Fimi Rad | (Big Sean Ft Kanye Wt and Rose Dash - Marv Gaye and Chardonnay) | Fimi Mp3

Contents:

• MARV & CHARDONNAYBIG SEANTRACK 6 ON FALLY FAMO (SUPER DELUXE EDN) FEATURGROSE DASH & KANYE WTPRODUCED BYMIKE DEAN & POP WANSEL“MARV & CHARDONNAY” IS THE SEND SGLE OFF BIG SEAN’S BUT ALBUM FALLY FAMO. THE SONG, FEATURG KANYE WT AND ROSE DASH, IS ABOUT MAKG LOVE WHILE SIPPG ON… READ MORE JUN. 28, 20111 VIEWER282.8K VIEWS110 CONTRIBUTORSMARV & CHARDONNAY LYRICS[INTRO: KANYE WT & BIG SEAN]YEAHYOU KNOW A NIGGA DON'T REALLY WANNA TAKE HIS OL OFF, UH(BOY, DO !) I'LL EXPRS THIS, THOUGH[CHOS: ROSE DASH, KANYE WT, & BOTH]SHE LL ME EARLY THE MORNG (EARLY, MORNG)WHEN SHE’S ALL ALONE (WHEN SHE’S ALL ALONE)I'MA TAKE MY TIME (YEAH)DO HOW WE WANT (UH-HUH, DO HOW WE WANT )JT TO SET THE MOOD, GIRLI BROUGHT SOME MARV GAYE AND CHARDONNAY[INTERLU: KANYE WT]HOLD UP, HOLD UP, HOLD UP, HOLD UP, HOLD UPHOLD UP, HOLD UP, HOLD UP, HOLD UP, HOLD UP, YEAH[VERSE 1: BIG SEAN & KANYE WT]SHE LOVE THE WAY I’M DOG (SHE DO , HUH?)SO GOOD SHE WON'T PUT MY TATTOO ON (UH)BOTTOM LE IS (UH), YOU THE FTGAVE YOU A NEW NAME(WHAT'S THAT? WHAT'S THAT? WHAT'S) MY BCHHOLD UP, HOLD UP, WHOA THERELET'S PTURE THIS MOMENT (BOY, BOY)IF I H THEN I OWN , MARIJUAN'-' EVERY MORN' (WE ON)AND PATRóN-G, GIRL, WE GROANG (DO )BUT THAT PSY GOT ME FEELG LIKE A KID WH THE STREET LIGHTS ON(STREET LIGHTS ON, ON?) 'CSE YOU KNOW I GOTTA GO 'TIL 'SYOU MIGHT ALSO LIKE[CHOS: ROSE DASH, BIG SEAN, & BOTH]EARLY THE MORNG (MORNG, DO )WHEN SHE'S ALL ALONE (DO , I DO, WHEN SHE’S ALL ALONE)I'MA TAKE MY TIME (TIME, BOY)DO HOW WE WANT (DO HOW WE WANT )JT TO SET THE MOOD, GIRLI BROUGHT SOME MARV GAYE AND CHARDONNAYSO JT LET THE SONG PLAY (AND I'MA GIVE TO YA)THE LONG WAY (AND GIVE TO YA)THE STRONG WAY (WE GOT ALL DAY)IT'S OUR DAY (IT'S LIKE THIS ALWAYS)IT'S OUR WAY (AFTER A LONG DAY)THIS WAS ALL SPIRED BY A LTLE MARV GAYE AND CHARDONNAY[INTERLU: KANYE WT]HOLD UP, HOLD UP, HOLD UP, HOLD UPHOLD UP, HOLD UP, HOLD UP[VERSE 2: KANYE WT]TALK TO THE, TALK TO THE HANDBCH, YOU TALKG TO A GROWN ASS MANIT'S, LIKE, WAY-WAY-WAY TOO MUCH UP YOUR PANTSFOR NOT TO MAKE THE BED SQUEAK(THERE GO THE BED SHEETS)EVERYBODY RIP THE SWAG OFF 'FORE I RIP THE TAG OFFWHY MY PANTS SAG OFF? 'CSE I'M RAPPG MY ASS OFFFLOW SO UGLY, MONEY SO HANDSOMETHIS THE FUCKG ANTHEM, GET ? THE FUCKG ANTHEM?AH![CHOS: ROSE DASH & KANYE WT]EARLY THE MORNG (MORNG)(JT DID AGA)WHEN SHE'S ALL ALONE (WHEN SHE'S ALL ALONE)I'MA TAKE MY TIME (TIME)DO HOW WE WANT (DO HOW WE WANT )(THEY SAY, "YEEZY, YEAH, HE JT DID AGA!")JT TO SET THE MOOD, GIRLI BROUGHT SOME MARV GAYE AND CHARDONNAYSO JT LET THE SONG PLAY (AND I'MA GIVE TO YA)THE LONG WAY (AND GIVE TO YA)THE STRONG WAY (WE GOT ALL DAY)IT'S OUR DAY (IT'S LIKE THIS ALWAYS)IT'S OUR WAY (AFTER A LONG DAY)THIS WAS ALL SPIRED BY A LTLE MARV GAYE AND CHARDONNAY[INTERLU: KANYE WT]I BE SAYG, I, UH, I THKWHEN I KNOW, UH, JT BEE[VERSE 3: KANYE WT, BIG SEAN, & BOTH]I DON’T REALLY WANNA, UH, TALK TOO MUCH SHBUT YOU LOVE WHEN I TALK LIKE I LOST AND I LOVE HOW YOU LOOK WHEN YOU BLAZ'AND I SWEAR YOU TURN AT LEAST HALF-ASIANAND WE ABOUT TO HAVE A LIAISONSHE SO OL, GIVE HEAD WH HER SHAS ON (WHOA)YOU SHOULD JT GO AND THROW A PE ON (WHOA)AND 'S JT SO AMAZGSO AMAZG, SO AMAZGTAKE TO THE R, BLOOP, BLOOPTHAT SH LOOK LIKE I'M SPEED RACGLEAV' WH ME, 'LL BOOST YOUR REPUTATNWT SI IS WHERE I'M STATNEDSPEND ALL NIGHT, JT CHAMPAGNE-TASTGA'T NO SH, GIRL, LET'S JT PACE 'TIL 'S[CHOS: ROSE DASH, BIG SEAN & BOTH]EARLY THE MORNG (MORNG, YEAH)WHEN SHE'S ALL ALONE (WHEN SHE'S ALL ALONE)I'MA TAKE MY TIME (TIME)DO HOW WE WANT (DO HOW WE WANT )JT TO SET THE MOOD, GIRL (MOOD)I BROUGHT SOME MARV GAYE AND CHARDONNAYSO JT LET THE SONG PLAY (AND I'MA GIVE TO YA)THE LONG WAY (AND GIVE TO YA)THE STRONG WAY (WE GOT ALL DAY)IT'S OUR DAY (IT'S LIKE THIS ALWAYS)IT’S OUR WAY (AFTER A LONG DAY)THIS WAS ALL SPIRED BY A LTLE MARV GAYE AND CHARDONNAY[OUTRO: ROSE DASH]AND THIS WAS ALL SPIRED BY A LTLE MARV GAYE AND CHARDONNAY32EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUTGENI ANNOTATN2 NTRIBUTORS“MARV & CHARDONNAY” IS THE SEND SGLE OFF BIG SEAN’S BUT ALBUM FALLY FAMO. THE SONG, FEATURG KANYE WT AND ROSE DASH, IS ABOUT MAKG LOVE WHILE SIPPG ON CHARDONNAY AND LISTENG TO MARV GAYE, WHICH TO THEM IS THE PERFECT BO.EXPAND +18SHAREASK A QUTN ABOUT THIS SONGASK A QUTN *‌WHO PRODUCED “MARV & CHARDONNAY” BY BIG SEAN?WHEN DID BIG SEAN RELEASE “MARV & CHARDONNAY”?WHO WROTE “MARV & CHARDONNAY” BY BIG SEAN?FALLY FAMO (SUPER DELUXE EDN) (2011)BIG SEAN1. INTRO2. I DO IT3. MY LAST4. DON’T TELL ME YOU LOVE ME5. WA FOR ME6. MARV & CHARDONNAY7. DANCE (A$$)8. GET IT (DT)9. MEMORI (PART II)10. HIGH11. LIVE THIS LIFE12. SO MUCH MORE13. WHAT GO AROUND14. CELEBRY15. MY HOE16. 100 KEYS17. DANCE (A$$) (REMIX)EXPAND CREDSFEATURGROSE DASH & KANYE WTPRODUCED BYMIKE DEAN & POP WANSELWRTEN BYBIG SEAN, KANYE WT, ROSE DASH & POP WANSELRERDG ENGEERSCRIBZ RILEY, ROB KELSKI, OMAR LOYA, NOAH GOLDSTE & JOSH MYARDPRODUCTN COORDATNDONNIE MEADOWS & TANISHA BROADWATERMIXG ENGEERMIKE DEANA&RDANIEL STEPHENSONLABELG.O.O.D. MIC & DEF JAM RERDGSCELLO ARRANGEMENTMIKE DEANCELLOCHRIS “HCHCK” CHORNEYKEYBOARDSMIKE DEAN & DJ CAMPERADDNAL PRODUCTNMIKE DEANRERD AT4220 STUDS, HOLLYWOOD, CA; THE MERCER, NYC; NO-NAME HOTEL, PARIS; PARAMOUNT RERDG STUD, HOLLYWOOD, CARELEASE DATEJUNE 28, 2011SONGS THAT SAMPLE MARV & CHARDONNAYMARBLE SODA BY ​SHAWN WASABIMARV & CHARDONNAY INTERPOLATNSAMAZG BY KANYE WT (FT. JEEZY)SONGS THAT INTERPOLATE MARV & CHARDONNAYROLL RIGHT BY TREY COACHMANMARV & CHARDONNAY REMIXMARV GAYE BY LIFE'S COMPLEX & MARV & CHARDONNAY (XAPHOON JON REMIX) BY BIG SEAN (FT. KANYE WT & ROSE DASH)VIEW MARV & CHARDONNAY SAMPLTAGSRAPEXPAND COMMENTSADD A MENTSIGN UP AND DROP KNOWLEDGE ?GENI IS THE ULTIMATE SOURCE OF MIC KNOWLEDGE, CREATED BY SCHOLARS LIKE YOU WHO SHARE FACTS AND SIGHT ABOUT THE SONGS AND ARTISTS THEY LOVE.SIGN UPGENI IS THE WORLD’S BIGGT LLECTN OF SONG LYRICS AND MIL KNOWLEDGE
• MARV GAYE & CHARDONNAYCOMEBACK/!/MIC1 VIEWER1 CONTRIBUTORMARV GAYE & CHARDONNAY LYRICS[INTRO:KID RAVEN]KID RAVENKID SHOKORATEAMDREAMWE ARESKYWALKERSCBM[VERSE1: KID RAVEN]HOLD UP PULL UPCOS YOU KNOW WE SMOKE UP THE CLOUDS BUT I'VE NEVER DONE PULL UPMAN THE KIDS ARE SO OFF TOPIC SPAM SKYWALKERS IS THE NAME OF OUR CLANSO PUMP UP THE STEREO AND PLAY THIS JAMWE'LL KEEP SPNG FOR YOU LIKE FANSSO OLTHATS WHY I ALWAYS PLAY THE FOOLAND YOU KNOW I GOT MOLS WAG DOWN BY THE POOLFOR CHARDONNAY SO PLEASE PARDON AS THEYTAKE OFF THEIR CLOTH FOR THIS PARTYAND IF YOU A'T CURVY, SORRYCOS IM SHG BRIGHTER THAN A RAYYOU MIGHT ALSO LIKESO RA RA GO AWAYSO THE BADASS GIRLS N E AND PLAYWH THE KIDS THE BAYGOT EM TO PRAY ON THEIR KNEOH DADDY PLEASECOS I TEASE EMLET EM EASE YOU KNOW I ALWAYS GOT THEM SCREAMEARLY THE MORN....[VERSE2:KID SHOKORA]HOLD UP(X6)NIGGA DID YOU KNOW THAT SHOK IS THE BUILDG WH NO VATNPLAYG PATTY KE WH YOUR MOTHER TELL HER TO LIFT HER APRONMY TEAM IS FULL OF MASTS AND CHEERLEARS AND THPIANSLETS PRETEND CBM IS NOT THE BT THERE IS(WE'RE NOT?)CAME OM THE ANKL NOW WE'RE NEAR THE EYEBROWWE'RE SO HIGH NOWRUNNG SCE FOREVER NOW OUR FEET ARE THE WHE CLOUDSAND WE'RE NEVER G DOWNHEAD SO BIG N'T F MY CROWNSLEEPG ON WH YOUR LTLE NIGHTGOWN21 CHROMOSOM S GOG DOWNNOW A'T THAT SPECIALJT GO ALONG WH THE PLAN LIKE ETHELIF I GOT THE BASS MY BROTHER GOT THE TREBLETHE GAME IS NOT OVER S A NEW LEVELAND IM HERE FOR THE PRCSKEEP THE FAY LIKE STI SP DMV L WHO'S NEXT NIGGAEMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT
