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Pch</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd hWGSa-D jTptLg">The Bt DJ Mix of 2022 So Far</h1><span class="ContentHearContentDivir-liIxwf kOTubb"></span></div><div class="ContentHearAccredatn-lfctVB etVsnJ ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearDek-bIqFFZ gMTlPZ">All the techno, electro, hoe, dm’n’bass, ambient, and downbeat you n handle.</div><div class="ContentHearByle-kmPyCa emiglw"><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bHLeKI"><p class="ByleWrapper-jWHrLH jslqCu byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd JArb kUYkyS eErqIx byle__name-lk button" href="/staff/philip-sherburne/">Philip Sherburne</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2022-11-04T12:13:00-04:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd jIyViq eMOiwD">November 4, 2022</time></div></div><div class="SocialInsWrapper-hKMEXV ffgPVr social-ins social-ins--standard ContentHearAccredatnSocialIns-jorO fPzfaa ntent-hear__social-share"><ul data-ttid="socialInslist" class="SocialInsList-cHVTIA ivmblD social-ins__list"><li class="SocialInsListItem-mbhR fxaFQj social-ins__list-em social-ins__list-em--facebook social-ins__list-em--standard"><a aria-label="Share on Facebook" class="external-lk SocialInExternalLk-huuzOU lobXkm social-ins__lk social-ins__lk--facebook" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><div 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10.9799 22.115 11.057C22.8003 10.6467 23.3132 10.0013 23.558 9.24103C22.9138 9.62343 22.209 9.89297 21.474 10.038C20.9799 9.50946 20.325 9.15892 19.6112 9.04091C18.8973 8.9229 18.1644 9.04403 17.5265 9.38545C16.8886 9.72688 16.3813 10.2695 16.0836 10.9289C15.7858 11.5884 15.7142 12.3277 15.88 13.032C14.5746 12.9664 13.2976 12.6269 12.132 12.0356C10.9663 11.4444 9.93808 10.6145 9.114 9.60003C8.69297 10.3223 8.56366 11.1782 8.7525 11.9926C8.94134 12.8071 9.43407 13.5187 10.13 13.982C9.60866 13.9664 9.0987 13.8258 8.643 13.572V13.614C8.64319 14.3718 8.90547 15.1063 9.38536 15.6928C9.86525 16.2793 10.5332 16.6818 11.276 16.832C10.7924 16.9633 10.2852 16.9825 9.793 16.888C10.0027 17.5404 10.411 18.1109 10.961 18.5197C11.5109 18.9286 12.1749 19.1552 12.86 19.168C11.6971 20.0805 10.2611 20.5754 8.783 20.573C8.518 20.573 8.257 20.558 8 20.528C9.5011 21.4921 11.248 22.0038 13.032 22.002" fill="black"></path></svg></div></a></li></ul></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kJkLmH article-body__ntent"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG eOdfIs"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bCHUuY body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p><em>Our electronic mic expert Philip Sherburne sifts through the ter’s bounty of DJ mix to fd only the bt sets—bee life’s too short to waste on stale beats. The followg list is prented by release date, om newt to olst, and will be updated throughout the year.</em></p><hr/><div role="headg" aria-level="3" class="headg-h3">k means: Fact Mix 879</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>UK-based DJ/producer <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">k means</a> <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">scrib</a> their Fact Mix vivid terms: a scent “to a clattery percsive hellhole… gettg trippier, more gngy, more amphibian, eventually ascendg to a noisy, guttural climax.” They say that the mix was spired by a recent closg set after Shackleton and Al Wootton, and you n hear the fluence of those producers on the dank atmospher and gnarled dm programmg. k means starts off woozy terra where half-speed dm’n’bass feels like wadg through a tar p, then shifts to overdriven acid techno, hnted-soundg footwork, and the ocsnal mbow groove or post-punk cut. The fily is low, the energy is high, and a thrillg air of menace hangs like soot over the whole thg.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Donato Dozzy: The Labyrth 2014</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>For fans of the ept, most psychelic stras of techno and ambient, no ntemporary ftival is more beloved than Japan’s <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Labyrth</a>, a boutique outdoor event held the mountas of Gunma Prefecture. To celebrate the ftival’s 20th anniversary, the promoters have published live rerdgs of 10 legendary performanc, cludg one om <a href=">Donato Dozzy, a Roman producer known for rkscrewg mimalism who is perhaps the most celebrated of Labyrth’s repeat bookgs.</a> Never before released, Dozzy’s closg set om 2014 is a four-and-a-half-hour journey through tritely tailed, fely tunnelg techno. As always, the Italian DJ favors dky ton, dty textur, and steadily thmmg percsn; the long, gradual blends only tensify the medative vib. No surprise that the promoters behd the Labyrth are lled <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Mdgam</a>—Dozzy’s thoroughly trippy approach is a celebratn of techno at s headit.</p><hr/><div role="headg" aria-level="3" class="headg-h3">FOQL: Wire Mix</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="120" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>“How to be happy durg nstant tastrophe?” <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">asks</a> <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">FOQL</a>, aka Jtyna Banaszczyk, an experimental mician, rad broadster, and label head hailg om Łódź, Poland. That sense of unease across om the start of this mix: Begng wh the omo ton of Jane’s “It’s a Fe Day,” a ceptively airy song released on Cherry Red 1983, FOQL slips to a succsn of dank dron, unsettlg abstractns, wiry post-punk, and nervo ee improv. In this ntext, even a paratively beatific song like Sofie Birch and Antona Nowacka’s “Pripugale” turns shadowy. The majory of the selectns e om leftfield Polish micians and labels—cludg FOQL’s own <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Potls Geometry</a>—which mak the set an excellent primer for the untry’s unrground sounds.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Call Super: Dekmantel Ftival 2022</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>Not many DJs uld nvcgly f Japane noise mimalists Nisennenmondai and ’90s progrsive hoe the same set, but that kd of range and dacy is part of what mak <a href=">Call Super</a> such a joy to behold behd the cks. Perhaps the first ditor of jt how <em>fun</em> the London DJ’s Dekmantel set is gog to be srcely eight mut , when Cardi B’s “Money” a ppella drops to a bbery tech-hoe groove and go bouncg along for what feels like eons, earwormy as a playground chant. A while later—past a new cut om Daphni, an old one om Mathew Jonson, and an absolute chtnut om John Acquaviva—a wiggly acid remix of Kelis’ “Milkshake” is another unabashed crowd pleaser. The aforementned Nisennenmondai cut mak for a sctillatg blend wh the Prodigy’s “Your Love,” of all thgs, before new releas om Pangaea, Nick León, and Floatg Pots brg back up to date wh bass mic and UK techno. Like all the bt sets, the bookends are what hold together: an extend ed of Carl Craig’s “Doma” remix to blast off, and the one-two punch of Bronski Beat’s “Smalltown Boy” and John Holt’s “<a href=">For the Love of You</a>” to brg astg gently back to earth.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Nikki Nair: RA.848</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p><a href=">Nikki Nair</a>’s productns are electrifyg—like, fork--a-socket electrifyg. Borrowg om footwork, electro, dm’n’bass, and techno, and flhg out the hybrid groov wh ultra-hi-f synth tailg, the Atlanta producer is makg some of the most thrillg dance mic out there right now. His two-hour set for <em>Rint Advisor</em> draws om the same well as his productns, full of quick-steppg tempos and twchy, synpated dm programmg. Stylistilly, ’s all over the place, slippg easily between Kh Jon’ <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">stumblg dm work</a>, Mike Ink’s <a href=">nonil mimal techno</a>, and Drexciya’s <a href=">sci-fi electro</a>. And while you won’t fd many other sets that range om Squarepher to Carole Polachek, ’s Nair’s own productns that glue everythg together: There are <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">at least 14 of them here</a>, a high-voltage throughle.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Oleg Patselya: Cxemst 091</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>Until Rsia vad Ukrae Febary, Kyiv was velopg a reputatn for s rapidly expandg techno scene. After the vasn, DJ <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Oleg Patselya</a> stayed behd and found <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Kyiv Angels</a>, a team of volunteers assistg ary and civilians around the untry, but he’s ntued to make mic when he n. His set for the ongog podst seri om <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Cxema</a>, a rovg party at the vanguard of the cy’s club culture, ptur the whe-knuckled energy of Kyiv’s techno scene happier days: It’s fast and relentls, full of mcular rhythms and stern, metallic synths. Along the way, he tak mor tours—rattlg breakbeats, jazzy electro—but for the most part ’s a foced blast of warehoe-shakg techno. In June, a <a href="><em>New York Tim</em> story</a> about the Cxema muny’s rponse to the war, Patselya admted, “At the moment I don’t see the sense of electronic mic. I feel nothg when I listen to .” But judgg om his Cxemst, he’s aga found somethg ccial dance mic: a sense of release, however fleetg.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Ehua: RA Live – 17.06.22 - Sónar, Barcelona</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>To play directly after <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Nihiloxi</a>, the r, Nyege Nyege-signed Bugandan dmmg outf, would be an unenviable slot for any DJ: How uld you possibly match that energy? Takg up the baton om them at Sónar this summer, <a href=">Ehua</a> mak seem like no big al at all. Kickg off wh a rattlg percsive ed—the bridge between Nihiloxi’s sound and hers—the Italian-Ivorian DJ prs the pedal to the floor as she go barrelg through a selectn of slammg techno, quick-steppg mbow, tightly iled bass mic, and a genero helpg of hard dm, the London sound known for s gargantuan rhythm tracks. She keeps the energy levels elevated all the way through, but she also knows when to take a step back om the edge: Jt wns the way she the slky 2-step of Nouve Moni’s “Be Greedy” to take the prsure off right before unleashg the big guns a giddy footwork- and jungle-driven fale.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Kiernan Lavex: Juana’s Mix 072</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>Assumg the existence of fe univers, one of them we n postulate that mil evolutn end wh broken beat. And why not? Arisg the years before Y2K, the London-rooted sound melted together hoe, techno, breakbeats, R&B, jazz, and more to a gooey fn of all thgs soulful. It certaly would make a logil, even utopian, endpot for dance-mic history. Of urse, that didn’t happen. Broken beat largely fad om view, even though some of s pneerg artists are still out there keepg the fah. Count <a href=">Kiernan Lavex</a> among the style’s alyt.</p><div class="Contaer-bkChBi byNLHx"></div><p>Though she didn’t start playg out until around 2014, you n tell om the way she mix the stuff that she’s eply immersed . “Whenever I am havg a weird day or don’t know what mic to play at home, I bt out my stack of broken beat rerds and jt start mixg,” she wr, llg her mix for New York’s Juana’s seri “very much a no thoughts, vib only ketic rult of that.” Broken beat’s knotty synpatns and nse harmoni n make tricky bs to mix, but she rv an unually elegant path through her selectns, emphasizg tracks wh crisp funk beats, aquamare keys, and jt enough vol hooks to keep thgs tchy but never cluttered. It’s an exhilaratg tour of a sound that never go out of style.