'Unashamedly gay': Tom of Fland's bulgg beefke drawgs are unveiled London

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• TOM OF FLAND | SEXUAL EMANCIPATN THROUGH HOMOEROTIC ART LUCY FREELAND 07 NOVEMBER 2016 COPY LK FACEBOOK EMAIL TWTER PTERT THE FNISH ARTIST KNOWN BY THE PSDONYM TOM OF FLAND CHANGED THE WAY THE PUBLIC SAW THE GAY MUNY THROUGH HIS BOLD HOMOEROTIC WORKS. HERE, WE TAKE A CLOSER LOOK AT THE TRIGUG CHARACTER BEHD THE REHGLY UNNVENTNAL PICTUR. VIEW ALL TRIPS | © DIMABERL/WIKIPEDIA TOM OF FLAND’S ICS ARE NTROVERSIAL AND AVANT-GAR. BORN TOO LAAKSONEN, TOM OF FLAND WAS FAMED FOR HIS “NO HOLDS BARRED” PORTRAYAL OF GAY THEM. HIS BODY OF IC STRIP WORKS IS NOT ONLY CELEBRATED BY THE GAY MUNY; THEY HAVE ALSO BEEN ADOPTED BY THE MASTREAM FOR ADVERTORIAL PURPOS. BORN FLAND, TOM OF FLAND DID NOT ALWAYS POSSS THE REPUTATN OF THE ‘REBELL ARTIST’ THAT SO PRECES HIM TODAY. FLAND GREW UP A NVENTNAL HOME, RAISED BY TWO PARENTS THAT WERE BOTH SCHOOL TEACHERS KAARA – A SMALL TOWN THE SOUTH OF FLAND. AFTER LEAVG KAARA AT THE AGE OF 19, FLAND STUDIED ADVERTISG HELSKI BEFORE ENROLLG THE ARMY AND REGRETTABLY FALLG TO THE CLUTCH OF WORLD WAR II. IT WAS DURG THIS PERD THE ARMED FORC, HOWEVER, THAT TOM’S ALTERNATIVE TALENT WAS REVEALED. THE EROTIC SKETCH CREATED DURG THE WAR, AND THE MEN ON WHICH THEY ARE MOLED, LARGELY ACUNT FOR HIS LATER FTISHISTIC FASCATN WH MEN UNIFORM. THE SKETCH ARE NOT BURNED WH POLIL IOLOGY NOR DO THEY ENFORCE ANY SENSE OF POLIL AFFILIATN; THEY RANGE OM SOFT SKETCH OF ALLIED FORC TO THE REPUTEDLY ‘SEXIER’ NAZI UNIFORMS. AFTER REPRISG HIS STUDI THE MID 1950S, TOM BEGAN TO TERMTENTLY SUBM SKETCH AND DRAWGS TO PHYSIQUE PICTORIAL – A MAGAZE FOR GAY MEN. IT WAS THE SPRG 1957 ISSUE THAT HIS BUT IMAG WERE CREDED BY THE PSDONYM THAT WAS TO FE HIM FOR THE ENTIRETY OF HIS REER: A LLABORATN BETWEEN HIM AND THE MAGAZE, “TOM” WAS CHOSEN FOR S SIARY TO TOO, AND “OF FLAND” AS A REFERENCE OF PURELY GEOGRAPHIL FORMALY. DURG THIS TURNG POT, TOM BEGAN TO TABLISH HIMSELF AS AN ARTIST, AND TO PORTRAY THE BIKER CULTURE THAT CLAIMED TO REJECT POST-NFLICT NFORMY. SUDNLY, HIS ILLTRATNS MORPHED TO PEN AND K EMBODIMENTS OF THE HYPER-SEXUALIZED, ‘BEEFKE’ GENRE THAT HAD BEEN SO POPULAR DURG THE 1930S. TAKE A SP TO FD YOUR PERFECT SMALL-GROUP TRIP STATN PASSPORTS READY? YOUR NEXT STATN IS... VIEW TRIP SP ECUADOR TURKEY JAPAN BALI INDIA MEXI CROATIA GREECE SPA MOROC ICELAND EGYPT THAILAND SOUTH AI TOM OF FLAND’S ROOM AT THE TOM OF FLAND FOUNDAT, LOS ANGEL | © FILE UPLOAD BOT (MAGN MANSKE)/WIKIMONS FOLLOWG A 1962 URT SE THE UNED STAT WHICH LED THAT NU MALE PHOTOGRAPHS WERE NO LONGER TO BE NSIRED AN OBSCENY, TOM’S DRAWGS ASSUMED AN CREASGLY RAW AND SEXUAL DIMENSN. GIVEN THIS CREASED LIBERALY, THE BEEFKE DTRY WANED, AND TOM REACTED BY CREATG MORE HOMOEROTIC AND EXPLIC IMAG TO ADAPT TO THE CHANGG CLIMATE AND RETA HIS MERCIAL EDGE. WHAT FOLLOWED WAS THE STEADY RVG OF THE REMARKABLE LEGACY HE WAS TO LEAVE ON GAY CULTURE; A LEGACY BASED UPON ASSERTG A ROMANTICIZED IA OF MASCULE GAY IMAGERY PREVLY OVERLOOKED. THIS EXCG APPROACH TO HOMOEROTIC ART WAS NSIRED REVOLUTNARY; GONE WERE THE EFFEMATE, WEAKENED IMAG OF MEN PERTAG TO A GAY STEREOTYPE, AND STEAD ME TOM’S STRONG, CHISELED, HYPER-MASCULE FIGUR. THE STRONG, SQUARE JAW-L, THE WRY, SUGGTIVE GRS AND THE ANATOMILLY OPTIMISTIC BULG, ARE ALL MON FEATUR THAT MAKE TOM’S WORK INIC. THIS IALIZED PORTRAYAL EMPHASIZ POWER, VIRILY AND A BRAZEN, FLIRTAT ENERGY THAT NONTS RIDUAL SOCIAL TABOO. THIS IA OF A VILENT, ALMOST UNNTAABLE MASCULY IS EMPHASIZED FURTHER BY THE VLENT SEXUAL BEHAVR OF SOME OF TOM’S MALE FIGUR. IN HIS ART, SEX BE AN ACT OF NQUT, EVALUATED TERMS OF BTALY, WHICH IS MUTED ONLY BY THE HOPE OF AXG A SADOMASOCHISTIC APPRECIATN OM THE VIEWER. FETISH CULTURE AND SADOMASOCHISM IS EXPOSED AND CELEBRATED HIS ART; GANG-RAPE, HANDCUFFG, GAGGG AND WHIPPG SCENARS ARE PRENTED WHOUT JUDGEMENT AND WHOUT ANY HT OF TRMA UPON THE FACE OF THE VICTIM. UNLIKE A LARGE AMOUNT OF HETEROSEXUAL PORNOGRAPHY, THE SEXUAL VLENCE IMPLEMENTED BY TOM’S RECURRENT PROTAGONIST, KAKE, IS RECEIVED WHOUT SUBJUGATN AND WH A BURNG, VIBRANT MASCULY SEEMGLY ASSIATED TO THE VERY FIBER OF THE VICTIM. IN ADDN TO THE SOMETIM STARTLG VLENCE PICTED HIS IMAG, TOM’S PEJORATIVE REPRENTATN OF WOMEN AND PEOPLE OF LOR WAS NTROVERSIAL. IN WORKS SUCH AS THE 1971 JACK 1: THE WHE HUNTER [NSFW LK], HIS ARGUABLY SENSIVE AND OFFENSIVE DRAWGS LEAVE A SOMEWHAT DISTASTEFUL HAZE OVER HIS WORK. THE JACK ICS PARTICULAR – WHICH THE CSIAN TARZAN-LIKE JACK EMERG EVABLY VICTOR VAR STGGL AGAST BLACK TRIBMEN AND CELEBRAT BY PULATG WH HIS VICTIMS – RAISE SER ETHIL NCERNS ABOUT RIVG ATHETIC SATISFACTN OM A PROJECTN OF WHE SUPREMACY. THERE IS, HOWEVER, SOLACE TO BE TAKEN OM THE NOTN THAT TOM FAMOLY REMOVED HIMSELF OM POLIL MENT AND STATED THAT NO POLIL, SOCIAL OR CULTURAL SUBTEXT WERE TO BE READ TO HIS IMAG. THIS, AND THE RACIAL CLIVY SEEN HIS LATER ILLTRATNS, GO SOME WAY TO RE-TABLISHG RACIAL EQUILIBRIUM. TOM OF FLAND’S GIFT TO GAY CULTURE IS SENTIALLY ONE OF SEXUAL EMANCIPATN. FOR THE MEMBERS OF SOCIETY STGGLG WH THE IMAGE OF GAY PEOPLE PREVLY PERPETUATED BY THE MEDIA, TOM OPENED A BOLD, SHY NEW DOOR TO THE ‘CLUB’ OF TRADNAL MASCULY. HE CREATED FIGUREHEADS OF A NEW MASCULE GAY CULTURE WHICH NOT ONLY STRENGTHENED THE FIGHT AGAST SOCIAL STIGMA BUT WERE NSIRED REFULLY CRAFTED WORKS OF SKILLFUL ART THEMSELV. VOLNIC ICELAND EPIC TRIP MEET OUR LOL INSIR HANNA HOW LONG HAVE YOU BEEN A GUIDE? 2 YEARS. WHAT DO YOU LOVE ABOUT YOUR JOB? IT'S THE PERSONAL NTACT, THE PERSONAL EXPERIENC. I LOVE MEETG PEOPLE OM ALL OVER THE WORLD... I REALLY LIKE GETTG TO KNOW EVERYONE AND FEELG LIKE I'M TRAVELG WH A GROUP OF IENDS. WHAT DESTINATION IS ON YOUR TRAVEL BUCKET-LIST? I HAVE SO MANY PLAC ON MY LIST, BUT I WOULD REALLY LOBE TO GO TO AI. I NSIR MYSELF AN “ADVENTURE GIRL” AND AI FEELS LIKE THE ULTIMATE ADVENTURE! EVERY CULTURE TRIP SMALL-GROUP ADVENTURE IS LED BY A LOL INSIR JT LIKE HANNA. SEE OUR CULTURE TRIPS BEE A CULTURE TRIPPER! SIGN UP TO OUR NEWSLETTER TO SAVE UP TO 40% ON OUR UNIQUE TRIPS. SIGN UP SEE PRIVACY POLICY. KEEN TO EXPLORE THE WORLD?
