‎Gay "1890s" Waltz by The Gaslight Orchtra on Apple Mic

Contents:

• COQUILLE GAY 90'S FTIVAL
• GAY NETI
• A WHIMSIL ESTABLISHMENT: STEVE’S GAY ’90S
• WHY DO THEY LL THE GAY 90’S?
• THE GAY '90S
• SPECIAL REPORT: THE GAY 90'S
• GAY "1890S" WALTZ
• THE GAY 90'S
• THEATER : THE GAY ‘90S--THE MIL
• THE SERIAL KILLER WHO PREYED UPON GAY NEW YORKERSMONSTROUSHBO’S DOCERI “LAST CALL” TELLS THE CHILLG STORY OF A STRG OF ANTI-LGBT MURRS ’90S NYC—AND MANAG TO HONOR THE VICTIMS THE PROCS.NICK SCHAGERENTERTAMENT CRICUPDATED JUL. 08, 2023 3:16AM EDT / PUBLISHED JUL. 07, 2023 8:30PM EDT COURTY OF HBOLAST CALL: WHEN A SERIAL KILLER STALKED QUEER NEW YORK IS YET ANOTHER DISTURBG TE-CRIME DOCUMENTARY ABOUT A FIEND PREYG UPON A MARGALIZED MUNY. HOWEVER, THE PELLG HOOK OF ANTHONY CARONNA AND HOWARD GERTLER’S FOUR-PART HBO VTIGATN (JULY 9) IS THAT ’S BOTH A WHODUN AND A SOCLOGIL CRIQUE OF THE ERA AND ENVIRONMENT WHICH S TALE TOOK PLACE: EARLY 1990S NEW YORK CY, WHOSE CLIMATE OF HOMOPHOBIA FACILATED S VILLA’S HOMICIS. WH ANTI-GAY AND TRANS LEGISLATN CURRENTLY SWEEPG THE NATN, ’S AN ALL-TOO-RELEVANT STORY ABOUT PERSECUTN AND VLENCE, AND THE WAY WHICH PUBLIC RHETORIC—AND ACTN—FOSTERS FURTHER HATE.DIRECTOR CARONNA’S SERI BEGS WH THE 1992 DISVERY BY MATENANCE WORKERS OF A DISMEMBERED BODY BURLGTON COUNTY, NEW JERSEY. CUT TO SEVEN PIEC, EACH OF THEM WRAPPED NEWSPAPER (AND A SHOWER CURTA) AND PACKED TO DIFFERENT TRASH BAGS, THIS DIVIDUAL WAS—VIA HIS BRIEFSE AND PERSONAL BELONGGS—SWIFTLY INTIFIED AS THOMAS MULHY, A 57-YEAR-OLD HBAND AND FATHER WHO WAS THE AREA FOR A BS MEETG. DETECTIV ALSO FOUND LATEX GLOV, A PASS SAW, AND A LEN SHEET THE PLASTIC BAGS, ONE OF WHICH WAS EVENTUALLY TRACED BACK TO STATEN ISLAND’S LONE CVS. OTHERWISE, HOWEVER, THERE WAS LTLE EFUL PHYSIL EVINCE PROCURED OM THE EMS, SO PS SHIFTED THEIR ATTENTN TO MULHY’S MOVEMENTS THE DAYS AND HOURS LEADG UP TO HIS MURR. AS THEY SOON LEARNED, MULHY HAD LAST BEEN SEEN ON JULY 8, 1992, AT MIDTOWN MANHATTAN’S TOWNHOE BAR, AN UPSLE GAY WATERG HOLE WHERE OLR WELL-TO-DO GENTLEMEN OFTEN MET YOUNGER SUORS. DOUGLAS GIBSON REMEMBERS TALKG TO MULHY THAT EVENG AND SPYG AN UNKNOWN MAN HIS VICY, BUT HE