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class="sub-right"><span class="sub-msage">It’s Boston lol news one ncise, fun and rmative email</span><span class="sub-succs dn">Thank you! You have been subscribed to WBUR Today.</span><span class="sub-error dn">We were unable to subscribe you to WBUR Today. You n try<!-- --> <a href="/newsletters">subscribg here</a> or try aga later.</span></div></div></div></div></hear><article class="article" data-rid="757178" data-rtype="story"><div id="gtm-visibily-50" class="gtm-pixel"></div><div id="gtm-visibily-75" class="gtm-pixel"></div><div id="gtm-visibily-100" class="gtm-pixel"></div><sectn class="sectn--bo sectn--bp sectn--first sectn--learboard"><div class="uw bp--rponsive"><div class="bp-ner"><p class="bp-label">Advertisement</p><div class="bp-ntent bp-ntent--centered"><div style="width:300px;height:50px"></div></div></div></div></sectn><hear class="article-sectn--tle article-sectn--island"><sectn class="article-sectn--label"><h4 class="article-label"><a href="/tag/sprg-arts-guis-2022">Sprg Film Ftival Gui</a></h4></sectn><div class="article-actn"><h1 class="article-hdr">7 Greater Boston film ftivals to check out this sprg</h1></div><div class="article-meta"><span class="article-meta-em--date"><span tle="Thursday, March 17th 2022, 5:00:03 am">March 17, 2022</span></span><ul class="article-meta-em--thorlist article-meta-group"><li class="article-meta-em article-meta-em--thor"><a class="article-meta-lk article-meta-em--thor" href="/si/staff/er-trahan">Er Trahan</a></li></ul><div class="article-share article-share-ins"><a href=" & target="_blank" rel="noreferrer" class="article-share-lk" tle="Share on Facebook"><svg class="in in-facebook" viewBox="0 0 128 128" role="img" width="24" aria-labelledby="tle"><tle id="tle">facebook</tle><path display="le" d="M120.1,0H8.2c-4.4,0-8,3.6-8,8v112c0,4.4,3.6,8,8,8h60.4V78.2h-16V59.8h16V43.9 c0-14.6,8.9-24.3,26.4-24.3c7.7,0,13.1,0.9,13.1,0.9V37h-12c-5.3,0-8,3-8,8.2v14.5h18.7l-2.7,18.4h-16v49.7h32c4.4,0,8-3.6,8-8V8 C128.1,3.6,124.5,0,120.1,0z"></path></svg></a><a href="mailto:?body=7 Greater Boston film ftivals to check out this 7 Greater Boston film ftivals to check out this sprg" class="article-share-lk" tle="Share by email"><svg class="in in-email" viewBox="0 0 128 128" width="20" aria-labelledby="tle"><tle id="tle">Email</tle><path display="le" d="M64.2,86.3l-64-48V104c0,4.4,3.6,8,8,8h112c4.4,0,8-3.6,8-8V38.4L64.2,86.3z M64.2,72l64-48 c0-4.4-3.6-8-8-8H8.2c-4.4,0-8,3.6-8,8L64.2,72z"></path></svg></a></div></div></hear><sectn class="article-sectn--lead-image article-sectn--lead-image--hero"><figure class="article-fig article-fig--hero"><picture class="article-fig-ner"><img class="article-image" src=" alt="A still om the film "All In." (Courty Boston Turkish Film Ftival)" style="object-posn:50% 50%"/></picture><figptn class="article-fig-ptn">A still om the film "All In." (Courty Boston Turkish Film Ftival)</figptn></figure></sectn><div class="article-sectns"><sectn class="article-sectn--ntent hang-punctuatn article-sectn--first article-sectn--centered"><p class="">Relaxed mandat. Optnal masks. Wh COVID-19 statistics plummetg, many of the regn’s sprg film ftivals will gather person for the first time sce 2019. In planng Wicked Queer’s 38th edn for the month of “Gaypril,” for example, executive director Shawn Cotter says the learship wanted to “ph to get back to the theaters.” Yet, he adds, “I am hopg folks are ready.” COVID has tght film ftivals a thg or two about ntgency plans. While Boston Unrground Film Ftival go all- on -person at the Brattle, the Boston Turkish Film Ftival will stay remote. Several listed below, cludg Wicked Queer, reta a mixture of theatril and streamg events.