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In Season 2 of Netflix’s reboot, gay liftyle advice has ls to do wh sexualy than wh self-fn.

Contents:

QUEER EYE OPENS THE MIRACULO GAY WALLET

Queer Eye Opens the Miraculo Gay WalletNetflix’s highly entertag reboot of the inic makeover show offers wish fulfillment about personal growth—and posssns. NetflixWho was shocked when a study last year found that gay men on average earn about 10 percent more than straight on?

TV and movi sist that the typil gay guy is a fashnably equipped, mimosa-swillg cy dweller. But the tth is that the study was a tone: The parable rearch before had shown a gay wealth gap, wh homosexual men laggg behd heterosexuals wag, more likely to be on food stamps, and ls likely to fd a job. If gay men are, general, richer now, ’s a new thg—and for many, “gay affluence” is still a buted 2003, Queer Eye for the Straight Guy palized on the image of the outwardly prospero gay man—and sisted high-qualy handbags should match high-qualy ner liv, offerg up an spiratnal, aspiratnal symbol for Amerins gay and straight.

) to a quiet, semi-closeted gay guy who mostly jt needs a shave and a show, on s face, asks qutns about masculy, stereotyp, and the trangement of blue and red Ameri (the season opens wh a journey om New York Cy to Dallas, Geia, populatn 12, 629). The Fab Five are reful to say, per signer Bobby Berk, “We’re jt five guys who happen to be experts our field, and who happen to be gay. Anton Slia once ced the gays’ supposed prospery when argug agast discrimatn protectn.

*BEAR-MAGAZINE.COM* THE GAY WALLET

Netflix 'Queer Eye' Review: Can Money Buy Fabulons? - The Atlantic</tle><meta name="scriptn" ntent="Netflix’s highly entertag reboot of the inic makeover show offers wish fulfillment about personal growth—and posssns."/><meta property="kx:tle" ntent="Netflix 'Queer Eye' Review: Can Money Buy Fabulons? - The Atlantic"/><meta property="kx:scriptn" ntent="Netflix’s highly entertag reboot of the inic makeover show offers wish fulfillment about personal growth—and posssns."/><lk rel="nonil" href="><lk rel="image_src" href="><meta name="thor" ntent="Spencer Kornhaber"/><lk rel="ia:markup_url" href="><meta property="article:publisher" ntent="><meta property="article:opn" ntent="false"/><meta property="article:ntent_tier" ntent="metered"/><meta property="article:tag" ntent="culture"/><meta property="article:sectn" ntent="Culture"/><meta property="article:published_time" ntent="2018-03-04T12:00:00Z"/><meta property="article:modified_time" ntent="2018-06-07T20:17:25Z"/><meta name="robots" 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posssns.","url":","datePublished":"2018-03-04T12:00:00Z","dateModified":"2018-06-07T20:17:25Z","isAccsibleForFree":false,"hasPart":{"@type":"WebPageElement","isAccsibleForFree":false,"cssSelector":".article-ntent-body"},"publisher":{"@id":"},"maEntyOfPage":{"@type":"WebPage","@id":"},"image":[{"@type":"ImageObject","width":{"@type":"QuantativeValue","unCo":"E37","value":720},"height":{"@type":"QuantativeValue","unCo":"E37","value":405},"url":"},{"@type":"ImageObject","width":{"@type":"QuantativeValue","unCo":"E37","value":1080},"height":{"@type":"QuantativeValue","unCo":"E37","value":1080},"url":"},{"@type":"ImageObject","width":{"@type":"QuantativeValue","unCo":"E37","value":1200},"height":{"@type":"QuantativeValue","unCo":"E37","value":900},"url":"},{"@type":"ImageObject","width":{"@type":"QuantativeValue","unCo":"E37","value":1600},"height":{"@type":"QuantativeValue","unCo":"E37","value":900},"url":"},{"@type":"ImageObject","width":{"@type":"QuantativeValue","unCo":"E37","value":960},"height":{"@type":"QuantativeValue","unCo":"E37","value":540},"url":"},{"@type":"ImageObject","width":{"@type":"QuantativeValue","unCo":"E37","value":540},"height":{"@type":"QuantativeValue","unCo":"E37","value":540},"url":"}],"thor":[{"@type":"Person","name":"Spencer 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