• THROUGH HOMOEROTIC ART, TOM OF FLAND PAVED WAY FOR TODAY'S GAY PRI
• 'UNASHAMEDLY GAY': TOM OF FLAND'S BULGG BEEFKE DRAWGS UNVEILED LONDON
• THE GAY FIGURE ARTISTS ARE REIMAGG THE MALE GAZE
• REVIEW: ENTERTAG PORTRA OF INIC GAY ARTIST BPIC ‘TOM OF FLAND’
• J.C. LEYENCKER: NORMAN ROCKWELL, BUT FIRST AND MAKE IT GAYIN HIS TIME ONE OF AMERI'S MOST CELEBRATED ILLTRATORS, LEYENCKER FAD OM NSCNS AFTER HIS ATH, BUT HE'S MAKG A {FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}{FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}LIFEBY JEFF TAYLOROCTOBER 23, 2019/4:52 {HEIGHT:HER;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;POSN:RELATIVE;-WEBK-FLEX-WRAP:WRAP;-MS-FLEX-WRAP:WRAP;FLEX-WRAP:WRAP;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;-WEBK-TRANSFORM-ORIG:CENTER;-MS-TRANSFORM-ORIG:CENTER;TRANSFORM-ORIG:CENTER;} IMG{HEIGHT:100%;WIDTH:100%;OBJECT-F:VER;}{HEIGHT:955PX;WIDTH:731PX;}LEYENCKER/SATURDAY EVENG POSTBY JEFF TAYLOROCTOBER 23, 2019 / 4:52 PM{"@NTEXT":","@TYPE":"NEWSARTICLE","HEADLE":"J.C. LEYENCKER: NORMAN ROCKWELL, BUT FIRST AND MAKE IT GAY","THUMBNAILURL":","DATEPUBLISHED":"2019-10-23T20:52:19.000+0000","DATEMODIFIED":"2019-10-23T20:52:19.000+0000","IMAGE":{"@NTEXT":","@TYPE":"IMAGEOBJECT","URL":","WIDTH":1920,"HEIGHT":1080},"URL":","THOR":{"@TYPE":"ORGANIZATN","NAME":"LOGO TV"},"MAENTYOFPAGE":{"@TYPE":"WEBPAGE","@ID":"},"PUBLISHER":{"@TYPE":"ORGANIZATN","@ID":","NAME":"LOGO TV","URL":","LOGO":{"@TYPE":"IMAGEOBJECT"}},"CREATOR":"JEFF TAYLOR","KEYWORDS":"LGBTQ HISTORY MONTH, ART","ARTICLESECTN":"LIFE"}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}CHANC ARE YOU'VE HEARD THE NAME NORMAN ROCKWELL, FAMED PATER OF IDYLLIC AMERINA SCEN THAT GRACED THE VERS OF HUNDREDS OF EDNS OF THE SATURDAY EVENG POST DURG THE 1900S, BUT JT AS LIKELY YOU HAVEN'T HEARD OF HIS PRECSOR: ONE JOSEPH CHRISTIAN (J.C.) LEYENCKER.PUBLIC DOMAPORTRAS OF ARTISTS OM ARCHIV OF AMERIN ART, SMHSONIAN {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}PORTRAS OF ARTISTS OM ARCHIV OF AMERIN ART, SMHSONIAN INSTUTN (PUBLIC DOMA, PHOTOGRAPHER UNKNOWN){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ROCKWELL SAW LEYENCKER AS ONE OF HIS MA SPIRATNS, AND HE IS REGULARLY LLED ROCKWELL'S "MENTOR." HE TOO CREATED HUNDREDS OF VERS FOR THE SATURDAY EVENG POST, AND CREATED ADVERTORIAL ILLTRATNS, MOST NOTABLY THE FAMO "ARROW COLLAR MAN," AND THE "CHTERFIELD MAN," BOTH OF WHICH WERE SEEN AS THE ULTIMATE MALE SEX SYMBOL THEIR DAY, PECIALLY THE FORMER, WHO WAS LIVERED WH A MIX OF GGEDNS AND REFEMENT THAT HELPED FE THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}IN FACT, 'S BELIEVED THE ARROW COLLAR MAN IS WHO IS BEG REFERENCED BY DAISY THE GREAT GATSBY WHEN SHE TELLS THE NOVEL'S NAMAKE THAT HE LOOKS "SO OL," REMBLG "THE ADVERTISEMENT OF THE MAN."2019 NATNAL MM OF AMERIN ILLTRATN, NEWPORT, RI. PHOTO URTY AMERIN ILLTRATORS GALLERY, NEW YORK, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}CHASE, ARROW COLLAR, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ROCKWELL WAS SO TAKEN BY LEYENCKER AND HIS WORK THAT HE DID EVERYTHG HE ULD TO ABSORB THE MAN'S ARTISTIC STYLE, AND EVEN HIS VERY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AS HE WROTE HIS TOBGRAPHY, MY ADVENTUR AS AN ILLTRATOR, WHERE HE SAID HE, AS AMERIN ILLTRATORS GALLERY SUMMARIZED, "FOLLOWED LEYENCKER AROUND NEW ROCHELLE, NEW YORK, EMULATG LEYENCKER’S SWAGGER, OR LIMP AS WERE, AND 'ATTU.'"LEYENCKER/(C) 2019 NATNAL MM OF AMERIN ILLTRATN, NEWPORT, RI. PHOTO URTY AMERIN ILLTRATORS GALLERY, NEW YORK, NYRERD TIME, COOL SUMMER COMFORT —HOE OFKUPPENHEIMER {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}RERD TIME, COOL SUMMER COMFORT—HOE OF KUPPENHEIMER ADVERTISEMENT, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WHILE ROCKWELL WAS TRANSPARENT ABOUT HIS FLUENCE, AND WHILE LEYENCKER WAS WELL KNOWN HIS DAY, HIS NAME HAS BEEN LARGELY FOTTEN, WH ROCKWELL'S WORK REPLACG HIS THE LLECTIVE AMERIN NSCNS AS THE QUTSENTIAL 20TH CENTURY AMERIN {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}PART OF THIS NEWFOUND TERT THE MAN AND HIS WORK HAS LED TO A EPER DISCSN OF HIS PERSONAL LIFE, CLUDG THE FACT THAT HE WAS GAY.J.C. LEYENCKER/LIBRARY OF CONGRS/CORBIS/VCG VIA GETTY IMAG"ARROW COLLARS & SHIRTS" ADVERTISG POSTER BY JOSEPH CHRISTIAN LEYENCKER (PHOTO BY LIBRARY OF CONGRS/CORBIS/VCG VIA GETTY IMAG){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ARROW COLLARS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}LEYENCKER, WHO EMIGRATED TO THE UNED STAT OM GERMANY WH HIS FAY, WHICH CLUD HIS BROTHER, FRANK XAVIER (F.X.) LEYENCKER—A TALENTED ILLTRATOR HIS OWN RIGHT, WHO IS ALSO BELIEVED TO HAVE BEEN GAY—MET 