The film’s treatment of Don Shirley’s sexualy beli the difficult reali that gay men of lor like Jsie Smollett face to this day.
Contents:
- THE GAY “REVEAL” THE OSR-BOUND "GREEN BOOK," A GRIPPG 1960S "LOVE STORY"ALSO: MARY WILSON OF THE SUPREM OPENS UP ABOUT "DREAMGIRLS."{FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}{FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}MOVIBY MICHAEL MTONOVEMBER 26, 2018/10:37 {HEIGHT:HER;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;POSN:RELATIVE;-WEBK-FLEX-WRAP:WRAP;-MS-FLEX-WRAP:WRAP;FLEX-WRAP:WRAP;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;-WEBK-TRANSFORM-ORIG:CENTER;-MS-TRANSFORM-ORIG:CENTER;TRANSFORM-ORIG:CENTER;} IMG{HEIGHT:100%;WIDTH:100%;OBJECT-F:VER;}{HEIGHT:2255PX;WIDTH:3600PX;}JOHN LAMPARSKI/WIREIMAGENEW YORK, NEW YORK - NOVEMBER 13: MAHERSHALA ALI AND VIGGO MORTENSEN ATTEND "GREEN BOOK" NEW YORK PREMIERE AT PARIS THEATRE ON NOVEMBER 13, 2018 NEW YORK CY. (PHOTO BY JOHN LAMPARSKI/WIREIMAGE)BY MICHAEL MTONOVEMBER 26, 2018 / 10:37 AM{"@NTEXT":","@TYPE":"NEWSARTICLE","HEADLE":"THE GAY “REVEAL” THE OSR-BOUND \"GREEN BOOK,\" A GRIPPG 1960S \"LOVE STORY\"","THUMBNAILURL":","DATEPUBLISHED":"2018-11-26T15:37:13.000+0000","DATEMODIFIED":"2018-11-26T15:37:13.000+0000","IMAGE":{"@NTEXT":","@TYPE":"IMAGEOBJECT","URL":","WIDTH":1920,"HEIGHT":1080},"URL":","THOR":{"@TYPE":"ORGANIZATN","NAME":"LOGO TV"},"MAENTYOFPAGE":{"@TYPE":"WEBPAGE","@ID":"},"PUBLISHER":{"@TYPE":"ORGANIZATN","@ID":","NAME":"LOGO TV","URL":","LOGO":{"@TYPE":"IMAGEOBJECT"}},"CREATOR":"MICHAEL MTO","KEYWORDS":"MTO UNFILTERED","ARTICLESECTN":"MOVI"}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ONE OF THE BT FILMS OF THE YEAR, PETER FARRELLY'S GREEN BOOK TELLS THE TE STORY OF “DOC” DON SHIRLEY (MAHERSHALA ALI), A CULTURED JAZZ PIANIST WHO HIRED AN ITALIAN-AMERIN BOUNCER NAMED TONY LIP (VIGGO MORTENSEN) TO DRIVE AND HELP MANAGE HIM ON A 1960S TOUR OF THE DEEP SOUTH, WHERE RACISM WAS EVEN MORE RAMPANT THAN TMP’S AMERI (SO FAR). AS THE TWO TAKE OPPOSG APPROACH TO BATTLG BIGOTRY—LIP LIK TO EHER BEAT PEOPLE UP, THREATEN THEM, OR BRIBE THEM, WHILE SHIRLEY RPONDS A MORE MEASURED FASHN—HOMOSEXUALY ALSO SURFAC AND ENDS UP HAVG REPERCSNS. SPOILERS TO E!{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AT ONE POT, SHIRLEY IS BTED WHILE HAVG SEX WH A WHE GUY AT A YMCA DOWN SOUTH, AND ’S THE FIRST TIME LIP (OR THE DIENCE) GETS WD OF ANYTHG REMBLG SHIRLEY’S PRIVATE LIFE. YOU MIGHT HAVE SPECTED SOMETHG LIKE THIS WOULD HAVE GONE DOWN DUE TO ALI’S CLIPPED DICTN AND FANCY OUTFS, BUT I MT ADM EVEN I DIDN’T SEE G, HAVG HEARD THE FILM WAS ABOUT RACIAL OPPRSN BUT NOT KNOWG ADDRSED SEXUAL BIGOTRY, TOO. THE LOVELIT THG OF ALL IS LIP’S RPONSE; AFTER RCUG SHIRLEY OM THE SUATN ORR TO SAVE HIS REER, ALBE VIA FLAT-OUT BRIBERY, HE THEN, A PLETELY OFFHAND FASHN, TELLS THE PIANIST THAT HE’S HUNG OUT WH A LOT OF SHOW BIZ PEOPLE THROUGH THE YEARS AND HE’S AWARE THAT 'S "A PLITED WORLD.”{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AND THAT’S ! NO BERATG, NO HOMOPHOBIA, NO MOCKERY, AND HE EVEN HUGS SHIRLEY LATER ON AND SLEEPS THE SAME ROOM WH HIM WHOUT ANY QUALMS. AND THIS IS A PRETTY ARSE GUY WHO IALLY WAS EPLY RACIST! (HE HIMSELF IS THE SUBJECT OF SLURS AIMED AT HIS ITALIANNS. Y, THIS FILM VERS MANY KDS OF PREJUDICE.){BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:RELATIVE;PADDG-BOTTOM:56.49999999999999%;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;POSN:ABSOLUTE;HEIGHT:100% !IMPORTANT;WIDTH:100% !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AT A BICE CUCA LUNCHEON FOR THE EXTREMELY GRATIFYG FILM, MORTENSEN SAID, “[TONY’S REACTN] SHOWS THAT THE CURE FOR IGNORANCE IS EXPERIENCE. TONY’S BEEN EXPOSED TO , SO HE’S OK WH .” “THAT’S A BETIFUL REVEAL,” AGREED ALI. “TONY’S ALREADY OK WH THAT. HE’S AWARE OF THE PTH OF THE RELATNSHIP BETWEEN HIM AND DOC.”