• MARV GAYE'S 10 GREATT SONGS EVER, RANKED
• DGS, WE WOMEN AND MIC: THE LIFE AND ATH OF MARV GAYE
• MARV GAYE’S WIFE REVEALS HOW HE TORTURED HER
• MARV {LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:600;MARG-BOTTOM:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:0.875REM;LE-HEIGHT:1.2;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:1.25REM;LE-HEIGHT:1.2;}} A{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:HER;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;} A:HOVER{LOR:#A00000;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL {MARG-BOTTOM:0.625REM;PADDG-RIGHT:0.3125REM;LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;} SPAN{LE-HEIGHT:1.6;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;}{FONT-STYLE:NORMAL;PADDG-RIGHT:0.3125REM;FONT-FAY:RALAS,GEIA,TIM,SERIF;LOR:#323232;FONT-SIZE:0.75REM;LE-HEIGHT:1.3;FONT-WEIGHT:BOLD;TEXT-TRANSFORM:PALIZE;}{DISPLAY:LE-BLOCK;TEXT-TRANSFORM:UPPERSE;MARG-LEFT:0.625REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}UPDATED: APR 19, {DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;}{MARG-BOTTOM:0.9375REM;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 64REM){{MAX-WIDTH:LC(100VW - (1REM * 2));MARG-LEFT:1REM;MARG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(-1 * 1REM);}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MARG-LEFT:TO;MARG-RIGHT:TO;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC((100VW - (LC(20.625REM * 2 - 1REM) - 2 * 1REM)) / -2);}}@MEDIA(M-WIDTH: 61.25REM) AND (MAX-WIDTH: 90REM){{MAX-WIDTH:LC(20.625REM * 2 - 1REM);MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / 2);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / -2) - 1REM);}}@MEDIA(M-WIDTH: 90REM){{MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 2);MAX-WIDTH:LC(20.625REM * 2 - 1REM);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 + 1REM)) / -2) - LC(2 * 1REM));}[DATA-HAS-SPONSOR] {MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);MARG-RIGHT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);}}{JTIFY-SELF:CENTER;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 48REM){{MARG-LEFT:-50VW;MARG-RIGHT:-50VW;WIDTH:100VW;LEFT:50%;RIGHT:50%;}}{HEIGHT:TO;}@MEDIA(MAX-WIDTH: 48REM){{MARG:TO LC(50% - 50VW);}}@MEDIA(M-WIDTH: 48REM){{MARG:TO;}}{POSN:RELATIVE;HEIGHT:TO;}{POSN:RELATIVE;--POSN:ABSOLUTE;HEIGHT:TO;} IMG{MAX-WIDTH:100%;HEIGHT:TO;} A{POSN:ABSOLUTE;}{POSN:RELATIVE;WIDTH:100%;HEIGHT:100%;OBJECT-F:VER;VERTIL-ALIGN:TOP;}{BACKGROUND:#C92228;BOTTOM:0;PADDG:.5REM;RIGHT:0;}@MEDIA(M-WIDTH: 64REM){{PADDG:0.39REM;}}{DISPLAY:BLOCK;HEIGHT:1REM;WIDTH:1REM;}@MEDIA(M-WIDTH: 64REM){{WIDTH:1.063REM;HEIGHT:1.063REM;}}{LE-HEIGHT:1;MARG-TOP:0.3125REM;}@MEDIA(MAX-WIDTH: 73.75REM){{PADDG-LEFT:0.9375REM;}}@MEDIA(M-WIDTH: 64REM){{PADDG-LEFT:0;}}{PADDG-RIGHT:0.3125REM;LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}PHOTO: NBCU PHOTO BANK/GETTY {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;PADDG-LEFT:0REM;PADDG-RIGHT:0REM;POSN:RELATIVE;}@MEDIA(M-WIDTH: 48REM){{PADDG-LEFT:3.5REM;PADDG-RIGHT:3.5REM;}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MAX-WIDTH:45.25REM;MARG-LEFT:TO;MARG-RIGHT:TO;}}@MEDIA(M-WIDTH: 61.25REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 73.75REM) AND (MAX-WIDTH: 100REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 90REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;}{CLEAR:BOTH;NTENT:" ";DISPLAY:BLOCK;FONT-SIZE:0.7REM;LE-HEIGHT:1.5REM;HEIGHT:0REM;VISIBILY:HIDN;}{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;}(1939-1984){LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:800;LETTER-SPACG:0.02EM;MARG-BOTTOM:0.625REM;MARG-TOP:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:1.875REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 64REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;}WHO WAS MARV GAYE?MARV GAYE SANG HIS FATHER'S CHURCH AND THE MOONGLOWS BEFORE SIGNG WH MOTOWN. HE RERD SONGS BY SMOKEY ROBSON BEFORE BEG HIS OWN PRODUCER ON THE PROTT ALBUM WHAT'S GOG ON (1971). GAYE'S LATER RERDS VELOPED HIS PRODUCTN STYLE AND YIELD SEVERAL HS, CLUDG "LET'S GET IT ON," "SEXUAL HEALG" AND "I HEARD THROUGH THE GRAPEVE." GAYE WAS KILLED 1984 DURG A DOMTIC DISPUTE WH HIS FATHER.EARLY LIFESGER MARV PENTZ GAYE, JR., ALSO KNOWN AS THE "PRCE OF SOUL," WAS BORN WASHGTON, D.C., ON APRIL 2, 1939. GAYE WAS RAISED UNR THE STRICT NTROL OF HIS FATHER, REVEREND MARV GAY SR.—MARV GAYE JR. ADD THE "E" ON THE END OF HIS NAME LATER LIFE—THE MISTER AT A LOL CHURCH, AGAST A BLEAK BACKDROP OF WISPREAD VLENCE HIS NEIGHBORHOOD. THROUGHOUT HIS CHILDHOOD, GAYE OFTEN FOUND PEACE MIC, MASTERG THE PIANO AND DMS AT A YOUNG AGE. UNTIL HIGH SCHOOL, HIS SGG EXPERIENCE WAS LIMED TO CHURCH REVIVALS, BUT SOON HE VELOPED A LOVE FOR R&B AND DOO-WOP THAT WOULD SET THE FOUNDATN FOR HIS REER. IN THE LATE 1950S, GAYE JOED A VOL GROUP LLED THE NEW MOONGLOWS. THE TALENTED SGER HAD A PHENOMENAL RANGE THAT SPANNED THREE VOL STYL AND HE SOON IMPRSED THE GROUP'S FOUNR, HARVEY FUQUA. IT WASN'T LONG BEFORE GAYE AND FUQUA BOTH ME TO THE ATTENTN OF DETRO MIC IMPRAR {-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:#A00000;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;}{LOR:#595959;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}BERRY GORDY JR. AND WERE SIGNED TO GORDY'S LEGENDARY MOTOWN RERDS.MOTOWN RERDSGAYE'S FIRST CERTIFIED H UNR HIS OWN NAME WOULDN'T E UNTIL 1962, BUT HIS EARLY YEARS AT MOTOWN WERE FULL OF BEHD-THE-SCEN SUCCS. HE WAS A SSN DMMER FOR MOTOWN LEGENDS SUCH AS LTLE STEVIE WONR, THE SUPREM, THE MARVELETT AND MARTHA AND THE VANLLAS. SHOWG HIS STRIP AS MOTOWN'S RENAISSANCE MAN, GAYE WENT ON TO BREAK TO THE TOP 40 FOR THE FIRST TIME ON HIS OWN 1962 WH HIS SOLO SGLE "HCH HIKE." THROUGHOUT THE 1960S, GAYE WOULD SHOW HIS IMMENSE RANGE, CHURNG OUT SOLO DANCE HS AND ROMANTIC DUETS WH H-MAKERS LIKE DIANA ROSS AND MARY WELLS. "CAN I GET A WNS" AND "I HEARD THROUGH THE GRAPEVE" WERE SOME OF GAYE'S BIGGT HS OF THE PERD, THE LATTER ACHIEVG S PLACE AS MOTOWN'S BT-SELLG SGLE OF THE 1960S. FOR THREE HIGH-FLYG YEARS, GAYE AND TAMMI TERRELL WOWED THE UNTRY WH THEIR SOARG DUET PERFORMANC OF SONGS LIKE "A'T NO MOUNTA HIGH ENOUGH" AND "IF I COULD BUILD MY WHOLE WORLD AROUND YOU." UNFORTUNATELY, THEIR REIGN AS THE ROYAL COUPLE OF R&B END WHEN TERRELL SUCCUMBED TO A BRA TUMOR 1970. HIS BELOVED PARTNER'S ATH HERED A DARK PERD FOR THE SGER, WHO SWORE NEVER TO PARTNER WH ANOTHER FEMALE VOLIST AND THREATENED TO ABANDON