BOX-FLEX:1;-WEBK-FLEX-GROW:1;-MS-FLEX-POSIVE:1;FLEX-GROW:1;-WEBK-FLEX-BASIS:150PX;-MS-FLEX-PREFERRED-SIZE:150PX;FLEX-BASIS:150PX;MARG-BOTTOM:50PX;} H1{FONT-FAY:LATO;FONT-STYLE:NORMAL;FONT-WEIGHT:800;FONT-SIZE:13PX;TEXT-TRANSFORM:UPPERSE;LE-HEIGHT:0.95EM;MARG:0;PADDG-LEFT:16PX;PADDG-BOTTOM:5PX;PADDG-TOP:4PX;} UL{LIST-STYLE:NONE;PADDG:0;MARG:0;FONT-WEIGHT:300;} UL A{FONT-FAY:LATO;FONT-STYLE:NORMAL;FONT-WEIGHT:300;FONT-SIZE:14PX;LE-HEIGHT:20PX;} UL LI{PADDG:3PX 0;PADDG-LEFT:16PX;}@MEDIA (MAX-WIDTH:600PX){{TEXT-ALIGN:LEFT;-WEBK-FLEX-BASIS:0PX;-MS-FLEX-PREFERRED-SIZE:0PX;FLEX-BASIS:0PX;BORR-BOTTOM:1PX SOLID WHE;PADDG-TOP:15PX;PADDG-BOTTOM:15PX;MARG-BOTTOM:10PX;} H1{PADDG-LEFT:0;FONT-SIZE:15PX;CURSOR:POTER;} UL LI{PADDG-LEFT:0;}(:FIRST-OF-TYPE){BORR-LEFT:NONE;} {MAX-HEIGHT:0;OVERFLOW:HIDN;-WEBK-TRANSN:MAX-HEIGHT 0.2S EASE-OUT;TRANSN:MAX-HEIGHT 0.2S EASE-OUT;}}SECTNS

GLTER AND BE GAYBARBARA COOKTRACK 6 ON CANDI (ORIGAL BROADWAY CAST RERDG) PRODUCED BYGODDARD LIEBERSONDEC. 31, 19561 VIEWER7K VIEWS3 CONTRIBUTORSGLTER AND BE GAY LYRICS[CUNEGONDE, SPOKEN]AND HERE I AM, MY HEART BREAKGFORCED TO GLTER, FORCED TO BE GAY(SUNG)GLTER AND BE GAYTHAT'S THE PART I PLAYHERE I AM PARIS, FRANCEFORCED TO BEND MY SOULTO A SORDID ROLEVICTIMIZED BY BTERBTER CIRCUMSTANCEALAS, FOR ME!HAD I REMAEDBI MY LADY MOTHERMY VIRTUE HAD REMAED UNSTAEDUNTIL MY MAIN HAND WAS GAEDBY SOME GRAND DE OR OTHERAH, 'TWAS NOT TO BEHARSH NECSYBROUGHT ME TO THIS GILD GEBORN TO HIGHER THGSHERE I DROP MY WGSAH!SGG OF A SORROWNOTHG N ASSUAGEYOU MIGHT ALSO LIKEAND YET, OF URSE, I RATHER LIKE TO REVEL, HA HA!I HAVE NO STRONG OBJECTN TO CHAMPAGNE, HA HA!MY WARDROBE IS EXPENSIVE AS THE VIL, HA HA!PERHAPS IS IGNOBLE TO PLAENOUGH, ENOUGHOF BEG BASELY TEARFULI'LL SHOW MY NOBLE STUFFBY BEG BRIGHT AND CHEERFULHA HA HA HA HA!HA!HA HA HA HA HA HA!HA HA HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA, HA HA, HA HA HA HA HA HA!HA HA, HA HA, HA HA HA HA!HA! HA!HA HA HA HA HA HA!(SPOKEN)PEARLS AND BY RGSAH, HOW N WORLDLY THGSTAKE THE PLACE OF HONOR LOST?CAN THEY PENSATEFOR MY FALLEN STATE?PURCHASED AS THEY WERE AT SUCH A, AT SUCH AN AWFUL ST?BRACELETS, LAVALLIERCAN THEY DRY MY TEARS?CAN THEY BLD MY EY TO SHAME?CAN THE BRIGHTT BROOCHSHIELD ME OM REPROACH?CAN THE PURT DIAMOND PURIFY MY NAME?(SUNG)AND YET, OF URSE, THE TRKETS ARE ENARG, HA HA!I'M OH SO GLAD MY SAPPHIRE IS A STAR, HA HA!I RATHER LIKE A TWENTY RAT EARRG, HA HA!IF I'M NOT PURE AT LEAST MY JEWELS ARE!ENOUGH, ENOUGHI'LL TAKE THEIR DIAMOND NECKLACEAND SHOW MY NOBLE STUFFBY BEG GAY AND RECKLSHA HA HA HA HA!HA!HA HA HA HA HA HA!HA HA HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA, HA HA, HA HA HA HA HA HA!HA HA, HA HA, HA HA HA HA!OBSERVE HOW BRAVELY I NCEALTHE DREADFUL, DREADFUL SHAME I FEELHA HA HA HA!HA HA HA HA!HA HA HA HA!HA HA HA HA!HA HA HA HA!HA HA HA HA!HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA!HA! HA!HA HA HA HA HA HA HA!HA HA HA HA!HA!HA!HA HA!HA HA HA!EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUTHAVE THE SI SOP ON THIS SONG?SIGN UP AND DROP SOME KNOWLEDGESTART THE SONG BASK A QUTN ABOUT THIS SONGASK A QUTN *‌WHO PRODUCED “GLTER AND BE GAY” BY BARBARA COOK?WHEN DID BARBARA COOK RELEASE “GLTER AND BE GAY”?WHO WROTE “GLTER AND BE GAY” BY BARBARA COOK?CANDI (ORIGAL BROADWAY CAST RERDG) (1956)ORIGAL BROADWAY CAST OF CANDI1. OVERTURE2. THE BT OF ALL POSSIBLE WORLDS3. OH, HAPPY WE4. IT MT BE SO5. PARIS WALTZ6. GLTER AND BE GAY7. YOU WERE DEAD, YOU KNOW8. MY LOVE9. I AM EASILY ASSIATED10. FALE ACT 1 (QUARTET)11. QUIET12. ELDORADO13. BON VOYAGE14. WHAT’S THE USE?15. VENICE GAVOTTE16. MAKE OUR GARN GROWCREDSPRODUCED BYGODDARD LIEBERSONWRTEN BYLEONARD BERNSTE & RICHARD WILBURRELEASE DATEDECEMBER 31, 1956GLTER AND BE GAY COVERSGLTER AND BE GAY BY LISA VROMANTAGSPOPEXPAND COMMENTSADD A MENTSIGN UP AND DROP KNOWLEDGE ?GENI IS THE ULTIMATE SOURCE OF MIC KNOWLEDGE, CREATED BY SCHOLARS LIKE YOU WHO SHARE FACTS AND SIGHT ABOUT THE SONGS AND ARTISTS THEY LOVE.SIGN UPGENI IS THE WORLD’S BIGGT LLECTN OF SONG LYRICS AND MIL KNOWLEDGE