{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}“IT’S A LOVE STORY,” SOMEONE ELSE POTED OUT, BUT ACTUALY, SHIRLEY HAD OTHER ROMANTIC TARGETS MD. IN FACT, THE FILM’S -SCREENWRER, BRIAN HAY CURRIE, TOLD ME THAT THE MICIAN HAD A LONGTIME WHE MALE LOVER. I HOPE THAT’S MENTNED THE SEQUEL. BUT HAVG SEEN THIS FILM TWICE, I ADORE SHIRLEY’S ELEGANT DIGNY AND LIP’S EMERGG HEART, AND I’M LIVG FOR MY THIRD TIME OF GREEN BRGG BLACK AND WHE TOGETHER AND WRAPPG THEM A {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BY THE WAY, ALSO NOTICEABLE THE CROWD AT THE LUNCH FOR THE MOVIE WAS ALED UHRY, WHO WROTE DRIVG MISS DAISY. THK ABOUT {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THERE'S SOMETHG ABOUT MARY WILSONRB/REDFERNSUNSPECIFIED - JANUARY 01: PHOTO OF DIANA ROSS AND FLORENCE BALLARD AND MARY WILSON AND SUPREMES; POSED GROUP PORTRA L-R MARY WILSON, DIANA ROSS AND FLORENCE BALLARD, (PHOTO BY RB/REDFERNS){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}LET ME TELL YOU SOME OTHER DON SHIRLEY-ERA GOSSIP, AND I’LL BREAK DOWN SO ’S EASY FOR YOU YOUNG ON: BEFORE THERE WAS BEYONCé, THERE WAS DTY’S CHILD. WELL, WAY BEFORE THAT, THE 1960S, THERE WAS THE SUPREM, A MOTOWN GIRL GROUP WH LEAD SGER DIANA ROSS AND BACKUPS MARY WILSON AND FLO BALLARD, AND THEY WERE PEPPY, VAMPY, GLTERY, AND FULL OF H RERDS. I JT WENT TO THE CAFé CARLYLE TO SEE WILSON A SOLO ACT, AND WAS AN EXTRAORDARY EXPERIENCE THAT TRANSPORTED ME TO GIRL-GROUP HEAVEN. WILSON—WHO WAS ALWAYS THE SEXY SUPREME WH THE SMOKY VOICE—IS A FE VOLIST, WHO NFINTLY SOARED THROUGH SHOWSTOPPERS LIKE “BODY AND SOUL” AND “STORMY WEATHER.” SHE JECTED SOUL TO NORA JON’ “DON’T KNOW WHY,” EVEN WHILE LGHGLY ADMTG THAT SHE HAD NO IA WHAT THE SONG MEANS. (NEHER DO I, BUT WILSON BROUGHT SIGNIFINCE TO .) WH ALL THE WISDOM OF HER 74 YEARS, SHE DID A POIGNANT “BOTH SIS NOW” AND A PIERCG “LOOK OF LOVE.” AND OF URSE SHE ADDRSED HER TIME WH THE SUPREM. WILSON SAID THEY WERE “THREE LTLE BLACK GIRLS WHO MA OUR DREAMS E TE... WE NEVER WON A GRAMMY—ALL THOSE NUMBER ONE SONGS—BUT WE GOT THE MONEY, SO WHO R?"{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}“I SANG THE 'OOHS' AND 'AHS' AND THE ‘BABY, BABY, BABYS’,” SHE ADD. “DON’T BE LGHG. I WAS LGHG ALL THE WAY TO THE BANK!” SHE THEN SANG THE LEAD ON SUPREM HS LIKE “BABY LOVE,” “STOP THE NAME OF LOVE,” AND “MY WORLD IS EMPTY WHOUT YOU,” AND THE DIENCE IMPULSIVELY CHIRPED THE BACKUPS, TO WHICH WILSON BEAMED, “YOU’RE SGG MY PART!”SHERRY RAYN BART /MICHAEL OCHS ARCHIV/GETTY IMAGLOS ANGELES - NOVEMBER 18 : R AND B SGER MARY WILSON PERFORMS AT AMOEBA RERDS ON NOVEMBER 18, 2015 LOS ANGEL, CALIFORNIA. (PHOTO BY SHERRY RAYN BART /MICHAEL OCHS ARCHIV/GETTY IMAG){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AND SHE ADDRSED DREAMGIRLS, JOKG, “THEY SAY ’S ABOUT THE SUPREM, BUT I KNOW ISN’T BEE I DIDN’T GET PAID.” BUT SHE LOV THE SHOW AND MOVIE VERSN, AND SAID THAT IF FLORENCE BALLARD—THE SORT OF EFFIE CHARACTER, WHO DIED AT 32—WAS HERE TODAY, SHE WOULD LIVER THE BALLAD OF RENEWAL “I AM CHANGG." WILSON THEN BELTED THAT VERY SONG HONOR OF FLO, WH A WHOLE BUNCH OF HEART AND TEARS. WHAT A DAZZLG {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AND AFTER THE SHOW, WILSON TOLD ME SHE’S WORKG ON A FFEE TABLE BOOK ABOUT THE FASHN OF THE SUPREM. OOH, BABY, BABY!{BOX-SIZG:BORR-BOX;CLEAR:BOTH;}MTO {BOX-SIZG:BORR-BOX;MARG:0 TO;WIDTH:90%;M-WIDTH:288PX;MAX-WIDTH:1440PX;M-HEIGHT:194PX;}LATT NEWS
- {LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:600;MARG-BOTTOM:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:0.875REM;LE-HEIGHT:1.2;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:1.25REM;LE-HEIGHT:1.2;}} A{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:HER;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;} A:HOVER{LOR:#A00000;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}LIBERACE WAS A FLAMBOYANT PIANIST WHO TWICE HAD HIS OWN TV SHOW AND EQUENTLY PERFORMED LAS {LOR:#323232;MARG-BOTTOM:0.625REM;PADDG-RIGHT:0.3125REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;} SPAN{FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;LE-HEIGHT:1.6;}{FONT-STYLE:NORMAL;PADDG-RIGHT:0.3125REM;LOR:#323232;FONT-FAY:RALAS,GEIA,TIM,SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1.3;FONT-WEIGHT:BOLD;TEXT-TRANSFORM:PALIZE;}{DISPLAY:LE-BLOCK;TEXT-TRANSFORM:UPPERSE;MARG-LEFT:0.625REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}UPDATED: MAY 5, {DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;}{MARG-BOTTOM:0.9375REM;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 64REM){{MAX-WIDTH:LC(100VW - (1REM * 2));MARG-LEFT:1REM;MARG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(-1 * 1REM);}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MARG-LEFT:TO;MARG-RIGHT:TO;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC((100VW - (LC(20.625REM * 2 - 1REM) - 2 * 1REM)) / -2);}}@MEDIA(M-WIDTH: 61.25REM) AND (MAX-WIDTH: 90REM){{MAX-WIDTH:LC(20.625REM * 2 - 1REM);MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / 2);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / -2) - 1REM);}}@MEDIA(M-WIDTH: 90REM){{MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 2);MAX-WIDTH:LC(20.625REM * 2 - 1REM);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 + 1REM)) / -2) - LC(2 * 1REM));}[DATA-HAS-SPONSOR] {MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);MARG-RIGHT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);}}{JTIFY-SELF:CENTER;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 48REM){{MARG-LEFT:-50VW;MARG-RIGHT:-50VW;WIDTH:100VW;LEFT:50%;RIGHT:50%;}}{HEIGHT:TO;}@MEDIA(MAX-WIDTH: 48REM){{MARG:TO LC(50% - 50VW);}}@MEDIA(M-WIDTH: 48REM){{MARG:TO;}}{POSN:RELATIVE;HEIGHT:TO;}{POSN:RELATIVE;--POSN:ABSOLUTE;HEIGHT:TO;} IMG{MAX-WIDTH:100%;HEIGHT:TO;} A{POSN:ABSOLUTE;}{POSN:RELATIVE;WIDTH:100%;HEIGHT:100%;OBJECT-F:VER;VERTIL-ALIGN:TOP;}{BACKGROUND:#C92228;BOTTOM:0;PADDG:.5REM;RIGHT:0;}@MEDIA(M-WIDTH: 64REM){{PADDG:0.39REM;}}{DISPLAY:BLOCK;HEIGHT:1REM;WIDTH:1REM;}@MEDIA(M-WIDTH: 64REM){{WIDTH:1.063REM;HEIGHT:1.063REM;}}{LE-HEIGHT:1;MARG-TOP:0.3125REM;}@MEDIA(MAX-WIDTH: 73.75REM){{PADDG-LEFT:0.9375REM;}}@MEDIA(M-WIDTH: 64REM){{PADDG-LEFT:0;}}{LOR:#595959;PADDG-RIGHT:0.3125REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}PHOTO: BETTMANN/GETTY {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;PADDG-LEFT:0REM;PADDG-RIGHT:0REM;POSN:RELATIVE;}@MEDIA(M-WIDTH: 48REM){{PADDG-LEFT:3.5REM;PADDG-RIGHT:3.5REM;}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MAX-WIDTH:45.25REM;MARG-LEFT:TO;MARG-RIGHT:TO;}}@MEDIA(M-WIDTH: 61.25REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 73.75REM) AND (MAX-WIDTH: 100REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 90REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}} EM{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-STYLE:ALIC;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;}{CLEAR:BOTH;NTENT:" ";DISPLAY:BLOCK;FONT-SIZE:0.7REM;LE-HEIGHT:1.5REM;HEIGHT:0REM;VISIBILY:HIDN;}{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;} EM{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-STYLE:ALIC;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;}(1919-1987){LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:800;LETTER-SPACG:0.02EM;MARG-BOTTOM:0.625REM;MARG-TOP:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:1.875REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 64REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;}WHO WAS LIBERACE?LIBERACE APPEARED AS A SOLOIST WH THE CHIGO SYMPHONY ORCHTRA AT AGE 16. HE LATER BEGAN GIVG NCERTS FLAMBOYANT STUM WH ORNATE PIANOS AND NLABRA, PLAYG PRIMARILY POPULAR MIC. VERY SUCCSFUL, HE HOSTED HIS OWN TV VARIETY SERI, THE LIBERACE SHOW (1952–55, 1969), AND APPEARED FILMS SUCH AS SCERELY YOURS (1955). WH HIS UNIQUE BLEND OF CLASSIL TRAG AND OVER-THE-TOP SHOWMANSHIP, LIBERACE WAS ONE OF THE MOST FAMO PERFORMERS OF THE 20TH CENTURY. IN LATER YEARS HE PERFORMED EQUENTLY LAS VEGAS.EARLY LIFELIBERACE WAS BORN WLADZIU VALENTO LIBERACE ON MAY 16, 1919, WT ALLIS, WISNS, HIS MIDDLE NAME WAS TAKEN OM ONE OF HIS MOTHER'S FAVORE FILM STARS—RUDOLPH VALENTO. LTLE DID SHE KNOW THAT HER SON WOULD VELOP A VOTED FOLLOWG OF HIS OWN ONE DAY. BOTH OF LIBERACE'S PARENTS WERE TERTED MIC, AND HE