</p><p class=""><strong>Please note:</strong> We strongly remend nfirmg attendance guil for dividual venu advance of -person events and double-checkg the time ame and geographic reach related to streamg.</p><span><h3><a href=" target="_blank" rel="noopener">Boston Unrground Film Ftival</a></h3></span><p class=""><strong>When:</strong> March 23-27<br /><strong>Where:</strong> Brattle Theatre<br /><strong>Highlights:</strong> As New England’s premiere genre ftival, BUFF promis “all killer, no filler” and to “keep thgs a ltle weird a cy sperately need of weirdns.” For jt a smidge weird, check out the documentary “Freakscene: The Story of Dosr Jr.” Crank up a notch wh Gaspar Noé tim two (“Vortex” and “Lux Æterna,” the latter wh Charlotte Gasbourg, of urse). Then let all the weird break loose, meang mutant ckroach, wh a 2K rtoratn of the 1988 New England-set ftatn story “The Nt.” Filmg required somethg like <a href=" target="_blank" rel="noopener">2,000 geilly engeered</a> bugs. Wch abound this year (“Lux Æterna” and “You Won’t be Alone” wh Noomi Rapace) and girl gangs, too (“Msa” and “Honeyb”). Though for origaly, you might opt for the Ao-futurist mil “Neptune Frost.”<br /><strong>Need to Know:</strong> Fd a lol filmmaker to follow among the 17 shorts playg the <a href=" target="_blank" rel="noopener">Weird Lol Film Ft Showse</a>.</p><div class="article-sectn--youtube article-sectn--embed wiscreen"><div class="youtube" id="yt-embed-1"><picture><img src="></picture><div class="play-button"></div></div></div><hr class="enhanced"/><span><h3><a href=" target="_blank" rel="noopener">Salem Film Ft</a></h3></span><p class=""><strong>When: </strong>March 24-April 3</p><p class=""><strong>Where:</strong> Streamg onle and at Cema Salem, Peabody Essex Mm, The Cabot and Enditt College</p><p class=""><strong>Highlights:</strong> One of the bt all-documentary shows New England, Salem Film Ft enpass lol and global storytellg. This ft’s -person events and screengs (slated for March 24-27, wh virtual March 28-April 3) mark a return to Cema Salem for the first time sce 2019. The pennt movie theater the heart of Salem closed before the panmic and <a href=" target="_blank" rel="noopener">reopened to new owners</a> June 2020. As for featur, “One Pt at a Time” exam the role of Black-owned breweri the craft beer movement while “My So-Called Selfish Life” tackl the stigma of sayg no to motherhood. “Fiddler’s Journey to the Big Screen” memorat the 50th anniversary of the play-turned-movie, which has drawn attentn for s <a href=">nnectns to the current war on Ukrae</a>, and a large swath of tl pick up them of water, ice and the impact of climate change (“River,” “Hell or Clean Water,” “Exposure,” “Last of the Right Whal” and others). The program clus shorts as well as shows of work by Massachetts llege and high school stunts.<br /><strong>Need to Know: </strong>The only film ftival where one n watch a tremendo documentary, get a <a href=" target="_blank" rel="noopener">set of ctom fangs</a>, pay homage to the <a href=" target="_blank" rel="noopener">Satanic Temple</a>, and snack at one of the <a href=" target="_blank" rel="noopener">North Shore’s bt bakeri</a> all one afternoon. (Y, I am partial, practilly lol, and haven’t even mentned beer. Make that a Salem-specific <a href=" target="_blank" rel="noopener">beer</a>.)