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class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><div class="GenericCalloutWrapper-tojWn iHBnEl llout--has-top-borr set-embedd-le" data-ttid="GenericCallout"><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO KhjZz AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image rponsive-image--expandable"><noscript><img alt="Murphys shows are different genr and on different works but are uned by their outsized emotns and brazen plots." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/></noscript></picture></span></div><div class="CaptnWrapper-jSZdqE iTuhkZ ptn AssetEmbedCaptn-fNQBPI fmQnYP asset-embed__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">Murphy’s shows are different genr and on different works but are uned by their outsized emotns and brazen plots.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Illtratn by Philip Burke</span></div></figure></div><p class="has-dropp has-dropp__lead-standard-headg">“The kd of people who always go on about whether a thg is good taste variably have very bad taste,” the playwright Joe Orton once wrote. That motto might be stched to the silk pillowse of the TV creator Ryan Murphy, whose taste is lled to qutn nearly every week. The provotr behd Fox’s teen mil “Glee,” FX’s bloody melodrama “Amerin Horror Story,” and NBC’s gay-parent s “The New Normal,” Murphy currently overse (along wh his creative partner, Brad Falch) three shows three genr on three works. He has two more the works. He’s also directg a movie versn of Larry Kramer’s play “The Normal Heart.”<a href="#edorsnote">*</a> Dpe Murphy’s productivy, solid ratgs, and startlg abily to negotiate wh personali as prickly as Kramer, he’s never received the godlike worship that other TV trs are acrd. By this, I mean men like Louis C.K., Joss Whedon, Vce Gilligan, Dan Harmon, and the HBO Davids—Simon, Chase, and Milch. (Wh few exceptns, women get a more skeptil receptn.) The shownners may be inoclasts, but they’ve got gravas. They wear leather jackets and owns, or geeky T-shirts and an air of telligent melancholy.</p><p class="paywall">Murphy, who is openly gay, has an acerbic air, but ’s more the manner of a gimlet-eyed talent-show judge (a role he played last year, on his realy-TV spoff, “The Glee Project”). From the perspective of crics and fans alike, Murphy is an irrant, like yenne pepper: he gets all exced and then, a season or two , we’re screamg and gulpg down ice water and llg for the waer. For years, he’s been notor for nstctg fabulo pilots, then drivg his ventns off a cliff. Characters get assassated, lerally and figuratively. Sly wks bee grand-mal seizur. As anyone who watched the recent dis episo of “Glee,” or Season 6 of “Nip/Tuck”—also a Murphy creatn—n attt, this is not an entirely unfair rap. But Murphy is also a pneer and a radil, worthy of our rpect if not precisely our tst: he ph the lims of televisn ways as excg as anyone up on that Mt. Rhmore of TV. His shows—which by now form a distct portfol—need to be nsired their logil amework. That ntext is not Shakpeare, or Dickens, or even Srse, but mp. Realism means ltle to Murphy; thenticy, ls; subtlety, almost nothg. In September, characters on “Glee” took to “hate-watchg” David Simon’s “Treme,” and although I’m fond of that seri, I lghed out loud. There’s plenty to be said for bety and digny. But ugly and brazen have their mers, too.</p><p class="paywall">In 1964, San Sontag, her say “Not on ‘Camp,’ ” scribed as “a solvent of moraly,” and that phrase hts at what is appealg about Murphy’s shows: his Tourettic impulse to offend, even the midst of the sweett love story. Camp origated as a private language, an era when survival as a gay man meant learng to break s—of male and female behavr, of normaly and stat. Murphy has taken this vernacular of the closet, and bent , hard, toward an era of outns. It’s a mighty queer gamb, and one that aligns Murphy wh a subset of gay shownners whom I’ve rarely seen lumped together cril nversatn, perhaps for fear of riskg offense.