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Contents:

• TURNS OUT, BARBIELAND ISN'T AS GAY AS S QUEER FANS HAD HOPED
• HIDN BRA: AMERI'S CHANGG ATTUS TOWARD GAY PEOPLE
• GAY CULTURE HAS GROWN TOXIC WH UNCHECKED PRIVILEGE. IT'S TIME FOR TO RET
• A BRIEF HISTORY OF LBIAN, GAY, BISEXUAL, AND TRANSGENR SOCIAL MOVEMENTS
• GAY CULTURE: ANCIENT WONR OR MORN CREATN?
• UNRSTANDG GENERATN GAPS LGBTQ+ COMMUNI: PERSPECTIV ABOUT GAY NEIGHBORHOODS AMONG HETERONORMATIVE AND HOMONORMATIVE GENERATNAL COHORTS
• WHY THERE ARE FEW OPENLY GAY ATHLET IN MEN'S PROFSNAL SPORTS

TURNS OUT, BARBIELAND ISN'T AS GAY AS S QUEER FANS HAD HOPED

And Poland, supporters of the erng PiS (Law and Jtice), which has explicly targeted gay rights as anathema to tradnal Polish valu, are 23 percentage pots ls likely to say that homosexualy should be accepted by society than those who do not support the erng party. The Stephen Spielberg-backed project tells the story of three drag queens — Noxeema, Chi-Chi and Vida, played by Wley Snip, John Leguizamo and Patrick Swayze rpectively — who take off on a cross-untry adventure to participate a huge drag pageant, stoppg a small homophobic town where they teach the lols about love and acceptance. Many also flagged the teased scene which Barbie, now the real world, exchang a longg look wh Ameri Ferrera’s Gloria character; though, the relatnship between the two turns out to be a tribute to motherhood and the tradnal, nuclear before the film’s release, Robbie all but squashed the mors that some or any of the Barbi and Kens would be gay, tellg the Brish LGBTQ magaze Attu: The dolls don’t “actually have sexual orientatns.

HIDN BRA: AMERI'S CHANGG ATTUS TOWARD GAY PEOPLE

”As far as the queer-d trailers and promotnal clips for the new “Barbie” film, Rand poted to a phenomenon known as “gay wdow advertisg, ” or the practice of advertisers gturg to queer dienc a way that will go over the heads of those who would disapprove.

STEVE INSKEEP, HOST: We have a eper look this morng at one of the most profound shifts public attus ever rerd - 's the public view of people who are gay and much of this natn's history, of urse, the vast majory of people disapproved of homosexualy so strongly that anyone who me out was guaranteed to face difficulty and even risked danger. And then, what ltle data we have on trans rights also suggts that there's been a sharp crease appreciatn for the rights of trans I thk one of the thgs that has been shown by the Marriage Equaly Movement is that if you're a gay or lbian, you have more rights than you ed to have. But even though the nversatns that muted this lumn for six weeks are nowhere close to beg over, I do feel like some thgs that me up durg that time of ntemplatn are worth sayg now — particularly to my fellow whe gay cis out more stori on LGBTQ+ ins and activistsHowever, the ghost of Larry Kramer very much remaed my own head as I ma my way through a Pri month unlike any other.

GAY CULTURE HAS GROWN TOXIC WH UNCHECKED PRIVILEGE. IT'S TIME FOR TO RET

Followg a man his late 30s (based on Kramer himself) who is seekg out a lovg, long-term relatnship a sea of hedonism, the novel has a clear msage: gay men need to start lovg each other stead of beg so obssed wh gettg fucked up and (lerally and figuratively) fuckg each other. In mastream gay media, the phrase almost always refers to a fairly specific subset of the LGBTQ "muny" largely ma up of whe gay cis men — even though many of the battl won around queer rights were fought by people of lour, trans and genr-nonnformg folks, and queer women, and fact the morn Pri movement self was large part iated by Black trans women. If an imprsn of a monolhic "gay culture" fed by such a homogeneo mographic exists, is bee whe gay cis men have until very recently domated mastream reprentatn unr the LGBTQ umbrella and have, general, been hand a level of privilege the last that is wildly disproportnate to any other mographic unr said umbrella.

Largely born the 1980s, they are the earlit wave of a "post-Stonewall, post-plague, post-activist" generatn of gays — "too old to have brought a boy to the prom and too young to have nursed a fantasy of nng away to an urban gay utopia, " Wenger explas.

A BRIEF HISTORY OF LBIAN, GAY, BISEXUAL, AND TRANSGENR SOCIAL MOVEMENTS

Queeri5 pneerg LGBTQ Canadian films you n watch for ee right nowI've seen many of my fellow whe gay cis men seemgly rise to the ocsn by retweetg Black and Indigeno voic, gog to ralli and vowg to te themselv on how to tly be anti-racist (though how performative that is some s is unclear). Internatnal stunts g om some untri (such as Belgium, Canada, the Netherlands, Norway, Spa, and South Ai where same-sex upl have the right to marry and genr rol may be more fluid) may fd US attus or stanc of homophobia and heterosexism puzzlg and “behd the tim.

Biblil terpretatn ma illegal for a woman to wear pants or a man to adopt female drs, and sensatnalized public trials warned agast “viants” but also ma such martyrs and hero popular: Joan of Arc is one example, and the chillg origs of the word “faggot” clu a stick of wood ed public burngs of gay men.