</p><div class="article-sectn--youtube article-sectn--embed wiscreen"><div class="youtube" id="yt-embed-2"><picture><img src="></picture><div class="play-button"></div></div></div><hr class="enhanced"/><span><h3><a href=" target="_blank" rel="noopener">Boston Israeli Film Ftival</a></h3></span><p class=""><strong>When:</strong> March 24-30<br /><strong>Where:</strong> Streamg onle and at Wt Newton Cema and Coolidge Corner Theatre<br /><strong>Highlights:</strong> Earlier this year, Boston Jewish Film, which overse this ftival, named filmmaker Lisa Gossels as s new artistic director. Gossels will morate a handful of -person and virtual events as part of the fourth annual showse of ntemporary film and TV om Israel. The ftival opens wh “Dead Sea Guardians” which three environmental activists (an Israeli, Jordanian and Paltian) plan an amb swim to alert others to the regn’s pendg elogil doom. In the documentary “That Orchtra wh the Broken Instments,” 100 very different micians une for a performance Jesalem. Tom Cohen, creded wh ventg a new mil language and one of the film’s subjects, will jo the film’s director Yuval Hameiri for a live nversatn wh Gossels. In the closg night drama “Let Be Morng” (-person at the Coolidge wh director Eran Kolir), a village bends unr the prsure of an unexpected ary lockdown.<br /><strong>Need to Know:</strong> Water levels the Dead Sea have been clg sce the 1960s and experts started trackg dangero sk hol the 1980s. Last October, photographer Spencer Tunick anized a shoot where <a href=" target="_blank" rel="noopener">hundreds of people stood nu</a> alongsi the Dead Sea to prott s gradatn, a follow-up to a shoot 10 years prr.</p><div class="article-sectn--youtube article-sectn--embed wiscreen"><div class="youtube" id="yt-embed-3"><picture><img src="></picture><div class="play-button"></div></div></div><hr class="enhanced"/><span><h3><a href=" target="_blank" rel="noopener">Belmont World Film Internatnal Film Seri</a></h3></span><p class=""><strong>When:</strong> March 25-May 16<br /><strong>Where:</strong> Streamg onle and at Watertown’s Majtic 7 and Wt Newton Cema<br /><strong>Highlights:</strong> After takg 2020 off, this seri celebrat s 20th annual wh a mixture of -person and streamg tl. The French language turns up nearly all of this year’s eight selectns, many of which buted at Cann or Venice 2021, such as “Zero F**ks Given” the movie, which has nothg to do wh <a href=" target="_blank" rel="noopener">Kev Hart</a>. Rather, ’s about a young flight attendant (Adèle Exarchopoulos) stuck over-performg wh zero attachment to the rult. It lls to md the loopy absurdy of "Palm Sprgs,” palistic traps “Sorry to Bother You” wh the poignant unrtow of “Fleabag.” In “Bootleg,” a woman om northern Quebec returns home to a tense nflict over the sale of alhol. Even the Polish film “Silent Land” tak s cu om France, where a “perfect” uple gets their ppance wh echo of “Force Majre.” A morated Zoom discsn follows all films.<br /><strong>Need to Know:</strong> For two years nng, half of this seri’ films were directed by women; last year, three of the eight were submted by their rpective untry for Amy Award nsiratn.</p><div class="article-sectn--youtube article-sectn--embed wiscreen"><div class="youtube" id="yt-embed-4"><picture><img src="></picture><div class="play-button"></div></div></div><hr class="enhanced"/><span><h3><a href=" target="_blank" rel="noopener">Wicked Queer Film Ftival</a></h3></span><p class=""><strong>When:</strong> April 7-17<br /><strong>Where:</strong> Onle and at Brattle Theatre, Emerson’s Paramount Center, and ICA Boston<br /><strong>Highlights:</strong> Boston’s preement showse of films about the lbian, gay, bisexual, trans, queer (and more) experience announc s full slate mid-March. But executive director Shawn Cotter offered a few teasers, cludg two tl om Sundance (“Framg Agn” and “Sirens”), a filmed avant-gar opera (“ORFEAS2021,” about the first gay prime mister of Greece, or “<a href=" target="_blank" rel="noopener">cyberpunk queer pirat agast rabow homo-palist normi</a>”), and the Icelandic buddy film “Cop Secret.” This year, Cotter disvered an abundance of “trans stori both wh and outsi the muny as well as female g of age films.” “My Empts and I” enpsulat both them and director Adrián Silvtre will attend person. “Gone are the days where we should be beggg for reprentatnal scraps,” says Cotter, who remas optimistic about the uptick “women, BIPOC, trans folks and queers behd the scen and ont of the mera.” Their imag and stori “should rm the culture for years to e.”