17-YEAR-OLD MOL CHARL BEACH WHEN HE WAS 29. HE WAS TAKEN BY THE YOUNG MAN'S GOOD LOOKS AND BEGAN G HIM HIS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HE WOULD BEE THE PROTOTYPE FOR THE ARROW COLLAR MAN, AND ALSO BE ED AS A REFERENCE MOL FOR A NUMBER OF HIS OTHER PROJECTS. THE TWO WOULD GO ON TO LIVE TOGETHER FOR THE MAJORY OF THEIR ADULT LIV, PRUMED TO BE PARTNERS. BEACH WOULD ALSO SERVE AS LEYENCKER'S BS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WHILE LEYENCKER'S ILLTRATNS MIGHT SEEM TAME BY TODAY'S STANDARDS, HIS LOVE FOR THE MALE FORM AND MASCULY GENERALLY IS EVINT. HE WAS FOND OF PICTG MEN ATHLETIC AND HEROIC SCEN, AND MANY OF HIS WORKS HAVE BEEN NOTED FOR NTAG MEN ENGAGED WHAT SOME HAVE READ AS LONGG GAZ.LEYENCKER/ARROW {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ARROW ADVERTISEMENT ILLTRATN, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}IN A PIECE ON THE ARTIST FOR THE LOS ANGEL TIM, PUBLISHED 2008 AND PROMPTED BY THE PUBLITN OF THE BOOK J.C. LEYENCKER: AMERIN IMAGIST, REPORTER CAROLYN KELLOGG OFFERS SOME SIGHT TO HOW HE PTURED THE PHYSIQUE OF HIS BELOVED "MANLY MEN":{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}LEYENCKER’S EARLY STYLE—A CROSSHATCHED BSH STROKE THAT TURNED SOFT SURFAC TO SHARP PLAN—RERCED BEACH’S CHISELED GOOD LOOKS. WHEN HIS DYNAMIC CROSSHATCHG FAD TO SOFTER FILLS, LEYENCKER ENHANCED THE MANLS OF HIS SUBJECTS OTHER WAYS: HE L A SGLE LIGHT AND OILED THE MCL OF HIS MOLS FOR DRAMATIC NTOURG. IN AN EARLY MOCK-UP OF AN IVORY SOAP AD, AN ERECTN IS PROMENT THE FOLDS OF A BATHROBE. DES BEFORE FEMIST LRA MULVEY WROTE ABOUT THE MALE GAZE OBJECTIFYG WOMEN, LEYENCKER TURNED HIS GAZE TOWARD HANDSOME MEN AND CREATED WILY CIRCULATED INS OF {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}"WHAT YOU DO NOT FD LEYENCKER’S WORK IS THE NAKED FEMALE BODY," LLECTOR ALEDO VILLANUEVA-COLLADO HAS NOTED. "IT IS NEVER SHOWN ANYWHERE. AND ’S TERTG BEE ONE OF HIS FLUENC WAS ALPHONSE MUCHA, WHO DID MANY SEMI-EXPOSED WOMEN, BUT LEYENCKER DID NOT. I’VE LOOKED AT ENOUGH OF HIS WORK TO SAY THIS WH A GREE OF CERTATY."2019 NATNAL MM OF AMERIN ILLTRATN, NEWPORT, RI. PHOTO URTY AMERIN ILLTRATORS GALLERY, NEW YORK, NY. ATHLETE BEFORE A MOSAIC, C. 1910, OIL ON {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ATHLETE BEFORE A MOSAIC, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WH HIS REER BOOMG, LEYENCKER AND BEACH THREW LAVISH PARTI WH FAMO GUTS ATTENDG. WHILE THEY MIGHT HAVE BEEN RTRAED SOME REGARDS DUE TO THE HOMOPHOBIA AT THE TIME, THEY WERE CLEARLY NOT LIVG {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE GOOD TIM WERE NOT TO LAST, HOWEVER, WH MISSNS BEGNG TO DWDLE OVER TIME. BY THE LATE 1930S AND EARLY 1940S, WH TAST CHANGG, HE WAS BARELY GETTG ANY WORK. WHEN HE DIED 1951 OF A HEART ATTACK, AT THE AGE OF 77, HE HAD LTLE THE WAY OF WEALTH PARED WH HIS HEYDAY. HIS ASSETS WERE SPL BETWEEN BEACH, WHO DIED NOT LONG AFTER, AND HIS TRANGED SISTER—HIS BROTHER HAVG DIED 1924 OM A DG OVERDOSE.LEYENCKER/SATURDAY EVENG {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}"LIFEGUARD, SAVE ME!"—SATURDAY EVENG POST COVER, AUGT 9, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ACRDG TO COLLECTORS WEEKLY, MANY OF HIS ORIGAL PATGS WERE SOLD AT A MMAGE SALE FOR $75 {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BUT RECENT YEARS, LEYENCKER HAS BEGUN TO REEMERGE AS AN IMPORTANT ARTIST AND CULTURAL FIGURE, WH EXHIBNS OF THE ARTIST'S WORK POPPG UP AROUND THE UNTRY, CLUDG ONE CURRENTLY TAKG PLACE RALEIGH, NORTH CAROLA, AT REYNOLDA HOE MM OF AMERIN {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MORE OF HIS WORK FOLLOWS.LEYENCKER, PHOTO BY SWIM K 2/CORBIS VIA GETTY IMAGTHE DISC THROWER ILLTRATN BY J.C. LEYENCKER (PHOTO BY SWIM K 2/CORBIS VIA GETTY IMAG){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE DISC THROWER, 1906J.C. LEYENCKER/JOHN KANU PHOTOGRAPHY/SPORTS STUD PHOTOS/GETTY IMAGUNDATED: VTAGE FOOTBALL ILLTRATN. 1913 FOOTBALL ILLTRATN BY JOSEPH CHRISTIAN LEYENCKER OM THE SATURDAY EVENG POST. (PHOTO BY JOHN KANU PHOTOGRAPHY/SPORTS STUD PHOTOS/GETTY IMAG){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FOOTBALL PLAYERS, 1913J.C. LEYENCKER/BETTMANN/GETTY IMAG1920 ADVERTISEMENT FOR CHTERFIELD CIGARETT FEATURG AN EDDIE RICKENBACKER-TYPE AVIATOR, SIGNED BY JOSEPH CHRISTIAN {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}CHTERFIELD CIGARETTE ADVERTISEMENTJ.C. LEYENCKER/UNIVERSAL HISTORY ARCHIVE/UNIVERSAL IMAG GROUP VIA GETTY IMAGWORLD WAR ONE US MAR POSTER TLED 'SOLDIERS OF THE SEA' ENURAGG MEN TO ENLIST. CREATED BY JOSEPH CHRISTIAN LEYENCKER (1874-1951) PREEMENT AMERIN ILLTRATORS. DATED 1917. (PHOTO BY: UNIVERSAL HISTORY ARCHIVE/UNIVERSAL IMAG GROUP VIA GETTY IMAG){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}SOLDIERS OF THE SEA, 1917LEYENCKER/SWIM INK 2, LLC/CORBIS/CORBIS VIA GETTY IMAGAMERI CALLS RECMENT POSTER BY JOSEPH CHRISTIAN LEYENCKER (PHOTO BY �� SWIM INK 2, LLC/CORBIS/CORBIS VIA GETTY IMAG){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AMERI CALLS RECMENT POSTERLEYENCKER/INTERWOVEN {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}LEYENCKER INTERWOVEN SOCKS ADVERTISEMENT, CIR {BOX-SIZG:BORR-BOX;CLEAR:BOTH;}LGBTQ HISTORY {BOX-SIZG:BORR-BOX;MARG:0 TO;WIDTH:90%;M-WIDTH:288PX;MAX-WIDTH:1440PX;M-HEIGHT:194PX;}LATT NEWS
• THROUGH HOMOEROTIC ART, TOM OF FLAND PAVED WAY FOR TODAY'S GAY PRI