BEGAN PIANO LSONS VERY EARLY ON HIS LIFE. A CHILD PRODIGY, HE BEGAN HIS STUDI AT THE WISNS COLLEGE OF MIC WHEN HE WAS ONLY SEVEN YEARS OLD. LIBERACE STARTED PERFORMG WH ORCHTRAS HIS EARLY TEENS.MIL SENSATNTO MAKE A LIVG, LIBERACE PLAYED MOVIE THEATERS AND NIGHT CLUBS. HE EVEN ADOPTED THE STAGE NAME "WALTER BTERKEYS" FOR A TIME. BEFORE LONG LIBERACE FOUND SOME SUCCS MIXG HIS LOVE OF CLASSIL MIC WH MORE NTEMPORARY TUN. HIS REAL REER BREAKTHROUGH, HOWEVER, ME 1951 WH THE PREMIERE OF THE LIBERACE SHOW. THE MIL PROGRAM FIRST AIRED LOLLY LOS ANGEL BEFORE GOG NATNAL A FEW YEARS LATER. VIEWERS—35 LN OF THEM AT THE PROGRAM'S HEIGHT—ULDN'T GET ENOUGH OF LIBERACE'S PIANO PROWS AND HIS CHEBIC CHARMS. WH HIS TRAMARK NLABRA RTG ATOP HIS PIANO, LIBERACE PLAYED WH GREAT EASE AND GLEE. HIS LARGELY FEMALE DIENCE ALSO ADMIRED LIBERACE'S GREAT VOTN TO HIS MOTHER FRANC. HIS BROTHER GEE PLAYED THE VL ON THE PROGRAM AND ACTED AS HIS ORCHTRAL ARRANGER. IN ADDN TO HIS TELEVISN SHOW, LIBERACE SOLD OUT MANY OF HIS LIVE NCERTS AND SOLD LNS OF RERDS. HE EVEN STARRED THE 1955 FILM SCERELY YOURS, WHICH SERVED AS A SHOWSE FOR HIS TALENTS. IN LAS VEGAS, LIBERACE BEME ONE OF THE CY'S MOST POPULAR PERFORMERS AND ONE OF S TOP-PAID STARS. HE BEME EQUALLY FAMO FOR THE GLZ AND GLAMOUR OF HIS SHOWS AND STUM AS HE WAS FOR HIS MIC. IN 1956, LIBERACE WAS JOED ON STAGE BY {-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:#A00000;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;}{LOR:#595959;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}ELVIS PRLEY. AROUND THIS TIME, HOWEVER, LIBERACE'S PERSONAL LIFE WAS TURNED TO A LEGAL DRAMA. HE HAD LONG BEEN RID FOR HIS EFFEMATE WAYS, AND HE END UP SUG A BRISH PUBLITN FOR LIBEL AFTER THE MAGAZE IMPLIED THAT HE WAS GAY. LIBERACE LATER WON ANOTHER URT BATTLE AGAST A BRISH LUMNIST OVER HIS MENTS. WHILE HE WAS LATER REVEALED TO BE GAY, LIBERACE WORKED HARD TO NCEAL THIS FACT TO MATA HIS DOMANTLY FEMALE FOLLOWG. WHILE TERT HIS TELEVISN SHOW EVENTUALLY FAD, LIBERACE REMAED POPULAR WH NCERT-GOERS. HIS SHOWS AND STUM SEEMED TO GET MORE ELABORATE AND OSTENTAT WH THE YEARS. HIS HANDS SHOWSED A NUMBER OF ORNATE, PIANO-SHAPED RGS, AND HE DRAPED HIMSELF LONG, HEAVY FUR P. HE EVEN DROVE TO HIS PIANO ON STAGE ONE OF HIS MANY LUXURY TOMOBIL. IN THE MID-1970S, LIBERACE CID TO GIVE THE PUBLIC A PEEK TO HIS LAVISH LIFTYLE. HE TRANSFORMED HIS HOLLYWOOD HOME TO A MM. HE LATER DISPLAYED HIS LLECTN OF STUM, RS AND OTHER TREASUR AT HIS OWN MM LAS VEGAS.FAL YEARS AND DEATHONCE AGA, LIBERACE FOUND HIMSELF A LEGAL STGGLE. HE WAS SUED BY HIS FORMER BODYGUARD AND CHFFR STT THORSON 1982. THORSON CLAIMED THAT HE HAD BEEN A RELATNSHIP WH LIBERACE AND THAT LIBERACE HAD PROMISED TO TAKE RE OF HIM AND SUPPORT HIM. THE SE WAS LATER SETTLED OUT OF URT. SHORTLY BEFORE HIS ATH, STORI CIRCULATED THAT LIBERACE HAD AIDS. HE AND HIS STAFF, HOWEVER, VEHEMENTLY NIED THAT THE ENTERTAER HAD THE DISEASE. LIBERACE PASSED AWAY ON FEBARY 4, 1987, AT HIS HOME PALM SPRGS, CALIFORNIA. INIALLY, HIS DOCTOR REPORTED THAT THE SHOWMAN DIED OF RDIAC ARRT. LATER, AN TOPSY BY THE RIVERSI COUNTY RONER NCLUD THAT LIBERACE HAD ACTUALLY DIED OF AIDS-RELATED PNMONIA.LEGACY AND MOVIE WHILE SOME CRICS HAVE DISMISSED HIM FOR BEG OVERLY SENTIMENTAL, LIBERACE HAS LEFT A LASTG IMPACT ON THE WORLD OF ENTERTAMENT. HIS ELABORATE AND SOMETIM GARISH STYLE HAS FLUENCED THE LIK OF PRLEY, ELTON JOHN AND DAVID BOWIE TO NAME A FEW. A FILM CELEBRATG LIBERACE'S WAS RELEASED 2013, WH MICHAEL DOUGLAS PLAYG THE LEGENDARY {BORR:0;BORR-BOTTOM:TH SOLID BLACK;MARG:1.875REM 0;CLEAR:BOTH;}QUICK FACTS
- HOW ‘GREEN BOOK’ GIV SHORT SHRIFT TO A GAY LIFE
- MATT DAMON AND MICHAEL DOUGLAS GET TO CHARACTER AS GAY LOVERS ON SET OF NEW LIBERACE BPIC