<br /><strong>Need to Know:</strong> Cotter lists "<a href=" target="_blank" rel="noopener">Funeral Para of Ros</a>" as his favore LGBTQ+ movie.</p><div class="article-sectn--youtube article-sectn--embed wiscreen"><div class="youtube" id="yt-embed-5"><picture><img src="></picture><div class="play-button"></div></div></div><hr class="enhanced"/><span><h3><a href=" target="_blank" rel="noopener">Boston Turkish Film Ftival</a></h3></span><p class=""><strong>When:</strong> April 15-28<br /><strong>Where:</strong> Streamg onle<br /><strong>Highlights:</strong> Awar om the Turkish ftival’s documentary and short film petn held December play this 21st edn as well as newly add feature films. At least three om the petn are mt-se: the unexpectedly poignant observatnal documentary “All In,” about two young men who take seasonal work at a Turkish rort that hosts many Rsian guts, and two fictnal shorts that likewise walk toward the cliff of adulthood, but wh women the lead. In “Climate Change,” a woman absorbs the cultural shift of movg to London for graduate school, and “The Great Istanbul Deprsn,” two sisters languish cisn though their father wants them to move out and on wh their liv. Ftival director Erkut Gömülü not that uniquely this year, “all feature films are but films by a new generatn of filmmakers.” He pots to “Patrida,” a story about the trials of forced immigratn through the lens of a father-dghter relatnship. Co-directors Ayça Damgaci and Tumay Goktepe will participate a Zoom Q&A.<br /><strong>Need to Know:</strong> The mentned tl make ronant panns to “<a href=" target="_blank" rel="noopener">The Worst Person In the World</a>,” one of 2021’s bt films (and up for two Amy Awards), another pellg take on navigatg the uncertati of young adulthood.</p><div id="vimeo-embed-6" class="article-sectn--vimeo article-sectn--embed wiscreen"><iame src=" allowfullscreen=""></iame></div><hr class="enhanced"/><span><h3><a href=" target="_blank" rel="noopener">IFFBoston</a></h3></span><p class=""><strong>When:</strong> April 27-May 4<br /><strong>Where:</strong> The Somerville Theatre, Brattle Theatre, and other venu TBA<br /><strong>Highlights:</strong> Planned to take place real life for the first time sce 2019, the full announcement of accepted films will not go live until April. Until then, filmmakers om all over the U.S., and some Bostonians, patiently wa for a green light om the regn’s favore pennt film ftival. Meanwhile, a ntgent of superfans wonr: Who will get Somerville’s big screen theater one? What madns or joy will I see wh a packed hoe downstairs? Will anyone regnize me after two years? Do I want to be regnized? (Askg for a iend.) And, of urse: What should I wear?<br /><strong>Need to Know:</strong> It tak more than 200 volunteers to power this ftival person.</p><hr class="enhanced"/><span><h3>Also Showg:</h3></span><p class=""><strong>“<a href=" target="_blank" rel="noopener" data-th="NotApplible" data-lkx="0">The Distant Barkg of Dogs</a>”:</strong> A documentary about a child livg through vlent nflict Donbass, streams through Salem Film Ft until March 23. (All proceeds benef <a href=" target="_blank" rel="noopener" data-th="NotApplible" data-lkx="1">Voic of Children</a>, a nonprof supportg Ukraian children.)