TOM OF FLAND | SEXUAL EMANCIPATN THROUGH HOMOEROTIC ART LUCY FREELAND 07 NOVEMBER 2016 COPY LK FACEBOOK EMAIL TWTER PTERT THE FNISH ARTIST KNOWN BY THE PSDONYM TOM OF FLAND CHANGED THE WAY THE PUBLIC SAW THE GAY MUNY THROUGH HIS BOLD HOMOEROTIC WORKS. HERE, WE TAKE A CLOSER LOOK AT THE TRIGUG CHARACTER BEHD THE REHGLY UNNVENTNAL PICTUR. VIEW ALL TRIPS | © DIMABERL/WIKIPEDIA TOM OF FLAND’S ICS ARE NTROVERSIAL AND AVANT-GAR. BORN TOO LAAKSONEN, TOM OF FLAND WAS FAMED FOR HIS “NO HOLDS BARRED” PORTRAYAL OF GAY THEM. HIS BODY OF IC STRIP WORKS IS NOT ONLY CELEBRATED BY THE GAY MUNY; THEY HAVE ALSO BEEN ADOPTED BY THE MASTREAM FOR ADVERTORIAL PURPOS. BORN FLAND, TOM OF FLAND DID NOT ALWAYS POSSS THE REPUTATN OF THE ‘REBELL ARTIST’ THAT SO PRECES HIM TODAY. FLAND GREW UP A NVENTNAL HOME, RAISED BY TWO PARENTS THAT WERE BOTH SCHOOL TEACHERS KAARA – A SMALL TOWN THE SOUTH OF FLAND. AFTER LEAVG KAARA AT THE AGE OF 19, FLAND STUDIED ADVERTISG HELSKI BEFORE ENROLLG THE ARMY AND REGRETTABLY FALLG TO THE CLUTCH OF WORLD WAR II. IT WAS DURG THIS PERD THE ARMED FORC, HOWEVER, THAT TOM’S ALTERNATIVE TALENT WAS REVEALED. THE EROTIC SKETCH CREATED DURG THE WAR, AND THE MEN ON WHICH THEY ARE MOLED, LARGELY ACUNT FOR HIS LATER FTISHISTIC FASCATN WH MEN UNIFORM. THE SKETCH ARE NOT BURNED WH POLIL IOLOGY NOR DO THEY ENFORCE ANY SENSE OF POLIL AFFILIATN; THEY RANGE OM SOFT SKETCH OF ALLIED FORC TO THE REPUTEDLY ‘SEXIER’ NAZI UNIFORMS. AFTER REPRISG HIS STUDI THE MID 1950S, TOM BEGAN TO TERMTENTLY SUBM SKETCH AND DRAWGS TO PHYSIQUE PICTORIAL – A MAGAZE FOR GAY MEN. IT WAS THE SPRG 1957 ISSUE THAT HIS BUT IMAG WERE CREDED BY THE PSDONYM THAT WAS TO FE HIM FOR THE ENTIRETY OF HIS REER: A LLABORATN BETWEEN HIM AND THE MAGAZE, “TOM” WAS CHOSEN FOR S SIARY TO TOO, AND “OF FLAND” AS A REFERENCE OF PURELY GEOGRAPHIL FORMALY. DURG THIS TURNG POT, TOM BEGAN TO TABLISH HIMSELF AS AN ARTIST, AND TO PORTRAY THE BIKER CULTURE THAT CLAIMED TO REJECT POST-NFLICT NFORMY. SUDNLY, HIS ILLTRATNS MORPHED TO PEN AND K EMBODIMENTS OF THE HYPER-SEXUALIZED, ‘BEEFKE’ GENRE THAT HAD BEEN SO POPULAR DURG THE 1930S. TAKE A SP TO FD YOUR PERFECT SMALL-GROUP TRIP STATN PASSPORTS READY? YOUR NEXT STATN IS... VIEW TRIP SP ECUADOR TURKEY JAPAN BALI INDIA MEXI CROATIA GREECE SPA MOROC ICELAND EGYPT THAILAND SOUTH AI TOM OF FLAND’S ROOM AT THE TOM OF FLAND FOUNDAT, LOS ANGEL | © FILE UPLOAD BOT (MAGN MANSKE)/WIKIMONS FOLLOWG A 1962 URT SE THE UNED STAT WHICH LED THAT NU MALE PHOTOGRAPHS WERE NO LONGER TO BE NSIRED AN OBSCENY, TOM’S DRAWGS ASSUMED AN CREASGLY RAW AND SEXUAL DIMENSN. GIVEN THIS CREASED LIBERALY, THE BEEFKE DTRY WANED, AND TOM REACTED BY CREATG MORE HOMOEROTIC AND EXPLIC IMAG TO ADAPT TO THE CHANGG CLIMATE AND RETA HIS MERCIAL EDGE. WHAT FOLLOWED WAS THE STEADY RVG OF THE REMARKABLE LEGACY HE WAS TO LEAVE ON GAY CULTURE; A LEGACY BASED UPON ASSERTG A ROMANTICIZED IA OF MASCULE GAY IMAGERY PREVLY OVERLOOKED. THIS EXCG APPROACH TO HOMOEROTIC ART WAS NSIRED REVOLUTNARY; GONE WERE THE EFFEMATE, WEAKENED IMAG OF MEN PERTAG TO A GAY STEREOTYPE, AND STEAD ME TOM’S STRONG, CHISELED, HYPER-MASCULE FIGUR. THE STRONG, SQUARE JAW-L, THE WRY, SUGGTIVE GRS AND THE ANATOMILLY OPTIMISTIC BULG, ARE ALL MON FEATUR THAT MAKE TOM’S WORK INIC. THIS IALIZED PORTRAYAL EMPHASIZ POWER, VIRILY AND A BRAZEN, FLIRTAT ENERGY THAT NONTS RIDUAL SOCIAL TABOO. THIS IA OF A VILENT, ALMOST UNNTAABLE MASCULY IS EMPHASIZED FURTHER BY THE VLENT SEXUAL BEHAVR OF SOME OF TOM’S MALE FIGUR. IN HIS ART, SEX BE AN ACT OF NQUT, EVALUATED TERMS OF BTALY, WHICH IS MUTED ONLY BY THE HOPE OF AXG A SADOMASOCHISTIC APPRECIATN OM THE VIEWER. FETISH CULTURE AND SADOMASOCHISM IS EXPOSED AND CELEBRATED HIS ART; GANG-RAPE, HANDCUFFG, GAGGG AND WHIPPG SCENARS ARE PRENTED WHOUT JUDGEMENT AND WHOUT ANY HT OF TRMA UPON THE FACE OF THE VICTIM. UNLIKE A LARGE AMOUNT OF HETEROSEXUAL PORNOGRAPHY, THE SEXUAL VLENCE IMPLEMENTED BY TOM’S RECURRENT PROTAGONIST, KAKE, IS RECEIVED WHOUT SUBJUGATN AND WH A BURNG, VIBRANT MASCULY SEEMGLY ASSIATED TO THE VERY FIBER OF THE VICTIM. IN ADDN TO THE SOMETIM STARTLG VLENCE PICTED HIS IMAG, TOM’S PEJORATIVE REPRENTATN OF WOMEN AND PEOPLE OF LOR WAS NTROVERSIAL. IN WORKS SUCH AS THE 1971 JACK 1: THE WHE HUNTER [NSFW LK], HIS ARGUABLY SENSIVE AND OFFENSIVE DRAWGS LEAVE A SOMEWHAT DISTASTEFUL HAZE OVER HIS WORK. THE JACK ICS PARTICULAR – WHICH THE CSIAN TARZAN-LIKE JACK EMERG EVABLY VICTOR VAR STGGL AGAST BLACK TRIBMEN AND CELEBRAT BY PULATG WH HIS VICTIMS – RAISE SER ETHIL NCERNS ABOUT RIVG ATHETIC SATISFACTN OM A PROJECTN OF WHE SUPREMACY. THERE IS, HOWEVER, SOLACE TO BE TAKEN OM THE NOTN THAT TOM FAMOLY REMOVED HIMSELF OM POLIL MENT AND STATED THAT NO POLIL, SOCIAL OR CULTURAL SUBTEXT WERE TO BE READ TO HIS IMAG. THIS, AND THE RACIAL CLIVY SEEN HIS LATER ILLTRATNS, GO SOME WAY TO RE-TABLISHG RACIAL EQUILIBRIUM. TOM OF FLAND’S GIFT TO GAY CULTURE IS SENTIALLY ONE OF SEXUAL EMANCIPATN. FOR THE MEMBERS OF SOCIETY STGGLG WH THE IMAGE OF GAY PEOPLE PREVLY PERPETUATED BY THE MEDIA, TOM OPENED A BOLD, SHY NEW DOOR TO THE ‘CLUB’ OF TRADNAL MASCULY. HE CREATED FIGUREHEADS OF A NEW MASCULE GAY CULTURE WHICH NOT ONLY STRENGTHENED THE FIGHT AGAST SOCIAL STIGMA BUT WERE NSIRED REFULLY CRAFTED WORKS OF SKILLFUL ART THEMSELV. VOLNIC ICELAND EPIC TRIP MEET OUR LOL INSIR HANNA HOW LONG HAVE YOU BEEN A GUIDE? 2 YEARS. WHAT DO YOU LOVE ABOUT YOUR JOB? IT'S THE PERSONAL NTACT, THE PERSONAL EXPERIENC. I LOVE MEETG PEOPLE OM ALL OVER THE WORLD... I REALLY LIKE GETTG TO KNOW EVERYONE AND FEELG LIKE I'M TRAVELG WH A GROUP OF IENDS. WHAT DESTINATION IS ON YOUR TRAVEL BUCKET-LIST? I HAVE SO MANY PLAC ON MY LIST, BUT I WOULD REALLY LOBE TO GO TO AI. I NSIR MYSELF AN “ADVENTURE GIRL” AND AI FEELS LIKE THE ULTIMATE ADVENTURE! EVERY CULTURE TRIP SMALL-GROUP ADVENTURE IS LED BY A LOL INSIR JT LIKE HANNA. SEE OUR CULTURE TRIPS BEE A CULTURE TRIPPER! SIGN UP TO OUR NEWSLETTER TO SAVE UP TO 40% ON OUR UNIQUE TRIPS. SIGN UP SEE PRIVACY POLICY. KEEN TO EXPLORE THE WORLD?