THE GAY “REVEAL” THE OSR-BOUND "GREEN BOOK," A GRIPPG 1960S "LOVE STORY"ALSO: MARY WILSON OF THE SUPREM OPENS UP ABOUT "DREAMGIRLS."{FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}{FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}MOVIBY MICHAEL MTONOVEMBER 26, 2018/10:37 {HEIGHT:HER;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;POSN:RELATIVE;-WEBK-FLEX-WRAP:WRAP;-MS-FLEX-WRAP:WRAP;FLEX-WRAP:WRAP;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;-WEBK-TRANSFORM-ORIG:CENTER;-MS-TRANSFORM-ORIG:CENTER;TRANSFORM-ORIG:CENTER;} IMG{HEIGHT:100%;WIDTH:100%;OBJECT-F:VER;}{HEIGHT:2255PX;WIDTH:3600PX;}JOHN LAMPARSKI/WIREIMAGENEW YORK, NEW YORK - NOVEMBER 13: MAHERSHALA ALI AND VIGGO MORTENSEN ATTEND "GREEN BOOK" NEW YORK PREMIERE AT PARIS THEATRE ON NOVEMBER 13, 2018 NEW YORK CY. (PHOTO BY JOHN LAMPARSKI/WIREIMAGE)BY MICHAEL MTONOVEMBER 26, 2018 / 10:37 AM{"@NTEXT":","@TYPE":"NEWSARTICLE","HEADLE":"THE GAY “REVEAL” THE OSR-BOUND \"GREEN BOOK,\" A GRIPPG 1960S \"LOVE STORY\"","THUMBNAILURL":","DATEPUBLISHED":"2018-11-26T15:37:13.000+0000","DATEMODIFIED":"2018-11-26T15:37:13.000+0000","IMAGE":{"@NTEXT":","@TYPE":"IMAGEOBJECT","URL":","WIDTH":1920,"HEIGHT":1080},"URL":","THOR":{"@TYPE":"ORGANIZATN","NAME":"LOGO TV"},"MAENTYOFPAGE":{"@TYPE":"WEBPAGE","@ID":"},"PUBLISHER":{"@TYPE":"ORGANIZATN","@ID":","NAME":"LOGO TV","URL":","LOGO":{"@TYPE":"IMAGEOBJECT"}},"CREATOR":"MICHAEL MTO","KEYWORDS":"MTO UNFILTERED","ARTICLESECTN":"MOVI"}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ONE OF THE BT FILMS OF THE YEAR, PETER FARRELLY'S GREEN BOOK TELLS THE TE STORY OF “DOC” DON SHIRLEY (MAHERSHALA ALI), A CULTURED JAZZ PIANIST WHO HIRED AN ITALIAN-AMERIN BOUNCER NAMED TONY LIP (VIGGO MORTENSEN) TO DRIVE AND HELP MANAGE HIM ON A 1960S TOUR OF THE DEEP SOUTH, WHERE RACISM WAS EVEN MORE RAMPANT THAN TMP’S AMERI (SO FAR). AS THE TWO TAKE OPPOSG APPROACH TO BATTLG BIGOTRY—LIP LIK TO EHER BEAT PEOPLE UP, THREATEN THEM, OR BRIBE THEM, WHILE SHIRLEY RPONDS A MORE MEASURED FASHN—HOMOSEXUALY ALSO SURFAC AND ENDS UP HAVG REPERCSNS. SPOILERS TO E!{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AT ONE POT, SHIRLEY IS BTED WHILE HAVG SEX WH A WHE GUY AT A YMCA DOWN SOUTH, AND ’S THE FIRST TIME LIP (OR THE DIENCE) GETS WD OF ANYTHG REMBLG SHIRLEY’S PRIVATE LIFE. YOU MIGHT HAVE SPECTED SOMETHG LIKE THIS WOULD HAVE GONE DOWN DUE TO ALI’S CLIPPED DICTN AND FANCY OUTFS, BUT I MT ADM EVEN I DIDN’T SEE G, HAVG HEARD THE FILM WAS ABOUT RACIAL OPPRSN BUT NOT KNOWG ADDRSED SEXUAL BIGOTRY, TOO. THE LOVELIT THG OF ALL IS LIP’S RPONSE; AFTER RCUG SHIRLEY OM THE SUATN ORR TO SAVE HIS REER, ALBE VIA FLAT-OUT BRIBERY, HE THEN, A PLETELY OFFHAND FASHN, TELLS THE PIANIST THAT HE’S HUNG OUT WH A LOT OF SHOW BIZ PEOPLE THROUGH THE YEARS AND HE’S AWARE THAT 'S "A PLITED WORLD.”{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AND THAT’S ! NO BERATG, NO HOMOPHOBIA, NO MOCKERY, AND HE EVEN HUGS SHIRLEY LATER ON AND SLEEPS THE SAME ROOM WH HIM WHOUT ANY QUALMS. AND THIS IS A PRETTY ARSE GUY WHO IALLY WAS EPLY RACIST! (HE HIMSELF IS THE SUBJECT OF SLURS AIMED AT HIS ITALIANNS. Y, THIS FILM VERS MANY KDS OF PREJUDICE.){BOX-SIZG:BORR-BOX;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:RELATIVE;PADDG-BOTTOM:56.49999999999999%;} .TWTER-TWEET-RENRED, {M-WIDTH:65%;WIDTH:TO !IMPORTANT;} {WIDTH:100%;} {MARG-LEFT:TO !IMPORTANT;MARG-RIGHT:TO !IMPORTANT;} IMG{MAX-WIDTH:100%;WIDTH:100%;} > IAME{BORR:NONE;MAX-WIDTH:100%;} > *{MAX-WIDTH:NONE !IMPORTANT;POSN:ABSOLUTE;HEIGHT:100% !IMPORTANT;WIDTH:100% !IMPORTANT;}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AT A BICE CUCA LUNCHEON FOR THE EXTREMELY GRATIFYG FILM, MORTENSEN SAID, “[TONY’S REACTN] SHOWS THAT THE CURE FOR IGNORANCE IS EXPERIENCE. TONY’S BEEN EXPOSED TO , SO HE’S OK WH .” “THAT’S A BETIFUL REVEAL,” AGREED ALI. “TONY’S ALREADY OK WH THAT. HE’S AWARE OF THE PTH OF THE RELATNSHIP BETWEEN HIM AND DOC.”