DIDN’T GET A GOOD ENOUGH LOOK AT THIS STRANGER TO PROVI AN ACTUAL SCRIPTN. COPS, MEANWHILE, FOUND DIFFICULT TO NVCE PEOPLE AND AROUND THIS TABLISHMENT TO TALK TO THEM, SCE 1992, THE RELATNSHIP BETWEEN THE POLICE AND THE GAY MUNY WAS FED BY DISTST, IF NOT OUTRIGHT ANTIPATHY, MUCH OF BORN OM THE FORMER’S HISTORY OF PREJUDICED HARASSMENT AND HOSTILY. IF THAT PROVED A SIGNIFINT HURDLE THE SE, SO TOO WAS LAW ENFORCEMENT’S STILL-LACKG TERPARTMENTAL MUNITNS, AND WAS THIS FAILURE THAT LAYED THEIR REALIZATN THAT MULHY’S MURR WAS PART OF A GHASTLY PATTERN.A YEAR EARLIER LANSTER COUNTY, PENNSYLVANIA, THE SIARLY DISMEMBERED BODY OF PETER ANRSON HAD BEEN FOUND. LIKE MULHY, ANRSON WAS A CLOSETED GAY MAN, AND ON THE NIGHT OF HIS DISAPPEARANCE ON MAY 5, 1991, HE TOO HAD VISED THE TOWNHOE. WHEN VTIGATORS TO MULHY’S SLAYG HEARD ABOUT THIS, THEY KNEW THE TWO MURRS WERE LKED. WORSE, THEY WERE FOLLOWED BY THE NEARLY INTIL MURRS OF 44-YEAR-OLD PROSTUTE ANTHONY MARRERO ( MAY 1993) AND OF 55-YEAR-OLD GREENWICH VILLAGE RINT MICHAEL SAKARA ( JULY 1993), THE LATTER OF WHOM WAS A REGULAR AND WELL-KNOWN STAPLE AT THE FIVE OAKS BAR. CLEARLY, SOMEONE WAS KILLG GAY MEN AFTER MEETG THEM AT CLUBS, AND BEE OF HIS MOD OPERANDI, THE ASSAILANT WAS DUBBED BY THE NEW YORK DAILY NEWS AS THE “LAST CALL KILLER.” STILL OM LAST CALL: WHEN A SERIAL KILLER STALKED QUEER NEW YORKHBO LAST CALL IS, ON THE ONE HAND, A TRADNAL SPENSEFUL MYSTERY, WH VAR POLICE OFFICERS DISCSG THEIR EFFORTS TO PIECE TOGETHER CLU AND UNRSTAND THEIR VICTIMS’ BACKSTORI ORR TO LOTE A SPECT. JT AS PTIVATG, THOUGH, ’S A VIVID SNAPSHOT OF S PARTICULAR MOMENT, NARRATED LARGE PART BY TWO DIVIDUALS WHO WERE ON THE ONTL OF THE FIGHT FOR EQUAL LGTBQ+ RIGHTS: THE NEW YORK GAY & LBIAN ANTI-VLENCE PROJECT’S BEA HANSON AND MATT FOREMAN. RELLG A TIME WHEN GAY AMERINS WERE BOTH EMERGG OM THE SHADOWS FORCE (PECIALLY NYC) AND FACG CREASED ANTAGONISM AND THREATS (CLUDG OM THE RAGG AIDS EPIMIC), HANSON AND FOREMAN OFFER TIMATE AND PASSNATE FIRST-HAND ACUNTS OF THE CULTURAL AND POLIL ATMOSPHERE OF THE EARLY ’90S. IN DOG SO, THEY HELP NTEXTUALIZE THE MURRS AS AN OUTGROWTH OF THE LONG-STANDG BTALY THAT GAY (AND TRANS) MEN