[CUNEGONDE, spoken]And here I am, my heart breakgForced to glter, forced to be gay(sung)Glter and be gayThat's the part I playHere I am Paris, FranceForced to bend my soulTo a sordid roleVictimized by bterBter circumstanceAlas, for me! Enough, enoughI'll take their diamond necklaceAnd show my noble stuffBy beg gay and recklsHa ha ha ha ha! Prr to my sophomore year of high school, I had not tly unrstood the signifince and fluence of the poser, nductor, tor, and humanarian that was Leonard Bernste.

In class, we discsed Candi as an operetta based on Voltaire’s novella wh the same tle and spired story l, yet I cid I would further analyze four of my favore piec this operetta: the overture, “Bt of All Possible Worlds”, “Glter and Be Gay”, and fally, “Make Our Garn Grow. The overture immediately giv the dience a taste of what to expect throughout the operetta by rporatg var tun om other songs the performance to the overture, cludg “The Bt of All Possible Worlds”, “Oh, Happy We”, and “Glter and Be Gay.

“Glter and Be Gay” is centered pletely on Cunegon, and she dramatilly sgs this aria om start to fish as she stands the home of two wealthy men Paris. Cunegon’s glterg aria “Glter and Be Gay” is one of soprano Barbara Cook’s favore piec.

GLTER AND BE GAY

Glter and Be Gay Sheet Mic: This 1957 song by Candi was origally published the key C Mor the tune tempo is to be played Tempo di Valse Lente wh a metronome of q = 80. Lyrics beg: Glter and be gay,.

GLTER AND BE GAYGLTER AND BE GAYGLTER AND BE GAYGLTER AND BE GAYGLTER AND BE GAY

Glter and be Gay, Bernste, Candi, Cunegon rehearsal track. Informatns sur la chanson Sur cette page, vo pouvez trouver l parol la chanson Candi: Glter And Be Gay, artiste - Leonard Bernste. 2003Maison disque: Origally releasedLangue la chanson: Anglais Choisissez la langue vers laquelle traduire:Candi: Glter And Be Gay (origal)And here I am, my heart breakg.

GLTER AND BE GAY | CANDI

Forced to glter, forced to be gay. Glter and be gay. By beg gay and reckls.

PAROL CANDI: GLTER AND BE GAY - LEONARD BERNSTE

Forcé sctiller, forcé d'être gay. Briller et être gay. En étant gay et téméraire.

LEONARD BERNSTE - GLTER AND BE GAY LYRICS

Vot: 1Balis chansons: #Glter And Be Gay Autr chansons l'artiste:NomAn Mahler: Krtotenlier - Wenn Mütterle ft. Glter and be gay. By beg gay and reckls!

Perspectiv, mgs, and advice om a sgle mother and a gay man!

Take some time to lgh, se, Glter and Be Gay!! 5 - "Ask a Gal and a Gay #17". It's Glter and Be Gay's one-year anniversary and we're gog back to where all began...

GLTER AND BE GAY LYRICS

Cunegon's aria "Glter and Be Gay" om Leonard Bernste's operetta Candi is a performance of a performance, a show-stoppg loratura solo which the character scrib how she has been "forced to bend my soul to a sordid role" of beg the ged slave of the Grand Inquisor and Don Issachar. "I thk ‘Glter and Be Gay' says all, " said Blackwell. " I ask if the aria's virtuosy is the mil equivalent of all those bbl, where any actrs n glter and be gay.

After outlg mp as social crique, I turn to Cunégon's aria “Glter and Be Gay” and trace s path through mp's eways two different s: first, the Uned Stat of the 1950s, a perd marked by McCarthy's wch-hunts, Cold War anxieti, tense homophobia, and the poser's personal stggle to accept his homosexualy, and send, the late 1980s, when sger, songwrer, and AIDS activist Michael Callen (1955–1993) rerd his own mped-up versn of “Glter and Be Gay” for what would bee his last mil project, a posthumo double album entled Legacy (1996). The Lbian, Gay, Bisexual, and Transgenr Communy Center.

“We Know Who We Are: Two Gay Men Declare War on Promiscuy.