{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}“IT’S A LOVE STORY,” SOMEONE ELSE POTED OUT, BUT ACTUALY, SHIRLEY HAD OTHER ROMANTIC TARGETS MD. IN FACT, THE FILM’S -SCREENWRER, BRIAN HAY CURRIE, TOLD ME THAT THE MICIAN HAD A LONGTIME WHE MALE LOVER. I HOPE THAT’S MENTNED THE SEQUEL. BUT HAVG SEEN THIS FILM TWICE, I ADORE SHIRLEY’S ELEGANT DIGNY AND LIP’S EMERGG HEART, AND I’M LIVG FOR MY THIRD TIME OF GREEN BRGG BLACK AND WHE TOGETHER AND WRAPPG THEM A {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BY THE WAY, ALSO NOTICEABLE THE CROWD AT THE LUNCH FOR THE MOVIE WAS ALED UHRY, WHO WROTE DRIVG MISS DAISY. THK ABOUT {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THERE'S SOMETHG ABOUT MARY WILSONRB/REDFERNSUNSPECIFIED - JANUARY 01: PHOTO OF DIANA ROSS AND FLORENCE BALLARD AND MARY WILSON AND SUPREMES; POSED GROUP PORTRA L-R MARY WILSON, DIANA ROSS AND FLORENCE BALLARD, (PHOTO BY RB/REDFERNS){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}LET ME TELL YOU SOME OTHER DON SHIRLEY-ERA GOSSIP, AND I’LL BREAK DOWN SO ’S EASY FOR YOU YOUNG ON: BEFORE THERE WAS BEYONCé, THERE WAS DTY’S CHILD. WELL, WAY BEFORE THAT, THE 1960S, THERE WAS THE SUPREM, A MOTOWN GIRL GROUP WH LEAD SGER DIANA ROSS AND BACKUPS MARY WILSON AND FLO BALLARD, AND THEY WERE PEPPY, VAMPY, GLTERY, AND FULL OF H RERDS. I JT WENT TO THE CAFé CARLYLE TO SEE WILSON A SOLO ACT, AND WAS AN EXTRAORDARY EXPERIENCE THAT TRANSPORTED ME TO GIRL-GROUP HEAVEN. WILSON—WHO WAS ALWAYS THE SEXY SUPREME WH THE SMOKY VOICE—IS A FE VOLIST, WHO NFINTLY SOARED THROUGH SHOWSTOPPERS LIKE “BODY AND SOUL” AND “STORMY WEATHER.” SHE JECTED SOUL TO NORA JON’ “DON’T KNOW WHY,” EVEN WHILE LGHGLY ADMTG THAT SHE HAD NO IA WHAT THE SONG MEANS. (NEHER DO I, BUT WILSON BROUGHT SIGNIFINCE TO .) WH ALL THE WISDOM OF HER 74 YEARS, SHE DID A POIGNANT “BOTH SIS NOW” AND A PIERCG “LOOK OF LOVE.” AND OF URSE SHE ADDRSED HER TIME WH THE SUPREM. WILSON SAID THEY WERE “THREE LTLE BLACK GIRLS WHO MA OUR DREAMS E TE... WE NEVER WON A GRAMMY—ALL THOSE NUMBER ONE SONGS—BUT WE GOT THE MONEY, SO WHO R?"{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}“I SANG THE 'OOHS' AND 'AHS' AND THE ‘BABY, BABY, BABYS’,” SHE ADD. “DON’T BE LGHG. I WAS LGHG ALL THE WAY TO THE BANK!” SHE THEN SANG THE LEAD ON SUPREM HS LIKE “BABY LOVE,” “STOP THE NAME OF LOVE,” AND “MY WORLD IS EMPTY WHOUT YOU,” AND THE DIENCE IMPULSIVELY CHIRPED THE BACKUPS, TO WHICH WILSON BEAMED, “YOU’RE SGG MY PART!”SHERRY RAYN BART /MICHAEL OCHS ARCHIV/GETTY IMAGLOS ANGELES - NOVEMBER 18 : R AND B SGER MARY WILSON PERFORMS AT AMOEBA RERDS ON NOVEMBER 18, 2015 LOS ANGEL, CALIFORNIA. (PHOTO BY SHERRY RAYN BART /MICHAEL OCHS ARCHIV/GETTY IMAG){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AND SHE ADDRSED DREAMGIRLS, JOKG, “THEY SAY ’S ABOUT THE SUPREM, BUT I KNOW ISN’T BEE I DIDN’T GET PAID.” BUT SHE LOV THE SHOW AND MOVIE VERSN, AND SAID THAT IF FLORENCE BALLARD—THE SORT OF EFFIE CHARACTER, WHO DIED AT 32—WAS HERE TODAY, SHE WOULD LIVER THE BALLAD OF RENEWAL “I AM CHANGG." WILSON THEN BELTED THAT VERY SONG HONOR OF FLO, WH A WHOLE BUNCH OF HEART AND TEARS. WHAT A DAZZLG {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AND AFTER THE SHOW, WILSON TOLD ME SHE’S WORKG ON A FFEE TABLE BOOK ABOUT THE FASHN OF THE SUPREM. OOH, BABY, BABY!{BOX-SIZG:BORR-BOX;CLEAR:BOTH;}MTO {BOX-SIZG:BORR-BOX;MARG:0 TO;WIDTH:90%;M-WIDTH:288PX;MAX-WIDTH:1440PX;M-HEIGHT:194PX;}LATT NEWS
* gay pianist movie *
As the two take opposg approach to battlg bigotry—Lip lik to eher beat people up, threaten them, or bribe them, while Shirley rponds a more measured fashn—homosexualy also surfac and ends up havg repercsns. No beratg, no homophobia, no mockery, and he even hugs Shirley later on and sleeps the same room wh him whout any qualms. He studied unr Frank Bridge, John Ireland and Arthur Benjam among others, and was also a fe ground-breakg operas, which clu Peter Grim (1945), and The Turn of the Screw (1954) – and his famo War Requiem – tackle ntemporaneo issu around psychology and post-war trma, as well his own homosexualy, which was illegal Brten’s lifetime.
As well as beg one of the first openly gay posers full stop, Poulenc also didn’t chew his sexualy the ntext of his relig posns spanned om timate chamber sonatas wh sublime, twistg melodi and lite imprsnist harmoni (thk the 1957 Flute Sonata), to his Piano Concerto and epic one-act opera for soprano and orchtra, La voix humae. Tchaikovsky was gay at a time when was illegal Rsia.
{LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:600;MARG-BOTTOM:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:0.875REM;LE-HEIGHT:1.2;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:1.25REM;LE-HEIGHT:1.2;}} A{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:HER;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;} A:HOVER{LOR:#A00000;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}LIBERACE WAS A FLAMBOYANT PIANIST WHO TWICE HAD HIS OWN TV SHOW AND EQUENTLY PERFORMED LAS {LOR:#323232;MARG-BOTTOM:0.625REM;PADDG-RIGHT:0.3125REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;} SPAN{FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;LE-HEIGHT:1.6;}{FONT-STYLE:NORMAL;PADDG-RIGHT:0.3125REM;LOR:#323232;FONT-FAY:RALAS,GEIA,TIM,SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1.3;FONT-WEIGHT:BOLD;TEXT-TRANSFORM:PALIZE;}{DISPLAY:LE-BLOCK;TEXT-TRANSFORM:UPPERSE;MARG-LEFT:0.625REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}UPDATED: MAY 5, {DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;}{MARG-BOTTOM:0.9375REM;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 64REM){{MAX-WIDTH:LC(100VW - (1REM * 2));MARG-LEFT:1REM;MARG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(-1 * 1REM);}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MARG-LEFT:TO;MARG-RIGHT:TO;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC((100VW - (LC(20.625REM * 2 - 1REM) - 2 * 1REM)) / -2);}}@MEDIA(M-WIDTH: 61.25REM) AND (MAX-WIDTH: 90REM){{MAX-WIDTH:LC(20.625REM * 2 - 1REM);MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / 2);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / -2) - 1REM);}}@MEDIA(M-WIDTH: 90REM){{MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 2);MAX-WIDTH:LC(20.625REM * 2 - 1REM);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 + 1REM)) / -2) - LC(2 * 1REM));}[DATA-HAS-SPONSOR] {MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);MARG-RIGHT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);}}{JTIFY-SELF:CENTER;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 48REM){{MARG-LEFT:-50VW;MARG-RIGHT:-50VW;WIDTH:100VW;LEFT:50%;RIGHT:50%;}}{HEIGHT:TO;}@MEDIA(MAX-WIDTH: 48REM){{MARG:TO LC(50% - 50VW);}}@MEDIA(M-WIDTH: 48REM){{MARG:TO;}}{POSN:RELATIVE;HEIGHT:TO;}{POSN:RELATIVE;--POSN:ABSOLUTE;HEIGHT:TO;} IMG{MAX-WIDTH:100%;HEIGHT:TO;} A{POSN:ABSOLUTE;}{POSN:RELATIVE;WIDTH:100%;HEIGHT:100%;OBJECT-F:VER;VERTIL-ALIGN:TOP;}{BACKGROUND:#C92228;BOTTOM:0;PADDG:.5REM;RIGHT:0;}@MEDIA(M-WIDTH: 64REM){{PADDG:0.39REM;}}{DISPLAY:BLOCK;HEIGHT:1REM;WIDTH:1REM;}@MEDIA(M-WIDTH: 64REM){{WIDTH:1.063REM;HEIGHT:1.063REM;}}{LE-HEIGHT:1;MARG-TOP:0.3125REM;}@MEDIA(MAX-WIDTH: 73.75REM){{PADDG-LEFT:0.9375REM;}}@MEDIA(M-WIDTH: 64REM){{PADDG-LEFT:0;}}{LOR:#595959;PADDG-RIGHT:0.3125REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}PHOTO: BETTMANN/GETTY {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;PADDG-LEFT:0REM;PADDG-RIGHT:0REM;POSN:RELATIVE;}@MEDIA(M-WIDTH: 48REM){{PADDG-LEFT:3.5REM;PADDG-RIGHT:3.5REM;}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MAX-WIDTH:45.25REM;MARG-LEFT:TO;MARG-RIGHT:TO;}}@MEDIA(M-WIDTH: 61.25REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 73.75REM) AND (MAX-WIDTH: 100REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 90REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}} EM{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-STYLE:ALIC;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;}{CLEAR:BOTH;NTENT:" ";DISPLAY:BLOCK;FONT-SIZE:0.7REM;LE-HEIGHT:1.5REM;HEIGHT:0REM;VISIBILY:HIDN;}{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;} EM{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-STYLE:ALIC;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;}(1919-1987){LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:800;LETTER-SPACG:0.02EM;MARG-BOTTOM:0.625REM;MARG-TOP:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:1.875REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 64REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;}WHO WAS LIBERACE?LIBERACE APPEARED AS A SOLOIST WH THE CHIGO SYMPHONY ORCHTRA AT AGE 16. HE LATER BEGAN GIVG NCERTS FLAMBOYANT STUM WH ORNATE PIANOS AND NLABRA, PLAYG PRIMARILY POPULAR MIC. VERY SUCCSFUL, HE HOSTED HIS OWN TV VARIETY SERI, THE LIBERACE SHOW (1952–55, 1969), AND APPEARED FILMS SUCH AS SCERELY YOURS (1955). WH HIS UNIQUE BLEND OF CLASSIL TRAG AND OVER-THE-TOP SHOWMANSHIP, LIBERACE WAS ONE OF THE MOST FAMO PERFORMERS OF THE 20TH CENTURY. IN LATER YEARS HE PERFORMED EQUENTLY LAS VEGAS.EARLY LIFELIBERACE WAS BORN WLADZIU VALENTO LIBERACE ON MAY 16, 1919, WT ALLIS, WISNS, HIS MIDDLE NAME WAS TAKEN OM ONE OF HIS MOTHER'S FAVORE FILM STARS—RUDOLPH VALENTO. LTLE DID SHE KNOW THAT HER SON WOULD VELOP A VOTED FOLLOWG OF HIS OWN ONE DAY. BOTH OF LIBERACE'S PARENTS WERE TERTED MIC, AND HE BEGAN PIANO LSONS VERY EARLY ON HIS LIFE. A CHILD PRODIGY, HE BEGAN HIS STUDI AT THE WISNS COLLEGE OF MIC WHEN HE WAS ONLY SEVEN YEARS OLD. LIBERACE STARTED PERFORMG WH ORCHTRAS HIS EARLY TEENS.MIL SENSATNTO MAKE A LIVG, LIBERACE PLAYED MOVIE THEATERS AND NIGHT CLUBS. HE EVEN ADOPTED