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Lena Willikens: Outsirs: Gang of Ducks @ Ksk Rad 27.05.2022</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>Like all <a href=">Lena Willikens</a> mix, this set rerd a ty ksk Bssels’ Royal Park is an vatn to travel great distanc whout leavg your chair. She begs, as she often do, ep the fog, wh distant blu guar and nearer footsteps tracg an unsteady path. Stumblg rhythms and ky disrd extend for half an hour, punctuated by the ocsnal beam of ambient synths. About halfway through, she locks to the groove that will rry her through to the fish: a methodil, 90-odd BPM chug. She puts the tempo through s pac, explorg every facet; here ’s a sullen zombie tdge, there a slippery acid sashay, there a grim dtrial pogo. Wh 15 mut left on the clock, all snaps to vivid foc wh the gelg proto-trip-hop of Llie Wer’s “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">When I Was Walt Whman</a>,” then climax wh an early, glorly gloomy rary om Mistry. Only Willikens uld make closg wh a gothic curveball feel like such a walk the park.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Hagop Tchaparian: Bleep Mix #248</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>A former tour manager for Hot Chip and Four Tet, Armenian-Brish producer <a href=">Hagop Tchaparian</a> recently stepped up wh his but album on Four Tet’s Text label. His Bleep mix extends his mil reer’s iends-and-fay vibe, peppered wh tun om pals and peers like Daphni, Chloé Robson, Altrice, and Four Tet himself. It also mak for a pretty prehensive cross-sectn of Tchaparian’s tast, heavy on chunky breakbeats, skippy garage rhythms, and bright, chimg melodi. The San Francis-based mician’s own tracks stand out for the way he works field rerdgs om around the world—Syrian street micians, fireworks over a soccer match—to percsive dancefloor fare, and he’s got a siarly wi-rangg touch here: Jt check the stretch that tak him om the ntrolled chaos of his labelmate Taraval’s “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Aardvark</a>” through the bhangra-ballroom fn of Chandé & yourboykiran’s “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Pani Puri Pirat</a>” and to the blissful Ghanaian highlife of Pat Thomas & Kwashibu Area Band’s “Gyae Su.” From there, the screamg zurna of Tchaparian’s own “GL” propels him straight to vtage jungle om Goldie. It feels like an tobgraphil scrapbook of where he’s been—and where he’s gog.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Kelly Lee Owens: RA.841</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p><a href=">Kelly Lee Owens</a> spent the first seven or eight years of her reer strikg a reful balance between clean-led techno and atmospheric electronic pop, but she took a sharp left turn wh this year’s <a href="><em>LP.8</em></a>. Conceived as the imagary eighth album her disgraphy— fact, ’s the third— fds the Welsh mician abandong her ual hallmarks favor of stark, dtrially tged beats and omoly looped vols. A siarly experimental spir fuels her <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Rint Advisor mix</a>, which opens wh ghostly a ppella by the 11th century mystic Hilgard von Bgen before plungg to eerie soundspg om Bernhard Günter, Throbbg Gristle, and Steve Roach; the set’s send half wds through rualistic percsn and soot-smeared techno before a climax that smok like a burng subwoofer. Many of her picks are unorthodox—this is surely the first time that Rosalía has ever been mixed wh the late Edns Mego founr Peter Rehberg—yet Owens’ tonal sensibily rri the day. By the time that extend passage, which also ns through a Jim O’Rourke remix of Japane noise legend Merzbow, spills out to Rhythm & Sound’s buoyant dub techno, ’s hard to image her selectns playg out any other way.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Two Shell: Boiler Room x Primavera Sound</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps kaOLzO"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="113" width="200" sandbox="allow-scripts allow-popups allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB kNleGZ sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="Contaer-bkChBi byNLHx"></div><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="4yvwtz"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="fpot6w"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bCHUuY body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>UK duo <a href=">Two Shell</a>’s <a href=">Boiler Room appearance</a> at Primavera Sound June quickly beme the year’s most ntroversial DJ set. For one thg, they appeared to be pantomimg to a pre-rerd mix. (For a ad giveaway, jt watch the levels on the mixer when the mera swch to an overhead shot: They’re equently seen tweakg the EQ on channels that no sound is passg through.) Not only that, but ’s been <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">mored</a> that the two figur drsed ridiculo getups—Halloween headwear, bug-eyed sunglass, a burglar’s stockg face mask—aren’t Two Shell at all. Given that the duo’s members rema anonymo, there’s no way of knowg for sure, but the two people on stage sure <em>acted</em> like rgers. The mix, at least, is a ball—a high-energy highwire act that pirouett along the le dividg bass mic om hyperpop. Alongsi cuts om the scene that birthed them (UK funky om Crazy Coz, <a href=">atmospheric techno</a> om Hodge, Facta, and K-Lone) and sds of Two Shell origals, there are a handful of real head-turners, like the duo’s own eds of Jt Timberlake, Sugabab, and a ltle-known emo mician named antonvstheworld. They close out the set wh the effervcent bliss of “home,” a <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">CHINAH-samplg</a>, dm’n’bass-adjacent roller that sputters like a tton-ndy mache nng on overdrive; the vio, a lone ctch bobs up om the heavg crowd while the DJs take selfi behd the cks. Gettg trolled has rarely been que so entertag.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Jim Burgs: The Sat, Labor Day, 1986</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>When a pair of homebuyers moved to their Fire Island beach hoe last year, they ma a <a href=">remarkable disvery</a> left behd by the prev owners: k crat full of hand-dubbed mixtap om the 1980s and ’90s. Featurg sets om DJs like Roy Tho, Michael Jorba, and Richie Bernier, the trove of ssett amounted to a snapshot of Fire Island at a ccial moment s history. For s, the Long Island beach rort has been a refuge for LGBTQ+ people; the ’70s, at clubs like <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">the Ice Palace</a> and the <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Sandpiper</a>, dis provid the soundtrack to queer liberatn. But as AIDS cimated the muny, Fire Island’s dancefloors took on more plited rol, mixg celebratn, hedonism, mourng, and perseverance over a 4/4 beat. More than 200 tap have so far been digized and upload to the <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Pe Walk Collectn</a> on Mixcloud. Spanng the late ’70s to the early ’90s, ns the gamut of dis, hi-NRG, electro pop, and the woozy afterhours style known as sleaze. It’s hard to pick a favore set, but I’m particularly partial to the <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">first part</a> of a marathon 1986 rerdg of Jim Burgs om <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">the Sat</a>, a members-only gay club on Manhattan’s Lower East Si that ran om 1980 until 1988. An acclaimed remixer, Burgs brgs a producer’s reful sense of pacg to the cks: He begs wh Debsy’s “Prelu to the Afternoon of a Fn,” then slips Walter Murphy’s languid dis terpretatn of the piece. Thgs quickly get weird, as the agonized funk of Robert Fripp’s “Exposure” morphs to the vored mechanics of the Android Sisters’ “Robots Are Comg.” You n hear how many sounds were the air—proto-hoe, post-dis, new wave, and numerable ephemeral ias that never earned a name. Even at a time of grave uncertaty, Burgs’ set enpsulat a sense of promise—a belief the transformative powers of the new.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Mumdance: Primavera Sound 2022</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>Last time <a href=">Mumdance</a> was booked to play Primavera Sound, 2019, he end up <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">droppg out</a> and checkg himself to rehab. More than <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">three years sober</a>, he’s back to playg gigs aga, and om the sound of his <a href=">90-mute, four-ck set</a> at the Barcelona ftival, you n tell he’s feelg celebratory. From 4 ’til 5:30 the morng, he treated trepid ravers to a full-on party. The “<a href=">Mentasm</a>” stabs that so omoly open the ssn are a headfake: The apolyptic scene-settg quickly giv way to much lighter fare, and over the next hour and a half, he swchbacks his way through acid, techno, grime, jungle, and vtage hardre, rarely lgerg on a sgle track for long. Both his selectns and his quick-cuttg mix are primed for maximum dopame release, and the fale is a heart-racg climax that ph the tempo dangeroly to the red. If one moment sums up the vibe, ’s around 53 mut , as blisterg acid giv way to a moment of silence and then a brief snippet of Madonna’s “Like a Prayer.” Yet as the New York dance-pop in lnch to the song’s rea (“I hear you ll my name/And feels like—”), a ftly spliced- sample fish her sentence for her: “Ecstasy.” Cartoonish rave stabs e boundg to the ame, and ’s off to the rac. Mumdance’s 90 mut behd the cks are as giddy as peak-time sets e.</p><hr/><div role="headg" aria-level="3" class="headg-h3">DJ Voic: Mixtape Club 009: Avoidg Bad Thoughts</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>Dance mic and drivg have a long history together. Detro techno’s lks to the cy’s r culture are immortalized rerds like Mol 500’s “Night Drive (Th-Babylon)” and Carl Craig’s <em>Landcisg</em>; UK duo Orbal took their name om the rg road that funneled ravers to outer-London rav the late ’80s and early ’90s; <a href=">Galcher Ltwerk</a>’s <a href=">Road Hog</a> project is a love letter to the pleasur of takg the wheel. DJ Voic’ <a href=">mix</a> for <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Mixtape Club</a>—a Patreon-fund project found by Fn and Lol Actn—fds spiratn a siar synchronicy of rhythm and road. “Listeng to a mix your iend’s r is likely where you start your relatnship wh dance mic,” <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">says</a> the New York DJ, aka Krist Malossi, whose Florida upbrgg gave her an appreciatn for the way repetive groov plement long stretch of eeway. Here, she turns to rollg, ripplg stras of hoe and techno for a set that replit the feelg of disappearg to your thoughts at 65 per hour. Her picks, both old and new, are steeped classic sounds. Harry Mariani’s 2001 cut “Nagchampa” is a slice of Y2K-era progrsive hoe at s most hypnotic; DJ Headshot & Matris’ “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Space Bells</a>” is om jt last year, but sounds like an old-school bleep-techno workout, kissed wh a ht of Balearic warmth. Malossi’s selectns display a sgular foc across the entirety of the set, and the mixg is as smooth as the gearshift on a luxury sedan. Gas pric may have scuttled your road-trip plans for the summer, but DJ Voic brgs the feel of the open road to life.