“ENOUGH OF BEG BASELY TEARFUL”: “GLTER AND BE GAY” AND THE CAMP POLICS OF QUEER RISTANCE

Gay New York: Genr, Urban Culture, and the Makg of the Gay Male World, 1890–1940. How to Be Gay. The Queen's Throat: Opera, Homosexualy, and the Mystery of Dire.

GLTER AND BE GAY

Angels Ameri: A Gay Fantasia on Natnal Them.

GLTER AND BE GAY BY LEONARD BERNSTE

Camp Comforts: Reparative Gay Lerature Tim of AIDS.

GLTER AND BE GAYLISA VROMANTRACK 8 ON BROADWAY CLASSIC 19991 VIEWER1 CONTRIBUTORGLTER AND BE GAY LYRICS[CUNEGONDE]GLTER AND BE GAYTHAT'S THE PART I PLAYHERE AM I PARIS, FRANCEFORCED TO BEND MY SOULTO A SORDID ROLEVICTIMIZED BY BTER, BTER CIRCUMSTANCEALAS, FOR ME!HAD I REMAEDBI MY LADY MOTHERMY VIRTUE HAD REMAED UNSTAEDUNTIL MY MAIN HAND WAS GAEDBY SOME GRAND DE OR OTHERAH, 'TWAS NOT TO BEHARSH NECSYBROUGHT ME TO THIS GILD GEBORN TO HIGHER THGSHERE I DROP MY WGS, AH!SGG OF A SORROW NOTHG N ASSUAGEAND YET, OF URSE, I'D RATHER LIKE TO REVEL, HA HA!I HAVE NO STRONG OBJECTN TO CHAMPAGNE, HA HA!MY WARDROBE IS EXPENSIVE AS THE VIL, HA HA!PERHAPS IS IGNOBLE TO PLAYOU MIGHT ALSO LIKEENOUGH, ENOUGHOF BEG BASELY TEARFULI'LL SHOW MY NOBLE STUFFBY BEG BRIGHT AND CHEERFULHA HA HA HA HA!HA!HA HA HA HA HA HA!HA HA HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA, HA HA, HA HA HA HA HA HA!HA HA, HA HA, HA HA HA HA!HA! HA!HA HA HA HA HA HA!(SPOKEN)PEARLS AND BY RGSAH, HOW N WORLDLY THGSTAKE THE PLACE OF HONOR LOST?CAN THEY PENSATEFOR MY FALLEN STATE?PURCHASED AS THEY WERE AT SUCH AN AWFUL ST?BRACELETS, LAVALLIERCAN THEY DRY MY TEARS?CAN THEY BLD MY EY TO SHAME?CAN THE BRIGHTT BROOCHSHIELD ME OM REPROACH?CAN THE PURT DIAMOND PURIFY MY NAME?(SUNG)AND YET, OF URSE, THE TRKETS ARE ENARG, HA HA!I'M OH SO GLAD MY SAPPHIRE IS A STAR, HA HA!I'D RATHER LIKE A TWENTY RAT EARRG, HA HA!IF I'M NOT PURE AT LEAST MY JEWELS ARE!ENOUGH, ENOUGHI'LL TAKE THE DIAMOND NECKLACEAND SHOW MY NOBLE STUFFBY BEG GAY AND RECKLSHA HA HA HA HA!HA!HA HA HA HA HA HA!HA HA HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA!HA HA, HA HA, HA HA HA HA HA HA!HA HA, HA HA, HA HA HA HA!OBSERVE HOW BRAVELY I NCEALTHE DREADFUL, DREADFUL SHAME I FEELHA HA HA HA!HA HA HA HA!HA HA HA HA!HA HA HA HA!HA HA HA HA!HA HA HA HA!HA HA HA!HA HA HA HA HA HA!HA HA HA HA HA HA!HA! HA!HA HA HA HA HA HA HA!HA HA HA HA!HA!HA!HA HA!HA HA HA!EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUTHAVE THE SI SOP ON THIS SONG?SIGN UP AND DROP SOME KNOWLEDGESTART THE SONG BASK A QUTN ABOUT THIS SONGASK A QUTN *‌WHEN DID LISA VROMAN RELEASE “GLTER AND BE GAY”?WHO WROTE “GLTER AND BE GAY” BY LISA VROMAN?BROADWAY CLASSIC (1999)LISA VROMAN1. I FEEL PRETTY2. THK OF ME3. UNUAL WAY4. A WONRFUL GUY5. A BOY LIKE THAT / I HAVE A LOVE6. TILL THERE WAS YOU7. TAKE OF MY SOLU8. GLTER AND BE GAY9. SOMEBODY SOMEWHERE10. SUMMERTIME11. FULL MOON12. WISHG YOU WERE SOMEHOW HERE AGA13. THE SOUND OF MIC14. UNEXPECTED SONG15. MEDLEY: I HAVE DREAMED / OUT OF MY DREAMS16. I COULD HAVE DANCED ALL NIGHTCREDSWRTEN BYLEONARD BERNSTE & RICHARD WILBURRELEASE DATE1999GLTER AND BE GAY IS A COVER OFGLTER AND BE GAY BY BARBARA COOKTAGSPOPMILSEXPAND COMMENTSADD A MENTSIGN UP AND DROP KNOWLEDGE ?GENI IS THE ULTIMATE SOURCE OF MIC KNOWLEDGE, CREATED BY SCHOLARS LIKE YOU WHO SHARE FACTS AND SIGHT ABOUT THE SONGS AND ARTISTS THEY LOVE.SIGN UPGENI IS THE WORLD’S BIGGT LLECTN OF SONG LYRICS AND MIL KNOWLEDGE

Acts of Interventn: Performance, Gay Culture, and AIDS.