THE STAGE FOR GOOD.POLIL MSAGEIN 1970, SPIRED BY LATG VLENCE AND POLIL UNRT OVER THE VIETNAM WAR, GAYE WROTE THE LANDMARK SONG "WHAT'S GOG ON." DPE CLASH WH MOTOWN OVER THE SONG'S CREATIVE DIRECTN, THE SGLE WAS RELEASED 1971 AND BEME AN STANT SMASH. ITS SUCCS PROMPTED GAYE TO TAKE EVEN MORE RISKS, BOTH MILLY AND POLILLY. WHEN WAS RELEASED THE SPRG OF 1971, THE WHAT'S GOG ON ALBUM SERVED TO OPEN GAYE UP TO NEW DIENC WHILE MATAG HIS MOTOWN FOLLOWG. DEPARTG OM THE TRIED AND TE MOTOWN FORMULA, GAYE WENT OUT ON HIS OWN ARTISTILLY, PAVG THE WAY FOR OTHER MOTOWN ARTISTS LIKE WONR AND MICHAEL JACKSON TO BRANCH OUT LATER YEARS. BEYOND FLUENCG HIS PEERS, THE ALBUM GARNERED WISPREAD CRIL ACCLAIM, WNG THE ROLLG STONE ALBUM OF THE YEAR AWARD.CROSSOVER SUCCSIN 1972, GAYE MOVED TO LOS ANGEL AND SOON MET JANIS HUNTER, WHO WOULD LATER BEE HIS SEND WIFE. INSPIRED PART BY HIS NEWFOUND PENNCE, GAYE RERD ONE OF THE MOST REVERED LOVE ANTHEMS OF ALL TIME, "LET'S GET IT ON." THE SONG BEME HIS SEND NO. 1 BILLBOARD H, CEMENTG HIS CROSSOVER APPEAL ONCE AND FOR ALL. SHORTLY AFTERWARDS, MOTOWN PHED GAYE TO TOURG TO PALIZE ON HIS MOST RECENT SUCCS; RELUCTANTLY THE SGER-SONGWRER RETURNED TO THE STAGE. THROUGH MOST OF THE MID-1970S, GAYE WAS TOURG, LLABORATG OR PRODUCG. WORKG WH DIANA ROSS AND THE MIRACL, HE PUT OFF RELEASG ANOTHER SOLO ALBUM UNTIL 1976. HE NTUED TOURG AFTER THE RELEASE OF I WANT YOU (1976) AND, AFTER SRG A NO. 1 H 1977 WH THE DANCE SGLE "GOT TO GIVE IT UP," RELEASED HIS LAST ALBUM FOR MOTOWN RERDS (HERE, MY DEAR) 1978. (DES LATER, "GOT TO GIVE IT UP" WOULD BEE THE CENTER OF A BIG NTROVERSY. IN 2013, GAYE'S TATE ASSERTED THAT PRODUCER/SONGWRER PHARRELL WILLIAMS AND SGER/SONGWRER ROB THICKE HAD MTED PYRIGHT GEMENT BY TAKG MAJOR MIL ELEMENTS OM THE DIS TRACK FOR THE MEGA-H "BLURRED L." AFTER A SE WHICH THICKE TTIFIED THAT HE'D HAD LTLE TO DO WH THE WRG OF THE SONG, THE JURY LED FAVOR OF GAYE'S FAY, WHO WERE AWARD $7.3 LN DAMAG AND PROF SHAR. THE JURY ALSO LED THAT NEHER WILLIAMS OR THICKE HAD PURPOSELY MTED GEMENT.) AFTER TWO S AT MOTOWN, GAYE SIGNED WH CBS'S COLUMBIA RERDS 1982 AND BEGAN TO WORK ON HIS LAST ALBUM, MIDNIGHT LOVE. THE LEAD SGLE OM THAT ALBUM, "SEXUAL HEALG," BEME A HUGE EBACK H FOR THE R&B STAR AND EARNED HIM HIS FIRST TWO GRAMMY AWARDS AND AN AMERIN MIC AWARD FOR FAVORE SOUL SGLE.PERSONAL LIFEIN 1975, GAYE'S WIFE ANNA GORDY—BERRY GORDY'S SISTER—FILED FOR DIVORCE, AND TWO YEARS LATER GAYE MARRIED HUNTER, WHO HAD BY THEN GIVEN BIRTH TO THEIR DGHTER, NONA (BORN SEPTEMBER 4, 1974) AND THEIR SON FRANKIE (BORN NOVEMBER 16, 1975). GAYE ALSO HAD AN ADOPTED SON (MARV PENTZ GAYE III) OM HIS PREV MARRIAGE. THE SGER'S MARRIAGE TO HUNTER PROVED SHORT LIVED AND TUMULTUO, ENDG DIVORCE 1981.DEATH AND LEGACYDPE HIS SUCCSFUL EBACK THE EARLY 1980S, GAYE STGGLED BADLY WH THE SUBSTANCE ABE AND BOUTS OF PRSN THAT HAD PLAGUED HIM FOR MOST OF HIS LIFE. AFTER HIS LAST TOUR, HE MOVED TO HIS PARENTS' HOE. THERE HE AND HIS FATHER FELL TO A PATTERN OF VLENT FIGHTS AND QUARRELS THAT RELLED NFLICTS THAT HAD HNTED THE FAY FOR S. ON APRIL 1, 1984, MARV GAYE SR. SHOT AND KILLED HIS SON AFTER A PHYSIL ALTERTN; THE FATHER CLAIMED HE ACTED SELF-FENSE BUT WOULD LATER BE NVICTED OF VOLUNTARY MANSLGHTER. THREE YEARS AFTER HIS ATH, GAYE WAS DUCTED TO THE ROCK AND ROLL HALL OF FAME. CREATG BETIFUL ART OM A TROUBLED LIFE, GAYE AGA AND AGA BROUGHT HIS VISN, RANGE AND ARTISTRY TO THE WORLD STAGE. AT THE END OF HIS REER, HE ADMTED HE NO LONGER MA MIC FOR PLEASURE; STEAD, HE SAID, "I RERD SO THAT I N FEED PEOPLE WHAT THEY NEED, WHAT THEY FEEL. HOPEFULLY, I RERD SO THAT I N HELP SOMEONE OVERE A BAD TIME."{BORR:0;BORR-BOTTOM:TH SOLID BLACK;MARG:1.875REM 0;CLEAR:BOTH;}QUICK {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;MARG:0.9375REM 0 0 0.625REM;PADDG:0 0 0 1.25REM;}@MEDIA(M-WIDTH: 48REM){{MARG:0.9375REM 0;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;} LI{PADDG-BOTTOM:0.625REM;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;} LI::MARKER{LOR:#323232;}NAME: MARV GAYEBIRTH YEAR: 1939BIRTH DATE: APRIL 2, 1939BIRTH CY: WASHGTON, D. C.BIRTH COUNTRY: UNED STATGENR: MALEBT KNOWN FOR: MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL THEM.INDTRIPOPASTROLOGIL SIGN: ARIINTERTG FACTSBEFORE MAKG AS A SOLO ARTIST, MARV GAYE PLAYED DMS FOR ARTISTS SUCH AS STEVIE WONR AND THE SUPREM.DEATH YEAR: 1984DEATH DATE: APRIL 1, 1984DEATH STATE: CALIFORNIADEATH CY: LOS ANGELDEATH COUNTRY: UNED STATFACT CHECKWE STRIVE FOR ACCURACY AND YOU SEE SOMETHG THAT DON'T LOOK RIGHT,NTACT !CITATION INFORMATIONARTICLE TLE: MARV GAYE BGRAPHYAUTHOR: EDORSWEBSE NAME: THE WEBSEURL: ACCS DATE: PUBLISHER: A&E; TELEVISN NETWORKSLAST UPDATED: APRIL 19, 2021ORIGAL PUBLISHED DATE: APRIL 2, 2014QUOTES
• !MAYDAY! & CHARDONNAYWREKONIZETRACK 13 ON THE ROOFTOPS MIXTAPE ONE OF WREK’S PROMOTNAL ETYL LEADG UP TO MAYDAYS “TAKE ME TO YOUR LEAR”JAN. 31, 20131 VIEWER12 CONTRIBUTORS!MAYDAY! & CHARDONNAY LYRICS[INTRO:]ON TODAY'S EPISO OF BEATS THAT WEREN'T PRODUCED FOR MEMARV GAYE & CHARDONNAY, STRANGE MICYOU KNOW I'VE NEVER REALLY SEEN MIAMI OM THIS ANGLE, BUT UHI GOTTA BE HONT WH YOU, HAHA, I KDA LIKE I'MMA BORROW A FEW STYL ON THIS ONE IF YOU DON'T MD, LET'S GO![VERSE 1: WREKONIZE]KILL 'EM WH A LTLE B OF KDNS, ME YMILLER THE MIDDLE OF A M, ME ISDIVVY A RETAIL, YOU GIVE ME MY THREE SALPUT KTI THE VIO BEHD , MORSKILL' EVERY LAST CY WE N THROUGHYA LATE TO GET THE MSAGE I'MMA FIGURE YA GUM'S CHEWEDYA HAT' ON THE PRENCE BUT THE METHOD IS DUMB OLYA DONE FOOL, I'MMA LET YOU WA FOR THE 1-2SALUTE TO THE GENERAL TECH N9NE!MOV' SUBLIMAL BUT THEY LET GET BYTRY' TO SIGN YOU'LL NEVER TCH WREK'S RHYMEEVERY BATTLE IS ME, I SE AND TELL YA "NEXT TIME!",JT ANOTHER EARLY WARNGFROM ANOTHER ALIEN THE DIRTY SORMONGIVE ME JT A MALLN AND I'M GOOD FOR TOURGHUNER LIKE I'M FUCKED BUT I'M UP GOOD MORNG[HOOK:]EARLY THE MORNG, WHEN SHE'S ALL ALONEI'MMA SNEAK TO HER ROOM PUT NEW SH ON HER PHONEI'MMA HAVE HER HOOKED ON THAT STRANGE MIC AND ¡MAYDAY!AAAY-AAAY!EARLY THE MORNG, WHEN SHE'S ALL ALONEI'MMA SNEAK TO HER ROOM PUT NEW SH ON HER PHONEI'MMA HAVE HER FIEND' FOR THAT STRANGE MIC AND ¡MAYDAY!AAAY-AAAY!YOU MIGHT ALSO LIKEALRIGHT I'MMA PULL MY DICK OUT ON THIS ONESO YOU PROLLY WANNA STEP BACK...[VERSE 2: WREKONIZE]SIPP' ON THE KC TEA LIKE AQUAFACHILL' MIAMI WHERE THE BROADS ARE MEANERSTOCK IS CHEAPER, BLOCKS ARE GREENERTHEN AGA I PROLLY SHOULDN'T DROP THIS ETHERWHY THE WALLS ALL SHAD EASTER?MHROOMS GOT ME LOOK' AT SOME CRAZY FEATURNOW I'M HERE FEEL' LIKE SATAN'S TEACHERNAH I'M KIDDG I'M A ATHEIST PREACHER!GET POPP' WHILE I'M ALL UP THE DENVER SCENENEXT TO ME UP THE TEXAS DREAMWORLD'S OUTTA SHAPE AND WE BENT THE BEAMS, SHPREGNANT TEENS ARE TAK' MLEI'M THAT MENACE WH THE ROARG DMKILL' TIME WA' FOR THE NEXT TOUR TO NI'M THE NEW KILLER, FILLG WHOR FOR FUNSO YOU MOTHERFUCKERS KNOW THAT WHEN THE MORNG [HOOK 2X]6EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT
• BIG SEAN FT KANYE WT ROSE DASH - MARV GAYE CHARDONNAY APELLA

