Contents:
- HOW JEFF HILLER SMASHED GAY TV TROP ON HBO’S SOMEBODY SOMEWHERE
- ‘ROCK HUDSON: ALL THAT HEAVEN ALLOWED’ EXAM THE GAY MAN BEHD THE MOVIE STAR
HOW JEFF HILLER SMASHED GAY TV TROP ON HBO’S SOMEBODY SOMEWHERE
”) When Joel v her to “Choir Practice” — a semi-sanctned baret soiree that draws gay rints and other ee spirs om the muny, held after-hours a mall church — she begs to fd her voice and her place, as well as to untangle the hidn ms wh her own Everett’s hometown, Manhattan, Kan., “Somebody Somewhere” was created by Hannah Bos and Pl Thureen, who wrote for “High Matenance, ” a high-THC study of oddball Brooklyn. Sam seeth wh long-held anger at her self-pyg mother and her sister Tricia (Mary Cathere Garrison), who had a “love the sner, hate the s” attu toward Holly, who was gay. His Joel is like a sweet, middle-aged, gay Richie Cunngham wh a wry w he sav for his iends and a dreamy optimism he pours to his homema visn board, which the cynil Sam mocks him for.
‘ROCK HUDSON: ALL THAT HEAVEN ALLOWED’ EXAM THE GAY MAN BEHD THE MOVIE STAR
Somebody Somewhere is, ostensibly, about Sam’s journey to rega her footg after the ath of her (openly gay) sister, Holly, whom she returned home to re for through a long illns.
An active, always-weled member of Fah Prbyterian Church — and such a popular figure the ia is briefly floated that he bee a lay mister — Joel affirms repeatedly throughout the show that spe nservative evangelil’s equent, wispread persecutn of gay people, he n’t help but fd a fort spirualy.
A rdamom ndle-lovg, Zumba dancg, Vamix-vetg, big-hearted gay man, Joel is a unique example of how the spiratnal poster platu “bloom where your planted” n actually be a ll for muny vtment — not settlg. ) All the while, queer characters like Joel chew the one-dimensnal trope of “gay bt iend who livers sassy zgers” to showse somethg far more lumo: a warm, lovg gay man livg his joy (and stggl) ral Ameri. ”Everett is the face—and ocsnally the ebullient voice—of “Somebody Somewhere, ” but the show’s real draws are the timate iendship between Sam and Joel, a tug-of-war between her wound cynicism and his buoyant scery, and the red-state settg where queer middle-aged folks like Joel, a gay churchgoer, and Fred, a trans agriculture profsor, have rved out pockets for themselv.