The Celluloid Closet: Homosexualy the Movi, Rev. For a brief wdow of time the 1930s, Hollywood was a place of permissivens toward the homosexualy of s leadg men, wh the movi’ first Ben-Hur, Ramon Novarro (Trey DeLuna) and the dashg MGM in Billy Ha (Adam Jenngs) throwg champagne parti on the lot and worshippg stud genue Lucille Le Sur, better known as Joan Crawford (Abby Lee).

In a sea of nned cktails, Gay Water wants to stand out. In other words, where Bud Light has buckled unr prsure as bigotry grows agast the LGBTQ+ muny, Gay Water’s creator Spencer Hodson wants his new boozy brand to be the anthis of that.

GLTER AND BE GAYMICHAEL CALLENTRACK 7 ON LEGACY PRODUCED BYRICHARD DWORK19961 VIEWER1 CONTRIBUTORGLTER AND BE GAY LYRICSGLTER AND BE GAYTHAT’S THE PART I PLAYHERE I AM PARIS, FRANCEFORCED TO BEND MY SOULTO A SORDID ROLEVICTIMIZED BY BTERBTER CIRCUMSTANCEALAS FOR MEHAD I REMAED BI MY LADY MOTHERMY VIRTURE HAD REMAED UNSTAEDUNTIL MY MAIN HAND WAS GAEDBY SOME GRAND DE…OR OTHERAH, T’WAS NOT TO BEHARSH NECSYBROUGHT ME TO THIS GUILD GEBORN TO HIGHER THGSHERE I DROOP MY WGSAHHHHHHHHHHSGG OF THE SORROWNOTHG N ASSUAGEAND YET, OF URSE, I RATHER LIKе TO REVELI HAVE NO STRONG OBJеCTN TO CHAMPAGNEMY WARDROBE IS EXPENSIVE AS THE VIL, AH HA!PERHAPS IS IGNOBLE TO PLAYOU MIGHT ALSO LIKEENOUGH! ENOUGH!OF BEG BASELY TEARFULI’LL SHOW MY NOBLE STUFFBY BEG BRIGHT AND CHEERFULAHHHHHHHA HA HA HA HA HA HA ETCPEARLS AND BY RGSAH, HOW N WORLDLY THGSTAKE THE PLACE OF HONOR LOSTCAN THEY PENSATEFOR MY FALLEN STATEPURCHASED AS THEY WERE AT SUCH AN AWFUL STBRACELETS! LAVALIERS!CAN THEY DRY MY TEARSCAN THEY BLD MY EY TO SHAMECAN THE BRIGHTT BROOCHSHIELD ME OM REPROACHCAN THE PURT DIAMONDPURIFY MY NAME?AND YET, OF URSE, THE TRKETS ARE ENARG, AH HAI’M ALSO GLAD MY SAPPHIRE IS A STARI RATHER LIKE A 20 RAT EARRGIF I’M NOT PURE, AT LEAST MY JEWELS AREENOUGH ENOUGHI’LL TAKE THEIR DIAMOND NECKLACEAND SHOW MY NOBLE STUFFBY BEG GAY AND RECKLSAH HA AH HAH…HA HA HA HA HA HA ETCOBSERVE HOW BRAVELY I NCEALTHE DREADFUL DREADFULSHAME I FEELAH HA HA HA HAHAAHA HA HA HAAAAAAAAAHA HA HA HAEMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUTHAVE THE SI SOP ON THIS SONG?SIGN UP AND DROP SOME KNOWLEDGESTART THE SONG BASK A QUTN ABOUT THIS SONGASK A QUTN *‌WHO PRODUCED “GLTER AND BE GAY” BY MICHAEL CALLEN?WHEN DID MICHAEL CALLEN RELEASE “GLTER AND BE GAY”?LEGACY (1996)MICHAEL CALLEN1. LOVE WORTH FIGHTG FOR2. BETTER IN THE MOONLIGHT3. REFE THE FAY4. SIX-THIRTY SUNDAY MORNG / RIGHT AS THE RA5. NOW6. TWO MEN DANCE THE TANGO7. GLTER AND BE GAY8. MY IMAGATN9. CRAZY WORLD10. WE’VE HAD ENOUGH11. NO NO12. GRA B MOVIE13. WARM AS THE WD14. KEROSENE LANTERN15. SOMETIM NOT OFTEN ENOUGH16. THEY ARE FALLG ALL AROUND ME17. WISH I HAD A DIME18. Y I’LL TAKE MY CHANC19. NOTHG LASTS FOREVER20. SEE HERE21. HEALG POWER OF LOVE22. ROUNDABOUT23. STREET OF DREAMS24. MOTHER MOTHER25. DO NOT TURN AWAY26. ONE MORE LULLABY27. GOODBYE28. SE29. SACREDCREDSPRODUCED BYRICHARD DWORKPROGRAMMED BYELLT SOKOLOV & CLIFF TOWNSENDRELEASE DATE1996TAGSPOPEXPAND COMMENTSADD A MENTSIGN UP AND DROP KNOWLEDGE ?GENI IS THE ULTIMATE SOURCE OF MIC KNOWLEDGE, CREATED BY SCHOLARS LIKE YOU WHO SHARE FACTS AND SIGHT ABOUT THE SONGS AND ARTISTS THEY LOVE.SIGN UPGENI IS THE WORLD’S BIGGT LLECTN OF SONG LYRICS AND MIL KNOWLEDGE

“The key issue that Bud Light tapped to was the fact that they didn’t unrstand their re dience and know enough about them, ” Hodson, a gay man, told CNN about the ntroversy that began when the Anhser-Bch beer brand sent fluencer Dylan Mulvaney a n of beer.

Gay Water, however, is out and proud. The nned cktail is named after a lloquialism given to the popular mixed drk (vodka and soda) orred at bars by the gay muny. “Puttg a product wh the word gay the tle is reprentatn self, ” which he hop reclaims the word om the negativy ’s sometim associated wh.

