‘Halloween Kills’: The Importance of the Franchise's First Gay Characters - Bloody Disgtg

Contents:

• M. NIGHT SHYAMALAN’S KNOCK AT THE CAB TRAILER HAS TIED UP GAYS — BUT NOT LIKE THAT
• ‘HALLOWEEN KILLS’: THE IMPORTANCE OF THE FRANCHISE’S FIRST GAY CHARACTERS

M. NIGHT SHYAMALAN’S KNOCK AT THE CAB TRAILER HAS TIED UP GAYS — BUT NOT LIKE THAT

Before homosexualy was formally legislated out of existence Hollywood by the Productn Co — monly referred to as the Hays Co, which tablished mandat for “moral standards” motn pictur and banned pictns of “sexual perversy” — the legendary filmmaker Jam Whale was buildg the foundatn for Amerin genre cema wh films like Frankenste, The Old Dark Hoe, and The Invisible Man. Here was Whale, a gay man, buildg horror his own image and havg astoundg box office succs as some groups were lobbyg Hollywood to censor queerns out of existence. Now we n choose om a lbian domtic drama volvg a baby werewolf Good Manners, a transfemist vampire movie B, or a French slasher set a gay porn muny wh Knife + Heart.

A rare slasher film wh a group of entirely openly gay characters, Hellbent is an outlier of s time that’s also a fe example of a story wh queer protagonists that go beyond the tradnal “g-out” narrative.

‘HALLOWEEN KILLS’: THE IMPORTANCE OF THE FRANCHISE’S FIRST GAY CHARACTERS

Mdy beg openly queer is a ls fg character tra, which is admirable and mak Scream an antidote to the e of homosexualy as a punchle s precsor, where the character Robbie Mercer blurts that he’s gay jt to avoid Ghostface’s wrath.

More fixated on his pannship wh his male partner and antagonizg a society uneasy by his mere prence, Griff is a figure wh his own queer unrcurrent like the monster Frankenste, another horror masterpiece om openly gay director Jam Whale.