The Fnish artist known by the psdonym Tom of Fland changed the way the public saw the gay muny through his bold homoerotic works.

Born Too Laaksonen, Tom of Fland was famed for his “no holds barred” portrayal of gay them. His body of ic strip works is not only celebrated by the gay muny; they have also been adopted by the mastream for advertorial purpos. After reprisg his studi the mid 1950s, Tom began to termtently subm sketch and drawgs to Physique Pictorial – a magaze for gay men.

THROUGH HOMOEROTIC ART, TOM OF FLAND PAVED WAY FOR TODAY'S GAY PRI

Given this creased liberaly, the beefke dtry waned, and Tom reacted by creatg more homoerotic and explic imag to adapt to the changg climate and reta his mercial edge. What followed was the steady rvg of the remarkable legacy he was to leave on gay culture; a legacy based upon assertg a romanticized ia of mascule gay imagery prevly overlooked. This excg approach to homoerotic art was nsired revolutnary; gone were the effemate, weakened imag of men pertag to a gay stereotype, and stead me Tom’s strong, chiseled, hyper-mascule figur.

Tom of Fland’s gift to gay culture is sentially one of sexual emancipatn. For the members of society stgglg wh the image of gay people prevly perpetuated by the media, Tom opened a bold, shy new door to the ‘club’ of tradnal masculy. He created figureheads of a new mascule gay culture which not only strengthened the fight agast social stigma but were nsired refully crafted works of skillful art themselv.

'UNASHAMEDLY GAY': TOM OF FLAND'S BULGG BEEFKE DRAWGS UNVEILED LONDON

The gay man who created art that helped shape queer inty and sire. Tom of Fland is the psdonym of artist Too Laaksonen – an erotic illtrator om of Fland’s work as an artist was stmental shapg 20th-century gay culture – his impact is still beg felt today. Laaksonen viewed his homosexualy as a non-issue, and wanted to normalise for everyone else his muny at a time when beg gay was lerally a crime.

“In those days, a gay man was ma to feel nothg but shame about his feelgs and his sexualy. I wanted my drawgs to unteract that, to show gay men beg happy and posive about who they were…” Tom explaed, before he died 1991 om an emphysema-duced stroke.

THE GAY FIGURE ARTISTS ARE REIMAGG THE MALE GAZE

”The men drawn by Tom of Fland were pretty much the first sex-posive morn art figur pictg gay men – strappg beefk, wh bulgg mcl, big boots, a visor hat and leather, or a mixture of civilian cloth uniforms – everythg about them is big and unapologetilly 1973, Laaksonen had given up his job advertisg so that he uld vote himself to his art landmark 1962 Supreme Court se MANual Enterpris, Inc. At the vatn of Durk Dehner, a gay bsman, film director and publisher.

KENDAL, England (Thomson Rters Foundatn) - Inic gay artist Tom of Fland was an early fighter for LGBT+ rights, preparg a generatn of gay men the 1940s and ‘50s to bee activists who would fight for equaly a later, the founr of the illtrator’s foundatn said on PHOTO: The rabow flag, monly known as the gay pri flag or LGBT pri flag, is seen durg the first Gay Pri para Skopje, North Macedonia June 29, 2019. REUTERS/Ognen TeofilovskiTom’s imag of burly, leather-clad motached mcle men marked a “radil shift” om the then-prevailg ia of gay men as limp-wristed fops hidg the shadows, said Durk Dehner, who set up the Tom of Fland Foundatn wh the artist 1984. “He was the forenner of gettg prepared to be gay liberatnists, ” Dehner told the Thomson Rters Foundatn on Thursday of the artist whose real name was Too Laaksonen.

REVIEW: ENTERTAG PORTRA OF INIC GAY ARTIST BPIC ‘TOM OF FLAND’

Photographer Robert Mapplethorpe, also known for the graphilly homoerotic nature of his work, was an early supporter. “Prr to that we had been g gay or alternative galleri. ”SPIRITUAL MATTERSThe language of transcenntal medatn still rms much of Dehner’s speech, wh talk movg om sex and the leather athetic to more spirual matters and personal, who worked as a male mol, was photographed by star photographer Bce Weber and won accs to “the sort of ele gays” 1970s and ‘80s New York.

”Tom of Fland’s work, often pictg explic gay sex, has not been whout ntroversy over the years, notably over his e of Nazi imagery and Cross Lane Projects, which curated the exhibn wh the foundatn as part of the Lak Internatnal Comic Art Ftival, said they had received jt one plat sce the late September, Tom’s work is highly sought after, gracg the walls of New York’s Mm of Morn Art and the Mm of Contemporary Art the Fnish pal, Dehner supports up-and-g LGBT+ artists through the foundatn, offerg assistance and even acmodatn at Tom’s Hoe Los Angel, where the artist lived and worked alongsi a new generatn seeks out his work, Dehner said Tom’s legacy as an artist is assured. Tom is known for his highly homoerotic pictns of hyper-mascule men cked out biker leather gear who spired and aroed a generatn of gay men wh their bulgg mcl and juttg jawl. ” The undisvered, unashamedly gay imag clu some Matisse-spired piec datg om 1978 and a work pictg an terracial uple that uld not be shown the US.

“Tom elevated the self-teem of homosexuals. As art holds an sential place the LGBT muny, The Advote striv to she a light on the work of gay, lbian, bisexual, and transgenr artists who are movg the cultural needle wh the artists spotlight sectn. Disver slishows om gay art opengs across the world wh mediums that range om photographs, to oils, to sculpture, and more.