</p><p class="paywall">Among the is Alan Ball, who created “Six Feet Unr” (the drama that produced David Fisher, the first tly plex gay male character on TV) and “Te Blood” (wh s dicey vampirism-as-gay-rights metaphor). There’s also Kev Williamson, the creator of “Dawson’s Creek” and the new horror show “The Followg,” and the executive producer of “The Vampire Diari”; “Dperate Hoewiv” ’s Marc Cherry, who named every episo for a Sondheim reference; and Michael Patrick Kg, the man behd both the exquisely mpy “Sex and the Cy” and the execrably mpy “2 Broke Girls.” In addn, there’s Silv Horta, the creator of ABC’s sweet <em>telenovela</em> adaptatn “Ugly Betty,” an unrrated edy-drama that managed to celebrate both Queens and queens.</p><p class="paywall">Like several of the shownners, Murphy lov divas and zgers. But he stands out for his aggrsive attempts to punch right through TV’s lazier habs, stchg genr together like a mad scientist. Murphy’s ft set piec evoke Charl Bch and Bertolt Brecht as well as Lady Bunny, theatril figur willg to risk the ridiculo for a shot at the transcennt. If this approach ocsnally rults episos that remble the bat-wged pig fet om “Amerin Horror Story” ’s experimental lab, so what? Shock has value, too: wak up.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">I first disvered Ryan Murphy 1999, when he created WB’s crass and lir “Popular.” This was back the era of “Freaks and Geeks” and “My So-Called Life,” teen dramas that transformed TV wh their emotnal realism. “Popular” was set a high school, too, but had zero tert nuance. Instead, prented femy as a rollg tfight, years before the rise of the “Hoewiv.” “Popular” also had a knowg surrealism, sharp sights to bety and power, and outrageo characters, like Mary Cherry (Llie Grossman), a cheerlear right out of a John Waters film, who was prone to growlg phras like “Shut your dirty whore mouth.” Even before abandoned herence, Season 2, “Popular” jected drag athetics to mastream televisn like filler to skny lips. Its specialty was eak-sized emotns—rage, envy, glory—too big to be ntaed by a subtler genre; classic mp style, found ugls bety, as well as vice versa.</p><p class="paywall">The same was te for Murphy’s next show, the plastic-surgery melodrama “Nip/Tuck,” which, startg 2003, ran for six seasons on FX and end by alienatg practilly all s fans. The show’s baroque plot rivalled that of “Flowers the Attic”: s Wikipedia pag are a s of plots like “the three of them create a signature face cream ma of semen which they market to Joan Rivers” and “Julia starts an affair wh Conor’s dwarf nanny.” Viewers should have been warned by the pilot, which was practilly a metonym for the typil Murphy seri. It opened wh a hioly graphic sequence of a butt implant—a thumb the eye of anyone who thought he’d be watchg pretty people Miami. Durg the next forty mut, the show sketched a smart love triangle among two surgeons—one a moralist, one a womanizer—and the moralist’s wife. It hted at the potential for a sbro vtigatn of our culture’s obssn wh perfectn, and then, by Act IV, went full-bore outlandish, wh liposuctn fat sprayg everywhere, rps eaten by alligators, and a torture scene which a nu surgeon is stabbed wh his own Botox needl.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p class="paywall">Neher “Popular” nor “Nip/Tuck” reached a mass dience, although “Nip/Tuck” was a h for FX. Murphy’s breakthrough me 2009, wh “Glee,” a signifintly sweeter nctn. The show’s timg was impecble: addn to harnsg the phenomenon of “Amerin Idol,” “Glee” beme a stagg ground for gay rights and the anti-bullyg movement. The pilot pneered the scripted TV mil, flectg old-fashned “let’s put on a show” plots wh pure Murphy madns—football players dog Beyoncé danc, pkie-lkg lbian cheerlears, episos voted to “Rocky Horror” and Madonna. If “Popular” was mp for teens, “Glee” add a ccial element: the stylized force of Broadway mils, where hidn sir uld burst out song.