THE STAGE NAME "WALTER BTERKEYS" FOR A TIME. BEFORE LONG LIBERACE FOUND SOME SUCCS MIXG HIS LOVE OF CLASSIL MIC WH MORE NTEMPORARY TUN. HIS REAL REER BREAKTHROUGH, HOWEVER, ME 1951 WH THE PREMIERE OF THE LIBERACE SHOW. THE MIL PROGRAM FIRST AIRED LOLLY LOS ANGEL BEFORE GOG NATNAL A FEW YEARS LATER. VIEWERS—35 LN OF THEM AT THE PROGRAM'S HEIGHT—ULDN'T GET ENOUGH OF LIBERACE'S PIANO PROWS AND HIS CHEBIC CHARMS. WH HIS TRAMARK NLABRA RTG ATOP HIS PIANO, LIBERACE PLAYED WH GREAT EASE AND GLEE. HIS LARGELY FEMALE DIENCE ALSO ADMIRED LIBERACE'S GREAT VOTN TO HIS MOTHER FRANC. HIS BROTHER GEE PLAYED THE VL ON THE PROGRAM AND ACTED AS HIS ORCHTRAL ARRANGER. IN ADDN TO HIS TELEVISN SHOW, LIBERACE SOLD OUT MANY OF HIS LIVE NCERTS AND SOLD LNS OF RERDS. HE EVEN STARRED THE 1955 FILM SCERELY YOURS, WHICH SERVED AS A SHOWSE FOR HIS TALENTS. IN LAS VEGAS, LIBERACE BEME ONE OF THE CY'S MOST POPULAR PERFORMERS AND ONE OF S TOP-PAID STARS. HE BEME EQUALLY FAMO FOR THE GLZ AND GLAMOUR OF HIS SHOWS AND STUM AS HE WAS FOR HIS MIC. IN 1956, LIBERACE WAS JOED ON STAGE BY {-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:#A00000;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;}{LOR:#595959;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}ELVIS PRLEY. AROUND THIS TIME, HOWEVER, LIBERACE'S PERSONAL LIFE WAS TURNED TO A LEGAL DRAMA. HE HAD LONG BEEN RID FOR HIS EFFEMATE WAYS, AND HE END UP SUG A BRISH PUBLITN FOR LIBEL AFTER THE MAGAZE IMPLIED THAT HE WAS GAY. LIBERACE LATER WON ANOTHER URT BATTLE AGAST A BRISH LUMNIST OVER HIS MENTS. WHILE HE WAS LATER REVEALED TO BE GAY, LIBERACE WORKED HARD TO NCEAL THIS FACT TO MATA HIS DOMANTLY FEMALE FOLLOWG. WHILE TERT HIS TELEVISN SHOW EVENTUALLY FAD, LIBERACE REMAED POPULAR WH NCERT-GOERS. HIS SHOWS AND STUM SEEMED TO GET MORE ELABORATE AND OSTENTAT WH THE YEARS. HIS HANDS SHOWSED A NUMBER OF ORNATE, PIANO-SHAPED RGS, AND HE DRAPED HIMSELF LONG, HEAVY FUR P. HE EVEN DROVE TO HIS PIANO ON STAGE ONE OF HIS MANY LUXURY TOMOBIL. IN THE MID-1970S, LIBERACE CID TO GIVE THE PUBLIC A PEEK TO HIS LAVISH LIFTYLE. HE TRANSFORMED HIS HOLLYWOOD HOME TO A MM. HE LATER DISPLAYED HIS LLECTN OF STUM, RS AND OTHER TREASUR AT HIS OWN MM LAS VEGAS.FAL YEARS AND DEATHONCE AGA, LIBERACE FOUND HIMSELF A LEGAL STGGLE. HE WAS SUED BY HIS FORMER BODYGUARD AND CHFFR STT THORSON 1982. THORSON CLAIMED THAT HE HAD BEEN A RELATNSHIP WH LIBERACE AND THAT LIBERACE HAD PROMISED TO TAKE RE OF HIM AND SUPPORT HIM. THE SE WAS LATER SETTLED OUT OF URT. SHORTLY BEFORE HIS ATH, STORI CIRCULATED THAT LIBERACE HAD AIDS. HE AND HIS STAFF, HOWEVER, VEHEMENTLY NIED THAT THE ENTERTAER HAD THE DISEASE. LIBERACE PASSED AWAY ON FEBARY 4, 1987, AT HIS HOME PALM SPRGS, CALIFORNIA. INIALLY, HIS DOCTOR REPORTED THAT THE SHOWMAN DIED OF RDIAC ARRT. LATER, AN TOPSY BY THE RIVERSI COUNTY RONER NCLUD THAT LIBERACE HAD ACTUALLY DIED OF AIDS-RELATED PNMONIA.LEGACY AND MOVIE WHILE SOME CRICS HAVE DISMISSED HIM FOR BEG OVERLY SENTIMENTAL, LIBERACE HAS LEFT A LASTG IMPACT ON THE WORLD OF ENTERTAMENT. HIS ELABORATE AND SOMETIM GARISH STYLE HAS FLUENCED THE LIK OF PRLEY, ELTON JOHN AND DAVID BOWIE TO NAME A FEW. A FILM CELEBRATG LIBERACE'S WAS RELEASED 2013, WH MICHAEL DOUGLAS PLAYG THE LEGENDARY {BORR:0;BORR-BOTTOM:TH SOLID BLACK;MARG:1.875REM 0;CLEAR:BOTH;}QUICK FACTS
Jelly Roll Morton, the self-proclaimed "ventor of jazz," didn't praise many people bis himself, but he ma an exceptn for Tony Jackson: "Tony was nsired among all who knew him the greatt sgle-hand entertaer the world.” And Jackson was openly gay at a time when that was credibly rare. * gay pianist movie *
He was believed to have been gay, movg circl Italy and London where same-sex sire was accepted. Mic historian Ellen Harris leads on the se for Hanl’s homosexualy, argug that his ntatas exhib a clear homosexual subtext her book Hanl as Orphs.
HOW ‘GREEN BOOK’ GIV SHORT SHRIFT TO A GAY LIFE
And like them, he was associated wh gay clergyman, Cardal Pietro Baroque poser and vlist is known for his chamber sonatas and ncerti grossi, and has gone down history for refg to play a sectn of Hanl’s orator, The Triumph Of Time And Tth, bee a vl note went higher than Corelli believed appropriate for the stment. Unlike Copland, US poser Samuel Barber ma no effort to keep his homosexualy out of explic view and his life partner was poser Gian Carlo Menotti, who he studied wh at the Curtis Instute. Leonard Bernste also studied at the Curtis Instute wh Barber and Menotti (see above), and although he had an on-aga-off-aga relatnship wh actor Felicia Cohn Montealegre and eventually married her, he was openly gay.
MATT DAMON AND MICHAEL DOUGLAS GET TO CHARACTER AS GAY LOVERS ON SET OF NEW LIBERACE BPIC
Montealegre herself wrote publicly about her book, The Bernste Letters, “you are a homosexual and may never change – you don’t adm to the possibily of a double life, but if your peace of md, your health, your whole nervo system pend on a certa sexual pattern what n you do?
” Bernste’s Wt Si Story llaborator Arthur Lrents is known to have lled Bernste “a gay man who got married”, statg, “He wasn't nflicted about at all.