Bridget Everett Tak on Small-Town Queer Fay - Philalphia Gay News

*BEAR-MAGAZINE.COM* SOMEBODY SOMEWHERE GAY

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class="ByleWrapper-jWHrLH ivtvgj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx byle__name-lk button" href="/ntributors/michael-schulman">Michael Schulman</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2021-12-27T06:00:00-05:00" class="SplScreenContentHearPublishDate-bMGEVk gvRvVr">December 27, 2021</time><div class="SocialInsWrapper-hKMEXV ffgPVr social-ins social-ins--standard SplScreenContentHearSocialShare-gSVclr kUKgnn"><ul data-ttid="socialInslist" class="SocialInsList-cHVTIA ivmblD social-ins__list"><li class="SocialInsListItem-mbhR hHoUCw social-ins__list-em social-ins__list-em--facebook 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class="body__ner-ntaer"><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg cjyRVU iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ fXVBaX"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="90" width="100%" sandbox="allow-scripts allow-same-orig allow-popups" tle="Embedd Frame" data-src=" allowfullscreen="" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p class="has-dropp has-dropp__lead-standard-headg paywall">One June day Romeoville, Illois, a small town outsi Chigo, an HBO crew ran to an unexpected obstacle: smoke billowg om a crematorium. The new seri “Somebody Somewhere” was shootg at a funeral home, and the fum had fltered a lightg guy. After a few tak, another btive force entered the room. “No. 1 is here,” the assistant director announced. “Everybody be on your bt behavr.” No. 1 on the ll sheet was Bridget Everett, the forty-ne-year-old edian, volist, and, as she lik to scribe herself, “regnally regnized baret sger.” Everett is the star of “Somebody Somewhere,” which premièr this month and is largely based on her life and her home town of Manhattan, Kansas.</p><p class="paywall">Everett is not known for stayg on her bt behavr, or even her better behavr. In her live shows, which she and her band, the Tenr Moments, perform regularly at Joe’s Pub, the baret arm of the Public Theatre, she prowls the dience skimpy, outrageo outfs, guzzlg Chardonnay om a bottle and buryg spectators’ fac her bosom. Tradnally, she ends the show by pickg a man out of the crowd and stg on his face.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">Everythg about Everett is large: her pip (she studied operatic voice llege), her libido, her stage prence, and her body, which she as geligne to spark a crowd to a willg enzy. In a signature song, she belts, “What I gotta do to get that dick my mouth?” and then mak everyone sg along. She talks about sloppy sex, havg abortns after sloppy sex, gettg blackout dnk, the many varieti of “tti,” her genalia, her parents’ genalia, her dience members’ genalia—but ’s all too joyful to feel pecially transgrsive. Her blowsy sexualy is ls a weapon than an vatn to feel as unhibed as she do. Years ago, durg a phone terview—she lled me om a nu beach, where she was hangg out wh Amy Schumer—she scribed her stage persona as “a crazy maniac who don’t get laid enough, so I have to put my sexual energy somewhere.” In her 2015 Comedy Central special, “Gynelogil Wonr,” Everett lurch to the dience, trickl a glass of water over a spectator’s bald head, then thsts her fgers to his mouth, sgg, “I’m g for you.”</p><p class="paywall">The alternative-baret scene is not a typil route to stardom, but Everett has plenty of fluential admirers. Patti LuPone once stood up mid-show at Joe’s Pub and yelled, “There is <em>no one</em> like you.” She later ved Everett to duet wh her at Carnegie Hall, and the two are now velopg a Broadway double act lled “Knockouts.” Schumer featured Everett on her sketch show “Insi Amy Schumer” and took her on edy tours, not as an openg act but as a closg one. “I uld not follow her,” Schumer told me. Onstage, Everett drifts om meanrg, half-melancholy tal about her dysfunctnal childhood (her mother is a reverg alholic, and her father was largely absent) to sensuo power ballads. She’s a hot ms who has utter ntrol over a room.