</p><p class="paywall">William McKley High School, the show’s backdrop, was based on Murphy’s own high school, Indiana, where he’d grown up as a sharp-tongued, ostracized fashn queen. The characters clost to his heart were Kurt (the wonrful Chris Colfer), whose clear soprano voice shattered the bigotry around him like a champagne glass, and his bt iend, the Jewish diva Rachel, a Barbra-worshippg ugly ducklg wh a csh on a popular jock. By 2009, Kurt wasn’t the only gay teen on TV; there were siar characters on “Ugly Betty” and “Uned Stat of Tara.” But, “Glee” ’s early episos, Murphy ptured somethg potent: the baby queen’s blend of self-py and self-assertn, wh wounds ma to weapons. As “Glee” ught on, Kurt beme a b satly, but early episos he was a moral mixture, at once bully and victim, a character type that beme a Murphy specialty.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">The Murphy avatars were balanced wh a saltier figure: the cheerleadg ach Sue Sylvter, played by Jane Lynch, herself an out lbian. The mistrs of cel nicknam and punch l like “You thk this is hard? Try beg waterboard,” Sue let the show have s ke and eat , too, sometim lerally—for every fat joke, there was a fat-pri statement. Yet she also red for a sister wh Down syndrome, and mentored a stunt wh the ndn. Alone among TV creators, Murphy regularly clus disabled characters his worlds, sometim effectively, other tim wh a queasy mixture of exploatn and bathos; on “Amerin Horror Story,” there’s even a rnival-show phead.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">There’s a mon belief that “Glee” eventually flew off the rails, but really jt beme a roller aster, even wh episos. You’d get clichés and clunkers, or a tly offensive plot, such as the domtic-vlence arc that volved the butch Coach Beiste. Then there would be a dazzlg black-and-whe homage to the Judy Garland Christmas special, meant to be embraced by a select few. This season has been typilly uneven, wh bland newbi add to the ensemble. Yet the plots set New York, where Kurt and Rachel have mped to follow their dreams, still have creamy, gltery, show-biz layers.</p><p class="paywall">The season’s bt episo bed three teen breakups: one gay, one straight, one lbian. The pivotal scene was a llback to Season 2, when Darren Criss, as Kurt’s then csh Blae, transformed Katy Perry’s h “Teenage Dream” to a g-out anthem. Twirlg private-school uniforms, Criss and a chos of betiful boys harmonized a ppella, a fantasy of gay male solidary. Now Criss reprised the song as a karaoke solo, a tearstaed nfsn about the ath of first love—of their relatnship, and, a sense, of the show self. Four seasons , long after many viewers had given up, “Glee” h a high note aga, s own artificialy servg as a ame for real feelg.</p><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kKwZhx rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><div data-attr-viewport-monor="" class="RponsiveCartoonWrapper-iTMMjI eXTYsS rponsive-rtoon AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset viewport-monor-anchor"><a class="external-lk rponsive-rtoon__image-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><picture class="RponsiveImagePicture-cWuUZO dUOtEa RponsiveCartoonImage-hzNqyc ikeCcH rponsive-rtoon__image rponsive-image"><noscript><img alt="“Id rather have one and not need one than need one but not have one.”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></a><div class="CaptnWrapper-jSZdqE gdZTpI ptn RponsiveCartoonCaptn-dokfdF hJgaLQ rponsive-rtoon__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo bsWloa ptn__text">“I’d rather have one and not need one than need one but not have one.”