MARV & CHARDONNAYBIG SEANTRACK 6 ON FALLY FAMO (SUPER DELUXE EDN) FEATURGROSE DASH & KANYE WTPRODUCED BYMIKE DEAN & POP WANSEL“MARV & CHARDONNAY” IS THE SEND SGLE OFF BIG SEAN’S BUT ALBUM FALLY FAMO. THE SONG, FEATURG KANYE WT AND ROSE DASH, IS ABOUT MAKG LOVE WHILE SIPPG ON… READ MORE JUN. 28, 20111 VIEWER282.8K VIEWS110 CONTRIBUTORSMARV & CHARDONNAY LYRICS[INTRO: KANYE WT & BIG SEAN]YEAHYOU KNOW A NIGGA DON'T REALLY WANNA TAKE HIS OL OFF, UH(BOY, DO !) I'LL EXPRS THIS, THOUGH[CHOS: ROSE DASH, KANYE WT, & BOTH]SHE LL ME EARLY THE MORNG (EARLY, MORNG)WHEN SHE’S ALL ALONE (WHEN SHE’S ALL ALONE)I'MA TAKE MY TIME (YEAH)DO HOW WE WANT (UH-HUH, DO HOW WE WANT )JT TO SET THE MOOD, GIRLI BROUGHT SOME MARV GAYE AND CHARDONNAY[INTERLU: KANYE WT]HOLD UP, HOLD UP, HOLD UP, HOLD UP, HOLD UPHOLD UP, HOLD UP, HOLD UP, HOLD UP, HOLD UP, YEAH[VERSE 1: BIG SEAN & KANYE WT]SHE LOVE THE WAY I’M DOG (SHE DO , HUH?)SO GOOD SHE WON'T PUT MY TATTOO ON (UH)BOTTOM LE IS (UH), YOU THE FTGAVE YOU A NEW NAME(WHAT'S THAT? WHAT'S THAT? WHAT'S) MY BCHHOLD UP, HOLD UP, WHOA THERELET'S PTURE THIS MOMENT (BOY, BOY)IF I H THEN I OWN , MARIJUAN'-' EVERY MORN' (WE ON)AND PATRóN-G, GIRL, WE GROANG (DO )BUT THAT PSY GOT ME FEELG LIKE A KID WH THE STREET LIGHTS ON(STREET LIGHTS ON, ON?) 'CSE YOU KNOW I GOTTA GO 'TIL 'SYOU MIGHT ALSO LIKE[CHOS: ROSE DASH, BIG SEAN, & BOTH]EARLY THE MORNG (MORNG, DO )WHEN SHE'S ALL ALONE (DO , I DO, WHEN SHE’S ALL ALONE)I'MA TAKE MY TIME (TIME, BOY)DO HOW WE WANT (DO HOW WE WANT )JT TO SET THE MOOD, GIRLI BROUGHT SOME MARV GAYE AND CHARDONNAYSO JT LET THE SONG PLAY (AND I'MA GIVE TO YA)THE LONG WAY (AND GIVE TO YA)THE STRONG WAY (WE GOT ALL DAY)IT'S OUR DAY (IT'S LIKE THIS ALWAYS)IT'S OUR WAY (AFTER A LONG DAY)THIS WAS ALL SPIRED BY A LTLE MARV GAYE AND CHARDONNAY[INTERLU: KANYE WT]HOLD UP, HOLD UP, HOLD UP, HOLD UPHOLD UP, HOLD UP, HOLD UP[VERSE 2: KANYE WT]TALK TO THE, TALK TO THE HANDBCH, YOU TALKG TO A GROWN ASS MANIT'S, LIKE, WAY-WAY-WAY TOO MUCH UP YOUR PANTSFOR NOT TO MAKE THE BED SQUEAK(THERE GO THE BED SHEETS)EVERYBODY RIP THE SWAG OFF 'FORE I RIP THE TAG OFFWHY MY PANTS SAG OFF? 'CSE I'M RAPPG MY ASS OFFFLOW SO UGLY, MONEY SO HANDSOMETHIS THE FUCKG ANTHEM, GET ? THE FUCKG ANTHEM?AH![CHOS: ROSE DASH & KANYE WT]EARLY THE MORNG (MORNG)(JT DID AGA)WHEN SHE'S ALL ALONE (WHEN SHE'S ALL ALONE)I'MA TAKE MY TIME (TIME)DO HOW WE WANT (DO HOW WE WANT )(THEY SAY, "YEEZY, YEAH, HE JT DID AGA!")JT TO SET THE MOOD, GIRLI BROUGHT SOME MARV GAYE AND CHARDONNAYSO JT LET THE SONG PLAY (AND I'MA GIVE TO YA)THE LONG WAY (AND GIVE TO YA)THE STRONG WAY (WE GOT ALL DAY)IT'S OUR DAY (IT'S LIKE THIS ALWAYS)IT'S OUR WAY (AFTER A LONG DAY)THIS WAS ALL SPIRED BY A LTLE MARV GAYE AND CHARDONNAY[INTERLU: KANYE WT]I BE SAYG, I, UH, I THKWHEN I KNOW, UH, JT BEE[VERSE 3: KANYE WT, BIG SEAN, & BOTH]I DON’T REALLY WANNA, UH, TALK TOO MUCH SHBUT YOU LOVE WHEN I TALK LIKE I LOST AND I LOVE HOW YOU LOOK WHEN YOU BLAZ'AND I SWEAR YOU TURN AT LEAST HALF-ASIANAND WE ABOUT TO HAVE A LIAISONSHE SO OL, GIVE HEAD WH HER SHAS ON (WHOA)YOU SHOULD JT GO AND THROW A PE ON (WHOA)AND 'S JT SO AMAZGSO AMAZG, SO AMAZGTAKE TO THE R, BLOOP, BLOOPTHAT SH LOOK LIKE I'M SPEED RACGLEAV' WH ME, 'LL BOOST YOUR REPUTATNWT SI IS WHERE I'M STATNEDSPEND ALL NIGHT, JT CHAMPAGNE-TASTGA'T NO SH, GIRL, LET'S JT PACE 'TIL 'S[CHOS: ROSE DASH, BIG SEAN & BOTH]EARLY THE MORNG (MORNG, YEAH)WHEN SHE'S ALL ALONE (WHEN SHE'S ALL ALONE)I'MA TAKE MY TIME (TIME)DO HOW WE WANT (DO HOW WE WANT )JT TO SET THE MOOD, GIRL (MOOD)I BROUGHT SOME MARV GAYE AND CHARDONNAYSO JT LET THE SONG PLAY (AND I'MA GIVE TO YA)THE LONG WAY (AND GIVE TO YA)THE STRONG WAY (WE GOT ALL DAY)IT'S OUR DAY (IT'S LIKE THIS ALWAYS)IT’S OUR WAY (AFTER A LONG DAY)THIS WAS ALL SPIRED BY A LTLE MARV GAYE AND CHARDONNAY[OUTRO: ROSE DASH]AND THIS WAS ALL SPIRED BY A LTLE MARV GAYE AND CHARDONNAY32EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUTGENI ANNOTATN2 NTRIBUTORS“MARV & CHARDONNAY” IS THE SEND SGLE OFF BIG SEAN’S BUT ALBUM FALLY FAMO. THE SONG, FEATURG KANYE WT AND ROSE DASH, IS ABOUT MAKG LOVE WHILE SIPPG ON CHARDONNAY AND LISTENG TO MARV GAYE, WHICH TO THEM IS THE PERFECT BO.EXPAND +18SHAREASK A QUTN ABOUT THIS SONGASK A QUTN *‌WHO PRODUCED “MARV & CHARDONNAY” BY BIG SEAN?WHEN DID BIG SEAN RELEASE “MARV & CHARDONNAY”?WHO WROTE “MARV & CHARDONNAY” BY BIG SEAN?FALLY FAMO (SUPER DELUXE EDN) (2011)BIG SEAN1. INTRO2. I DO IT3. MY LAST4. DON’T TELL ME YOU LOVE ME5. WA FOR ME6. MARV & CHARDONNAY7. DANCE (A$$)8. GET IT (DT)9. MEMORI (PART II)10. HIGH11. LIVE THIS LIFE12. SO MUCH MORE13. WHAT GO AROUND14. CELEBRY15. MY HOE16. 100 KEYS17. DANCE (A$$) (REMIX)EXPAND CREDSFEATURGROSE DASH & KANYE WTPRODUCED BYMIKE DEAN & POP WANSELWRTEN BYBIG SEAN, KANYE WT, ROSE DASH & POP WANSELRERDG ENGEERSCRIBZ RILEY, ROB KELSKI, OMAR LOYA, NOAH GOLDSTE & JOSH MYARDPRODUCTN COORDATNDONNIE MEADOWS & TANISHA BROADWATERMIXG ENGEERMIKE DEANA&RDANIEL STEPHENSONLABELG.O.O.D. MIC & DEF JAM RERDGSCELLO ARRANGEMENTMIKE DEANCELLOCHRIS “HCHCK” CHORNEYKEYBOARDSMIKE DEAN & DJ CAMPERADDNAL PRODUCTNMIKE DEANRERD AT4220 STUDS, HOLLYWOOD, CA; THE MERCER, NYC; NO-NAME HOTEL, PARIS; PARAMOUNT RERDG STUD, HOLLYWOOD, CARELEASE DATEJUNE 28, 2011SONGS THAT SAMPLE MARV & CHARDONNAYMARBLE SODA BY ​SHAWN WASABIMARV & CHARDONNAY INTERPOLATNSAMAZG BY KANYE WT (FT. JEEZY)SONGS THAT INTERPOLATE MARV & CHARDONNAYROLL RIGHT BY TREY COACHMANMARV & CHARDONNAY REMIXMARV GAYE BY LIFE'S COMPLEX & MARV & CHARDONNAY (XAPHOON JON REMIX) BY BIG SEAN (FT. KANYE WT & ROSE DASH)VIEW MARV & CHARDONNAY SAMPLTAGSRAPEXPAND COMMENTSADD A MENTSIGN UP AND DROP KNOWLEDGE ?GENI IS THE ULTIMATE SOURCE OF MIC KNOWLEDGE, CREATED BY SCHOLARS LIKE YOU WHO SHARE FACTS AND SIGHT ABOUT THE SONGS AND ARTISTS THEY LOVE.SIGN UPGENI IS THE WORLD’S BIGGT LLECTN OF SONG LYRICS AND MIL KNOWLEDGE