</p><p class="paywall">“Somebody Somewhere” has required Everett to close Pandora’s box, only to open aga by gre. She plays a more whdrawn versn of herself named Sam, a would-be diva trapped small-town Ameri. She had e to the funeral-home set her pacy as an executive producer. A crew guy asked her to choose between two baggi of fake pot gummi, one orange and red and the other green and yellow. The next day, she would film a scene which her iends meet for poker and edibl. “I lean toward the,” she said, choosg the orange and red. When a shownner told her about the crematorium lay, she let out a hoot. “Oh, my God,” she said. “Jt a day the life.”</p><p class="paywall">After watchg a few tak, she troduced me to the cematographer, a woman. “Back the old days, you’d say, ‘I like havg that psy power behd the mera,’ but now you’d jt say, ‘I like havg that feme energy,’ ” Everett said wh a lgh, then head out to the parkg lot. She wore a black tank top wh a hoodie tied around her waist. The hoodie was prted wh a big lightng bolt, to match her lightng-bolt necklace and tote bag. The emblem, she told me, was spired by the self-help slogan “Dreams don’t have adl,” popularized by LL Cool J. “It’s a remr to fuck’ seize , make unt,” she said. “Real fuck’ chey.” Another necklace had “No. 1” spelled out pavé diamonds. “It’s not every work that’s llg up a perimenopsal woman who sgs baret to do a TV show,” she said. “You gotta celebrate the moments.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p class="paywall">Everett directed her driver to a weed dispensary Naperville, for some actual edibl to get her through the shoot. Sce the real Kansas don’t have much filmmakg astcture, the producers had found the area clost to Chigo that looked most like Kansas, and we drove past rnfields, strip malls, and gas statns. But Everett had brought a chunk of the New York avant-gar wh her. The shownners, Hannah Bos and Pl Thureen, are -founrs of the Brooklyn-based theatre pany the Debate Society, and Sam’s iend Fred Ro is played by the drag kg Murray Hill, who drs like a dandyish ed-r salman and bills himself as “the harst-workg middle-aged man show bs.” Everett and a few -stars were stayg at a rented hoe that they lled the Dg Dong Dorm.</p><p class="paywall">Insi the dispensary, which was l up wh neon signs, smooth jazz played. A guy readg a Hunter S. Thompson book checked Everett’s I.D. and poted her toward a row of touch-screen men. She scrolled through flavors: black cherry, pumpk pie. “Bnch?” she read. “Fuck no.” She chose two packets of “sparklg whe grape” gummi (“We jt did them the other night, and was <em>so</em> fun”) and a flavor lled Snoozzzeberry, to help her sleep.</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kKwZhx rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div data-attr-viewport-monor="" class="RponsiveCartoonWrapper-iTMMjI eXTYsS rponsive-rtoon AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset viewport-monor-anchor"><a class="external-lk rponsive-rtoon__image-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><picture class="RponsiveImagePicture-cWuUZO dUOtEa RponsiveCartoonImage-hzNqyc ikeCcH rponsive-rtoon__image rponsive-image"><noscript><img alt="Adult talks to their parents om the other si of a baby gate." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></a><div class="CaptnWrapper-jSZdqE gdZTpI ptn RponsiveCartoonCaptn-dokfdF hJgaLQ rponsive-rtoon__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo bsWloa ptn__text">“Mom, Dad, I’m not a baby anymore, and I n open this gate!”</span></div><div class="CaptnWrapper-jSZdqE iTuhkZ ptn RponsiveCartoonCred-bKlQqO faLAFb rponsive-rtoon__cred"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT bmQtfn ptn__cred">Cartoon by Liana Fck</span></div><div class="RponsiveCartoonCTA-eiqqMB iDCQRs"><div class="RponsiveCartoonCTAWrapper-CYIqa iTbFtf"><div class="RponsiveCartoonLkButtonWrapper-hqDAJK eSEhbj"><button aria-label="Copy lk to rtoon" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair 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class="paywall">On the drive back, Everett asked to stop at an Indian supermarket for a “spice check.” She roamed the aisl, halg the aromas. “What am I gonna do wh a handful of Thai chil?” she wonred aloud. “Nothg, right?” Movg on, she held up somethg lled a snake gourd, which had a suggtive shape and firmns. “What do you do wh one of the?” she said, wh a ht of Mae Wt. “I know ’s been a long, lonely wter. But aren’t they all?”