<br /><strong><a href=" target="_blank" rel="noopener">Women Take the Reel</a>:</strong> Women’s History Month screengs at Boston College, MIT, Lley Universy, Northeastern Universy through March 29.<br /><strong><a href=" target="_blank" rel="noopener">Films by Flora Gom, Ramell Ross, Domga Sotomayor</a>:</strong> At Harvard Film Archive March 24-April 4.<br /><strong><a href=" target="_blank" rel="noopener">Bright Lights Film Seri</a>:</strong> In-person at Emerson College’s Bright Fay Screeng Room, Thursday nights through April 21.<br /><strong><a href=" target="_blank" rel="noopener">The DocYard</a>:</strong> Documentari at the Brattle Theatre on Monday nights through April 25.<br /><strong><a href=" target="_blank" rel="noopener">Face/Off: Travolta/Cage</a>:</strong> This repertory seri at Somerville Theatre ns Tuday nights through May 3.<br /><strong><a href=" target="_blank" rel="noopener">Projectg Connectns: Che Amerin Experienc</a>:</strong> At ArtsEmerson through June 17.<br /><strong><a href=" target="_blank" rel="noopener">Shared Stori: Communy, Connectn and Conversatn Through Cema</a>:</strong> At ArtsEmerson through June 24.</p></sectn></div><sectn class="article-sectn--story-group article-sectn--centered Tags_article-sectn--tags__NOKiB"><a data-ec="Article Tags" data-el="Film/TV" data-ea="Click" class="article-tag" href="/news/sectn/arts-culture/tag/screens">Film/TV</a><a data-ec="Article Tags" data-el="Sprg Arts Guis" data-ea="Click" class="article-tag" href="/news/sectn/arts-culture/tag/sprg-arts-guis-2022">Sprg Arts Guis</a></sectn></article><sectn class="article-sectn--story-group article-sectn--centered"><hear class="zone"><div class="zone-ner"><h2 class="zone-hdr">Related:</h2></div></hear><ul class="article-story-group"><li class="story-group-em"><a data-ec="Article Related Lks" data-el="Nilas Cage and John Travolta 'Face/Off' at Somerville Theatre" data-ea="Click" class="story-group-lk" href=">Nilas Cage and John Travolta 'Face/Off' at Somerville Theatre</a></li></ul></sectn><sectn class="article-sectn--story-group article-sectn--centered"><div class="ntributor has-photo"><div class="ntributor-profile"><figure class="ntributor-profile-em ntributor-photo"><a href="/si/staff/er-trahan"><picture><img src=" class="lazy rd-image" alt=""/></picture></a></figure><p class="ntributor-profile-em ntributor-b"><a class="ntributor-name" href="/si/staff/er-trahan">Er Trahan</a> <span class="ntributor-tle">Film Wrer</span><br/>Er Trahan wr about film for WBUR.</p><p class="ntributor-more"><a class="ntributor-lk ntributor-b-lk" href="/si/staff/er-trahan">More…</a></p></div></div></sectn><sectn class="sectn--bo sectn--bp"><div class="uw bp--rponsive"><div class="bp-ner"><p class="bp-label">Advertisement</p><div class="bp-ntent bp-ntent--centered"><div style="width:300px;height:50px"></div></div></div></div></sectn><div></div><div class="global-d-ponents onmand--is-playg"><div class="global-player"><d preload="to"></d><div class="global-player-bar"><div class="global-player-bar-left"><button class="global-player-bar-ntrol"><i class="in-play in-play--global-player-bar in-play--psed"><span class="in-play-shape"><span class="in-label" data-note="for-screen-rears">Rume</span></span></i></button><div class="global-player-label global-player-label--live"><div class="global-player-channel"><span>Listen Live</span></div><div class="global-player-tle"><a class="global-player-label-lk" href="/">Loadg...</a></div></div></div><div class="global-player-bar-right"><div class="global-player-x"><svg class="in in-close" viewBox="0 0 24 24" aria-labelledby="tle"><tle id="tle">Close.