Jt to set the mood girl I bought some Marv Gaye and Chardonnay. This was all spired by a ltle Marv Gaye and Chardonnay.

And this was all spired by a ltle Marv Gaye and Chardonnay.

MARV GAYE & CHARDONNAYCOMEBACK/!/MIC1 VIEWER1 CONTRIBUTORMARV GAYE & CHARDONNAY LYRICS[INTRO:KID RAVEN]KID RAVENKID SHOKORATEAMDREAMWE ARESKYWALKERSCBM[VERSE1: KID RAVEN]HOLD UP PULL UPCOS YOU KNOW WE SMOKE UP THE CLOUDS BUT I'VE NEVER DONE PULL UPMAN THE KIDS ARE SO OFF TOPIC SPAM SKYWALKERS IS THE NAME OF OUR CLANSO PUMP UP THE STEREO AND PLAY THIS JAMWE'LL KEEP SPNG FOR YOU LIKE FANSSO OLTHATS WHY I ALWAYS PLAY THE FOOLAND YOU KNOW I GOT MOLS WAG DOWN BY THE POOLFOR CHARDONNAY SO PLEASE PARDON AS THEYTAKE OFF THEIR CLOTH FOR THIS PARTYAND IF YOU A'T CURVY, SORRYCOS IM SHG BRIGHTER THAN A RAYYOU MIGHT ALSO LIKESO RA RA GO AWAYSO THE BADASS GIRLS N E AND PLAYWH THE KIDS THE BAYGOT EM TO PRAY ON THEIR KNEOH DADDY PLEASECOS I TEASE EMLET EM EASE YOU KNOW I ALWAYS GOT THEM SCREAMEARLY THE MORN....[VERSE2:KID SHOKORA]HOLD UP(X6)NIGGA DID YOU KNOW THAT SHOK IS THE BUILDG WH NO VATNPLAYG PATTY KE WH YOUR MOTHER TELL HER TO LIFT HER APRONMY TEAM IS FULL OF MASTS AND CHEERLEARS AND THPIANSLETS PRETEND CBM IS NOT THE BT THERE IS(WE'RE NOT?)CAME OM THE ANKL NOW WE'RE NEAR THE EYEBROWWE'RE SO HIGH NOWRUNNG SCE FOREVER NOW OUR FEET ARE THE WHE CLOUDSAND WE'RE NEVER G DOWNHEAD SO BIG N'T F MY CROWNSLEEPG ON WH YOUR LTLE NIGHTGOWN21 CHROMOSOM S GOG DOWNNOW A'T THAT SPECIALJT GO ALONG WH THE PLAN LIKE ETHELIF I GOT THE BASS MY BROTHER GOT THE TREBLETHE GAME IS NOT OVER S A NEW LEVELAND IM HERE FOR THE PRCSKEEP THE FAY LIKE STI SP DMV L WHO'S NEXT NIGGAEMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT

) I'll exprs this, though[Chos: Rose Dash, Kanye Wt, & Both]She ll me early the morng (Early, morng)When she’s all alone (When she’s all alone)I'ma take my time (Yeah)Do how we want (Uh-huh, do how we want )Jt to set the mood, girlI brought some Marv Gaye and Chardonnay[Interlu: Kanye Wt]Hold up, hold up, hold up, hold up, hold upHold up, hold up, hold up, hold up, hold up, yeah[Verse 1: Big Sean & Kanye Wt]She love the way I’m dog (She do , huh? ) 'Cse you know I gotta go 'til 's[Chos: Rose Dash, Big Sean, & Both]Early the morng (Morng, do )When she's all alone (Do , I do, when she’s all alone)I'ma take my time (Time, boy)Do how we want (Do how we want )Jt to set the mood, girlI brought some Marv Gaye and ChardonnaySo jt let the song play (And I'ma give to ya)The long way (And give to ya)The strong way (We got all day)It's our day (It's like this always)It's our way (After a long day)This was all spired by a ltle Marv Gaye and Chardonnay[Interlu: Kanye Wt]Hold up, hold up, hold up, hold upHold up, hold up, hold up[Verse 2: Kanye Wt]Talk to the, talk to the handBch, you talkg to a grown ass manIt's, like, way-way-way too much up your pantsFor not to make the bed squeak(There go the bed sheets)Everybody rip the swag off 'fore I rip the tag offWhy my pants sag off?

MARV GAYE'S 10 GREATT SONGS EVER, RANKED

")Jt to set the mood, girlI brought some Marv Gaye and ChardonnaySo jt let the song play (And I'ma give to ya)The long way (And give to ya)The strong way (We got all day)It's our day (It's like this always)It's our way (After a long day)This was all spired by a ltle Marv Gaye and Chardonnay[Interlu: Kanye Wt]I be sayg, I, uh, I thkWhen I know, uh, jt bee[Verse 3: Kanye Wt, Big Sean, & Both]I don’t really wanna, uh, talk too much shBut you love when I talk like I lost And I love how you look when you blaz'And I swear you turn at least half-AsianAnd we about to have a liaisonShe so ol, give head wh her shas on (Whoa)You should jt go and throw a pe on (Whoa)And 's jt so amazgSo amazg, so amazgTake to the r, bloop, bloopThat sh look like I'm speed racgLeav' wh me, 'll boost your reputatnWt si is where I'm statnedSpend all night, jt champagne-tastgA't no sh, girl, let's jt pace 'til 'sHow to Format Lyrics:Type out all lyrics, even repeatg song parts like the chosLyrics should be broken down to dividual lUse sectn hears above different song parts like [Verse], [Chos], alics (<i>lyric</i>) and bold (<b>lyric</b>) to distguish between different volists the same song partIf you don’t unrstand a lyric, e [?

[2] In the chos of the song, Rose Dash referenc late Amerin R&B/soul mic sger Marv Gaye and whe we chardonnay. The song was origally lled "Marv Gaye & Chardonnay". Marv Gaye 1973.

Marv Gaye was one of the greatt sgers of all time, who rerd some of the ft ever soul songs a short perd of time. Taken far too soon, Marv Gaye's mic took on var styl, om upliftg duets to heartbreakg ballads to socially-nsc 've taken his 10 very bt songs for the ultimate Marv Gaye troductn:.

DGS, WE WOMEN AND MIC: THE LIFE AND ATH OF MARV GAYE

Marv Gaye “How Sweet It Is” Live At Montrx Jazz Ftival 1980 HD.

MARV GAYE’S WIFE REVEALS HOW HE TORTURED HER

Wrten by the famo Holland–Dozier–Holland tr at Motown, this gave Marv Gaye his biggt h at the time song's tle was spired by one of Jackie Gleason's signature tchphras: "How Sweet It Is!

Released on Motown's Tamla label 1966, this duet between Marv and Kim Wton scrib var thgs life - such as dreams, love and wish - beg far better wh two people stead of more: The tragic story of Marv Gaye and the untimely ath of a soul legendIn 1990, Rod Stewart and Ta Turner teamed up for a ver versn, takg to number five the UK. Origally by Dn, this song was a tribute to four inic Amerins who were assassated: Abraham Lln, Mart Luther Kg Jr, John F Kennedy and Robert Gaye vered the song 1970, and was one of his first experiments socially-nsc mic, a year before his What's Gog On?