AND WOMEN FACED ON A DAILY BASIS. EMPLOYG PLENTIFUL ARCHIVAL MATERIAL, LAST CALL IS A SIMULTANEOLY VIBRANT AND SORROWFUL LOOK BACKWARDS, S NOSTALGIA FOR THE BURGEONG GAY MOVEMENT LORED BY THE FEAR THAT SO MANY FELT BEE OF HOMOPHOBIA AND THE MORTAL DANGER POSED—AS WELL AS THE ANGER THAT WAS A DIRECT BYPRODUCT OF BEG IGNORED, SLANRED, AND OPPRSED. DIRECTOR CARONNA’S SERI HONTLY AND PASSNATELY REVISS THE PAST, PUTTG A NUANCED FACE ON PEOPLE WHO WERE SO OFTEN DISMISSED, DISRD, AND RCED TO UNFLATTERG STEREOTYP, CLUDG MULHY, ANRSON, MARRERO, AND SAKARA. FEATURG TERVIEWS WH IENDS, LOVERS, AND RELATIV OF THE FOUR MEN WHOSE LIV WERE HORRIFILLY CUT SHORT BY A MADMAN, REMEMBERS—AND CELEBRAT—THEM NOT AS STATISTICS, BUT AS FLH-AND-BLOOD DIVIDUALS. STILL OM LAST CALL: WHEN A SERIAL KILLER STALKED QUEER NEW YORKHBO IN SEPARATE TERVIEWS WH DIFFERENT TECTIV, LAST CALL HIGHLIGHTS POLICE OFFICERS’ IGNORANCE ABOUT THE GAY MUNY AND THEIR RETICENCE TO RELATE TO THE MURRS. SUCH BLDNS, WHETHER WILLFUL OR NOT, FEELS AT LEAST SOMEWHAT NNECTED TO THE SERI’ OWN LIBERATE DISMISSAL OF THE FACT THAT THE KILLER—WHO, THROUGH MORN FGERPRT ANALYSIS, WAS INTIFIED AS MOUNT SAI NURSE RICHARD ROGERS JR.—WAS ALSO A GAY MAN. THERE’S A PERSISTENT SENSE, OM ALL ANGL, THAT TOLERANCE (AND FEAR OF VILIFITN) HAS REPEATEDLY TRATED ATTEMPTS TO SOLVE, AND PREHEND, THIS TRAGEDY, AND THE FACT THAT ROGERS NEVER OPENED UP ABOUT HIS MOTIVATNS ONLY FURTHER LEAV THGS FEELG PRSGLY MURKY.WHAT REMAS CLEAR, THOUGH, IS ROGERS’ GUILT. HAVG BEEN PREVLY ACQUTED OF KILLG HIS LLEGE ROOMMATE AND, YEARS LATER, OF ASSLTG ANOTHER MAN, THE QUIET AND SOFT-SPOKEN MEDIL PROFSNAL WAS UNDOUBTEDLY THE SERIAL CULPR THORI HAD SOUGHT. NO MATTER THE QUTNS ABOUT JURISDICTN THAT AROSE AT TRIAL, HE WAS JTLY SENTENCED TO TWO NSECUTIVE LIFE SENTENC, ENDG A REIGN OF TERROR THAT—DUE TO HIS HAB OF TAKG ROUTE TRIPS AROUND THE UNTRY—MAY HAVE CLUD MANY MORE UNKNOWN VICTIMS. HE WAS, BY ALL ACUNTS, A MONSTER SEEMGLY WHOUT REMORSE, AND LAST CALL IS SHARPT WHEN POSS HIM AS THE RULT OF A SOCIETY THAT MONIZ WH MALIC TENT (BE ANA BRYANT THE ’70S OR RON DESANTIS TODAY) AND, THE PROCS, SPIR EVABLE CELTY. NICK SCHAGER