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">“Somebody Somewhere,” which s executive producer Carolyn Strss lls a “g-of-middle-age story,” is an alternate history: What if Everett had never left Manhattan, Kansas, for Manhattan, New York? (Strss, an HBO veteran, prevly worked on “Game of Thron.” Everett said, “So this is like a lateral move for her, to this very ty show about this pl-size woman her forti.”) Her character, Sam, is a reprsed ad-enr who works gradg standardized tts, sleeps on her uch, and, as Everett put , is “not really takg life by the ts.” Sam’s mos of self-exprsn—sgg rock anthems and wrg dirty song lyrics—have been buried, until a new crowd lur her to “choir practice” at a lol church, which turns out to be a secret party and open-mike night for the town misfs.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">“She’s terrified of sgg, bee of everythg that sgg is gog to brg up her,” Everett told me, of her alter ego. In an early episo, Sam sgs Janis Jopl’s “Piece of My Heart” and surpris herself by rippg her shirt open to reveal a black bra—much as Everett ed to do at karaoke nights her twenti, when she was wag tabl New York Cy. The pennt filmmaker Jay Duplass, who directed episos of the show, and is a producer along wh his brother, Mark, told me, “The character is the procs of beg Bridget Everett.” Like a ic-book hero disverg a superpower, she’s unleashg the wild thg wh.</p><p class="paywall">One day this fall, I met Everett at her apartment, on the Upper Wt Si. The dér was retro glam: a hot-pk daybed, B-movie posters, and a neon flamgo by the door to a wraparound terrace, om which she sometim spi Michael Moore on a terrace across the street. (“I see him out at night, dog his steps.”) Everett, her lightng-bolt hoodie and tie-dye pants, sat an armchair, clutchg a throw pillow the shape of a breast. She was mourng her Pomeranian, Poppy Louise, whose remas sat an urn on the ffee table. “You’re basilly a pet cemetery,” she said.</p><p class="paywall">On my way up, the doorman had asked me to liver a bag om a jewelry store—a gift om Jsi Sefeld, to thank Everett for performg at a fund-raiser at the Sefelds’ hoe the Hamptons. Otherwise, Everett had not performed live two years, and she was glum. “Once you get the fuckg animal out of the ge, I’m gog to feel a whole lot better,” she said, beg teary. “The show is my outlet. So everythg that’s happened the past uple years is all jt still right fuckg here”—she tapped her cht—“and I jt need to get out so I n go back to beg alive aga.”</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssS ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="qbeal"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssS ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="48hq5e"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">On the wall was an old poster that read “<em class="small">VOTE FOR DONN EVERETT.</em>” Her father, who died 2007, was a lawyer and a Republin state senator Kansas, but he qu, she said, orr to “spend more time wh his fay,” a cliché that ma her lgh efully, “bee he was never there.” Her mother, Freddie, is a retired mic teacher, and their hoe had a mic room where the kids, who all took piano lsons, would gather to sg; Freddie’s big number was “Hello, Dolly!” Before she stopped drkg, the neti, Freddie would mand her children to hen her cktails, wh the stctns “Make like you’d make for yourself” or “Fill to the rim, Roger.” Eventually, she’d black out her chair, and one of the children helped her to bed.