MARV {LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:600;MARG-BOTTOM:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:0.875REM;LE-HEIGHT:1.2;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:1.25REM;LE-HEIGHT:1.2;}} A{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:HER;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;} A:HOVER{LOR:#A00000;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL {MARG-BOTTOM:0.625REM;PADDG-RIGHT:0.3125REM;LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;} SPAN{LE-HEIGHT:1.6;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;}{FONT-STYLE:NORMAL;PADDG-RIGHT:0.3125REM;FONT-FAY:RALAS,GEIA,TIM,SERIF;LOR:#323232;FONT-SIZE:0.75REM;LE-HEIGHT:1.3;FONT-WEIGHT:BOLD;TEXT-TRANSFORM:PALIZE;}{DISPLAY:LE-BLOCK;TEXT-TRANSFORM:UPPERSE;MARG-LEFT:0.625REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}UPDATED: APR 19, {DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;}{MARG-BOTTOM:0.9375REM;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 64REM){{MAX-WIDTH:LC(100VW - (1REM * 2));MARG-LEFT:1REM;MARG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(-1 * 1REM);}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MARG-LEFT:TO;MARG-RIGHT:TO;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC((100VW - (LC(20.625REM * 2 - 1REM) - 2 * 1REM)) / -2);}}@MEDIA(M-WIDTH: 61.25REM) AND (MAX-WIDTH: 90REM){{MAX-WIDTH:LC(20.625REM * 2 - 1REM);MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / 2);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / -2) - 1REM);}}@MEDIA(M-WIDTH: 90REM){{MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 2);MAX-WIDTH:LC(20.625REM * 2 - 1REM);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 + 1REM)) / -2) - LC(2 * 1REM));}[DATA-HAS-SPONSOR] {MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);MARG-RIGHT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);}}{JTIFY-SELF:CENTER;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 48REM){{MARG-LEFT:-50VW;MARG-RIGHT:-50VW;WIDTH:100VW;LEFT:50%;RIGHT:50%;}}{HEIGHT:TO;}@MEDIA(MAX-WIDTH: 48REM){{MARG:TO LC(50% - 50VW);}}@MEDIA(M-WIDTH: 48REM){{MARG:TO;}}{POSN:RELATIVE;HEIGHT:TO;}{POSN:RELATIVE;--POSN:ABSOLUTE;HEIGHT:TO;} IMG{MAX-WIDTH:100%;HEIGHT:TO;} A{POSN:ABSOLUTE;}{POSN:RELATIVE;WIDTH:100%;HEIGHT:100%;OBJECT-F:VER;VERTIL-ALIGN:TOP;}{BACKGROUND:#C92228;BOTTOM:0;PADDG:.5REM;RIGHT:0;}@MEDIA(M-WIDTH: 64REM){{PADDG:0.39REM;}}{DISPLAY:BLOCK;HEIGHT:1REM;WIDTH:1REM;}@MEDIA(M-WIDTH: 64REM){{WIDTH:1.063REM;HEIGHT:1.063REM;}}{LE-HEIGHT:1;MARG-TOP:0.3125REM;}@MEDIA(MAX-WIDTH: 73.75REM){{PADDG-LEFT:0.9375REM;}}@MEDIA(M-WIDTH: 64REM){{PADDG-LEFT:0;}}{PADDG-RIGHT:0.3125REM;LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}PHOTO: NBCU PHOTO BANK/GETTY {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;PADDG-LEFT:0REM;PADDG-RIGHT:0REM;POSN:RELATIVE;}@MEDIA(M-WIDTH: 48REM){{PADDG-LEFT:3.5REM;PADDG-RIGHT:3.5REM;}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MAX-WIDTH:45.25REM;MARG-LEFT:TO;MARG-RIGHT:TO;}}@MEDIA(M-WIDTH: 61.25REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 73.75REM) AND (MAX-WIDTH: 100REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 90REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;}{CLEAR:BOTH;NTENT:" ";DISPLAY:BLOCK;FONT-SIZE:0.7REM;LE-HEIGHT:1.5REM;HEIGHT:0REM;VISIBILY:HIDN;}{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;}(1939-1984){LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:800;LETTER-SPACG:0.02EM;MARG-BOTTOM:0.625REM;MARG-TOP:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:1.875REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 64REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;}WHO WAS MARV GAYE?MARV GAYE SANG HIS FATHER'S CHURCH AND THE MOONGLOWS BEFORE SIGNG WH MOTOWN. HE RERD SONGS BY SMOKEY ROBSON BEFORE BEG HIS OWN PRODUCER ON THE PROTT ALBUM WHAT'S GOG ON (1971). GAYE'S LATER RERDS VELOPED HIS PRODUCTN STYLE AND YIELD SEVERAL HS, CLUDG "LET'S GET IT ON," "SEXUAL HEALG" AND "I HEARD THROUGH THE GRAPEVE." GAYE WAS KILLED 1984 DURG A DOMTIC DISPUTE WH HIS FATHER.EARLY LIFESGER MARV PENTZ GAYE, JR., ALSO KNOWN AS THE "PRCE OF SOUL," WAS BORN WASHGTON, D.C., ON APRIL 2, 1939. GAYE WAS RAISED UNR THE STRICT NTROL OF HIS FATHER, REVEREND MARV GAY SR.—MARV GAYE JR. ADD THE "E" ON THE END OF HIS NAME LATER LIFE—THE MISTER AT A LOL CHURCH, AGAST A BLEAK BACKDROP OF WISPREAD VLENCE HIS NEIGHBORHOOD. THROUGHOUT HIS CHILDHOOD, GAYE OFTEN FOUND PEACE MIC, MASTERG THE PIANO AND DMS AT A YOUNG AGE. UNTIL HIGH SCHOOL, HIS SGG EXPERIENCE WAS LIMED TO CHURCH REVIVALS, BUT SOON HE VELOPED A LOVE FOR R&B AND DOO-WOP THAT WOULD SET THE FOUNDATN FOR HIS REER. IN THE LATE 1950S, GAYE JOED A VOL GROUP LLED THE NEW MOONGLOWS. THE TALENTED SGER HAD A PHENOMENAL RANGE THAT SPANNED THREE VOL STYL AND HE SOON IMPRSED THE GROUP'S FOUNR, HARVEY FUQUA. IT WASN'T LONG BEFORE GAYE AND FUQUA BOTH ME TO THE ATTENTN OF DETRO MIC IMPRAR {-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:#A00000;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;}{LOR:#595959;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}BERRY GORDY JR. AND WERE SIGNED TO GORDY'S LEGENDARY MOTOWN RERDS.MOTOWN RERDSGAYE'S FIRST CERTIFIED H UNR HIS OWN NAME WOULDN'T E UNTIL 1962, BUT HIS EARLY YEARS AT MOTOWN WERE FULL OF BEHD-THE-SCEN SUCCS. HE WAS A SSN DMMER FOR MOTOWN LEGENDS SUCH AS LTLE STEVIE WONR, THE SUPREM, THE MARVELETT AND MARTHA AND THE VANLLAS. SHOWG HIS STRIP AS MOTOWN'S RENAISSANCE MAN, GAYE WENT ON TO BREAK TO THE TOP 40 FOR THE FIRST TIME ON HIS OWN 1962 WH HIS SOLO SGLE "HCH HIKE." THROUGHOUT THE 1960S, GAYE WOULD SHOW HIS IMMENSE RANGE, CHURNG OUT SOLO DANCE HS AND ROMANTIC DUETS WH H-MAKERS LIKE DIANA ROSS AND MARY WELLS. "CAN I GET A WNS" AND "I HEARD THROUGH THE GRAPEVE" WERE SOME OF GAYE'S BIGGT HS OF THE PERD, THE LATTER ACHIEVG S PLACE AS MOTOWN'S BT-SELLG SGLE OF THE 1960S. FOR THREE HIGH-FLYG YEARS, GAYE AND TAMMI TERRELL WOWED THE UNTRY WH THEIR SOARG DUET PERFORMANC OF SONGS LIKE "A'T NO MOUNTA HIGH ENOUGH" AND "IF I COULD BUILD MY WHOLE WORLD AROUND YOU." UNFORTUNATELY, THEIR REIGN AS THE ROYAL COUPLE OF R&B END WHEN TERRELL SUCCUMBED TO A BRA TUMOR 1970. HIS BELOVED PARTNER'S ATH HERED A DARK PERD FOR THE SGER, WHO SWORE NEVER TO PARTNER WH ANOTHER FEMALE VOLIST AND THREATENED TO ABANDON THE STAGE FOR GOOD.POLIL MSAGEIN 1970, SPIRED BY LATG VLENCE AND POLIL UNRT OVER THE VIETNAM WAR, GAYE WROTE THE LANDMARK SONG "WHAT'S GOG ON." DPE CLASH WH MOTOWN OVER THE SONG'S CREATIVE DIRECTN, THE SGLE WAS RELEASED 1971 AND BEME AN STANT SMASH. ITS SUCCS PROMPTED GAYE TO TAKE EVEN MORE RISKS, BOTH MILLY AND POLILLY. WHEN WAS RELEASED THE SPRG OF 1971, THE WHAT'S GOG ON ALBUM SERVED TO OPEN GAYE UP TO NEW DIENC WHILE MATAG HIS MOTOWN FOLLOWG. DEPARTG OM THE TRIED AND TE MOTOWN FORMULA, GAYE WENT OUT ON HIS OWN ARTISTILLY, PAVG THE WAY FOR OTHER MOTOWN ARTISTS LIKE WONR AND MICHAEL JACKSON TO BRANCH OUT LATER YEARS. BEYOND FLUENCG HIS PEERS, THE ALBUM GARNERED WISPREAD CRIL ACCLAIM, WNG THE ROLLG STONE ALBUM OF THE YEAR AWARD.CROSSOVER SUCCSIN 1972, GAYE MOVED TO LOS ANGEL AND SOON MET JANIS HUNTER, WHO WOULD LATER BEE HIS SEND WIFE. INSPIRED PART BY HIS NEWFOUND PENNCE, GAYE RERD ONE OF THE MOST REVERED LOVE ANTHEMS OF ALL TIME, "LET'S GET IT ON." THE SONG BEME HIS SEND NO. 1 BILLBOARD H, CEMENTG HIS CROSSOVER APPEAL ONCE AND FOR ALL. SHORTLY AFTERWARDS, MOTOWN PHED GAYE TO TOURG TO PALIZE ON HIS MOST RECENT SUCCS; RELUCTANTLY THE SGER-SONGWRER RETURNED TO THE STAGE. THROUGH MOST OF THE MID-1970S, GAYE WAS TOURG, LLABORATG OR PRODUCG. WORKG WH DIANA ROSS AND THE MIRACL, HE PUT OFF RELEASG ANOTHER SOLO ALBUM UNTIL 1976. HE NTUED TOURG AFTER THE RELEASE OF I WANT YOU (1976) AND, AFTER SRG A NO. 1 H 1977 WH THE DANCE SGLE "GOT TO GIVE IT UP," RELEASED HIS LAST ALBUM FOR MOTOWN RERDS (HERE, MY DEAR) 1978. (DES LATER, "GOT TO GIVE IT UP" WOULD BEE THE CENTER OF A BIG NTROVERSY. IN 2013, GAYE'S TATE ASSERTED THAT PRODUCER/SONGWRER PHARRELL WILLIAMS AND SGER/SONGWRER ROB THICKE HAD MTED PYRIGHT GEMENT BY TAKG MAJOR MIL ELEMENTS OM THE DIS TRACK FOR THE MEGA-H "BLURRED L." AFTER A SE WHICH THICKE TTIFIED THAT HE'D HAD LTLE TO DO WH THE WRG OF THE SONG, THE JURY LED FAVOR OF GAYE'S FAY, WHO WERE AWARD $7.3 LN DAMAG AND PROF SHAR. THE JURY ALSO LED THAT NEHER WILLIAMS OR THICKE HAD PURPOSELY MTED GEMENT.) AFTER TWO S AT MOTOWN, GAYE SIGNED WH CBS'S COLUMBIA RERDS 1982 AND BEGAN TO WORK ON HIS LAST ALBUM, MIDNIGHT LOVE. THE LEAD SGLE OM THAT ALBUM, "SEXUAL HEALG," BEME A HUGE EBACK H FOR THE R&B STAR AND EARNED HIM HIS FIRST TWO GRAMMY AWARDS AND AN AMERIN MIC AWARD FOR FAVORE SOUL SGLE.PERSONAL LIFEIN 1975, GAYE'S WIFE ANNA GORDY—BERRY GORDY'S SISTER—FILED FOR DIVORCE, AND TWO YEARS LATER GAYE MARRIED HUNTER, WHO HAD BY THEN GIVEN BIRTH TO THEIR DGHTER, NONA (BORN SEPTEMBER 4, 1974) AND THEIR SON FRANKIE (BORN NOVEMBER 16, 1975). GAYE ALSO HAD AN ADOPTED SON (MARV PENTZ GAYE III) OM HIS PREV MARRIAGE. THE SGER'S MARRIAGE TO HUNTER PROVED SHORT LIVED AND TUMULTUO, ENDG DIVORCE 1981.DEATH AND LEGACYDPE HIS SUCCSFUL EBACK THE EARLY 1980S, GAYE STGGLED BADLY WH THE SUBSTANCE ABE AND BOUTS OF PRSN THAT HAD PLAGUED HIM FOR MOST OF HIS LIFE. AFTER HIS LAST TOUR, HE MOVED TO HIS PARENTS' HOE. THERE HE AND HIS FATHER FELL TO A PATTERN OF VLENT FIGHTS AND QUARRELS THAT RELLED NFLICTS THAT HAD HNTED THE FAY FOR S. ON APRIL 1, 1984, MARV GAYE SR. SHOT AND KILLED HIS SON AFTER A PHYSIL ALTERTN; THE FATHER CLAIMED HE ACTED SELF-FENSE BUT WOULD LATER BE NVICTED OF VOLUNTARY MANSLGHTER. THREE YEARS AFTER HIS ATH, GAYE WAS DUCTED TO THE ROCK AND ROLL HALL OF FAME. CREATG BETIFUL ART OM A TROUBLED LIFE, GAYE AGA AND AGA BROUGHT HIS VISN, RANGE AND ARTISTRY TO THE WORLD STAGE. AT THE END OF HIS REER, HE ADMTED HE NO LONGER MA MIC FOR PLEASURE; STEAD, HE SAID, "I RERD SO THAT I N FEED PEOPLE WHAT THEY NEED, WHAT THEY FEEL. HOPEFULLY, I RERD SO THAT I N HELP SOMEONE OVERE A BAD TIME."{BORR:0;BORR-BOTTOM:TH SOLID BLACK;MARG:1.875REM 0;CLEAR:BOTH;}QUICK {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;MARG:0.9375REM 0 0 0.625REM;PADDG:0 0 0 1.25REM;}@MEDIA(M-WIDTH: 48REM){{MARG:0.9375REM 0;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;} LI{PADDG-BOTTOM:0.625REM;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;} LI::MARKER{LOR:#323232;}NAME: MARV GAYEBIRTH YEAR: 1939BIRTH DATE: APRIL 2, 1939BIRTH CY: WASHGTON, D. C.BIRTH COUNTRY: UNED STATGENR: MALEBT KNOWN FOR: MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL THEM.INDTRIPOPASTROLOGIL SIGN: ARIINTERTG FACTSBEFORE MAKG AS A SOLO ARTIST, MARV GAYE PLAYED DMS FOR ARTISTS SUCH AS STEVIE WONR AND THE SUPREM.DEATH YEAR: 1984DEATH DATE: APRIL 1, 1984DEATH STATE: CALIFORNIADEATH CY: LOS ANGELDEATH COUNTRY: UNED STATFACT CHECKWE STRIVE FOR ACCURACY AND YOU SEE SOMETHG THAT DON'T LOOK RIGHT,NTACT !CITATION INFORMATIONARTICLE TLE: MARV GAYE BGRAPHYAUTHOR: EDORSWEBSE NAME: THE WEBSEURL: ACCS DATE: PUBLISHER: A&E; TELEVISN NETWORKSLAST UPDATED: APRIL 19, 2021ORIGAL PUBLISHED DATE: APRIL 2, 2014QUOTES