COQUILLE GAY 90'S FTIVAL

Coquille Gay 90's Ftival SchleFriday, June 3rdFood/Vendors @ 12pmAdult Co-Ed Softball 5-8pmYouth Street Dance wh DJ 7-10pmSawdt Benef @ 7pmConcert 6:30-8:30pm & 10pm-12amFireworks @ dark at GP LotSaturday, June 4thEagl Panke Breakfast 7-10amRotary Run @ 9 / Softball Cont.

plural nounthe 1890s the Uned Stat, a perd regard nostalgilly as a of prospero fort and associated wh gaslights, early bicycl and rs, and the Gibson Nearby Gay NetiGay-LsacGay-Lsac's lawgaylsegay marrygaynsGay NetiGayomartgay powergay Unabridged. In fact, this exact buildg li what ed to be Steve’s Gay ‘90s Bar, a popular rtrant and mic venue that hosted many great performers. (Figure 1) So, let go back and exame how this whimsil tablishment lled Steve’s Gay ‘90s dazzled the mic scene of South Taa Way durg the 1900s.

GAY NETI

The mural behd the buffet table both Figure 4 and 5 picts the lol surroundg 1951 bs a “Gay Neti” settg cludg Jordan Bakery and Pantex Cleaners.

Steve’s Gay Neti, ’s 1890’s theme, the lic food, homely ambiance, and the lorful performanc and events that they hosted not only ma a special place Taa’s heart but also enriched Taa’s mil history and culture. The 1890s, which began on 1 January 1890 and end on 31 December 1899, were sometim referred to as the Mve De — bee William Henry Perk’s anile dye allowed the wispread e of that lour fashn — and also as the Gay Neti, unr the then-current age of the word gay which referred …. Also known as the gay pri flag or LGBT pri flag, the lors reflect the diversy of the LGBT muny and the spectm of human sexualy and genr.

A WHIMSIL ESTABLISHMENT: STEVE’S GAY ’90S

Portrayed wh subtlety and grace by now-retired gay actor Jaye Davidson, Dil was a tragic figure but not a il one, a revolutnary ia 1992. The fact that Lee is straight don't terfere wh his handlg of the subject matter, and he would go on to show his directorial expertise films as varied as <em>Sense and Sensibily, Life of Pi, The Ice Storm, </em> and of urse, one of the bt gay-themed movi ever, <em>Brokeback Mounta. I don't rell exactly, but I'm pretty sure that after the movie we went for drks at the Flame, a fun and iendly dive that was then Ann Arbor's only gay bar.

It was the first I'd learned of Hollywood's rtrictive Hays Co, censorship that ma nearly impossible to pict overt homosexualy on screen. The film is about a gay baret owner and his drag queen pann -- and 's not a tragedy, which is unual when put up agast many of s queer cema precsors.

WHY DO THEY LL THE GAY 90’S?

The film by Mike Nichols (<em>The Graduate, Workg Girl, Who's Aaid of Virgia Woolf</em>) proved to be a turng pot for society's evolvg views on homosexualy. I didn't see the full film until many years later, but seeg the character of Cleo beg gay before I even knew what that word meant was all took.

THE GAY '90S

It was where what we now regnize as " nostalgia" was born, and The Gay Neti beme a popular settg for films of the 1930s, the 1940s and, to a lser gree, the 1950s and 1960s, by which time was seen as that nocent age before World Wars and atomic bombs.

In fact, the "everybody's rich" stereotype stems om a nflatn of this perd wh "The Gild Age" (1876-1896), as the Gay Neti were also marked by enomic prsn and much labor agatn (see Panic of 1893 on The Other Wiki), not to mentn the Spanish-Amerin War.

Even then, the term "Gild Age" (as , "ated gold") was specifilly meant to dite that the good tim were only a surface veneer, wh ser problems lurkg jt beneath (as the Gay Neti themselv later monstrated).

SPECIAL REPORT: THE GAY 90'S

" Also, a French aristocrat by the name of Pierre Coubert would revive the Olympic Gam for the Gay Neti, which would be hosted Greece (the se of the origal Olympics). This wasn't ually done whout at least a b of irony (ually only satiril or Cloudcuckoolanr works), but wrers and artists returned to the Gay Neti well so often that s nventns beme even more stereotypil. However, today's general unfaiary wh the perd works set the 1880s or 1900s may make their settg distguishable om the stereotypil Gay Neti.

GAY "1890S" WALTZ

However, kooky Gay Neti stuff still pops up ocsnally, most often works directed at preteen children, or surreal edy seri such as The Simpsons or Fay Guy.

Ironilly, real life, the Gay Neti were the perd where the world began to move beyond tradnal steampunk/gaslamp fantasy athetics bee of new technologi and movements such as Art Nouve. If a story set durg the Gay Neti tak place the wtern part of the Uned Stat or Canada, the Twilight of the Old Wt trope often to play. One Goln Age Batman story (wrten the 1940s) featured Batman and Rob visg an island where all morn technology was banned and the populatn lived like was The Gay Neti.