</span></div><div class="RponsiveCartoonCTA-eiqqMB iDCQRs"><div class="RponsiveCartoonCTAWrapper-CYIqa iTbFtf"><div class="RponsiveCartoonLkButtonWrapper-hqDAJK eSEhbj"><button aria-label="Copy lk to rtoon" class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Copy lk to rtoon</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="in in-pylk" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Copy lk to rtoon</tle><g clip-path="url(#clip0_3732_178637)"><path fill-le="evenodd" clip-le="evenodd" d="M16.3488 10.5017C16.2107 10.7357 16.2926 11.035 16.5318 11.17C16.7709 11.3052 17.0767 11.225 17.2148 10.991L18.4648 8.87225C19.5694 7.00002 18.9139 4.60601 17.0007 3.52508C15.0875 2.44415 12.6412 3.08562 11.5366 4.95785L9.53657 8.34782C8.432 10.22 9.08751 12.6141 11.0007 13.6949C11.1888 13.8012 11.382 13.8908 11.5785 13.9642C11.7819 14.0403 12.0058 13.9485 12.1147 13.764C12.2794 13.4849 12.1103 13.1276 11.8083 12.9992C11.7041 12.9549 11.6014 12.9044 11.5007 12.8475C10.0658 12.0368 9.57417 10.2413 10.4026 8.83712L12.4026 5.44715C13.2311 4.04298 15.0658 3.56187 16.5007 4.37257C17.9356 5.18327 18.4272 6.97878 17.5988 8.38295L16.3488 10.5017ZM7.6526 13.4983C7.79067 13.2643 7.70873 12.965 7.46959 12.8299C7.23044 12.6948 6.92464 12.775 6.78657 13.009L5.53657 15.1278C4.432 17 5.0875 19.394 7.00068 20.475C8.91385 21.5558 11.3602 20.9144 12.4648 19.0422L14.4648 15.6521C15.5694 13.78 14.9139 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class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv YsOBB button button--primary-pair RponsiveCartoonInButton-hBCBMq lpsjql" data-event-click="{"element":"Button"}" data-ttid="Button" type="button"><span class="ButtonLabel-cjAuJN bBWXSg button__label">Shop</span><div class="ButtonInWrapper-gFdzAL bPDyTT button__in-ntaer"><svg class="in in-rt" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Shop</tle><g clip-path="url(#clip0_3732_178638)"><path fill-le="evenodd" clip-le="evenodd" d="M4 3H2V4H4.23828L6.99617 15.2631C7.11483 15.6982 7.50998 16 7.96094 16H18.0365C18.4875 16 18.8826 15.6982 19.0013 15.2631L20.9648 7.26312C21.1383 6.62698 20.6594 6 20 6H10V7H20L18.0365 15H7.96094L5.03652 3H4.58055H4ZM10.0365 19C10.0365 19.5523 9.58881 20 9.03652 20C8.48424 20 8.03652 19.5523 8.03652 19C8.03652 18.4477 8.48424 18 9.03652 18C9.58881 18 10.0365 18.4477 10.0365 19ZM11.0365 19C11.0365 20.1046 10.1411 21 9.03652 21C7.93195 21 7.03652 20.1046 7.03652 19C7.03652 17.8954 7.93195 17 9.03652 17C10.1411 17 11.0365 17.8954 11.0365 19ZM18.0365 19C18.0365 19.5523 17.5888 20 17.0365 20C16.4842 20 16.0365 19.5523 16.0365 19C16.0365 18.4477 16.4842 18 17.0365 18C17.5888 18 18.0365 18.4477 18.0365 19ZM19.0365 19C19.0365 20.1046 18.1411 21 17.0365 21C15.932 21 15.0365 20.1046 15.0365 19C15.0365 17.8954 15.932 17 17.0365 17C18.1411 17 19.0365 17.8954 19.0365 19Z" fill="black"></path></g><fs><clipPath id="clip0_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath><clipPath id="clip1_3732_178638"><rect width="24" height="24" fill="whe"></rect></clipPath></fs></svg></div></button></div></div></div></span></div></figure><p class="has-dropp has-dropp__lead-standard-headg paywall">Murphy once scribed his spiratn for “Amerin Horror Story” by sayg, “I n’t wre any more nice speech for the ‘Glee’ kids about love and tolerance and togetherns. I’ll kill myself.” Instead, he built a stage for perverted nightmar, wh a pilot signed to offend. In , an tranged uple, the Harmons (Connie Brton and Dylan McDermott), move to Los Angel, and, grand horror tradn, buy a cursed mansn (’s a stop on a Hollywood “Murr Tour”). After a bout of renciliatory sex, Brton loung their bedroom. Then her hband returns—or, at least, she assum ’s him. It’s hard to tell, sce he’s a black leather gimp su. “You really want to go for round two?” she says, a nervo voice. “C’mon, I n be kky.” What follows might be scribed as quasi-nsensual gimp-rape, wh Brton starg to vilish eyehol, the mera swoopg voyristic light. The scene felt like a valente to seventi horror films, those juicy, unpretent slic of psychosexual pulp, which drew ltle divisn between fantasy and fear. Like mp, they were somehow at once misogynist and femist, a tacky athetic wh a special potency, perfect for explorg taboo them about feme strength and vulnerabily.