Culturally Rponsive Teachg: Theory, Rearch, and Practice (Multicultural Edutn Seri) [Gay, Geneva, Banks, Jam A.] on *FREE* shippg on qualifyg offers. Culturally Rponsive Teachg: Theory, Rearch, and Practice (Multicultural Edutn Seri)
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GAY 2002 PREPARG FOR CULTURALLY RPONSIVE
Gay, G. (2002). Preparg for culturally rponsive teachg. Journal of Teacher Edutn, 53, 106-116. doi10.1177/0022487102053002003 * gay 2002 culturally responsive teaching *
The purpose of this article is to outle a amework for culturally rponsive teachg veloped by Geneva Gay (2018), a renowned expert highly rated the field of multicultural tn. CRT is a pedagogy that regniz the importance of cludg stunts' cultural inti all aspects of learng and empowers them socially, tellectually, polilly, and emotnally (Banks & Banks, 2009; Gay, 2002; Nieto & Bo, 2007).
Experts assert that programs that do not nsir the cultural differenc of their stunts are equently ls effective (Gay, 2002; McGee & Banks, 2009; Nieto & Bo, 2007). Acrdg to Gay (2002), "too many teachers are aquately prepared to teach ethnilly diverse stunts" (p.
It is imperative that tors have explic knowledge of cultural diversy to meet the needs of ethnilly diverse stunts (Gay, 2002). Acrdg to Gay (2002), there are three key pillars to achievg the knowledge base necsary to enhance culturally rponsive teachg. Gay (2002) remends that all teachers take urs or trags on the ntributns of ethnic groups to ntent areas that they will teach.
1 PDFSAM GAY PREPARG FOR CULTURALLY RPONSIVE TEACHG -...
Gay, G. (2002). Preparg for Culturally-Rponsive Teachg. Journal of Teacher Edutn, 53, 106-116. * gay 2002 culturally responsive teaching *
Gay (2002) explas that tors need to evaluate "quanty, accuracy, plexy, placement, purpose, variety, signifince, and thenticy of the narrative texts, visual illtratns, learng activi, role mols, and thorial sourc ed the stctnal materials" (p. Gay (2002) explas that a symbolic curriculum clus "imag, symbols, ins, motto, awards, celebratns, and other artifacts that are ed to teach stunts knowledge, skills, morals, and valu" (p. Gay (2002) f this type of curriculum as "the knowledge, ias, and imprsns about ethnic groups that are portrayed the mass media" (p.
View Gay (2002) Preparg for Culturally Rponsive om EDUF 3131 at Geia Southern Universy. Journal of Teacher Edutn, Vol. 53, No. 2, March/April 2002 2001 AACTE OUTSTANDING * gay 2002 culturally responsive teaching *
Extensn tors need to unrstand how media portray and manipulate ethnic groups and what curricula and stctn n do to unteract those fluenc (Gay, 2002).
View Homework Help - 1_PDFsam_Gay Preparg for Culturally Rponsive Teachg om EDU 100 at Universy of California, Davis. Journal of Teacher Edutn, Vol. 53, No. 2, March/April 2002 2001 * gay 2002 culturally responsive teaching *
Gay (2002) explas that pedagogil actns (pedagogy is the method and practice of teachg) are as important as curriculum sign, and she lls for tors to e cultural sffoldg teachg ethnilly diverse stunts, which means "g their own cultur and experienc to expand their tellectual horizons and amic achievement" (p. A strategy to facilate culturally rponsive rg lls for teachers to velop a partnership wh ethnilly diverse stunts "that is anchored rpect, honor, tegry, rource sharg, and a ep belief the possibily of transcennce" (Gay, 2000, p.
Developg the partnerships rults buildg learng muni among diverse learners, which is a cril element of culturally rponsive teachg (Gay, 2002, 2018). Extensn tors mt unrstand how the different work styl may impe on amic succs and need to unrstand how to velop more munal learng environments (Gay, 2002). Acrdg to Gay (2002), munitn styl of different ethnic groups not only reflect cultural valu, but also shape learng behavrs and should be nsired when modifyg tnal teractns.
* gay 2002 culturally responsive teaching *
The munitns style of the majory of ethnic groups the Uned Stat n be scribed as "more active, participatory, dialectic and multimodal" (Gay, 2002, p. Ias are munited by "providg a lot of background rmatn; beg passnately and personally volved wh the ntent of the disurse; g much directns (such as nuendo, symbolism, and metaphor) to nvey ias; weavg many different threads or issu to a sgle story; and embeddg talk wh feelgs of tensy, advocy, evaluatn, and athetics" (Gay, 2002, p.