</p><p class="paywall">Onstage, Everett prents her fay stori wh bched irony—you n’t que tell if she’s makg them up—but the realy was unsettlg. Her brother Brock relled walkg on their father punchg their mother. “I stepped out of the shadows, and he looked up at me and said, ‘I’m sorry you have to see this,’ ” he said. Another time, Brock asked Freddie how she was gog to expla a black eye to her iends, and she said, “I’m gog to tell them I got h by a tennis ball.” Bridget, though young, heard everythg. “I was this middle bedroom that everybody had to go through to get where they were gog, so I had absolutely no privacy,” she told me. Her parents divorced when she was eight. Freddie would have the kids acpany her on r trips to their father’s apartment to stake out for girliends—another tale of dysfunctn that Everett sps to boozy edy.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p class="paywall">Everett is the youngt of six: Brton, Brad, Alice, Brian, Brock, and Bridget. The elst, Brton, died of ncer, 2008. “If she lghed really hard, she would wet her pants,” Everett relled. “So we would go to church and my brothers would spend the whole time jt tryg to make her wet her pants. She would have to exce herself, and she’d get up and there’d be this ty ltle puddle the pew.” (In “Somebody Somewhere,” Sam is also mourng a sister, the only fay member who unrstood her.) Growg up, the siblgs had btal nicknam for one another, like Wart and Sb; Bridget’s was Fang, bee she spent several years wh a sgle ont tooth. After she joed the swim team and veloped broad shoulrs, they lled her Lurch, a tnt that played on her securi. Her wildns blossomed. She worshipped Debbie Harry and Freddie Mercury and told filthy jok. Teachers would chastise her for beg “too much.” “It kept me om gettg the big parts the mils and all that sh,” she said. (She’s still bter over losg the lead “42nd Street.”) As a teen-ager, she partied hard. “I remember gog down to Aggieville—I believe was Brothers Tavern,” Brock relled. “She was unrage, or might have been on the cp. I said, ‘Where’s Bridget?’ Someone poted over to a pile of ats, and there were Bridget’s feet stickg out.”</p><p class="paywall">Her antics ma her popular enough that she was named homeg queen. Neverthels, she felt like an outsir her nservative town. She wanted to go to Arizona State Universy, part bee was known as a party school, and she knew that her ticket was her mezzo-soprano: “I had a really big voice, but was a ltle wild. Kd of like me, I gus.” She dned wh Italian art songs and got to the classil-voice program. When she arrived at school, though, she realized that matag her stment meant no drkg or smokg. “I was, like, I don’t want to live life like a nun,” she said. “Instead of beg an A stunt and excellg, I was jt, like, a B stunt and havg fun. But I still didn’t really know how to sg a way that I nnected to.”</p><p class="paywall">After graduatn, she stuck around the Phoenix area and worked as a wars at the origal P. F. Chang’s. The rtrant was a hangout for Charl Barkley and other pro athlet, and Everett got gigs sgg the natnal anthem at baseball gam. But she knew that her operatic voice wasn’t strong enough for a reer. “I was, like, Well, I gus I’m jt gog to be a wars,” she said. “I hope that you like beg on your feet, Bridget, bee this is .” Ocsnally, she would go out to karaoke bars, where she’d jump on the bar and rip off her shirt. “Bee I didn’t have the money not, I had to do somethg else,” she said. “And that’s where the ts me .”</p><p class="paywall">Everett moved to New York 1997, at twenty-six, wh no plan, no money, and no prospects. She got her Equy rd dog a b-and-tck children’s-theatre tour of “Hansel and Gretel,” but she was miserable: “I was, like, I moved to New York to sg for send grars fuckg Mississippi, gettg them to tell Hansel to jump over the river, which was, like, a piece of rdboard wh some blue taffeta?” She’d been raised Republin (“Meanwhile, I was, like, ‘Give me all the abortns I n have’ ”) but quickly beme a Democrat. She waed tabl at Ruby Foo’s. Audng terrified her to the pot of digtn, so she did ltle of , while her roommate Zach Shaffer land parts on Broadway. Shaffer relled, “She was lost.”