GLTER AND BE GAY

He thought of creatg Gay Water about a year ago while on a vatn wh his iend that had got a job wh the beverage dtry.

The two chatted about the limed amount of gay people wh , and wh Hodson burnt out om his tradnal day job tech, started the nned cktail.

Hodson built up a strong social media followg on TikTok and Instagram durg Covid-19 and is g some of the money om that (as well as om iends and fay) to help fund Gay Water. “Gay is an umbrella term and the ia behd the brand is to be as clive as possible, which means we want alli, we want straight people to be part of this muny we’re buildg.

GLTER AND BE {FONT-SIZE:20PX;LOR:#999;FONT-STYLE:ALIC;MARG:0PX;MARG-TOP:10PX;}CANDI MIC BY LEONARD BERNSTE BOOK ADAPTED OM VOLTAIRE BY HUGH WHEELER LYRICS BY RICHARD WILBUR, STEPHEN SONDHEIM AND JOHN LATOUCHE AT THE LOEB THROUGH MAY {GRID-ROW-START:2;GRID-LUMN-START:2;GRID-LUMN-END:3;}@MEDIA (MAX-WIDTH:950PX){{GRID-LUMN-START:1;GRID-LUMN-END:2;}}{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;MARG-BOTTOM:5PX;} A{LOR:#7B1B18;} IMG{PADDG-RIGHT:7PX;}BY {LOR:#BA0600;}JOSEPH B. {BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;}{DISPLAY:NONE;}@MEDIA (MAX-WIDTH:950PX){{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;DISPLAY:BLOCK;PADDG-TOP:20PX;PADDG-BOTTOM:20PX;MARG-TOP:20PX;BORR-TOP:1PX SOLID #EBEBEB;BORR-BOTTOM:1PX SOLID #EBEBEB;}}{DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;WIDTH:TO;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;POSN:-WEBK-STICKY;POSN:STICKY;TOP:70PX;-WEBK-FLEX-DIRECTN:ROW;-MS-FLEX-DIRECTN:ROW;FLEX-DIRECTN:ROW;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:UNSET;} {DISPLAY:LE-BLOCK;PADDG:0PX;} > SPAN{WIDTH:35PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;TEXT-ALIGN:CENTER;BORR-RADI:50%;} SVG{WIDTH:25PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;} .ADDTHIS_BUTTON_EMAIL > SPAN, .ADDTHIS_BUTTON_PRT > SPAN, .ADDTHIS_BUTTON_LK > SPAN{BACKGROUND-LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_UNTER .ADDTHIS_BUTTON_EXPAND{WIDTH:35PX;HEIGHT:35PX;MARG:0PX;PADDG:0PX;BACKGROUND:NONE;TEXT-ALIGN:CENTER;BORR:1PX SOLID #EBEBEB;BORR-RADI:50%;LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_BUTTON_PACT{DISPLAY:NONE !IMPORTANT;} {MARG:0PX 5PX;}{POSN:RELATIVE;WIDTH:100%;} P{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;MARG-TOP:1EM;MARG-BOTTOM:1EM;} OL{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;PADDG-LEFT:80PX;} P A, OL A, P A:VISED, OL A:VISED{LOR:#BA0600;-WEBK-TRANSN:0.3S ALL;TRANSN:0.3S ALL;-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} P A:HOVER, OL A:HOVER{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} H1, H2, H3, H4, H5, H6{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;MARG-TOP:1EM;MARG-BOTTOM:1EM;LOR:#7B1B18;}THE LOEB PRODUCTION OF CANDI MAY NOT BE THE BT OF ALL POSSIBLE CANDIS, BUT IS VERY GOOD AND THIS IMPERFECT WORLD, THAT IS UALLY ENOUGH.IF ANY BOOK WRTEN BEFORE THE DAWN OF THE BROADWAY MIL LENDS SELF TO ADAPTATN TO A BROADWAY MIL, VOLTAIRE'S CANDI DO. IT IS FUNNY ENOUGH S OWN RIGHT THAT ONE ONLY NEEDS TO SET MIC TO THE TEXT TO GET A SLICK AND ENJOYABLE MIL EDY. IN MANY STANC, LEONARD BERNSTE AND HUGH WHEELER DO EXACTLY THAT, QUOTG WHOLE PASSAG STRAIGHT OUT OF THE BOOK. BERNSTE'S MIC--WHICH THE ORCHTRA PERFORMS EXCELLENTLY--PARODI OPERA, BACH, THE NVENTNS OF BROADWAY MILS, AND A LOT BETWEEN. THE WHOLE SATIRIC PASTICHE IS TOPPED OFF WH LYRICS THAT ARE FAHFUL TO THE WRY, IRONIC W OF THE BOOK.ABOUT THE ONLY THG THAT ULD CANDI WOULD BE SLOW PACG. GIVEN ENOUGH