</p><p class="paywall">The first season of “Amerin Horror Story” played, at s bt, like the anx fever dream of a woman approachg menopse. Betrayed by her hband, Brton gets knocked up by the Devil, and her agg body be the show’s hnted hoe, prey to asslt and vasn, tormented by ghosts of tabloid murrs past and prent. Meanwhile, her teen-age dghter is sced by a ghost, then be one. In the show’s most remarkable performance, Jsi Lange swans about as Constance Langdon, an inic Murphy diva—she’s an elrly bigot and a glamoro tthteller, as well as the mother of monsters. One son was a mass murrer; another was a geic anomaly. Langdon’s dghter has Down syndrome, a circumstance treated wh Murphy’s tramark blend of shock and pathos. The show end wh a subtly nservative da: the now ad Harmons une by the Christmas tree, while an ensemble of childls, viant ghosts hovers envly the shadows. Yet the season, for all s gimmicks and s bratty air of overkill, felt herent, as a nightmare do, the bt bs libly sad.</p><p class="paywall">The send season (subtle: “Asylum”) abandons that story, and gets better. It’s set a mental stutn the early neteen-sixti, wh much of the same st, different rol. This is Murphy’s solutn to an ongog TV problem: by revivg the “anthology” seri, he avoids the danger of a great show losg s edge. Lange is back, as another tormented tormentor: Sister Ju, a nun wh a workg-class Boston accent and a selectn of ridg crops. She’s termed to force “productivy, prayer, and purifitn” on her patients, but she’s also a woman wh a past and, her way, an pennt md. There’s also Chloë Sevigny as a nymphomaniac, Lily Rabe as a novice nun, Sarah Plson as a lbian vtigative journalist, and Jam Cromwell as a scientific sadist named Dr. Arn. It all njur “Dark Shadows”—the gothic soap that Murphy watched as a child—and the great pre-gay-rights pulp lbian novels, paperbacks wh tl like “Odd Girl Out,” which drew no bright le between polics and pornography.</p><p class="paywall">On adult ble, Murphy and his wrers liver dialogue that mak you gasp and giggle. A kky psychiatrist mands of a terrified hooker, “Slowly. Show me your mossy bank.” When a posssed farm boy tnts Lange’s nun, he sneers, drawg the words out like Snily Whiplash, “It driv you cra-a-azy. To be the smartt person the room, wh no real pow-w-wer. Bee of that smelly clam between your legs.” When the good Dr. Thredson—played by Zachary Quto, like Plson an openly gay actor—arriv at the asylum, he’s astonished. “Your hospal still admisters electroshock to homosexualy; ’s barbaric,” he claims prissily. “Behavr modifitn is the current standard.” Lange purs her lips and shoots back, “Tomato, tomahto.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p class="paywall">“Amerin Horror Story” revels live-wire bat, like fah vers science. But the show’s real achievement is the verve wh which div to the ksch pths of Frdian and Catholic reprsn, fdg ugly lks among disparate typ of torture: medil, relig, polil. Visually, the show is equally dac, lgerg on a black-and-whe wimple that am red lipstick, then pullg classic horror-flick fakeouts, or turng a flashback to newsreel footage. In a standout episo, the asylum hosts a movie night, which tak on a self-referential feel. “We’re all gog to be together the dark, watchg ‘The Sign of the Cross,’ a movie full of fire, sex, and the ath of Christians,” a nun, who happens to be posssed by Satan, purrs. “What <em>fun</em>.” Then Sister Ju, who is dnk on Communn we, troduc the film, makg reference to “the parable Mr. Charl Lghton, who I unrstand is an enormo whoopsie.” This sps, somehow, to a spoken-word rendn of “You’ll Never Walk Alone.” It’s pure mp, and also que movg, and unlike anythg else on TV.</p><p class="paywall">Lovg a Ryan Murphy show don’t always mean enjoyg . Parts of “Amerin Horror Story” make me ill or angry; other parts turn me on, or make me lgh, a way that may not be tentnal—though, as wh “Louie,” the show’s nsistency n’t be unstuck om s appeal. (There are l that suggt a vville joke: “Doctor, do you have somethg for a headache?” “Y. Take this hammer and h yourself on the head.”)