To Hartley's story: An Archie Comics om the eighti has Betty pg for The Gay Neti and fallg asleep, only to learn her dream that wasn't such a great time after all.

THE GAY 90'S

Whilst Jeev and Wooster is set The Roarg '20s (or perhaps more accurately, Genteel Interbellum Settg), one story revolv around Sir Watks Basset's Compromisg Memoirs (and the multu of parti who sire the stctn thereof) of the var thgs he and other proment personag did durg The Gay Neti. Jack Fney's Time and Aga (1970) is set 1882, which is technilly outsi the time perd, but seems to f the ia of The Gay Neti almost perfectly anyway.

The openg for Cheers starts off showsg the Gay Neti and then gradually go through the s — and one episo, Rebec disvers that the bar, which opened 1889, will soon have s 100 year anniversary.

THEATER : THE GAY ‘90S--THE MIL

Though Disney lived there the early 20th century, the athetic of Ma Street is very remiscent of the Gay Neti, plete wh ice cream parlor, horse drawn and horsels rriag, and a barbershop quartet.

The game also nstcts the ncept, as featur some of the ls pleasant parts of the Gay Neti, like blatant racism and thls robber barons nng Company Towns that keep people cshg poverty.

THE SERIAL KILLER WHO PREYED UPON GAY NEW YORKERSMONSTROUSHBO’S DOCERI “LAST CALL” TELLS THE CHILLG STORY OF A STRG OF ANTI-LGBT MURRS ’90S NYC—AND MANAG TO HONOR THE VICTIMS THE PROCS.NICK SCHAGERENTERTAMENT CRICUPDATED JUL. 08, 2023 3:16AM EDT / PUBLISHED JUL. 07, 2023 8:30PM EDT COURTY OF HBOLAST CALL: WHEN A SERIAL KILLER STALKED QUEER NEW YORK IS YET ANOTHER DISTURBG TE-CRIME DOCUMENTARY ABOUT A FIEND PREYG UPON A MARGALIZED MUNY. HOWEVER, THE PELLG HOOK OF ANTHONY CARONNA AND HOWARD GERTLER’S FOUR-PART HBO VTIGATN (JULY 9) IS THAT ’S BOTH A WHODUN AND A SOCLOGIL CRIQUE OF THE ERA AND ENVIRONMENT WHICH S TALE TOOK PLACE: EARLY 1990S NEW YORK CY, WHOSE CLIMATE OF HOMOPHOBIA FACILATED S VILLA’S HOMICIS. WH ANTI-GAY AND TRANS LEGISLATN CURRENTLY SWEEPG THE NATN, ’S AN ALL-TOO-RELEVANT STORY ABOUT PERSECUTN AND VLENCE, AND THE WAY WHICH PUBLIC RHETORIC—AND ACTN—FOSTERS FURTHER HATE.DIRECTOR CARONNA’S SERI BEGS WH THE 1992 DISVERY BY MATENANCE WORKERS OF A DISMEMBERED BODY BURLGTON COUNTY, NEW JERSEY. CUT TO SEVEN PIEC, EACH OF THEM WRAPPED NEWSPAPER (AND A SHOWER CURTA) AND PACKED TO DIFFERENT TRASH BAGS, THIS DIVIDUAL WAS—VIA HIS BRIEFSE AND PERSONAL BELONGGS—SWIFTLY INTIFIED AS THOMAS MULHY, A 57-YEAR-OLD HBAND AND FATHER WHO WAS THE AREA FOR A BS MEETG. DETECTIV ALSO FOUND LATEX GLOV, A PASS SAW, AND A LEN SHEET THE PLASTIC BAGS, ONE OF WHICH WAS