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Per Mannerfelt: Six Hs of Sunshe and the Scent of Sprg</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p><a href=">Per Mannerfelt</a> is no stranger to <a href=">whe-knuckled thrill ris</a>, but not everythg the mischievo Swedish electronic mician do is so tense. In a <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">set</a> for Stockholm experimental perfumers <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Stora Skuggan</a>—makers of scents such as Moonk, Mistpouffer, and, um, Thumbsucker—he drops the tempo down to 100 BPM. But this is no garn-variety chill: Diggg to <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">woozy synpatns, bbery acid modulatns, and jtery double-time programmg</a>, Mannerfelt shows how dynamic this slow-movg zone n be. Mark Ernt’ Ndagga Rhythm Force twists Ain percsn to elastic shap; DJ Python explos the sprgy quali of mbow patterns. The tempo zone giv Mannerfelt the opportuny to dt off some classics you don’t typilly hear mixed, like Tricky’s heartbreakg “Christiansands,” and bt out rari om his llaborators Glasser and Fever Ray. Around 52 mut , keep your ears peeled for a geo new track om Aasthma, Mannerfelt’s duo wh Pär Grdvik, featurg HTRK’s Jonne Standish.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Powr: Mantissa Mix 250</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>Powr isn’t a flashy DJ. She tends to stick to a mixture of techno and hoe, om bleepy to ep; her selectns often aren’t particularly radil or terribly obscure. But the Tokyo electronic mician has a way of blendg tracks together that creat somethg entirely new out of them. If there’s a throughle her set for London’s <a href=">Mantissa</a> mix seri, ’s the rollg hand percsn that surfac aga and aga, tyg together muted chords wh splash of dis and dub. She vers plenty of ground, nnectg sounds that have ltle mon (squelchy electro funk, mimal hoe, slky dis) wh unrstated blends: Around halfway through, a boistero piano-hoe jam wh yelpy vols melts so gradually to a low-key dm track that you barely notice the transn.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Steven Julien & Shy One: Lente Kabet 2022</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>Sometim, you jt wanna funk, and when <a href=">Steven Julien</a> and Shy One threw down at Amsterdam’s Lente Kabet ftival not long ago, they brought jt the stuff for . For two hours, the Apron Rerds boss (fka FunkEven) and fellow Londoner Mali Larrgton-Nelson lay down a dynamic mix of ep hoe, broken beat, electro, and jazzy techno mixed buttery smooth. Straight out the gate, they strike a heady but mcular tone wh the refully swung, high-steppg groove of Pablo Valento’s “<a href=">Hum Hum</a>,” followed by Louie Vega’s more trospective “A New Day.” Rooted classic stras of Black Amerin and Brish dance mic, the vibe throughout is timels. The dm-mache workout of Julien’s own “POT808” flash back to lo-fi experiments of the 1980s; Pal Joey’s eternal “Party Time” jects a moment of levy about halfway through; and the set’s fal third, they even briefly dip a toe to etyle, addg an extra dose of summery bliss to a set shot through wh sunshe.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Physil Therapy: Trip Hopera</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>Trip-hop never <em>really</em> died—the slow-motn sound of ’90s chillout rooms liv on today’s “lofi hip-hop” and mic-to-study-to playlists. I was about to say “ diluted form,” but hontly? A lot of the origal trip-hop was pretty aggrsively mid: bland, offensive fare that took hip-hop beats and rave athetics and repackaged them for ffee shops and liftyle pilatns. Still, when was good, nothg soothed the nerv que like a h of <a href=">mad blunted jazz</a>. As other ’90s styl e <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">back to vogue</a>, ’s only ftg that a trip-hop revival should be on the way too. New York’s Physil Therapy has already dipped his to to the waters of downtempo wh his Car Culture project; he go eper wh this <a href=">trip-hop special</a>, diggg out rari like “Eso Lo Que Va,” a Lat rap curveball by Balearic mastay A Man Called Adam his Beach Flea guise, and Pépé Bradock’s “Peer Prsure,” an oft-overlooked <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">B-si</a> om the beloved French hoe producer. One hallmark of ’90s trip-hop was the strange, even mercenary llisn between major-label acts and unrground remixers—a phenomenon that turns up here picks like Jam Lavelle’s unabashedly epic rework of the Verve’s equally unabashed “Bter Sweet Symphony.” To listeners who actually <em>lived</em> the era, enunterg that song here might be a hard pill to swallow; fortunately, Physil Therapy sweetens the al wh songs like Nobazu Takemura’s “Crcent (Howie B. Mix),” perd gems that are ripe for redisvery.</p><hr/><div role="headg" aria-level="3" class="headg-h3">DJ Plead: Tants Volume 292</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>In the four years sce he began releasg mic, Atralia’s DJ Plead (Jarred Beeler) has bee known for bass mic ground tough, percsive club rhythms, often offset by sampl referencg his Lebane herage. He’s recently been easg off floor-fillers to explore more melodic, R&B-fluenced sounds, but his <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Tants mix</a> drops him back to the dancefloor’s ep end. The set starts off mellow and muted—first atic guar and Auto-Tuned vols, then buoyant ambient dub techno—but steadily picks up steam as go, gog om <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">flickerg dm jams</a> to <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">psychelic rollers</a>, <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">lavish sub-bass</a>, and gothic grime anthems. Even at s heavit, mov wh fele grace, stealthy as a fogbank.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Heali: Live From a Bomb Shelter</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps kaOLzO"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="113" width="200" sandbox="allow-scripts allow-popups allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="vfsjsn"></div></div><div 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class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent summary-em__ntent--no-bric"><a class="SummaryItemHedLk-civM dQteGc summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ dupIXR summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Lizzo Sued by Former Dancers for Sexual Harassment, Creatg a Hostile Work Environment</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Evan Msker</span></span></p></div></div></div></div></div></div></li><li><div class="SummaryItemWrapper-iwvBff STePr summary-em summary-em--has-borr summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-si-by-si summary-em--layout-posn-image-left summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard RecircMostPopularSummaryItem-jQxxiw cGRyZE" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jTnDXj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="Zendaya and Domic Fike Pay Tribute to Euphoria Co-Star Ang Cloud" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent summary-em__ntent--no-bric"><a class="SummaryItemHedLk-civM dQteGc summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ dupIXR summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Zendaya and Domic Fike Pay Tribute to <em>Euphoria</em> Co-Star Ang Cloud</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Allison Hsey</span></span></p></div></div></div></div></div></div></li><li><div class="SummaryItemWrapper-iwvBff STePr summary-em summary-em--has-borr summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-si-by-si summary-em--layout-posn-image-left summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard RecircMostPopularSummaryItem-jQxxiw cGRyZE" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jTnDXj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="Injury Rerve Retire Name, Share First Song as By Storm" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent summary-em__ntent--no-bric"><a class="SummaryItemHedLk-civM dQteGc summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ dupIXR summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Injury Rerve Retire Name, Share First Song as By Storm</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Evan Msker</span></span></p></div></div></div></div></div></div></li><li><div class="AdWrapper-dQtivb fZrssQ RecircMostPopularSummaryItem-jQxxiw iOZoWR ad ad--asi"><div class="ad__slot ad__slot--asi" data-no-id="k912tq"></div></div></li></ul><div class="RecircMostPopularFooter-enPjgs gCLhcL"></div></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="2x38bt"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bCHUuY body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>On April 1, the Ukraian experimental electronic mician Heali live-streamed a 30-mute performance om a basement Lviv that doubled as a fundraiser for his untry’s self-fense and humanarian funds. Condns were not optimal: To make the stream possible, he had to bble together two 50-meter ether bl, n them out om the basement, and shield them om the ra wh a plastic bag. More prsgly, jt two hours before his set, an air-raid siren had driven cy dwellers scurryg for ver; sce Rsia’s vasn of Ukrae at the end of Febary, the basement has doubled as a bomb shelter.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p>The vlence beg vised upon the untry only mak the ntemplative stillns of Heali’s mic that much more strikg. For 30 mut, seated before a pact modular rig, he axed airy figur based upon Baroque unterpot to tangled thickets of arpeggs and rich, thmmg dron. In any other ntext, would be profoundly betiful; given the war ragg outsi, this quiet act of perseverance tak on even greater signifince—part prott, part song of mourng.</p><hr/><div role="headg" aria-level="3" class="headg-h3">The Irristible Force vs. Ramjac Corporatn: Live at the Bra 1990</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="120px" width="100%" sandbox="allow-scripts allow-same-orig allow-popups" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>Between 1989 and 1992, the psychelic epicenter of the UK’s acid hoe scene was loted at 11 Wardour Street, London, smack between Picdilly Circ and Leicter Square. It was there, at a ty club, bar, and gallery lled the Bra, that artists like Orbal and Andrew Weatherall mapped dance mic’s outer lims DJ sets and—a rary for the time—live performanc on keyboards, samplers, and sundry bs of hardware.