</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="l5w6x"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="wmgc8s"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">Two weeks ago, Murphy ma his most brazen move: he add Franka Potente as an mate who claims that she’s Anne Frank, all grown up. She intifi Arn as a Nazi scientist, and, when she p his clutch, she be, for a moment, a versn of the “Fal Girl” scribed by the film theorist Carol Clover—the terrorized female who surviv every horror movie, then tells the world what has happened to her. Then, the next episo, “Anne Frank” is revealed to be someone que different; and, a horrifyg turn, ’s the lbian reporter who be the fal girl.</p><p class="paywall">My ge rose as I watched Achwz flashbacks and scen set a serial killer’s torture chamber; I felt disturbed to the pot that I h Pse to llect myself. But by the time end I was nvced that “Asylum” might be Murphy’s masterpiece: radil art that aims for the body as well as for the md.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">I’d love if this were also te of “The New Normal,” Murphy’s first work edy, particularly sce he clearly tends for the show to have an impact, both as polics and as gay reprentatn. As wh “Amerin Horror Story,” he’s drawn his spiratn om the seventi—this time om abrasive polil ss, like “All the Fay.” Norman Lear is his hero, he has told crics.</p><p class="paywall">Like “Glee,” “The New Normal” featur a character based on Murphy: Bryan (Andrew Rannells), the creator of a TV show lled “Sg.” Jt Bartha plays his partner, David, a sweet doctor. Geia Kg is Goldie, the Midwtern girl who be their birth surrogate; Bebe Wood is her eccentric child. Ellen Bark plays Goldie’s mother, Nana, an Archie Bunker type who rants about “salami smokers.” (She’s based on Murphy’s eccentric grandmother, who raised him while Murphy’s mother, a bety queen, worked.) There’s also Bryan’s assistant, Rocky, played by the charismatic “Real Hoewiv of Atlanta” star NeNe Leak, who also appeared on “Glee,” as Black Sue.</p><p class="paywall">It’s easy to make the abstract se for “The New Normal,” which is that ’s rehg to have a liberal s go for the jugular. Strange is better than dull. But, while I try not to judge ss before the first six episos have aired—they’re the burnt-on-the-outsi trial panke of edy—so far “The New Normal” works mostly theory. As game as Bark is, Nana’s abrasivens feels ntrived. Worse, the show’s air of rich-whe-gay-guy L.A. privilege curdl punch l that might play “Glee” ’s more most Lima, Oh. Last year, Michael Patrick Kg fend “2 Broke Girls” agast accatns of racism by sayg that, as a gay man, he was ee to be an equal-opportuny offenr. It’s an exce that don’t hold up, and “The New Normal” has some siar cel-queen tennci, and whout the amelratg factor of “Glee” ’s mil numbers.</p><p class="paywall">Some bs do pay off, like Wood’s imatn of the “Grey Garns” mp in Ltle Edie. There was a melancholic force to the episo when Nana had her first asm. Yet, Episo 7, when Bryan go to church to fd a godfather for his unborn child, a promisg bate jt fizzl. “Oh, the Pope. Come on,” the prit sffs. “Haven’t you ever had a lovable old uncle who popped off tolerant ments at a fay barbecue?” The rolutn to the uple’s search for spirual guidance ma me wce: Rocky, already a TV stereotype as Bryan’s sassy black helpmeet, was selected as the unborn child’s wise godparent, another cliché. There was even a wry remark about Maya Angelou, as if acknowledgg a cliché were the same as fangg .