TIME TO DWELL ON THE OTHS OF THE WHOLE THG, MANY DIENC MIGHT BEE WEARIED WH THE OBV FOOLISHNS OF DR. PANGLOSS AND PANY. TO GUARD AGAST SUCH A REACTN, DIRECTOR GEE HAML HAS TURNED CANDI TO A THREE-RG CIRC THAT MOV AT THE SPEED OF LIGHT. THE SET SPRAWLS THE WIDTH OF THE THEATER, G THE BALNI OVER THE THEATER ENTRANCE AND A WALKWAY THAT CUTS THROUGH THE 30 OR 40 SEATS THE P. ACTORS APPEAR OM EVERY DOOR THE THEATER, SOMETIM EXG STAGE RIGHT TO APPEAR MOMENTS LATER THE BALNY WH A TOTALLY DIFFERENT STUME. HALFWAY THROUGH THE HOUR AND 45 MUTE SHOW THE DIENCE IS A WHIRL TRYG TO KEEP UP WH ALL THE QUICK CHANG AND LEAPG ABOUT, BUT THEY GET NO TERMISSN TO ALLOW TIME TO SORT ALL OUT.THE HECTIC PACE MANDS ACTORS WHO N KEEP UP WH , AND HERE THE LOEB PRODUCTN IS BLSED. WILLIAM FALK--WHO PLAYS VOLTAIRE, DR. PANGLOSS, THE MALEVOLENT SPANISH GOVERNOR, A SULTAN AND A SAGE--GIV FIVE MASTERFUL PERFORMANC AND DOMAT THE SHOW OM START TO FISH. WH BREATHTAKGLY FAST STUME CHANG, FALK BOUNC BETWEEN CHARACTERS AND NEVER LOS NTROL. EVEN HIS FACE SEEMS TO CHANGE WHEN HE SWCH OM THE KDLY VOLTAIRE TO THE MURRO GOVERNOR. HIS VAR ACCENTS ARE ALL NVCG AND NSISTENT.MANY OF THE ACTORS RRY MULTIPLE ROL, BUT THE BT OF THE SUPPORTG QUICK CHANGE ARTISTS IS UNDOUBTEDLY PARIS BARCLAY AS THE BARON OF THUNR TEN TRONCKE, THE GRAND INQUISOR, THE SLAVE DRIVER AND A SHEIK. EVEN THE B ROL, BARCLAY'S STAGE PRENCE STEALS EVERY SCENE. HIS SUBTLE GTUR AND EXPRSNS TURN HIS CHARACTERS MOR TOURS FORCE.THE MAIN ACTORS WHO REMA THE SAME CHARACTERS THROUGHOUT THE SHOW STGGLE A B TO VELOP NSISTENTLY AMID THE RTOON ZANS OF THE SUPPORTG ROL, BUT FOR THE MOST PART THEY PE VERY WELL. CORNELIA RAVENAL, AS THE EVER-WILLG PAQUETTE, BUBBL GUILELSLY ALONG, CREATG AN ENJOYABLE RITURE. STEPHEN HAY STARTS A B SHAKILY AS MAXILIAN, CANDI'S FOPPISH FOSTER BROTHER, BUT HE BE MORE NVCG WH EACH EPISO UNTIL HE SH A WONRFUL PASSAGE WH THE GOVERNOR WHICH HE GETS SOLD AS A FEMALE SLAVE ONLY TO HAVE HIS NUTS EXPOSED AT THE LAST MUTE. HAY SOMETIM FAILS TO SG LOUDLY ENOUGH, BUT HIS ACTG EVENTUALLY MAK UP FOR THAT.KATHERE KEAN AS CUNEGON, THOUGH SOMEWHAT OVERSHADOWED BY THE PREVAILG LUNACY, GIV A Y AND ENGAGG PERFORMANCE. KEAN HAS A STUNNG VOICE WHICH SHE DISPLAYS A SOLO LLED "GLTER AND BE GAY." HER OPERATIC FIREWORKS BROUGHT A TWO-MUTE OVATN. KEAN'S ACTG IS ALMOST AS GOOD AS HER VOICE, THOUGH SHE TENDS TO OVERDO THE FLUFFY-HEAD CHILDISHNS OF THE GOLD-DIGGG CUNEGON.UNFORTUNEATELY, STEVEN JAB'S CANDI ISN'T EXAGGERATED ENOUGH, AND SEEMS VERY FLAT AGAST THE BACKGROUND PROVID BY THE RT OF THE PRODUCTN. HE SGS VERY WELL, BUT HIS ACTG RELI TOO HEAVILY ON BLOW-DRIED GOOD LOOKS AND GLASSY STAR, EVEN FOR A CHARACTER AS NAIVE AS CANDI. THE FLT MAY BE WH THE DIRECTOR FOR TRYG TOO HARD TO MAKE CANDI REFLECT THE NTRAST BETWEEN DR. PANGLOSS'S WORLD VIEW AND THE WORLD SELF. THE RULT, HOWEVER, IS A BORG CHARACTER SUBSTUTED FOR A SYMPATHETIC ONE. JAB'S PERFORMANCE DON'T HR ONE'S ENJOYMENT OF THE SHOW, JT DON'T ADVANCE THE SHOW AS MUCH AS ULD.THE MOST ENARG SGLE CHARACTER IS CAROL ELLGSON AS CUNEGON'S OLD SERVANT LADY. ELLGSON PLAYS THE OLD LADY AS A YIDDISH GRANDMOTHER, AND SHE GETS MORE AND MORE MPY AS THE SHOW GO ON, RAVG AND WADDLG ABOUT THE STAGE.A CHARACTER WH ONE BUTTOCK AND YIDDISH MANNERISMS WOULD BE HARD-PRSED NOT TO GET LGHS, BUT ELLGSON SERV ALL SHE GETS FOR HER ANIMATED {DISPLAY:BLOCK;MARG:0PX TO;WIDTH:100%;MAX-WIDTH:100%;BACKGROUND:TRANSPARENT;PADDG:10PX 0PX;} {FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;LOR:#333333;TEXT-ALIGN:CENTER;FONT-SIZE:0.7EM;TEXT-TRANSFORM:UPPERSE;DISPLAY:BLOCK;} {WIDTH:-WEBK-F-NTENT;WIDTH:-MOZ-F-NTENT;WIDTH:F-NTENT;MARG:0PX