</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssS ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="qln1w"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">Then Shaffer troduced her to the downtown baret scene, notably Kiki and Herb, the ranged lounge act performed by Jt Vivian Bond and Kenny Mellman. The duo were central to a burgeong alt-baret movement, which fied the m of the Carlyle and other staid venu. Everett beme a ont-row groupie, and Mellman, the acpanist, ved her to perform at a variety night where he was playg. But her ma outlet was karaoke, which she and a group of iends performed every Sunday night at the Parlour, a pub on Wt Eighty-sixth Street. Everett’s go-to numbers were “Piece of My Heart” and Alanis Morissette’s “You Oughta Know.” “We drank a lot there, bee the bartenr was our iend,” Shaffer said. “I thk we all had sex wh people the bathroom.” Everett’s numbers would crcendo wh her crawlg across the bar wh a Big Gulp-size vodka-soda. “Progrsively, the karaoke at the Parlour beme more of a show for her,” Shaffer said.</p><p class="paywall">By 2006, Shaffer was datg Jason Eagan, a producer at the Hell’s Kchen performance space Ars Nova, where he is now the artistic director, and Shaffer took him to one of his karaoke nights wh Everett. “We walked to the Parlour, and she was standg on the bar barefoot sgg ‘What’s Up,’ the 4 Non Blons song,” Eagan relled. “The performance she was givg was so much bigger than the room that was happeng . I was gobsmacked.” He cid that whatever she was dog belonged on a stage.</p><p class="paywall">Not long afterward, Michael Patrick Kg, an executive producer of “Sex and the Cy,” got a ll om Jon Stegart, one of the owners of Ars Nova. Kg was about to attend a edy ftival Aspen, where Everett had land a late-night set. Stegart told him that she’d been workshoppg material at Ars Nova, and urged him to check her out. Everett performed a rnchy origal song lled “Canhole” to an dience of dtry people and fancy lol women wearg wboy hats. “Half the dience left, and the half that stayed gave her a standg ovatn,” Kg said. “I thought, Well, there’s a star. Nobody knows what they’re seeg.”</p><p class="paywall">Ars Nova rralled Kg to velopg and directg a stage show for Everett, lled “At Least It’s Pk.” The tle, bis beg a vaga joke, referred to a warsg story that Everett told onstage, about a bsman who sent back an overoked steak. “It was burned on the outsi but on the si was pk, and that was our analogy for Bridget,” Kg said. She and Mellman replaced her karaoke vers wh origal songs, while Kg, like an Olympic ach, tght her how to stand still and how to polish an anecdote. Everett nicknamed him Hollywood. He likened his job to creatg a rg to f a diamond. “My goal was to make the people that left Aspen not leave,” he said.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-3 viewport-monor-anchor"></div><p class="paywall">The show opened at Ars Nova early 2007. Barely ntaed a fx-snakk btier, Everett was part Samantha Jon, part Cookie Monster. “Jt this afternoon, I slept wh Man No. 2,569,” she told the dience. “And, fellas, one of you uld be next!” The <em>Tim</em> cric Charl Isherwood wrote that the show “rells the sexual souciance and joyo exhibnism of early Bette Midler.” Everett had the hns of a plucked-om-karaoke-night Everywoman, but efforts to transfer the show Off Broadway for a longer n stalled. Kg gave her a small part the “Sex and the Cy” movie, as a dnk woman who terviews to be Carrie’s assistant, but even he uldn’t land her a breakout role. “Development executiv would say, ‘We thk Bridget’s the next Roseanne,’ ” he relled. “And I thought, Bridget’s the next Bridget!”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">Everett was too rock and roll for Broadway, too bawdy for ncert halls, and too mil for standup edy. She relled sgg at a edy night at Pianos, on the Lower East Si, after which John Mulaney me onstage and said, “What was <em>that</em>?” She met Schumer on a flight to Montreal’s Jt for Lghs ftival, where both were performg. “At those kds of thgs, I ed to jt hang out my room and drk we and watch porn or documentari,” Everett said. “Amy was, like, ‘Come down, let’s talk to some people and mgle!’ And we jt beme really fast iends. We both love Chardonnay.”</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kKwZhx rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div data-attr-viewport-monor="" class="RponsiveCartoonWrapper-iTMMjI eXTYsS rponsive-rtoon AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset viewport-monor-anchor"><a class="external-lk rponsive-rtoon__image-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><picture class="RponsiveImagePicture-cWuUZO dUOtEa RponsiveCartoonImage-hzNqyc ikeCcH rponsive-rtoon__image rponsive-image"><noscript><img alt="Moe chews on Inter wire." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></a><div class="CaptnWrapper-jSZdqE gdZTpI ptn RponsiveCartoonCaptn-dokfdF hJgaLQ rponsive-rtoon__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo bsWloa ptn__text">“He who ntrols the Inter ntrols the world.”</span></div><div class="CaptnWrapper-jSZdqE iTuhkZ ptn RponsiveCartoonCred-bKlQqO faLAFb rponsive-rtoon__cred"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT bmQtfn ptn__cred">Cartoon by Ken Leve</span></div><div class="RponsiveCartoonCTA-eiqqMB iDCQRs"><div class="RponsiveCartoonCTAWrapper-CYIqa iTbFtf"><div class="RponsiveCartoonLkButtonWrapper-hqDAJK eSEhbj"><button aria-label="Copy lk to rtoon" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Copy lk to rtoon</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="in in-pylk" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Copy lk to rtoon</tle><g clip-path="url(#clip0_3732_178637)"><path fill-le="evenodd" clip-le="evenodd" d="M16.3488 10.5017C16.2107 10.7357 16.2926 11.035 16.5318 11.17C16.7709 11.3052 17.0767 11.225 17.2148 10.991L18.4648 8.87225C19.5694 7.00002 18.9139 4.60601 17.0007 3.52508C15.0875 2.44415 12.6412 3.08562 11.5366 4.95785L9.53657 8.34782C8.432 10.22 9.08751 12.6141 11.0007 13.6949C11.1888 13.8012 11.382 13.8908 11.5785 13.9642C11.7819 14.0403 12.0058 13.9485 12.1147 13.764C12.2794 13.4849 12.1103 13.1276 11.8083 12.9992C11.7041 12.9549 11.6014 12.9044 11.5007 12.8475C10.0658 12.0368 9.57417 10.2413 10.4026 8.83712L12.4026 5.44715C13.2311 4.04298 15.0658 3.56187 16.5007 4.37257C17.9356 5.18327 18.4272 6.97878 17.5988 8.38295L16.3488 10.5017ZM7.6526 13.4983C7.79067 13.2643 7.70873 12.965 7.46959 12.8299C7.23044 12.6948 6.92464 12.775 6.78657 13.009L5.53657 15.1278C4.432 17 5.0875 19.394 7.00068 20.475C8.91385 21.5558 11.3602 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pied</p></div></div></div><button aria-label="Shop" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Shop</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="in in-rt" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Shop</tle><g clip-path="url(#clip0_3732_178638)"><path fill-le="evenodd" clip-le="evenodd" d="M4 3H2V4H4.23828L6.99617 15.2631C7.11483 15.6982 7.50998 16 7.96094 16H18.0365C18.4875 16 18.8826 15.6982 19.0013 15.2631L20.9648 7.26312C21.1383 6.62698 20.6594 6 20 6H10V7H20L18.0365 15H7.96094L5.03652 3H4.58055H4ZM10.0365 19C10.0365 19.5523 9.58881 20 9.03652 20C8.48424 20 8.03652 19.5523 8.03652 19C8.03652 18.4477 8.48424 18 9.03652 18C9.58881 18 10.0365 18.4477 10.0365 19ZM11.0365 19C11.0365 20.1046 10.1411 21 9.03652 21C7.93195 21 7.03652 20.1046 7.03652 19C7.03652 17.8954 7.93195 17 9.03652 17C10.1411 17 11.0365 17.8954 11.0365 19ZM18.0365 19C18.0365 19.5523 17.5888 20 17.0365 20C16.4842 20 16.0365 19.5523 16.0365 19C16.0365 18.4477 16.4842 18 17.0365 18C17.5888 18 18.0365 18.4477 18.0365 19ZM19.0365 19C19.0365 20.1046 18.1411 21 17.0365 21C15.932 21 15.0365 20.1046 15.0365 19C15.0365 17.8954 15.932 17 17.0365 17C18.1411 17 19.0365 17.8954 19.0365 19Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button></div></div></div></span></div></figure><p class="paywall">Schumer beme her champn. “Jt to see a woman up there owng her own body and sharg what she wants of , engagg such a hypersexual way on her own terms, is thrillg,” Schumer told me. But, ntrast to her own act, she don’t see Everett’s as polilly poted. “Her show is such an pe,” she went on. “I fely thk I wouldn’t have felt empowered to lift up my drs and show my pregnant belly whout her fluence.” A bewilred Larry Kg once asked Everett durg an terview, “You have a lot of body nfince, right?” But Everett don’t grandstand about self-teem or standards of bety, as many of her ntemporari do; her ease her own sk is liberatn enough.