This creasg awarens of an existg and vulnerable populatn, upled wh Senator Joseph McCarthy’s vtigatn of homosexuals holdg ernment jobs durg the early 1950s outraged wrers and feral employe whose own liv were shown to be send-class unr the law, cludg Frank Kameny, Barbara Gtgs, Allen Gsberg, and Harry Hay. Fstrated wh the male learship of most gay liberatn groups, lbians fluenced by the femist movement of the 1970s formed their own llectiv, rerd labels, mic ftivals, newspapers, bookstor, and publishg ho, and lled for lbian rights mastream femist groups like the Natnal Organizatn for Women.

GAY CULTURE: ANCIENT WONR OR MORN CREATN?

The creasg expansn of a global LGBT rights movement suffered a setback durg the 1980s, as the gay male muny was cimated by the Aids epimic, mands for passn and medil fundg led to renewed alns between men and women as well as angry street theatre by groups like Aids Coaln to Unleash Power (ACT UP) and Queer Natn. Wh greater media attentn to gay and lbian civil rights the 1990s, trans and tersex voic began to ga space through works such as Kate Boernste’s “Genr Outlaw” (1994) and “My Genr Workbook” (1998), Ann Fsto-Sterlg’s “Myths of Genr” (1992) and Llie Feberg’s “Transgenr Warrrs” (1998), enhancg shifts women’s and genr studi to bee more clive of transgenr and nonbary inti.

Bee of the fluence of Schorr put siarly Natnal Review: “To suggt that social suggtibily uld be playg a role the skyrocketg numbers of young girls’ exprsg their sire to bee mal, for example, is not of urse to say that gay and transgenr people would not exist whout the topics’ beg discsed the public square. “For many Amerins, this vio—which was choreographered by Jose Gutierez Xtravaganza and was st wh members of New York’s unrground New York ballroom scene—was the first time they had seen gay culture displayed so artistilly, so lovgly, ” not In Vogue’s host Hamish Bowl this week’s fact, queer culture had been fluencg mastream culture for s. Gregory Woods’ HOMINTERN: How Gay Culture Liberated the Morn World is a vast, cultural atlas of a book that maps the migratn of (mostly upper class) gay and lbian creativ throughout the twentieth century, tracg the diverse and rmal works that gay people the arts njured for themselv.

Through this rehed unrstandg, we exame parative s that scribe the bgraphi, general behavrs, and generatnal loc of four well-known gay men as a means to explore how dividuals born a particular birth generatn may experience vastly different experienc life due to the LGBTQ + generatn wh which they intify. Explorg LGBTQ+ Generatns: Through the Ey of Warhol, Vidal, Capote & HudsonExamg the liv of celebri and well-known LGBTQ + dividuals offers a lens to summarize and illtrate typil behavrs and attus that have been formative shapg gay culture and the LGBTQ+ llective inty. In this se, the disntuy between the birth generatn to which each man belonged and the perd durg which their g of age wh regard to their LGBTQ+ inty occurred was shaped not only by the valu, behavrs, and mor of their birth generatn but also overlaid by the generatn to which they “me of age” as a gay man and a member of the LGBTQ+  muny.

UNRSTANDG GENERATN GAPS LGBTQ+ COMMUNI: PERSPECTIV ABOUT GAY NEIGHBORHOODS AMONG HETERONORMATIVE AND HOMONORMATIVE GENERATNAL COHORTS

His g of age occurred early life, which plac his behavr, the outward exprsn of genr inty, and sexual orientatn a much more ntemporary timeame closer behavr to a member of Generatn X (people born about fifty years after Capote) ntrast, Vidal did not publicly acknowledge his sexual orientatn or genr exprsn, and much later life vaguely intified first as bisexual (1999), and later as homosexual (Kaplan 2013).

Their behavrs, outward exprsn of genr, and gree of fort wh intifyg as LGBTQ + varied pendg more on their LGBTQ + generatn than their birth wh Capote, Vidal, and Hudson, a sire or lack of sire to ngregate and be associated wh other LGBTQ + dividuals public impacted the emergence and subsequent velopment of gay neighborhoods. The plexy of his g of age a time when homosexualy was illegal, mixed wh his fascatn wh celebry and outlandishns, sparked a cursy Warhol that helped to shape and support the culture of gay neighborhoods New York Cy the 1960s through the 1980s as clive and creative spac. He provid for his followers and for succsive generatns of LGBTQ+ people a type of eedom that he himself seemed reluctant to Homonormative Saeculum and the Events that Shaped a Century of LGBTQ+ CultureThe experience for LGBTQ + people—amed by the unrstandg and treatment of LGBTQ+ dividuals reflected the valu of mastream society—is often que different om that of non LGBTQ+ people.

WHY THERE ARE FEW OPENLY GAY ATHLET IN MEN'S PROFSNAL SPORTS

We propose appendg the heteronormative generatnal nam popularized by Strss and Howe to better rporate LGBTQ+ experienc as follows:The Silent Generatn —or the “Closeted Generatn”—gay men me of age jt before, durg, and immediately after World War II and lived a world which there was tense social prsure to nform to genr stereotyp.