TO;TEXT-ALIGN:CENTER;}ADVERTISEMENTBEE CANDI IS SO FARCIL, (AND ANY SHOW THAT VOLV ACTORS APE SUS IS BY FN A FARCE), YOU AREN'T LIKELY TO BE EMOTNALLY AFFECTED BY ANY EP WAY. BUT THIS GRIMMT OF ALL POSSIBLE WORLDS, A FAST-PACED PIECE OF PURE ENTERTAMENT IS ALWAYS WELE. IT BEATS TENDG YOUR {FONT-SIZE:16.5PX;LE-HEIGHT:26PX;BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;MARG:1EM TO;} A{LOR:#7B1B18;}WANT TO KEEP UP WH BREAKG NEWS? SUBSCRIBE TO OUR EMAIL {MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;PADDG:20PX 20PX;BORR-TOP:1PX SOLID #CCC;BORR-BOTTOM:1PX SOLID #CCC;MARG:20PX TO;}{DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:ROW;-MS-FLEX-DIRECTN:ROW;FLEX-DIRECTN:ROW;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;MARG:0PX TO;}@MEDIA (MAX-WIDTH:425PX){{-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;-WEBK-ALIGN-EMS:FLEX-START;-WEBK-BOX-ALIGN:FLEX-START;-MS-FLEX-ALIGN:FLEX-START;ALIGN-EMS:FLEX-START;}}{DISPLAY:BLOCK;MARG-RIGHT:20PX;FONT:0.85EM/1.5EM 'COLABORATE LIGHT';TEXT-TRANSFORM:UPPERSE;}{GRID-LUMN-START:2;GRID-ROW-START:3;BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;WIDTH:100%;}@MEDIA (MAX-WIDTH:950PX){{GRID-ROW-START:4;BOX-SIZG:BORR-BOX;GRID-LUMN-START:1;GRID-LUMN-END:2;}}{GRID-ROW-START:2;GRID-ROW-END:4;GRID-LUMN-START:3;POSN:RELATIVE;}@MEDIA (MAX-WIDTH:950PX){{GRID-ROW-START:3;GRID-LUMN-START:1;}}@MEDIA (MAX-WIDTH:950PX){{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;}}{MARG:0 TO;OPACY:0.3;MARG-TOP:50PX;} .SPNER{MARG:0 TO;WIDTH:70PX;TEXT-ALIGN:CENTER;} .SPNER > DIV{WIDTH:18PX;HEIGHT:18PX;BACKGROUND-LOR:#333;BORR-RADI:100%;DISPLAY:LE-BLOCK;-WEBK-ANIMATN:SK-BOUNCELAY 1.4S FE EASE--OUT BOTH;-WEBK-ANIMATN:SK-BOUNCELAY 1.4S FE EASE--OUT BOTH;ANIMATN:SK-BOUNCELAY 1.4S FE EASE--OUT BOTH;} .SPNER .BOUNCE1{-WEBK-ANIMATN-LAY:-0.32S;-WEBK-ANIMATN-LAY:-0.32S;ANIMATN-LAY:-0.32S;} .SPNER .BOUNCE2{-WEBK-ANIMATN-LAY:-0.16S;-WEBK-ANIMATN-LAY:-0.16S;ANIMATN-LAY:-0.16S;}@-WEBK-KEYAM SK-BOUNCELAY{ 0%, 80%, 100%{-WEBK-TRANSFORM:SLE(0);} 40%{-WEBK-TRANSFORM:SLE(1);}}@-WEBK-KEYAM SK-BOUNCELAY{0%,80%,100%{-WEBK-TRANSFORM:SLE(0);-WEBK-TRANSFORM:SLE(0);-MS-TRANSFORM:SLE(0);TRANSFORM:SLE(0);}40%{-WEBK-TRANSFORM:SLE(1);-WEBK-TRANSFORM:SLE(1);-MS-TRANSFORM:SLE(1);TRANSFORM:SLE(1);}}@KEYAM SK-BOUNCELAY{0%,80%,100%{-WEBK-TRANSFORM:SLE(0);-WEBK-TRANSFORM:SLE(0);-MS-TRANSFORM:SLE(0);TRANSFORM:SLE(0);}40%{-WEBK-TRANSFORM:SLE(1);-WEBK-TRANSFORM:SLE(1);-MS-TRANSFORM:SLE(1);TRANSFORM:SLE(1);}}{MARG-TOP:20PX;}@MEDIA (MAX-WIDTH:950PX){{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;MARG-TOP:20PX;}}{GRID-ROW-START:2;GRID-ROW-END:3;GRID-LUMN-START:1;GRID-LUMN-END:2;}@MEDIA (MAX-WIDTH:950PX){{DISPLAY:NONE;}}{DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;WIDTH:TO;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;POSN:-WEBK-STICKY;POSN:STICKY;TOP:70PX;} {DISPLAY:LE-BLOCK;PADDG:0PX;} > SPAN{WIDTH:35PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;TEXT-ALIGN:CENTER;BORR-RADI:50%;} SVG{WIDTH:25PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;} .ADDTHIS_BUTTON_EMAIL > SPAN, .ADDTHIS_BUTTON_PRT > SPAN, .ADDTHIS_BUTTON_LK > SPAN{BACKGROUND-LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_UNTER .ADDTHIS_BUTTON_EXPAND{WIDTH:35PX;HEIGHT:35PX;MARG:0PX;PADDG:0PX;BACKGROUND:NONE;TEXT-ALIGN:CENTER;BORR:1PX SOLID #EBEBEB;BORR-RADI:50%;LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_BUTTON_PACT{DISPLAY:NONE !IMPORTANT;}{MARG-BOTTOM:24PX;}@MEDIA (MAX-WIDTH:768PX){{DISPLAY:NONE;}}{DISPLAY:BLOCK;MARG:0PX TO;WIDTH:100%;MAX-WIDTH:100%;BACKGROUND:TRANSPARENT;PADDG:10PX 0PX;} {FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;LOR:#333333;TEXT-ALIGN:CENTER;FONT-SIZE:0.7EM;TEXT-TRANSFORM:UPPERSE;DISPLAY:BLOCK;} {WIDTH:-WEBK-F-NTENT;WIDTH:-MOZ-F-NTENT;WIDTH:F-NTENT;MARG:0PX TO;TEXT-ALIGN:CENTER;}{DISPLAY:NONE;MARG-BOTTOM:24PX;}@MEDIA (MAX-WIDTH:768PX){{DISPLAY:BLOCK;}}{DISPLAY:BLOCK;MARG:0PX TO;WIDTH:100%;MAX-WIDTH:100%;BACKGROUND:TRANSPARENT;PADDG:10PX 0PX;} {FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;LOR:#333333;TEXT-ALIGN:CENTER;FONT-SIZE:0.7EM;TEXT-TRANSFORM:UPPERSE;DISPLAY:BLOCK;} {WIDTH:-WEBK-F-NTENT;WIDTH:-MOZ-F-NTENT;WIDTH:F-NTENT;MARG:0PX TO;TEXT-ALIGN:CENTER;}{LE-HEIGHT:1.3EM;BACKGROUND:#A50A0E;} .NTAER{MAX-WIDTH:1000PX;MARG:0 TO;} LI{LIST-STYLE:NONE;PADDG:20PX 76PX 0PX;} A{FONT-SIZE:1.5EM;FONT-FAY:'BIG MOORE';} .TABLISHED{FONT-SIZE:10PX;PADDG:0 76PX 5PX;MARG:0;} {MAX-WIDTH:1000PX;MARG:0PX TO;PADDG:20PX 60PX 0PX 60PX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:ROW;-MS-FLEX-DIRECTN:ROW;FLEX-DIRECTN:ROW;FONT-FAY:'ROBOTO',SANS-SERIF;BOX-SIZG:BORR-BOX;} .PYRIGHT{PADDG-BOTTOM:20PX;FONT-SIZE:12.4PX;LE-HEIGHT:18.72PX;TEXT-ALIGN:CENTER;}@MEDIA (MAX-WIDTH:600PX){ LI{PADDG:20PX 60PX 0PX;} {-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;PADDG:0PX 60PX 0PX 60PX;}} {MARG:TO;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;MARG-BOTTOM:10PX;MAX-WIDTH:200PX;} SVG{HEIGHT:31PX;WIDTH:100%;} {-WEBK-FLEX:1 1 0;-MS-FLEX:1 1 0;FLEX:1 1 0;} A{LOR:WHE;} H1{LOR:WHE;} {BACKGROUND:#790B0B;} A{LOR:WHE;} .TABLISHED{LOR:WHE;} .PYRIGHT{LOR:WHE;}THE HARVARD CRIMSONTHE UNIVERSY DAILY, EST. {HEIGHT:-WEBK-M-NTENT;HEIGHT:-MOZ-M-NTENT;HEIGHT:M-NTENT;-WEBK-BOX-FLEX:1;-WEBK-FLEX-GROW:1;-MS-FLEX-POSIVE:1;FLEX-GROW:1;-WEBK-FLEX-BASIS:150PX;-MS-FLEX-PREFERRED-SIZE:150PX;FLEX-BASIS:150PX;MARG-BOTTOM:50PX;} H1{FONT-FAY:LATO;FONT-STYLE:NORMAL;FONT-WEIGHT:800;FONT-SIZE:13PX;TEXT-TRANSFORM:UPPERSE;LE-HEIGHT:0.95EM;MARG:0;PADDG-LEFT:16PX;PADDG-BOTTOM:5PX;PADDG-TOP:4PX;} UL{LIST-STYLE:NONE;PADDG:0;MARG:0;FONT-WEIGHT:300;} UL A{FONT-FAY:LATO;FONT-STYLE:NORMAL;FONT-WEIGHT:300;FONT-SIZE:14PX;LE-HEIGHT:20PX;} UL LI{PADDG:3PX 0;PADDG-LEFT:16PX;}@MEDIA (MAX-WIDTH:600PX){{TEXT-ALIGN:LEFT;-WEBK-FLEX-BASIS:0PX;-MS-FLEX-PREFERRED-SIZE:0PX;FLEX-BASIS:0PX;BORR-BOTTOM:1PX SOLID WHE;PADDG-TOP:15PX;PADDG-BOTTOM:15PX;MARG-BOTTOM:10PX;} H1{PADDG-LEFT:0;FONT-SIZE:15PX;CURSOR:POTER;} UL LI{PADDG-LEFT:0;}(:FIRST-OF-TYPE){BORR-LEFT:NONE;} {MAX-HEIGHT:0;OVERFLOW:HIDN;-WEBK-TRANSN:MAX-HEIGHT 0.2S EASE-OUT;TRANSN:MAX-HEIGHT 0.2S EASE-OUT;}}SECTNS

For now, Gay Water is sold largely onle (wh a few retailers) and four sugar-ee flavors — watermelon, lime, peach and grapeu — at lnch. Gay Water might not have the ep pockets pared to s petors, like Whe Claw, but “even at small sle, pani of many siz are havg succs makg spir-based seltzers and premixed cktails, ” Bryan Roth, an analyst for Feel Goods Company and edor of the alhol beverage newsletter, Sightl+, told CNN. “There’s lots of space the spir-based seltzer tegory which Gay Water n play, pecially if the brand n offer a cultural or emotnal nnectn that will feel more excg than the prospect of another peapple-flavored vodka seltzer om natnal or ternatnal rporatns, ” Roth said.

Of urse, other drks e the word “gay, ” too, cludg Gay Beer and So Gay Rosé, Hodson noted, which are also tryg to reach the queer muny and offer them an alternative the straight-domated space. Composn:Glter and Be Gay by Leonard Bernste.