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="62d2cm"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div><div data-attr-viewport-monor="" class="RecircMostPopularWrapper-bRuGTi jkTTgR recirc-most-popular-wrapper viewport-monor-anchor"><div class="RecircMostPopularConter-jiViNn ktrplG recirc-most-popular-sparrow-trackg hi-asi-ad" data-most-popular-id="mod-most-popular-53"><div class="RecircMostPopularHeadg-iVzhzt ggoCpM">Top Stori</div><ul class="RecircMostPopularItems-dCAajf gqcRrp"><li><div class="SummaryItemWrapper-iwvBff STePr summary-em summary-em--has-borr summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-si-by-si summary-em--layout-posn-image-left summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard RecircMostPopularSummaryItem-jQxxiw cGRyZE" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jTnDXj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="Lizzo Sued by Former Dancers for Sexual Harassment, Creatg a Hostile Work Environment" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent summary-em__ntent--no-bric"><a class="SummaryItemHedLk-civM dQteGc summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ dupIXR summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Lizzo Sued by Former Dancers for Sexual Harassment, Creatg a Hostile Work Environment</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Evan Msker</span></span></p></div></div></div></div></div></div></li><li><div class="SummaryItemWrapper-iwvBff STePr summary-em summary-em--has-borr summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-si-by-si summary-em--layout-posn-image-left summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard RecircMostPopularSummaryItem-jQxxiw cGRyZE" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jTnDXj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="Zendaya and Domic Fike Pay Tribute to Euphoria Co-Star Ang Cloud" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent summary-em__ntent--no-bric"><a class="SummaryItemHedLk-civM dQteGc summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ dupIXR summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Zendaya and Domic Fike Pay Tribute to <em>Euphoria</em> Co-Star Ang Cloud</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Allison Hsey</span></span></p></div></div></div></div></div></div></li><li><div class="SummaryItemWrapper-iwvBff STePr summary-em summary-em--has-borr summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-si-by-si summary-em--layout-posn-image-left summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard RecircMostPopularSummaryItem-jQxxiw cGRyZE" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jTnDXj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="Injury Rerve Retire Name, Share First Song as By Storm" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent summary-em__ntent--no-bric"><a class="SummaryItemHedLk-civM dQteGc summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ dupIXR summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Injury Rerve Retire Name, Share First Song as By Storm</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Evan Msker</span></span></p></div></div></div></div></div></div></li><li><div class="AdWrapper-dQtivb fZrssQ RecircMostPopularSummaryItem-jQxxiw iOZoWR ad ad--asi"><div class="ad__slot ad__slot--asi" data-no-id="5lryy"></div></div></li></ul><div class="RecircMostPopularFooter-enPjgs gCLhcL"></div></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="gtuo26"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bCHUuY body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p><em>Live at the Bra 1990</em> ptur a characteristilly heady ssn om the era, a llaboratn between Pl Chivers’ Ramjac Corporatn, who was rponsible for a handful of bra-bendg techno rerds around that time, and the Irristible Force, better known as the psychelic lifer Mixmaster Morris. The days, we tend to thk of ambient and hoe mic as oppos, but, much like the KLF’s 1990 classic <a href="><em>Chill Out</em></a>, <em>Live at the Bra 1990</em> prov the genr’ fundamental patibily, wrappg propulsive dm programmg and bassl looped chants, spiralg synth arpeggs, and even the ocsnal snippet of birdsong. It’s a guilels, wi-eyed look back at UK rave’s goln age.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Maelstrom: <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Ensemble Mix</a></div><p>The shift om mercial mix CDs to ee onle mix has been a boon for listeners and DJs alike, but for the producers whose mic actually fills all those sets, ’s been yet another stance where the value of their work has plummeted. Producers historilly have received a licensg fee, however negligible, when their work gets placed on a mix CD, but placement a streamg mix typilly s only exposure. Enter French producer Maelstrom, whose “Ensemble Mix” harns the blockcha as a potential solutn to the problem.</p><div class="AdWrapper-dQtivb fZrssQ ad ad---ntent"><div class="ad__slot ad__slot---ntent" data-no-id="pfgb6g"></div></div><p>In March, he upload the mix to <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"></a>, a web3 mic platform, as an NFT an edn of 150. The price tag was .1 ETH, or around $300, on the day of release. A smart ntract wrten to the blockcha guarante nearly 6 percent of each sale to each of the 14 producers wh a track the mix, while Maelstrom tak home 15 percent. (FWB, the crypto anizatn that helped him execute the ncept, got 5 percent.) The only tch is that all the producers need to have blockcha wallets to get paid, so Maelstrom end up sourcg the mix om tracks he found on <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Na</a>, another blockcha mic platform, along wh others that he soliced on Twter.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p>Listeng to the set—which is also <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">ee to stream</a>—you’d never gus that he was pullg om such a limed pool. Blendg heavy hters like Space Dimensn Controller and Boys Noize wh relative unknowns like Bagvs and Random Brothers (both, cintally enough, om Indonia), his mixg flows naturally across an evolvg selectn of dark techno and electro.</p><p>Sal of the set raised 15.0 ETH—on the day was released, the equivalent of a ltle more than $45,000, which meant a payout of about $2,266 for each artist volved. Whether this strategy is staable, of urse, is another qutn—the number of buyers willg and able to plunk down hundreds of dollars on a sgle mix is likely to be limed. As a mil proof of ncept, though, “Ensemble Mix” revealed the growg breadth of the blockcha mic muny, while unrsrg a simple but provotive ia: Micians serve to be paid for their mic.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Shannen SP: Dekmantel 377</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>On her new Dekmantel mix, the London NTS Rad rint (and -curator of Hyperdub’s monthly <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Ø club nights</a>) Shannen SP is tent upon tracg nnectns across dance-mic history, pullg together rap, techno, electro, dm’n’bass, footwork, ghetto hoe, breakbeat hardre, and more, both classic and recent. The set is so tightly wound that seems ready to snap at any moment. That’s particularly te of the closg stretch, where rapid-fire breaks explo to Tanzanian sgeli, a dizzygly fast style that sounds a ltle like a merengue ssette played back wh the fast-forward button held down. You n tell that she had a blast mixg , too: The faster the rhythm gets, the giddier the mood.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Jam Bangura: Origs Tap 051</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>Washgton, D.C.’s Jam Bangura out kickg this set for UK promoters <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Origs Sound</a>, dolg out boomg dms, punchy bassl, and the stacto chords of classic Detro techno. Bangura’s <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><em>Interpretatn of Sound</em> EP</a> for New York’s Mister Saturday Night label 2020 balanced mcle wh pth, and his mixg here do the same: The dms h hard, but his textur are diaphano and billowg. The openg of the mix blends Robert Hood-like squelch wh a percsive workout om veteran producer Mark Broom and verno techno. The mood softens the back half as Leon Vynehall’s “Brother” giv way to a <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">1996 ep-hoe track</a> om <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">a surprisg source</a>. He wraps up wh Detro producer Shigeto’s “There’s a Vibe Tonight,” which is, tly, a whole vibe.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Skee Mask B2B Simo Cell</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>In April 2019, French bass producer Simo Cell strapped wh German breakbeat polymath Skee Mask for a seven-hour B2B set at Nant, France’s Trempo club, and November 2020, Simo Cell’s TemeT label released a pair of particularly dynamic 45-mute excerpts om the night as <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><em>TemeTape1</em></a>, the first edn a new seri of mixtap. The ssette sold out quickly, but late January, Simo Cell’s TemeT label posted the whole thg to SoundCloud, makg available for all to hear whout ponyg up silly money on Disgs. On the A-si, the two explore grdg EBM, electro, and gothic trap, fdg unexpected nnectns between Drexciya, Autechre, and Ikonika. The B-si is a whirlwd tour of 160 BPM that’s heavy on footwork, breakbeat hardre, and jungle; near the end, the mix of LSDXOXO’s Depeche Mo-samplg “False Idols” to a DJ Chap track that sampl New Orr llaps new wave to fast techno a way you might not believe possible.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Slowfoam: Our Tomorrow w/ Ran Park</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>For the January stallment of her monthly show on Guadalajara’s <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Inter Public Rad</a>, Berl-based mician Slowfoam mixed together a batch of material om Seattle experimentalist Ran Park—songs, snippets, stems—together wh some of her own unreleased material. The rults are foggy and formls the bt way. The openg passage plays glowg synthizers off sprz of static and radar chirps; timatns of electric jazz add pth, and the diffe atmosphere clears to reveal a simple, poignant piece for piano and flute—one of the “unabashedly aspiratnal” nods to Enn Morrine and Ryuichi Sakamoto that Park referenc a note acpanyg the mix. There’s much more, too: gentle chamber-jazz sketch; glowerg reeds; ambient piano; and even, toward the end, a dreamy trip-hop breakbeat. There’s no tracklistg and no clue as to which parts are Park’s and which are Slowfoam’s. It’s bt to jt close your ey and let wash over you.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Lrel Halo: Awe 10.01.22</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>In January, experimental artist Lrel Halo celebrated the one-year anniversary of her monthly rincy on NTS Rad. Her show tends to range wily—a typil episo might clu classil mimalism, Amerin primive guar, dub reggae, and Detro techno, all mixed seamlsly together. This program is no exceptn: It begs wh a psychelic Orb bootleg, drifts across half an hour of ambient soundspg, and eventually emerg to a sunl clearg of spirual jazz.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="zr8c2h"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div><div data-attr-viewport-monor="" class="RecircMostPopularWrapper-bRuGTi jkTTgR recirc-most-popular-wrapper viewport-monor-anchor"><div class="RecircMostPopularConter-jiViNn ktrplG recirc-most-popular-sparrow-trackg hi-asi-ad" data-most-popular-id="mod-most-popular-54"><div class="RecircMostPopularHeadg-iVzhzt ggoCpM">Top Stori</div><ul class="RecircMostPopularItems-dCAajf gqcRrp"><li><div class="SummaryItemWrapper-iwvBff STePr summary-em summary-em--has-borr summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-si-by-si summary-em--layout-posn-image-left summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard RecircMostPopularSummaryItem-jQxxiw cGRyZE" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jTnDXj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="Lizzo Sued by Former Dancers for Sexual Harassment, Creatg a Hostile Work Environment" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent summary-em__ntent--no-bric"><a class="SummaryItemHedLk-civM dQteGc summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ dupIXR summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Lizzo Sued by Former Dancers for Sexual Harassment, Creatg a Hostile Work Environment</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Evan Msker</span></span></p></div></div></div></div></div></div></li><li><div class="SummaryItemWrapper-iwvBff STePr summary-em summary-em--has-borr summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-si-by-si summary-em--layout-posn-image-left summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard RecircMostPopularSummaryItem-jQxxiw cGRyZE" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jTnDXj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="Zendaya and Domic Fike Pay Tribute to Euphoria Co-Star Ang Cloud" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent summary-em__ntent--no-bric"><a class="SummaryItemHedLk-civM dQteGc summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ dupIXR summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Zendaya and Domic Fike Pay Tribute to <em>Euphoria</em> Co-Star Ang Cloud</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Allison Hsey</span></span></p></div></div></div></div></div></div></li><li><div class="SummaryItemWrapper-iwvBff STePr summary-em summary-em--has-borr summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-si-by-si summary-em--layout-posn-image-left summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard RecircMostPopularSummaryItem-jQxxiw cGRyZE" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jTnDXj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="Injury Rerve Retire Name, Share First Song as By Storm" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent summary-em__ntent--no-bric"><a class="SummaryItemHedLk-civM dQteGc summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ dupIXR summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Injury Rerve Retire Name, Share First Song as By Storm</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Evan Msker</span></span></p></div></div></div></div></div></div></li><li><div class="AdWrapper-dQtivb fZrssQ RecircMostPopularSummaryItem-jQxxiw iOZoWR ad ad--asi"><div class="ad__slot ad__slot--asi" data-no-id="skupd"></div></div></li></ul><div class="RecircMostPopularFooter-enPjgs gCLhcL"></div></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="06st65"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bCHUuY body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>Even at s most diffe, an unrstated lyril sensibily nnects s disparate parts. This shaphiftg through le tak var forms—the flowg chords of claire roay and more eaze’s “An Afternoon Whe,” the plative vol melody of Reiko Kudo’s “Son of Man,” or the foghorn-like ton of Joe Zawul’s “<a href=">Arrival New York</a>.” The mood throughout is eply medative. Followg such a staed terr journey, the closg song—Oh Penentiary 511 Ensemble’s jubilant “Psych Cy,” om a <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">private-prs 1971 rerdg</a> by a group of rcerated micians—feels like emergg to brilliant sunlight, spirually cleansed.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Fn Johannsen: Hsmik 10 (1994-1995)</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>As one of the anizers of unrground Berl night spots Paloma and Monarch, a former employee of the cy’s Hard Wax rerd store, and a mic journalist wh s of byl to his name, Fn Johannsen is a verable founta of dance-mic history. And he’s got the mix to prove .</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p>In his ongog Hsmik seri, now 14 stallments strong, he’s been documentg the ’90s hoe and techno scen German, Atria, and Swzerland. Volume 10 is particularly engrossg, tracg the lite balance of epns and mimalism that held sway the middle of the ’90s. It kicks off wh an uncharacteristilly downy selectn om Kompakt’s Wolfgang Voigt his Mt guise before veteran duo Alter Ego, unr their seldom-ed Primive Pater alias, offer a ep-divg Detro homage; ensug selectns offer terpretatns of the stabbg ans that were ubiquo that era. The perd Johannsen surveys here tends to get overlooked histori of ’90s dance mic, and listeners who weren’t there for may be unfaiar wh a lot the tun—all of which mak tracks like the shimmerg “<a href=">Psycho Kis</a>” all the more revelatory.</p><hr/><div role="headg" aria-level="3" class="headg-h3">John Talabot: DJ Set @ Nsa (17Dec21)</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>At the very end of last year, Barcelona’s <a href=">John Talabot</a>—the cy’s most celebrated DJ for over a now—settled at Nsa Club, his long-time stompg ground, to liver a peak-time set of unmon pth. Nsa was a ccial uldron of lol dance-mic culture the ’90s, and Talabot flash back to those years equently here.</p><p>It’s not an exprsly retro set; toward the end of the first hour, there’s a stretch of recent tun that feels like a wi-angled snapshot of morn techno all s nuance. And right around the two-hour mark, he drops Burial’s 2007 track “Raver,” pched up slightly, a spellbdg moment of dancefloor melancholy. But the majory of the set is steeped the bright, brtle sound of the early-to-mid ’90s, which sullen FM bass, rigid hats and claps, and flickerg pads sketched out a hypnotic fn of techno and trance. Those early European trance sounds have been g back to vogue lately, particularly Sndavia and Eastern Europe, but Talabot never tips to the headbangg tempos of Copenhagen’s “fast techno” scene. Instead, he tak somethg of a Goldilocks approach to blendg styl. At once drivg and immersive, ’s a picture of classic European dance mic at s most ecstatic.</p><div role="headg" aria-level="3" class="headg-h3"></div></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="uoqz8"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em 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</span>Matthew Ismael Ruiz</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hymcSS summary-em summary-em--has-le summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm ijsXGm" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jTnDXj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="Cardi B Jos FendiDa Rappa Vio for New Song “Pot Me 2”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX irmJOI bric SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">News</span></div><a class="SummaryItemHedLk-civM kHqDAk summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ lfbrty summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Cardi B Jos FendiDa Rappa Vio for New Song “Pot Me 2”</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Hattie Lrt</span></span></p></div></div></div></div></div></div><div class="AdWrapper-dQtivb fZrssQ SummaryCollectnGridSummaryItem-WColm ijsXGm ad ad--read-more"><div class="ad__slot ad__slot--read-more" data-no-id="k352ur"></div></div><div class="SummaryItemWrapper-iwvBff hymcSS summary-em summary-em--has-le summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm ijsXGm" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jTnDXj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="Listen to Róisín Murphy’s New Song “You Knew”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX irmJOI bric SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">News</span></div><a class="SummaryItemHedLk-civM kHqDAk summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ lfbrty summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Listen to Róisín Murphy’s New Song “You Knew”</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Na Corran</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hymcSS summary-em summary-em--has-le summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm ijsXGm" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-5" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jTnDXj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="Lrel Halo Announc New Album Atlas, Shar New Song “Belleville”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX irmJOI bric SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">News</span></div><a class="SummaryItemHedLk-civM kHqDAk summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-5" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ lfbrty summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Lrel Halo Announc New Album <em>Atlas</em>, Shar New Song “Belleville”</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Evan Msker</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hymcSS summary-em summary-em--has-le summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm ijsXGm" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-6" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jTnDXj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="MJ Lenrman Shar Vio for First Anti- Rerds Sgle" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX irmJOI bric SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">News</span></div><a class="SummaryItemHedLk-civM kHqDAk summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-6" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ lfbrty summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">MJ Lenrman Shar Vio for First Anti- Rerds Sgle</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Allison Hsey</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hymcSS summary-em summary-em--has-le summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm ijsXGm" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-7" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jTnDXj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="Listen to Slowdive’s New Song “Sk the Game”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX irmJOI bric SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">News</span></div><a class="SummaryItemHedLk-civM kHqDAk summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-7" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ lfbrty summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Listen to Slowdive’s New Song “Sk the Game”</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Matthew Strss</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hymcSS summary-em summary-em--has-le summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm ijsXGm" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-8" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jTnDXj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="8 Albums Out This Week You Should Listen to Now" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX irmJOI bric SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">News</span></div><a class="SummaryItemHedLk-civM kHqDAk summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-8" 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*BEAR-MAGAZINE.COM* GAY DJS 2022

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Pch</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd hWGSa-D jTptLg">The Bt DJ Mix of 2022 So Far</h1><span class="ContentHearContentDivir-liIxwf kOTubb"></span></div><div class="ContentHearAccredatn-lfctVB etVsnJ ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearDek-bIqFFZ gMTlPZ">All the techno, electro, hoe, dm’n’bass, ambient, and downbeat you n handle.</div><div class="ContentHearByle-kmPyCa emiglw"><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bHLeKI"><p class="ByleWrapper-jWHrLH jslqCu byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd JArb kUYkyS eErqIx byle__name-lk button" href="/staff/philip-sherburne/">Philip Sherburne</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2022-11-04T12:13:00-04:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd jIyViq eMOiwD">November 4, 2022</time></div></div><div class="SocialInsWrapper-hKMEXV ffgPVr social-ins social-ins--standard ContentHearAccredatnSocialIns-jorO fPzfaa ntent-hear__social-share"><ul data-ttid="socialInslist" class="SocialInsList-cHVTIA ivmblD social-ins__list"><li class="SocialInsListItem-mbhR fxaFQj social-ins__list-em social-ins__list-em--facebook social-ins__list-em--standard"><a aria-label="Share on Facebook" class="external-lk SocialInExternalLk-huuzOU lobXkm social-ins__lk social-ins__lk--facebook" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><div 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dxAvXx"></div></div></asi></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kJkLmH article-body__ntent"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG eOdfIs"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bCHUuY body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p><em>Our electronic mic expert Philip Sherburne sifts through the ter’s bounty of DJ mix to fd only the bt sets—bee life’s too short to waste on stale beats. The followg list is prented by release date, om newt to olst, and will be updated throughout the year.