</p><p class="paywall">It’s hard to say why Murphy’s shows are so nsistent: TV is a llaborative art form, after all, wh Murphy’s wild ias mixed wh those of Falch and other wrers. But his nsistency is a price worth payg. Like polil activism, televisn needs s radils, as well as those who work wh the system. Asked by <em>Vogue</em> about his admiratn for Larry Kramer, Murphy said that he intified wh “that sweet, necsary ncept of prott and anarchy.” A show like “Amerin Horror Story” may breach the borrs of what others nsir good taste, but burns a path to somethg wilr. “The New Normal” is a misfire, but at least ’s not a borg one. And “Glee”? Oh, “Glee” is a royal ms. But I am still watchg “Glee.” I will always be watchg “Glee,” even as I judge and judge. As Osr Wil put —and I’m fairly certa that Sue Sylvter would agree—“Te iends stab you the ont.” ♦</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-3 viewport-monor-anchor"></div><p class="paywall"><a href="#rrectnasterisk">*</a> The rights were not “wrangled om Barbra Streisand,” as origally stated. Instead, the rights were obtaed om Larry Kramer.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="uo2s"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><footer class="ContentFooterMagazeDisclaimer-gzKAqo iZIuUU" data-ttid="MagazeDisclaimerWrapper">Published the prt edn of the <a href="/magaze/2012/11/26" data-reactroot="">November 26, 2012</a>, issue.</footer></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBAvatar-bIGTqf eMWbvj"><a href="/ntributors/ey-nsbm"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="100vw"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span></a></div><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/ey-nsbm">Ey Nsbm</a>, a staff wrer at The New Yorker, won the Pulzer Prize for cricism 2016. She is currently at work on a book about the origs of realy televisn.</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd bPyAoD kQQRmu">More:</span><a href="/tag/mp" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Camp</span></a><a href="/tag/nnie-brton" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Connie Brton</span></a><a href="/tag/ellen-bark" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Ellen bark</span></a><a href="/tag/gays-homosexuals" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Gays (Homosexuals)</span></a><a href="/tag/glee" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Glee</span></a><a href="/tag/jane-lynch" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Jane Lynch</span></a><a href="/tag/jsi-lange" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Jsi Lange</span></a><a href="/tag/larry-kramer" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Larry Kramer</span></a><a href="/tag/lily-rabe" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Lily Rabe</span></a><a href="/tag/michael-patrick-kg" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Michael Patrick Kg</span></a><a 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Baker</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz ktcjQn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Thomas Hardy Tak a Rewre Job at an Advertisg Agency" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Daily Shouts</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">Thomas Hardy Tak a Rewre Job at an Advertisg Agency</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">Olive Garn: When you’re here, you’re fay. Hardy’s rewre: When you’re here, you’re two eccentric s livg s.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Marti Trich</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz ktcjQn"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Meta’s Threads Is More of the Same Social Networkg" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Infe Scroll</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">Meta’s Threads Is More of the Same Social Networkg</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">Much of what’s on the new social work is the kd of banal celebry and brand self-promotn that ers have tried to avoid on Twter.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Kyle Chayka</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" 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