J.C. LEYENCKER: NORMAN ROCKWELL, BUT FIRST AND MAKE IT GAYIN HIS TIME ONE OF AMERI'S MOST CELEBRATED ILLTRATORS, LEYENCKER FAD OM NSCNS AFTER HIS ATH, BUT HE'S MAKG A {FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}{FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}LIFEBY JEFF TAYLOROCTOBER 23, 2019/4:52 {HEIGHT:HER;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;POSN:RELATIVE;-WEBK-FLEX-WRAP:WRAP;-MS-FLEX-WRAP:WRAP;FLEX-WRAP:WRAP;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;-WEBK-TRANSFORM-ORIG:CENTER;-MS-TRANSFORM-ORIG:CENTER;TRANSFORM-ORIG:CENTER;} IMG{HEIGHT:100%;WIDTH:100%;OBJECT-F:VER;}{HEIGHT:955PX;WIDTH:731PX;}LEYENCKER/SATURDAY EVENG POSTBY JEFF TAYLOROCTOBER 23, 2019 / 4:52 PM{"@NTEXT":","@TYPE":"NEWSARTICLE","HEADLE":"J.C. LEYENCKER: NORMAN ROCKWELL, BUT FIRST AND MAKE IT GAY","THUMBNAILURL":","DATEPUBLISHED":"2019-10-23T20:52:19.000+0000","DATEMODIFIED":"2019-10-23T20:52:19.000+0000","IMAGE":{"@NTEXT":","@TYPE":"IMAGEOBJECT","URL":","WIDTH":1920,"HEIGHT":1080},"URL":","THOR":{"@TYPE":"ORGANIZATN","NAME":"LOGO TV"},"MAENTYOFPAGE":{"@TYPE":"WEBPAGE","@ID":"},"PUBLISHER":{"@TYPE":"ORGANIZATN","@ID":","NAME":"LOGO TV","URL":","LOGO":{"@TYPE":"IMAGEOBJECT"}},"CREATOR":"JEFF TAYLOR","KEYWORDS":"LGBTQ HISTORY MONTH, ART","ARTICLESECTN":"LIFE"}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}CHANC ARE YOU'VE HEARD THE NAME NORMAN ROCKWELL, FAMED PATER OF IDYLLIC AMERINA SCEN THAT GRACED THE VERS OF HUNDREDS OF EDNS OF THE SATURDAY EVENG POST DURG THE 1900S, BUT JT AS LIKELY YOU HAVEN'T HEARD OF HIS PRECSOR: ONE JOSEPH CHRISTIAN (J.C.) LEYENCKER.PUBLIC DOMAPORTRAS OF ARTISTS OM ARCHIV OF AMERIN ART, SMHSONIAN {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}PORTRAS OF ARTISTS OM ARCHIV OF AMERIN ART, SMHSONIAN INSTUTN (PUBLIC DOMA, PHOTOGRAPHER UNKNOWN){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ROCKWELL SAW LEYENCKER AS ONE OF HIS MA SPIRATNS, AND HE IS REGULARLY LLED ROCKWELL'S "MENTOR." HE TOO CREATED HUNDREDS OF VERS FOR THE SATURDAY EVENG POST, AND CREATED ADVERTORIAL ILLTRATNS, MOST NOTABLY THE FAMO "ARROW COLLAR MAN," AND THE "CHTERFIELD MAN," BOTH OF WHICH WERE SEEN AS THE ULTIMATE MALE SEX SYMBOL THEIR DAY, PECIALLY THE FORMER, WHO WAS LIVERED WH A MIX OF GGEDNS AND REFEMENT THAT HELPED FE THE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}IN FACT, 'S BELIEVED THE ARROW COLLAR MAN IS WHO IS BEG REFERENCED BY DAISY THE GREAT GATSBY WHEN SHE TELLS THE NOVEL'S NAMAKE THAT HE LOOKS "SO OL," REMBLG "THE ADVERTISEMENT OF THE MAN."2019 NATNAL MM OF AMERIN ILLTRATN, NEWPORT, RI. PHOTO URTY AMERIN ILLTRATORS GALLERY, NEW YORK, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}CHASE, ARROW COLLAR, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ROCKWELL WAS SO TAKEN BY LEYENCKER AND HIS WORK THAT HE DID EVERYTHG HE ULD TO ABSORB THE MAN'S ARTISTIC STYLE, AND EVEN HIS VERY {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AS HE WROTE HIS TOBGRAPHY, MY ADVENTUR AS AN ILLTRATOR, WHERE HE SAID HE, AS AMERIN ILLTRATORS GALLERY SUMMARIZED, "FOLLOWED LEYENCKER AROUND NEW ROCHELLE, NEW YORK, EMULATG LEYENCKER’S SWAGGER, OR LIMP AS WERE, AND 'ATTU.'"LEYENCKER/(C) 2019 NATNAL MM OF AMERIN ILLTRATN, NEWPORT, RI. PHOTO URTY AMERIN ILLTRATORS GALLERY, NEW YORK, NYRERD TIME, COOL SUMMER COMFORT —HOE OFKUPPENHEIMER {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}RERD TIME, COOL SUMMER COMFORT—HOE OF KUPPENHEIMER ADVERTISEMENT, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WHILE ROCKWELL WAS TRANSPARENT ABOUT HIS FLUENCE, AND WHILE LEYENCKER WAS WELL KNOWN HIS DAY, HIS NAME HAS BEEN LARGELY FOTTEN, WH ROCKWELL'S WORK REPLACG HIS THE LLECTIVE AMERIN NSCNS AS THE QUTSENTIAL 20TH CENTURY AMERIN {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}PART OF THIS NEWFOUND TERT THE MAN AND HIS WORK HAS LED TO A EPER DISCSN OF HIS PERSONAL LIFE, CLUDG THE FACT THAT HE WAS GAY.J.C. LEYENCKER/LIBRARY OF CONGRS/CORBIS/VCG VIA GETTY IMAG"ARROW COLLARS & SHIRTS" ADVERTISG POSTER BY JOSEPH CHRISTIAN LEYENCKER (PHOTO BY LIBRARY OF CONGRS/CORBIS/VCG VIA GETTY IMAG){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ARROW COLLARS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}LEYENCKER, WHO EMIGRATED TO THE UNED STAT OM GERMANY WH HIS FAY, WHICH CLUD HIS BROTHER, FRANK XAVIER (F.X.) LEYENCKER—A TALENTED ILLTRATOR HIS OWN RIGHT, WHO IS ALSO BELIEVED TO HAVE BEEN GAY—MET 17-YEAR-OLD MOL CHARL BEACH WHEN HE WAS 29. HE WAS TAKEN BY THE YOUNG MAN'S GOOD LOOKS AND BEGAN G HIM HIS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HE WOULD BEE THE PROTOTYPE FOR THE ARROW COLLAR MAN, AND ALSO BE ED AS A REFERENCE MOL FOR A NUMBER OF HIS OTHER PROJECTS. THE TWO WOULD GO ON TO LIVE TOGETHER FOR THE MAJORY OF THEIR ADULT LIV, PRUMED TO BE PARTNERS. BEACH WOULD ALSO SERVE AS LEYENCKER'S BS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WHILE