</em></p><hr/><div role="headg" aria-level="3" class="headg-h3">k means: Fact Mix 879</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>UK-based DJ/producer <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">k means</a> <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">scrib</a> their Fact Mix vivid terms: a scent “to a clattery percsive hellhole… gettg trippier, more gngy, more amphibian, eventually ascendg to a noisy, guttural climax.” They say that the mix was spired by a recent closg set after Shackleton and Al Wootton, and you n hear the fluence of those producers on the dank atmospher and gnarled dm programmg. k means starts off woozy terra where half-speed dm’n’bass feels like wadg through a tar p, then shifts to overdriven acid techno, hnted-soundg footwork, and the ocsnal mbow groove or post-punk cut. The fily is low, the energy is high, and a thrillg air of menace hangs like soot over the whole thg.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Donato Dozzy: The Labyrth 2014</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>For fans of the ept, most psychelic stras of techno and ambient, no ntemporary ftival is more beloved than Japan’s <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Labyrth</a>, a boutique outdoor event held the mountas of Gunma Prefecture. To celebrate the ftival’s 20th anniversary, the promoters have published live rerdgs of 10 legendary performanc, cludg one om <a href=">Donato Dozzy, a Roman producer known for rkscrewg mimalism who is perhaps the most celebrated of Labyrth’s repeat bookgs.</a> Never before released, Dozzy’s closg set om 2014 is a four-and-a-half-hour journey through tritely tailed, fely tunnelg techno. As always, the Italian DJ favors dky ton, dty textur, and steadily thmmg percsn; the long, gradual blends only tensify the medative vib. No surprise that the promoters behd the Labyrth are lled <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Mdgam</a>—Dozzy’s thoroughly trippy approach is a celebratn of techno at s headit.</p><hr/><div role="headg" aria-level="3" class="headg-h3">FOQL: Wire Mix</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="120" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>“How to be happy durg nstant tastrophe?” <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">asks</a> <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">FOQL</a>, aka Jtyna Banaszczyk, an experimental mician, rad broadster, and label head hailg om Łódź, Poland. That sense of unease across om the start of this mix: Begng wh the omo ton of Jane’s “It’s a Fe Day,” a ceptively airy song released on Cherry Red 1983, FOQL slips to a succsn of dank dron, unsettlg abstractns, wiry post-punk, and nervo ee improv. In this ntext, even a paratively beatific song like Sofie Birch and Antona Nowacka’s “Pripugale” turns shadowy. The majory of the selectns e om leftfield Polish micians and labels—cludg FOQL’s own <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Potls Geometry</a>—which mak the set an excellent primer for the untry’s unrground sounds.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Call Super: Dekmantel Ftival 2022</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>Not many DJs uld nvcgly f Japane noise mimalists Nisennenmondai and ’90s progrsive hoe the same set, but that kd of range and dacy is part of what mak <a href=">Call Super</a> such a joy to behold behd the cks. Perhaps the first ditor of jt how <em>fun</em> the London DJ’s Dekmantel set is gog to be srcely eight mut , when Cardi B’s “Money” a ppella drops to a bbery tech-hoe groove and go bouncg along for what feels like eons, earwormy as a playground chant. A while later—past a new cut om Daphni, an old one om Mathew Jonson, and an absolute chtnut om John Acquaviva—a wiggly acid remix of Kelis’ “Milkshake” is another unabashed crowd pleaser. The aforementned Nisennenmondai cut mak for a sctillatg blend wh the Prodigy’s “Your Love,” of all thgs, before new releas om Pangaea, Nick León, and Floatg Pots brg back up to date wh bass mic and UK techno. Like all the bt sets, the bookends are what hold together: an extend ed of Carl Craig’s “Doma” remix to blast off, and the one-two punch of Bronski Beat’s “Smalltown Boy” and John Holt’s “<a href=">For the Love of You</a>” to brg astg gently back to earth.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Nikki Nair: RA.848</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p><a href=">Nikki Nair</a>’s productns are electrifyg—like, fork--a-socket electrifyg. Borrowg om footwork, electro, dm’n’bass, and techno, and flhg out the hybrid groov wh ultra-hi-f synth tailg, the Atlanta producer is makg some of the most thrillg dance mic out there right now. His two-hour set for <em>Rint Advisor</em> draws om the same well as his productns, full of quick-steppg tempos and twchy, synpated dm programmg. Stylistilly, ’s all over the place, slippg easily between Kh Jon’ <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">stumblg dm work</a>, Mike Ink’s <a href=">nonil mimal techno</a>, and Drexciya’s <a href=">sci-fi electro</a>. And while you won’t fd many other sets that range om Squarepher to Carole Polachek, ’s Nair’s own productns that glue everythg together: There are <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">at least 14 of them here</a>, a high-voltage throughle.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Oleg Patselya: Cxemst 091</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>Until Rsia vad Ukrae Febary, Kyiv was velopg a reputatn for s rapidly expandg techno scene. After the vasn, DJ <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Oleg Patselya</a> stayed behd and found <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Kyiv Angels</a>, a team of volunteers assistg ary and civilians around the untry, but he’s ntued to make mic when he n. His set for the ongog podst seri om <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Cxema</a>, a rovg party at the vanguard of the cy’s club culture, ptur the whe-knuckled energy of Kyiv’s techno scene happier days: It’s fast and relentls, full of mcular rhythms and stern, metallic synths. Along the way, he tak mor tours—rattlg breakbeats, jazzy electro—but for the most part ’s a foced blast of warehoe-shakg techno. In June, a <a href="><em>New York Tim</em> story</a> about the Cxema muny’s rponse to the war, Patselya admted, “At the moment I don’t see the sense of electronic mic. I feel nothg when I listen to .” But judgg om his Cxemst, he’s aga found somethg ccial dance mic: a sense of release, however fleetg.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Ehua: RA Live – 17.06.22 - Sónar, Barcelona</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>To play directly after <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Nihiloxi</a>, the r, Nyege Nyege-signed Bugandan dmmg outf, would be an unenviable slot for any DJ: How uld you possibly match that energy? Takg up the baton om them at Sónar this summer, <a href=">Ehua</a> mak seem like no big al at all. Kickg off wh a rattlg percsive ed—the bridge between Nihiloxi’s sound and hers—the Italian-Ivorian DJ prs the pedal to the floor as she go barrelg through a selectn of slammg techno, quick-steppg mbow, tightly iled bass mic, and a genero helpg of hard dm, the London sound known for s gargantuan rhythm tracks. She keeps the energy levels elevated all the way through, but she also knows when to take a step back om the edge: Jt wns the way she the slky 2-step of Nouve Moni’s “Be Greedy” to take the prsure off right before unleashg the big guns a giddy footwork- and jungle-driven fale.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Kiernan Lavex: Juana’s Mix 072</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>Assumg the existence of fe univers, one of them we n postulate that mil evolutn end wh broken beat. And why not? Arisg the years before Y2K, the London-rooted sound melted together hoe, techno, breakbeats, R&B, jazz, and more to a gooey fn of all thgs soulful. It certaly would make a logil, even utopian, endpot for dance-mic history. Of urse, that didn’t happen. Broken beat largely fad om view, even though some of s pneerg artists are still out there keepg the fah. Count <a href=">Kiernan Lavex</a> among the style’s alyt.</p><div class="Contaer-bkChBi byNLHx"></div><p>Though she didn’t start playg out until around 2014, you n tell om the way she mix the stuff that she’s eply immersed . “Whenever I am havg a weird day or don’t know what mic to play at home, I bt out my stack of broken beat rerds and jt start mixg,” she wr, llg her mix for New York’s Juana’s seri “very much a no thoughts, vib only ketic rult of that.” Broken beat’s knotty synpatns and nse harmoni n make tricky bs to mix, but she rv an unually elegant path through her selectns, emphasizg tracks wh crisp funk beats, aquamare keys, and jt enough vol hooks to keep thgs tchy but never cluttered. It’s an exhilaratg tour of a sound that never go out of style.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Lena Willikens: Outsirs: Gang of Ducks @ Ksk Rad 27.05.2022</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>Like all <a href=">Lena Willikens</a> mix, this set rerd a ty ksk Bssels’ Royal Park is an vatn to travel great distanc whout leavg your chair. She begs, as she often do, ep the fog, wh distant blu guar and nearer footsteps tracg an unsteady path. Stumblg rhythms and ky disrd extend for half an hour, punctuated by the ocsnal beam of ambient synths. About halfway through, she locks to the groove that will rry her through to the fish: a methodil, 90-odd BPM chug. She puts the tempo through s pac, explorg every facet; here ’s a sullen zombie tdge, there a slippery acid sashay, there a grim dtrial pogo. Wh 15 mut left on the clock, all snaps to vivid foc wh the gelg proto-trip-hop of Llie Wer’s “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">When I Was Walt Whman</a>,” then climax wh an early, glorly gloomy rary om Mistry. Only Willikens uld make closg wh a gothic curveball feel like such a walk the park.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Hagop Tchaparian: Bleep Mix #248</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>A former tour manager for Hot Chip and Four Tet, Armenian-Brish producer <a href=">Hagop Tchaparian</a> recently stepped up wh his but album on Four Tet’s Text label. His Bleep mix extends his mil reer’s iends-and-fay vibe, peppered wh tun om pals and peers like Daphni, Chloé Robson, Altrice, and Four Tet himself. It also mak for a pretty prehensive cross-sectn of Tchaparian’s tast, heavy on chunky breakbeats, skippy garage rhythms, and bright, chimg melodi. The San Francis-based mician’s own tracks stand out for the way he works field rerdgs om around the world—Syrian street micians, fireworks over a soccer match—to percsive dancefloor fare, and he’s got a siarly wi-rangg touch here: Jt check the stretch that tak him om the ntrolled chaos of his labelmate Taraval’s “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Aardvark</a>” through the bhangra-ballroom fn of Chandé & yourboykiran’s “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Pani Puri Pirat</a>” and to the blissful Ghanaian highlife of Pat Thomas & Kwashibu Area Band’s “Gyae Su.” From there, the screamg zurna of Tchaparian’s own “GL” propels him straight to vtage jungle om Goldie. It feels like an tobgraphil scrapbook of where he’s been—and where he’s gog.