A't No Mounta High Enough (extra HQ) - Marv Gaye & Tammi Terrell. Songwrers Ashford & Simpson scribed this song as their 'goln egg' which got them their first Motown Sprgfield wanted to rerd first, but the duo turned her down so that they uld secure Motown, and land wh Marv and Tammi Terrell, who sred a big h wh their origal more: Tammi Terrell - The tragic life story of a Motown sger and how Marv Gaye never got over her athThree years later, Diana Ross achieved her first solo US number one wh a ver versn g a different arrangement. Marv Gaye - Mercy Mercy Me (From "Live at Montrx 1980" DVD).

Album, this song is one of mic's most poignant anthems regardg the was a ln-seller, and was later vered by Robert Palmer 1990 as part of a medley wh Gaye's song 'I Want You'. Marv Gaye - Let's Get It On.

!MAYDAY! & CHARDONNAYWREKONIZETRACK 13 ON THE ROOFTOPS MIXTAPE ONE OF WREK’S PROMOTNAL ETYL LEADG UP TO MAYDAYS “TAKE ME TO YOUR LEAR”JAN. 31, 20131 VIEWER12 CONTRIBUTORS!MAYDAY! & CHARDONNAY LYRICS[INTRO:]ON TODAY'S EPISO OF BEATS THAT WEREN'T PRODUCED FOR MEMARV GAYE & CHARDONNAY, STRANGE MICYOU KNOW I'VE NEVER REALLY SEEN MIAMI OM THIS ANGLE, BUT UHI GOTTA BE HONT WH YOU, HAHA, I KDA LIKE I'MMA BORROW A FEW STYL ON THIS ONE IF YOU DON'T MD, LET'S GO![VERSE 1: WREKONIZE]KILL 'EM WH A LTLE B OF KDNS, ME YMILLER THE MIDDLE OF A M, ME ISDIVVY A RETAIL, YOU GIVE ME MY THREE SALPUT KTI THE VIO BEHD , MORSKILL' EVERY LAST CY WE N THROUGHYA LATE TO GET THE MSAGE I'MMA FIGURE YA GUM'S CHEWEDYA HAT' ON THE PRENCE BUT THE METHOD IS DUMB OLYA DONE FOOL, I'MMA LET YOU WA FOR THE 1-2SALUTE TO THE GENERAL TECH N9NE!MOV' SUBLIMAL BUT THEY LET GET BYTRY' TO SIGN YOU'LL NEVER TCH WREK'S RHYMEEVERY BATTLE IS ME, I SE AND TELL YA "NEXT TIME!",JT ANOTHER EARLY WARNGFROM ANOTHER ALIEN THE DIRTY SORMONGIVE ME JT A MALLN AND I'M GOOD FOR TOURGHUNER LIKE I'M FUCKED BUT I'M UP GOOD MORNG[HOOK:]EARLY THE MORNG, WHEN SHE'S ALL ALONEI'MMA SNEAK TO HER ROOM PUT NEW SH ON HER PHONEI'MMA HAVE HER HOOKED ON THAT STRANGE MIC AND ¡MAYDAY!AAAY-AAAY!EARLY THE MORNG, WHEN SHE'S ALL ALONEI'MMA SNEAK TO HER ROOM PUT NEW SH ON HER PHONEI'MMA HAVE HER FIEND' FOR THAT STRANGE MIC AND ¡MAYDAY!AAAY-AAAY!YOU MIGHT ALSO LIKEALRIGHT I'MMA PULL MY DICK OUT ON THIS ONESO YOU PROLLY WANNA STEP BACK...[VERSE 2: WREKONIZE]SIPP' ON THE KC TEA LIKE AQUAFACHILL' MIAMI WHERE THE BROADS ARE MEANERSTOCK IS CHEAPER, BLOCKS ARE GREENERTHEN AGA I PROLLY SHOULDN'T DROP THIS ETHERWHY THE WALLS ALL SHAD EASTER?MHROOMS GOT ME LOOK' AT SOME CRAZY FEATURNOW I'M HERE FEEL' LIKE SATAN'S TEACHERNAH I'M KIDDG I'M A ATHEIST PREACHER!GET POPP' WHILE I'M ALL UP THE DENVER SCENENEXT TO ME UP THE TEXAS DREAMWORLD'S OUTTA SHAPE AND WE BENT THE BEAMS, SHPREGNANT TEENS ARE TAK' MLEI'M THAT MENACE WH THE ROARG DMKILL' TIME WA' FOR THE NEXT TOUR TO NI'M THE NEW KILLER, FILLG WHOR FOR FUNSO YOU MOTHERFUCKERS KNOW THAT WHEN THE MORNG [HOOK 2X]6EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT

This was the song that saw Marv Gaye bee a sex symbol for the rt of his life. The tle track of his 1973 album, beme Marv's biggt h and one of his sgature wh Ed Townsend, was origally nceived as a relig song after Townsend had recently fished rehab, before Gaye transformed to an emotnal plea about love and sexual liberatn.

Marv Gaye - What's Gog On (Official Vio 2019). This song was -wrten by Renaldo 'Obie' Benson, Al Cleveland, and Marv Gaye, and produced by Gaye marked Gaye's parture om the Motown Sound of his prev output, towards more personal more: The Story of...

BIG SEAN FT KANYE WT ROSE DASH - MARV GAYE CHARDONNAY APELLA

Gaye asked himself: "'Wh the world explodg around me, how am I supposed to keep sgg love songs?

Marv Gaye - Sexual Healg. Marv Gaye - Heard It Through The Grapeve (Live at Montrx).