LEYENCKER'S ILLTRATNS MIGHT SEEM TAME BY TODAY'S STANDARDS, HIS LOVE FOR THE MALE FORM AND MASCULY GENERALLY IS EVINT. HE WAS FOND OF PICTG MEN ATHLETIC AND HEROIC SCEN, AND MANY OF HIS WORKS HAVE BEEN NOTED FOR NTAG MEN ENGAGED WHAT SOME HAVE READ AS LONGG GAZ.LEYENCKER/ARROW {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ARROW ADVERTISEMENT ILLTRATN, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}IN A PIECE ON THE ARTIST FOR THE LOS ANGEL TIM, PUBLISHED 2008 AND PROMPTED BY THE PUBLITN OF THE BOOK J.C. LEYENCKER: AMERIN IMAGIST, REPORTER CAROLYN KELLOGG OFFERS SOME SIGHT TO HOW HE PTURED THE PHYSIQUE OF HIS BELOVED "MANLY MEN":{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}LEYENCKER’S EARLY STYLE—A CROSSHATCHED BSH STROKE THAT TURNED SOFT SURFAC TO SHARP PLAN—RERCED BEACH’S CHISELED GOOD LOOKS. WHEN HIS DYNAMIC CROSSHATCHG FAD TO SOFTER FILLS, LEYENCKER ENHANCED THE MANLS OF HIS SUBJECTS OTHER WAYS: HE L A SGLE LIGHT AND OILED THE MCL OF HIS MOLS FOR DRAMATIC NTOURG. IN AN EARLY MOCK-UP OF AN IVORY SOAP AD, AN ERECTN IS PROMENT THE FOLDS OF A BATHROBE. DES BEFORE FEMIST LRA MULVEY WROTE ABOUT THE MALE GAZE OBJECTIFYG WOMEN, LEYENCKER TURNED HIS GAZE TOWARD HANDSOME MEN AND CREATED WILY CIRCULATED INS OF {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}"WHAT YOU DO NOT FD LEYENCKER’S WORK IS THE NAKED FEMALE BODY," LLECTOR ALEDO VILLANUEVA-COLLADO HAS NOTED. "IT IS NEVER SHOWN ANYWHERE. AND ’S TERTG BEE ONE OF HIS FLUENC WAS ALPHONSE MUCHA, WHO DID MANY SEMI-EXPOSED WOMEN, BUT LEYENCKER DID NOT. I’VE LOOKED AT ENOUGH OF HIS WORK TO SAY THIS WH A GREE OF CERTATY."2019 NATNAL MM OF AMERIN ILLTRATN, NEWPORT, RI. PHOTO URTY AMERIN ILLTRATORS GALLERY, NEW YORK, NY. ATHLETE BEFORE A MOSAIC, C. 1910, OIL ON {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ATHLETE BEFORE A MOSAIC, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WH HIS REER BOOMG, LEYENCKER AND BEACH THREW LAVISH PARTI WH FAMO GUTS ATTENDG. WHILE THEY MIGHT HAVE BEEN RTRAED SOME REGARDS DUE TO THE HOMOPHOBIA AT THE TIME, THEY WERE CLEARLY NOT LIVG {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE GOOD TIM WERE NOT TO LAST, HOWEVER, WH MISSNS BEGNG TO DWDLE OVER TIME. BY THE LATE 1930S AND EARLY 1940S, WH TAST CHANGG, HE WAS BARELY GETTG ANY WORK. WHEN HE DIED 1951 OF A HEART ATTACK, AT THE AGE OF 77, HE HAD LTLE THE WAY OF WEALTH PARED WH HIS HEYDAY. HIS ASSETS WERE SPL BETWEEN BEACH, WHO DIED NOT LONG AFTER, AND HIS TRANGED SISTER—HIS BROTHER HAVG DIED 1924 OM A DG OVERDOSE.LEYENCKER/SATURDAY EVENG {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}"LIFEGUARD, SAVE ME!"—SATURDAY EVENG POST COVER, AUGT 9, {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ACRDG TO COLLECTORS WEEKLY, MANY OF HIS ORIGAL PATGS WERE SOLD AT A MMAGE SALE FOR $75 {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BUT RECENT YEARS, LEYENCKER HAS BEGUN TO REEMERGE AS AN IMPORTANT ARTIST AND CULTURAL FIGURE, WH EXHIBNS OF THE ARTIST'S WORK POPPG UP AROUND THE UNTRY, CLUDG ONE CURRENTLY TAKG PLACE RALEIGH, NORTH CAROLA, AT REYNOLDA HOE MM OF AMERIN {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}MORE OF HIS WORK FOLLOWS.LEYENCKER, PHOTO BY SWIM K 2/CORBIS VIA GETTY IMAGTHE DISC THROWER ILLTRATN BY J.C. LEYENCKER (PHOTO BY SWIM K 2/CORBIS VIA GETTY IMAG){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE DISC THROWER, 1906J.C. LEYENCKER/JOHN KANU PHOTOGRAPHY/SPORTS STUD PHOTOS/GETTY IMAGUNDATED: VTAGE FOOTBALL ILLTRATN. 1913 FOOTBALL ILLTRATN BY JOSEPH CHRISTIAN LEYENCKER OM THE SATURDAY EVENG POST. (PHOTO BY JOHN KANU PHOTOGRAPHY/SPORTS STUD PHOTOS/GETTY IMAG){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}FOOTBALL PLAYERS, 1913J.C. LEYENCKER/BETTMANN/GETTY IMAG1920 ADVERTISEMENT FOR CHTERFIELD CIGARETT FEATURG AN EDDIE RICKENBACKER-TYPE AVIATOR, SIGNED BY JOSEPH CHRISTIAN {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}CHTERFIELD CIGARETTE ADVERTISEMENTJ.C. LEYENCKER/UNIVERSAL HISTORY ARCHIVE/UNIVERSAL IMAG GROUP VIA GETTY IMAGWORLD WAR ONE US MAR POSTER TLED 'SOLDIERS OF THE SEA' ENURAGG MEN TO ENLIST. CREATED BY JOSEPH CHRISTIAN LEYENCKER (1874-1951) PREEMENT AMERIN ILLTRATORS. DATED 1917. (PHOTO BY: UNIVERSAL HISTORY ARCHIVE/UNIVERSAL IMAG GROUP VIA GETTY IMAG){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}SOLDIERS OF THE SEA, 1917LEYENCKER/SWIM INK 2, LLC/CORBIS/CORBIS VIA GETTY IMAGAMERI CALLS RECMENT POSTER BY JOSEPH CHRISTIAN LEYENCKER (PHOTO BY �� SWIM INK 2, LLC/CORBIS/CORBIS VIA GETTY IMAG){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AMERI CALLS RECMENT POSTERLEYENCKER/INTERWOVEN {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}LEYENCKER INTERWOVEN SOCKS ADVERTISEMENT, CIR {BOX-SIZG:BORR-BOX;CLEAR:BOTH;}LGBTQ HISTORY {BOX-SIZG:BORR-BOX;MARG:0 TO;WIDTH:90%;M-WIDTH:288PX;MAX-WIDTH:1440PX;M-HEIGHT:194PX;}LATT NEWS