</p><p class="paywall">In 2008, Everett, Mellman, and the performance artist Neal Medlyn started “Our H Para,” a monthly live seri at Joe’s Pub, which the tr and gut performers reterpreted Top Forty songs. The -hosts would lead ribald gam like “What’s My Diaper?” Everett would ually close out the night wh a tipsy showstopper. The seri helped lnch such downtown performers as Cole Esla, Er Markey, and Molly Pope. By 2012, though, the three -hosts were squabblg. “We weren’t really gettg along, and jt wasn’t fun anymore,” Everett said. She had formed her own band, the Tenr Moments, and felt that she had earned her own spotlight. In 2014, she returned to Joe’s Pub, “Rock Bottom,” which featured songs -wrten wh the “Hairspray” team—Marc Shaiman and Stt Wtman—the mician Matt Ray, and the Beastie Boys’ Adam Horovz, wh an appearance by Esla, as a fet pleadg not to be aborted.</p><p class="paywall">In her forti by then, Everett was a smash downtown while still warsg uptown; she took jobs on the Upper Wt Si, where fewer ctomers would regnize her, and, when they did, she’d feel so embarrassed that sometim she’d secretly p their meals. Midway through the n of “Rock Bottom,” she lled her manager to put a shift requt, and the woman said, “Are you sure you want to e back ?” That night, Everett announced onstage that she had qu warsg, and she got a huge standg ovatn. She told me, chokg up, “It was so excg to fally be takg a chance on myself.”</p><p class="paywall">Her talents, though, were still difficult to translate to the screen. She had a b part as a makp artist “Girls,” and 2017 she played the hard-livg mother of an aspirg rapper the Sundance h “Patti Cake$.” Michael Patrick Kg, who was still tryg to land her a star vehicle Hollywood, fally got her an Amazon pilot, “Love You More.” Everett, who was a -executive producer, played a woman who parti by night and works wh people wh Down syndrome by day. The pilot opened wh a sex scene between Everett and a very short man wh a very large penis. Amazon released the first episo, to good reviews, but cled to pick up. “I have never plead harr than I did to those Amazon executiv,” Kg said. “I remember them tellg me that ‘men didn’t rpond to her,’ ” although women’s rpons were “ ‘through the roof.’ I said, ‘If you give me one more episo, all those men will love her, bee she’ll be the person they want to go drkg wh.’ ” But they were hung up on the mographic data and wouldn’t budge. Everett relled, “I was, like, Well, there was my one chance to make a TV show, and ’s gone.”</p><p class="has-dropp has-dropp__lead-standard-headg paywall">On the last night of November, Everett was her drsg room at Joe’s Pub, two bottl of Chardonnay ice buckets at her feet. The prev eveng, she had given her first public performance sce before the panmic. “I was schoolgirl-nervo all day long,” she said, stg ont of a mirror and pattg ncealer unr her ey. When she ma her entrance, she relled, she’d felt unsteady. “I’ve spent a lifetime tryg to really bee a larger-than-life person onstage. And then to be away om that for so long, you’re jt, like, Where did she go? For the first song, I was tryg to fd her.” By the send song, “Tti,” she had.</p><p class="paywall">Havg wrapped the first season of “Somebody Somewhere,” Everett was hoverg between her old life and what might be a new kd of fame. She had spent much of the terveng months hidg out her apartment. News of the Omicron variant had popped up days earlier, but no s had yet been tected the Uned Stat. Everett is a reach-out-and-touch-someone kd of performer, and she wonred how her act would work the age of social distancg and tightened sexual boundari. “The crazit thg is really jt that I got through , tryg to navigate how to do dience teractn wh the state of the world right now—and I mean that a thoand different ways,” she said. She twirled a curlg iron around her hair and ntoured her cheeks, “to separate the quadrants on my face,” she said. “I like to give the appearance that I tried.”