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Kelly Lee Owens: RA.841</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p><a href=">Kelly Lee Owens</a> spent the first seven or eight years of her reer strikg a reful balance between clean-led techno and atmospheric electronic pop, but she took a sharp left turn wh this year’s <a href="><em>LP.8</em></a>. Conceived as the imagary eighth album her disgraphy— fact, ’s the third— fds the Welsh mician abandong her ual hallmarks favor of stark, dtrially tged beats and omoly looped vols. A siarly experimental spir fuels her <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Rint Advisor mix</a>, which opens wh ghostly a ppella by the 11th century mystic Hilgard von Bgen before plungg to eerie soundspg om Bernhard Günter, Throbbg Gristle, and Steve Roach; the set’s send half wds through rualistic percsn and soot-smeared techno before a climax that smok like a burng subwoofer. Many of her picks are unorthodox—this is surely the first time that Rosalía has ever been mixed wh the late Edns Mego founr Peter Rehberg—yet Owens’ tonal sensibily rri the day. By the time that extend passage, which also ns through a Jim O’Rourke remix of Japane noise legend Merzbow, spills out to Rhythm & Sound’s buoyant dub techno, ’s hard to image her selectns playg out any other way.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Two Shell: Boiler Room x Primavera Sound</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps kaOLzO"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="113" width="200" sandbox="allow-scripts allow-popups allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB kNleGZ sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="Contaer-bkChBi byNLHx"></div><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="4yvwtz"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="fpot6w"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bCHUuY body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>UK duo <a href=">Two Shell</a>’s <a href=">Boiler Room appearance</a> at Primavera Sound June quickly beme the year’s most ntroversial DJ set. For one thg, they appeared to be pantomimg to a pre-rerd mix. (For a ad giveaway, jt watch the levels on the mixer when the mera swch to an overhead shot: They’re equently seen tweakg the EQ on channels that no sound is passg through.) Not only that, but ’s been <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">mored</a> that the two figur drsed ridiculo getups—Halloween headwear, bug-eyed sunglass, a burglar’s stockg face mask—aren’t Two Shell at all. Given that the duo’s members rema anonymo, there’s no way of knowg for sure, but the two people on stage sure <em>acted</em> like rgers. The mix, at least, is a ball—a high-energy highwire act that pirouett along the le dividg bass mic om hyperpop. Alongsi cuts om the scene that birthed them (UK funky om Crazy Coz, <a href=">atmospheric techno</a> om Hodge, Facta, and K-Lone) and sds of Two Shell origals, there are a handful of real head-turners, like the duo’s own eds of Jt Timberlake, Sugabab, and a ltle-known emo mician named antonvstheworld. They close out the set wh the effervcent bliss of “home,” a <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">CHINAH-samplg</a>, dm’n’bass-adjacent roller that sputters like a tton-ndy mache nng on overdrive; the vio, a lone ctch bobs up om the heavg crowd while the DJs take selfi behd the cks. Gettg trolled has rarely been que so entertag.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Jim Burgs: The Sat, Labor Day, 1986</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>When a pair of homebuyers moved to their Fire Island beach hoe last year, they ma a <a href=">remarkable disvery</a> left behd by the prev owners: k crat full of hand-dubbed mixtap om the 1980s and ’90s. Featurg sets om DJs like Roy Tho, Michael Jorba, and Richie Bernier, the trove of ssett amounted to a snapshot of Fire Island at a ccial moment s history. For s, the Long Island beach rort has been a refuge for LGBTQ+ people; the ’70s, at clubs like <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">the Ice Palace</a> and the <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Sandpiper</a>, dis provid the soundtrack to queer liberatn. But as AIDS cimated the muny, Fire Island’s dancefloors took on more plited rol, mixg celebratn, hedonism, mourng, and perseverance over a 4/4 beat. More than 200 tap have so far been digized and upload to the <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Pe Walk Collectn</a> on Mixcloud. Spanng the late ’70s to the early ’90s, ns the gamut of dis, hi-NRG, electro pop, and the woozy afterhours style known as sleaze. It’s hard to pick a favore set, but I’m particularly partial to the <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">first part</a> of a marathon 1986 rerdg of Jim Burgs om <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">the Sat</a>, a members-only gay club on Manhattan’s Lower East Si that ran om 1980 until 1988. An acclaimed remixer, Burgs brgs a producer’s reful sense of pacg to the cks: He begs wh Debsy’s “Prelu to the Afternoon of a Fn,” then slips Walter Murphy’s languid dis terpretatn of the piece. Thgs quickly get weird, as the agonized funk of Robert Fripp’s “Exposure” morphs to the vored mechanics of the Android Sisters’ “Robots Are Comg.” You n hear how many sounds were the air—proto-hoe, post-dis, new wave, and numerable ephemeral ias that never earned a name. Even at a time of grave uncertaty, Burgs’ set enpsulat a sense of promise—a belief the transformative powers of the new.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Mumdance: Primavera Sound 2022</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>Last time <a href=">Mumdance</a> was booked to play Primavera Sound, 2019, he end up <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">droppg out</a> and checkg himself to rehab. More than <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">three years sober</a>, he’s back to playg gigs aga, and om the sound of his <a href=">90-mute, four-ck set</a> at the Barcelona ftival, you n tell he’s feelg celebratory. From 4 ’til 5:30 the morng, he treated trepid ravers to a full-on party. The “<a href=">Mentasm</a>” stabs that so omoly open the ssn are a headfake: The apolyptic scene-settg quickly giv way to much lighter fare, and over the next hour and a half, he swchbacks his way through acid, techno, grime, jungle, and vtage hardre, rarely lgerg on a sgle track for long. Both his selectns and his quick-cuttg mix are primed for maximum dopame release, and the fale is a heart-racg climax that ph the tempo dangeroly to the red. If one moment sums up the vibe, ’s around 53 mut , as blisterg acid giv way to a moment of silence and then a brief snippet of Madonna’s “Like a Prayer.” Yet as the New York dance-pop in lnch to the song’s rea (“I hear you ll my name/And feels like—”), a ftly spliced- sample fish her sentence for her: “Ecstasy.” Cartoonish rave stabs e boundg to the ame, and ’s off to the rac. Mumdance’s 90 mut behd the cks are as giddy as peak-time sets e.</p><hr/><div role="headg" aria-level="3" class="headg-h3">DJ Voic: Mixtape Club 009: Avoidg Bad Thoughts</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>Dance mic and drivg have a long history together. Detro techno’s lks to the cy’s r culture are immortalized rerds like Mol 500’s “Night Drive (Th-Babylon)” and Carl Craig’s <em>Landcisg</em>; UK duo Orbal took their name om the rg road that funneled ravers to outer-London rav the late ’80s and early ’90s; <a href=">Galcher Ltwerk</a>’s <a href=">Road Hog</a> project is a love letter to the pleasur of takg the wheel. DJ Voic’ <a href=">mix</a> for <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Mixtape Club</a>—a Patreon-fund project found by Fn and Lol Actn—fds spiratn a siar synchronicy of rhythm and road. “Listeng to a mix your iend’s r is likely where you start your relatnship wh dance mic,” <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">says</a> the New York DJ, aka Krist Malossi, whose Florida upbrgg gave her an appreciatn for the way repetive groov plement long stretch of eeway. Here, she turns to rollg, ripplg stras of hoe and techno for a set that replit the feelg of disappearg to your thoughts at 65 per hour. Her picks, both old and new, are steeped classic sounds. Harry Mariani’s 2001 cut “Nagchampa” is a slice of Y2K-era progrsive hoe at s most hypnotic; DJ Headshot & Matris’ “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Space Bells</a>” is om jt last year, but sounds like an old-school bleep-techno workout, kissed wh a ht of Balearic warmth. Malossi’s selectns display a sgular foc across the entirety of the set, and the mixg is as smooth as the gearshift on a luxury sedan. Gas pric may have scuttled your road-trip plans for the summer, but DJ Voic brgs the feel of the open road to life.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Per Mannerfelt: Six Hs of Sunshe and the Scent of Sprg</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p><a href=">Per Mannerfelt</a> is no stranger to <a href=">whe-knuckled thrill ris</a>, but not everythg the mischievo Swedish electronic mician do is so tense. In a <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">set</a> for Stockholm experimental perfumers <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Stora Skuggan</a>—makers of scents such as Moonk, Mistpouffer, and, um, Thumbsucker—he drops the tempo down to 100 BPM. But this is no garn-variety chill: Diggg to <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">woozy synpatns, bbery acid modulatns, and jtery double-time programmg</a>, Mannerfelt shows how dynamic this slow-movg zone n be. Mark Ernt’ Ndagga Rhythm Force twists Ain percsn to elastic shap; DJ Python explos the sprgy quali of mbow patterns. The tempo zone giv Mannerfelt the opportuny to dt off some classics you don’t typilly hear mixed, like Tricky’s heartbreakg “Christiansands,” and bt out rari om his llaborators Glasser and Fever Ray. Around 52 mut , keep your ears peeled for a geo new track om Aasthma, Mannerfelt’s duo wh Pär Grdvik, featurg HTRK’s Jonne Standish.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Powr: Mantissa Mix 250</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>Powr isn’t a flashy DJ. She tends to stick to a mixture of techno and hoe, om bleepy to ep; her selectns often aren’t particularly radil or terribly obscure. But the Tokyo electronic mician has a way of blendg tracks together that creat somethg entirely new out of them. If there’s a throughle her set for London’s <a href=">Mantissa</a> mix seri, ’s the rollg hand percsn that surfac aga and aga, tyg together muted chords wh splash of dis and dub. She vers plenty of ground, nnectg sounds that have ltle mon (squelchy electro funk, mimal hoe, slky dis) wh unrstated blends: Around halfway through, a boistero piano-hoe jam wh yelpy vols melts so gradually to a low-key dm track that you barely notice the transn.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Steven Julien & Shy One: Lente Kabet 2022</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>Sometim, you jt wanna funk, and when <a href=">Steven Julien</a> and Shy One threw down at Amsterdam’s Lente Kabet ftival not long ago, they brought jt the stuff for . For two hours, the Apron Rerds boss (fka FunkEven) and fellow Londoner Mali Larrgton-Nelson lay down a dynamic mix of ep hoe, broken beat, electro, and jazzy techno mixed buttery smooth. Straight out the gate, they strike a heady but mcular tone wh the refully swung, high-steppg groove of Pablo Valento’s “<a href=">Hum Hum</a>,” followed by Louie Vega’s more trospective “A New Day.” Rooted classic stras of Black Amerin and Brish dance mic, the vibe throughout is timels. The dm-mache workout of Julien’s own “POT808” flash back to lo-fi experiments of the 1980s; Pal Joey’s eternal “Party Time” jects a moment of levy about halfway through; and the set’s fal third, they even briefly dip a toe to etyle, addg an extra dose of summery bliss to a set shot through wh sunshe.