Browse through the artist spotlight and other sectns that celebrate gay culture. AdvertisementSKIP ADVERTISEMENTWorkg largely outsi the gallery system, a group of illtrators is revivg the disciple and refg how queer bodi are reprented MacConnell, “Ernie” 2014, waterlor and pen on paperLAST FALL, IN a ty apartment downtown New York, a 30-year-old gay physique mol named Matthew Williams stood naked agast a whe backdrop ont of the gay artist John MacConnell.

Over the next 2, 000 years, pturg the naked male form beme an sential artistic skill, one that reached s apotheosis Wtern culture durg the Italian Renaissance, when homosexual sire was subtly exprsed Donatello’s bronze “David” (cir 1440) and Caravagg’s patg “The Micians” (1597), where the tradnal female me is replaced wh a band of boys, partially robed togas, referencg a Greek and Roman perd which homoeroti was a part of society. Classics profsor Andrew Lear, 59, who now ns Osr Wil Tours, a pany that offers excursns foced on implicly gay art and history major while some old masters fetishized the male body barely d ways, the ia of an openly queer artist exprsg his sir om a queer perspective was only born the last century. Ined, cricism of works like Cadm’s durg an era which homosexualy was still forbidn phed many of the artists to the unrground, om where they’re still beg unearthed today.

(It’s perhaps not cintal that Alan Hollghurst’s latt novel, “The Sparsholt Affair, ” a gay retellg of Bra the 20th century, clus a 1940s-era artist tryg to pursue a classmate at Oxford by drawg his figure. ) Frato, “Tangere” 2016, lored pencil on paper, urty of the artist and Antoe Levi, Paris; Jordan Mejias, “Dare Me, ” 2017, monochromatic waterlor on paper, om the book “Of Art and Men” (Photograph: Hans-Ge Pospischil) © Jordan MejiasIN THE YEARS after Cadm, other gay perspectiv on the male body found their way to visual culture, though they’ve typilly been nsired taboo or hypersexual.

THROUGH HOMOEROTIC ART, TOM OF FLAND PAVED WAY FOR TODAY'S GAY PRI

And spe the “queer enlightenment” of the 1970s and ’80s, when Robert Mapplethorpe, the photographer Rotimi Fani-Kayo and others brought man-on-man sex to the mm, there rema few celebratory imag of openly gay men Wtern visual art. Williams’s afternoon ssn wh MacConnell, fact, is part of a recent revival of male figure drawg among ntemporary gay artists — cludg Kou Shou, Mart Bedolla and Stephen McDermott — who all specialize stripped-down reprentatns of largely young whe men.