</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssS ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="d5qo04"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssS ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="97si0r"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">Two hours later, Everett emerged onstage a bedazzled gold toga, clutchg a we bottle a paper bag. “My name is Bridget Everett,” she bellowed over an electric-guar riff. “Some people may not know me, but you will Not. Fuckg. Fet me.” She tore off the toga to reveal a silk midrs the lor of Velveeta chee. “Let me expla a uple quick thgs,” she told the crowd. “ ‘Bridget, you wearg a bra?’ Nope, don’t need one. Next qutn?”</p><p class="paywall">Before long, she was roamg through the dience, motorboatg people’s fac her cleavage. She snned the room and picked out a beard man a flannel shirt, whom she lled Sharky. After tellg a long-wd tale about a guy on the street who offered her five hundred dollars if she’d let him suck on her foot (answer: “You know I got two feet, right?”), she lay on the lip of the stage, sprayed one leg wh a trail of whipped cream, and gave Sharky a e-hher look. He ran up and lapped off on cue. (His real name was Thor, and he was a gay retired banker. “I’m actually a pretty hibed person,” he said afterward.) Then she sat on a stool and took the mood down to a simmer. “You remember when you were ltle, and your mommy ed to s her blue chair gettg sh-faced, listeng to Manilow?” Everett said, summong a Kansas memory. Her mother had lled her one day, she remembered, rmg her that her father had thirty days to live. “She was so . . . happy,” Everett said, a mock-wistful stage whisper. The story is te.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-4 viewport-monor-anchor"></div><p class="paywall">Durg the fal number, she blew bubbl to the crowd and lifted a male dience member onto her back, brgg the hoe down. I thought about how, durg the panmic, even handshak have felt perilo. Everett was like a dishevelled Dnys, givg the crowd (and herself) a long-awaed release, makg touch celebratory aga. As an enre, she sat at a piano and played an o to Poppy, her ad dog. “I appreciate all of you buyg your tickets and g out here,” she said, “knowg that this uld be the thg that kills all.” ♦</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssS ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="rg3tb4"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><footer class="ContentFooterMagazeDisclaimer-gzKAqo iZIuUU" data-ttid="MagazeDisclaimerWrapper">Published the prt edn of the <a href="/magaze/2022/01/03" data-reactroot="">January 3 & 10, 2022</a>, issue, wh the headle “Larger Than Life.”</footer></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="LkStackWrapper-NFLYw kgtXXB lkstack" data-ttid="LkStack"><div class="SectnTleRoot-dBGvdq kjAxEG LkStackHear-lKjbE hejl lk-stack--headg" data-ttid="SectnTle"><h2 class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SectnTleHed-dKqZet dxqEAa dqtvfu jttyjJ">New Yorker Favor</h2></div><div 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SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Iphigenia Fort Hills" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Anatomy of a murr trial.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span 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fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Lyndon Johnson and the events Dallas.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Robert A. 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All the years later, why has the se bee a e?</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Nathan Heller</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center 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