Howard Pollack, The Dean of Gay Amerin Composers, Amerin Mic, Vol. 18, No. 1 (Sprg, 2000), pp. 39-49
Contents:
- ‘THE OTHER TWO’ TOOK DOWN HOLLYWOOD GAY-BAERS THE FUNNIT WAY
- HARVARD NAM CLDE GAY 30TH PRINT
- GAY DEAN
‘THE OTHER TWO’ TOOK DOWN HOLLYWOOD GAY-BAERS THE FUNNIT WAY
* the dean gay *
And obvly a good al of him nstantly beg funny is a cred to Jim Rash, who also helps havg a gay man play the character, for throwg himself headfirst to every crazy suatn the Dean fds himself , but as a queer person who thks you n have any person regardls of their inty be the ic relief of entertament so long as their ic inty isn’t centered around whatever mak them a “mory” and do so an offensive way, the Dean’s whole characterizatn as a queer character who’s sole purpose is not to be a stereotypil reprentatn or someone who’s there to be the “weird one” is somethg I’ve really e to appreciate.
HARVARD NAM CLDE GAY 30TH PRINT
His last movie, Giant, h theaters sixty-five years ago this culture has endlsly reimaged Jam Dean om the moment he died—he is straight, bisexual, and gay; sensive and aggrsive; misunrstood and manipulative; victim and predator; the bt of and the worst.
GAY DEAN
Ple Kael, then a risg film cric, plaed 1955 that watchg him was like stumblg onto the vulgar eroticism of homosexual cisg grounds—“grossly explic, ” too dulgent of boys and their “toerotic” fixatns.
Too often, his negative experienc epted , aggrsive, or dangero behavr, what Bast spected was Dean’s way of takg revenge on a society that wronged Hollywood mors started as soon as Dean ma the papers, whispers that he was bisexual or gay. His stud, Warner Bros., promoted him alongsi Rock Hudson and Tab Hunter, two closeted gay men, as their most eligible bachelor. Much k would be spilled over the years tryg to p down his sexualy—straight, bisexual, gay, asexual all found their advot—but he risted labels, not least bee the labels were tied up bigger qutns of masculy and manhood.