EVENTUALLY TRACED BACK TO STATEN ISLAND’S LONE CVS. OTHERWISE, HOWEVER, THERE WAS LTLE EFUL PHYSIL EVINCE PROCURED OM THE EMS, SO PS SHIFTED THEIR ATTENTN TO MULHY’S MOVEMENTS THE DAYS AND HOURS LEADG UP TO HIS MURR. AS THEY SOON LEARNED, MULHY HAD LAST BEEN SEEN ON JULY 8, 1992, AT MIDTOWN MANHATTAN’S TOWNHOE BAR, AN UPSLE GAY WATERG HOLE WHERE OLR WELL-TO-DO GENTLEMEN OFTEN MET YOUNGER SUORS. DOUGLAS GIBSON REMEMBERS TALKG TO MULHY THAT EVENG AND SPYG AN UNKNOWN MAN HIS VICY, BUT HE DIDN’T GET A GOOD ENOUGH LOOK AT THIS STRANGER TO PROVI AN ACTUAL SCRIPTN. COPS, MEANWHILE, FOUND DIFFICULT TO NVCE PEOPLE AND AROUND THIS TABLISHMENT TO TALK TO THEM, SCE 1992, THE RELATNSHIP BETWEEN THE POLICE AND THE GAY MUNY WAS FED BY DISTST, IF NOT OUTRIGHT ANTIPATHY, MUCH OF BORN OM THE FORMER’S HISTORY OF PREJUDICED HARASSMENT AND HOSTILY. IF THAT PROVED A SIGNIFINT HURDLE THE SE, SO TOO WAS LAW ENFORCEMENT’S STILL-LACKG TERPARTMENTAL MUNITNS, AND WAS THIS FAILURE THAT LAYED THEIR REALIZATN THAT MULHY’S MURR WAS PART OF A GHASTLY PATTERN.A YEAR EARLIER LANSTER COUNTY, PENNSYLVANIA, THE SIARLY DISMEMBERED BODY OF PETER ANRSON HAD BEEN FOUND. LIKE MULHY, ANRSON WAS A CLOSETED GAY MAN, AND ON THE NIGHT OF HIS DISAPPEARANCE ON MAY 5, 1991, HE TOO HAD VISED THE TOWNHOE. WHEN VTIGATORS TO MULHY’S SLAYG HEARD ABOUT THIS, THEY KNEW THE TWO MURRS WERE LKED. WORSE, THEY WERE FOLLOWED BY THE NEARLY INTIL MURRS OF 44-YEAR-OLD PROSTUTE ANTHONY MARRERO ( MAY 1993) AND OF 55-YEAR-OLD GREENWICH VILLAGE RINT MICHAEL SAKARA ( JULY 1993), THE LATTER OF WHOM WAS A REGULAR AND WELL-KNOWN STAPLE AT THE FIVE OAKS BAR. CLEARLY, SOMEONE WAS KILLG GAY MEN AFTER MEETG THEM AT CLUBS, AND BEE OF HIS MOD OPERANDI, THE ASSAILANT WAS DUBBED BY THE NEW YORK DAILY NEWS AS THE “LAST CALL KILLER.” STILL OM LAST CALL: WHEN A SERIAL KILLER STALKED QUEER NEW YORKHBO LAST CALL IS, ON THE ONE HAND, A TRADNAL SPENSEFUL MYSTERY, WH VAR POLICE OFFICERS DISCSG THEIR EFFORTS TO PIECE TOGETHER CLU AND UNRSTAND THEIR VICTIMS’ BACKSTORI ORR TO LOTE A SPECT. JT AS PTIVATG, THOUGH, ’S A VIVID SNAPSHOT OF S PARTICULAR MOMENT, NARRATED LARGE PART BY TWO DIVIDUALS WHO WERE ON THE ONTL OF THE FIGHT FOR EQUAL LGTBQ+ RIGHTS: THE NEW YORK GAY & LBIAN ANTI-VLENCE PROJECT’S BEA HANSON AND MATT FOREMAN. RELLG A TIME WHEN GAY AMERINS WERE BOTH EMERGG OM THE SHADOWS FORCE (PECIALLY NYC) AND FACG CREASED ANTAGONISM AND THREATS (CLUDG OM THE RAGG AIDS EPIMIC), HANSON AND FOREMAN OFFER TIMATE AND PASSNATE FIRST-HAND ACUNTS OF THE CULTURAL AND POLIL ATMOSPHERE OF THE EARLY ’90S. IN DOG SO, THEY HELP NTEXTUALIZE THE MURRS AS AN OUTGROWTH OF THE LONG-STANDG BTALY THAT GAY (AND TRANS) MEN AND WOMEN FACED ON A DAILY BASIS. EMPLOYG PLENTIFUL ARCHIVAL MATERIAL, LAST CALL IS A SIMULTANEOLY VIBRANT AND SORROWFUL LOOK BACKWARDS, S NOSTALGIA FOR THE BURGEONG GAY MOVEMENT LORED BY THE FEAR THAT SO MANY FELT BEE OF HOMOPHOBIA AND THE MORTAL DANGER POSED—AS WELL AS THE ANGER THAT WAS A DIRECT BYPRODUCT OF BEG IGNORED, SLANRED, AND OPPRSED. DIRECTOR CARONNA’S SERI HONTLY AND PASSNATELY REVISS THE PAST, PUTTG A NUANCED FACE ON PEOPLE WHO WERE SO OFTEN DISMISSED, DISRD, AND RCED TO UNFLATTERG STEREOTYP, CLUDG MULHY, ANRSON, MARRERO, AND SAKARA. FEATURG TERVIEWS WH IENDS, LOVERS, AND RELATIV OF THE FOUR MEN WHOSE LIV WERE HORRIFILLY CUT SHORT BY A MADMAN, REMEMBERS—AND CELEBRAT—THEM NOT AS STATISTICS, BUT AS FLH-AND-BLOOD DIVIDUALS. STILL OM LAST CALL: WHEN A SERIAL KILLER STALKED QUEER NEW YORKHBO IN SEPARATE TERVIEWS WH DIFFERENT TECTIV, LAST CALL HIGHLIGHTS POLICE OFFICERS’ IGNORANCE ABOUT THE GAY MUNY AND THEIR RETICENCE TO RELATE TO THE MURRS. SUCH BLDNS, WHETHER WILLFUL OR NOT, FEELS AT LEAST SOMEWHAT NNECTED TO THE SERI’ OWN LIBERATE DISMISSAL OF THE FACT THAT THE KILLER—WHO, THROUGH MORN FGERPRT ANALYSIS, WAS INTIFIED AS MOUNT SAI NURSE RICHARD ROGERS JR.—WAS ALSO A GAY MAN. THERE’S A PERSISTENT SENSE, OM ALL ANGL, THAT TOLERANCE (AND FEAR OF VILIFITN) HAS REPEATEDLY TRATED ATTEMPTS TO SOLVE, AND PREHEND, THIS TRAGEDY, AND THE FACT THAT ROGERS NEVER OPENED UP ABOUT HIS MOTIVATNS ONLY FURTHER LEAV THGS FEELG PRSGLY MURKY.WHAT REMAS CLEAR, THOUGH, IS ROGERS’ GUILT. HAVG BEEN PREVLY ACQUTED OF KILLG HIS LLEGE ROOMMATE AND, YEARS LATER, OF ASSLTG ANOTHER MAN, THE QUIET AND SOFT-SPOKEN MEDIL PROFSNAL WAS UNDOUBTEDLY THE SERIAL CULPR THORI HAD SOUGHT. NO MATTER THE QUTNS ABOUT JURISDICTN THAT AROSE AT TRIAL, HE WAS JTLY SENTENCED TO TWO NSECUTIVE LIFE SENTENC, ENDG A REIGN OF TERROR THAT—DUE TO HIS HAB OF TAKG ROUTE TRIPS AROUND THE UNTRY—MAY HAVE CLUD MANY MORE UNKNOWN VICTIMS. HE WAS, BY ALL ACUNTS, A MONSTER SEEMGLY WHOUT REMORSE, AND LAST CALL IS SHARPT WHEN POSS HIM AS THE RULT OF A SOCIETY THAT MONIZ WH MALIC TENT (BE ANA BRYANT THE ’70S OR RON DESANTIS TODAY) AND, THE PROCS, SPIR EVABLE CELTY. NICK SCHAGER

Is set the Prent Day, still borrows que a b of Gay Neti athetic, notably crowd scen, where the background extras are often gsied up top hats and dner jackets (for the men) and illy hats and long drs (for the women).

Five years ago, she siphoned om the homosexual g of Harlem an outrageo dance tradn lled "vogug" and spiked straight, whe, mastream dance clubs wh .