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Physil Therapy: Trip Hopera</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>Trip-hop never <em>really</em> died—the slow-motn sound of ’90s chillout rooms liv on today’s “lofi hip-hop” and mic-to-study-to playlists. I was about to say “ diluted form,” but hontly? A lot of the origal trip-hop was pretty aggrsively mid: bland, offensive fare that took hip-hop beats and rave athetics and repackaged them for ffee shops and liftyle pilatns. Still, when was good, nothg soothed the nerv que like a h of <a href=">mad blunted jazz</a>. As other ’90s styl e <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">back to vogue</a>, ’s only ftg that a trip-hop revival should be on the way too. New York’s Physil Therapy has already dipped his to to the waters of downtempo wh his Car Culture project; he go eper wh this <a href=">trip-hop special</a>, diggg out rari like “Eso Lo Que Va,” a Lat rap curveball by Balearic mastay A Man Called Adam his Beach Flea guise, and Pépé Bradock’s “Peer Prsure,” an oft-overlooked <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">B-si</a> om the beloved French hoe producer. One hallmark of ’90s trip-hop was the strange, even mercenary llisn between major-label acts and unrground remixers—a phenomenon that turns up here picks like Jam Lavelle’s unabashedly epic rework of the Verve’s equally unabashed “Bter Sweet Symphony.” To listeners who actually <em>lived</em> the era, enunterg that song here might be a hard pill to swallow; fortunately, Physil Therapy sweetens the al wh songs like Nobazu Takemura’s “Crcent (Howie B. Mix),” perd gems that are ripe for redisvery.</p><hr/><div role="headg" aria-level="3" class="headg-h3">DJ Plead: Tants Volume 292</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>In the four years sce he began releasg mic, Atralia’s DJ Plead (Jarred Beeler) has bee known for bass mic ground tough, percsive club rhythms, often offset by sampl referencg his Lebane herage. He’s recently been easg off floor-fillers to explore more melodic, R&B-fluenced sounds, but his <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Tants mix</a> drops him back to the dancefloor’s ep end. The set starts off mellow and muted—first atic guar and Auto-Tuned vols, then buoyant ambient dub techno—but steadily picks up steam as go, gog om <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">flickerg dm jams</a> to <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">psychelic rollers</a>, <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">lavish sub-bass</a>, and gothic grime anthems. Even at s heavit, mov wh fele grace, stealthy as a fogbank.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Heali: Live From a Bomb Shelter</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps kaOLzO"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="113" width="200" sandbox="allow-scripts allow-popups allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="vfsjsn"></div></div><div 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class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent summary-em__ntent--no-bric"><a class="SummaryItemHedLk-civM dQteGc summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ dupIXR summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Lizzo Sued by Former Dancers for Sexual Harassment, Creatg a Hostile Work Environment</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Evan Msker</span></span></p></div></div></div></div></div></div></li><li><div class="SummaryItemWrapper-iwvBff STePr summary-em summary-em--has-borr summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-si-by-si summary-em--layout-posn-image-left summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard RecircMostPopularSummaryItem-jQxxiw cGRyZE" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jTnDXj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="Zendaya and Domic Fike Pay Tribute to Euphoria Co-Star Ang Cloud" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent summary-em__ntent--no-bric"><a class="SummaryItemHedLk-civM dQteGc summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ dupIXR summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Zendaya and Domic Fike Pay Tribute to <em>Euphoria</em> Co-Star Ang Cloud</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Allison Hsey</span></span></p></div></div></div></div></div></div></li><li><div class="SummaryItemWrapper-iwvBff STePr summary-em summary-em--has-borr summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-si-by-si summary-em--layout-posn-image-left summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard RecircMostPopularSummaryItem-jQxxiw cGRyZE" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jTnDXj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="Injury Rerve Retire Name, Share First Song as By Storm" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent summary-em__ntent--no-bric"><a class="SummaryItemHedLk-civM dQteGc summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ dupIXR summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Injury Rerve Retire Name, Share First Song as By Storm</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Evan Msker</span></span></p></div></div></div></div></div></div></li><li><div class="AdWrapper-dQtivb fZrssQ RecircMostPopularSummaryItem-jQxxiw iOZoWR ad ad--asi"><div class="ad__slot ad__slot--asi" data-no-id="k912tq"></div></div></li></ul><div class="RecircMostPopularFooter-enPjgs gCLhcL"></div></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="2x38bt"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bCHUuY body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>On April 1, the Ukraian experimental electronic mician Heali live-streamed a 30-mute performance om a basement Lviv that doubled as a fundraiser for his untry’s self-fense and humanarian funds. Condns were not optimal: To make the stream possible, he had to bble together two 50-meter ether bl, n them out om the basement, and shield them om the ra wh a plastic bag. More prsgly, jt two hours before his set, an air-raid siren had driven cy dwellers scurryg for ver; sce Rsia’s vasn of Ukrae at the end of Febary, the basement has doubled as a bomb shelter.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p>The vlence beg vised upon the untry only mak the ntemplative stillns of Heali’s mic that much more strikg. For 30 mut, seated before a pact modular rig, he axed airy figur based upon Baroque unterpot to tangled thickets of arpeggs and rich, thmmg dron. In any other ntext, would be profoundly betiful; given the war ragg outsi, this quiet act of perseverance tak on even greater signifince—part prott, part song of mourng.</p><hr/><div role="headg" aria-level="3" class="headg-h3">The Irristible Force vs. Ramjac Corporatn: Live at the Bra 1990</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="120px" width="100%" sandbox="allow-scripts allow-same-orig allow-popups" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>Between 1989 and 1992, the psychelic epicenter of the UK’s acid hoe scene was loted at 11 Wardour Street, London, smack between Picdilly Circ and Leicter Square. It was there, at a ty club, bar, and gallery lled the Bra, that artists like Orbal and Andrew Weatherall mapped dance mic’s outer lims DJ sets and—a rary for the time—live performanc on keyboards, samplers, and sundry bs of hardware.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="62d2cm"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div><div data-attr-viewport-monor="" class="RecircMostPopularWrapper-bRuGTi jkTTgR recirc-most-popular-wrapper viewport-monor-anchor"><div class="RecircMostPopularConter-jiViNn ktrplG recirc-most-popular-sparrow-trackg hi-asi-ad" data-most-popular-id="mod-most-popular-53"><div class="RecircMostPopularHeadg-iVzhzt ggoCpM">Top Stori</div><ul class="RecircMostPopularItems-dCAajf gqcRrp"><li><div class="SummaryItemWrapper-iwvBff STePr summary-em summary-em--has-borr summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-si-by-si summary-em--layout-posn-image-left summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard RecircMostPopularSummaryItem-jQxxiw cGRyZE" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jTnDXj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="Lizzo Sued by Former Dancers for Sexual Harassment, Creatg a Hostile Work Environment" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent summary-em__ntent--no-bric"><a class="SummaryItemHedLk-civM dQteGc summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ dupIXR summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Lizzo Sued by Former Dancers for Sexual Harassment, Creatg a Hostile Work Environment</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Evan Msker</span></span></p></div></div></div></div></div></div></li><li><div class="SummaryItemWrapper-iwvBff STePr summary-em summary-em--has-borr summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-si-by-si summary-em--layout-posn-image-left summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard RecircMostPopularSummaryItem-jQxxiw cGRyZE" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jTnDXj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="Zendaya and Domic Fike Pay Tribute to Euphoria Co-Star Ang Cloud" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent summary-em__ntent--no-bric"><a class="SummaryItemHedLk-civM dQteGc summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ dupIXR summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Zendaya and Domic Fike Pay Tribute to <em>Euphoria</em> Co-Star Ang Cloud</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Allison Hsey</span></span></p></div></div></div></div></div></div></li><li><div class="SummaryItemWrapper-iwvBff STePr summary-em summary-em--has-borr summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-si-by-si summary-em--layout-posn-image-left summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard RecircMostPopularSummaryItem-jQxxiw cGRyZE" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jTnDXj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="Injury Rerve Retire Name, Share First Song as By Storm" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent summary-em__ntent--no-bric"><a class="SummaryItemHedLk-civM dQteGc summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ dupIXR summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Injury Rerve Retire Name, Share First Song as By Storm</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Evan Msker</span></span></p></div></div></div></div></div></div></li><li><div class="AdWrapper-dQtivb fZrssQ RecircMostPopularSummaryItem-jQxxiw iOZoWR ad ad--asi"><div class="ad__slot ad__slot--asi" data-no-id="5lryy"></div></div></li></ul><div class="RecircMostPopularFooter-enPjgs gCLhcL"></div></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="gtuo26"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bCHUuY body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p><em>Live at the Bra 1990</em> ptur a characteristilly heady ssn om the era, a llaboratn between Pl Chivers’ Ramjac Corporatn, who was rponsible for a handful of bra-bendg techno rerds around that time, and the Irristible Force, better known as the psychelic lifer Mixmaster Morris. The days, we tend to thk of ambient and hoe mic as oppos, but, much like the KLF’s 1990 classic <a href="><em>Chill Out</em></a>, <em>Live at the Bra 1990</em> prov the genr’ fundamental patibily, wrappg propulsive dm programmg and bassl looped chants, spiralg synth arpeggs, and even the ocsnal snippet of birdsong. It’s a guilels, wi-eyed look back at UK rave’s goln age.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Maelstrom: <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Ensemble Mix</a></div><p>The shift om mercial mix CDs to ee onle mix has been a boon for listeners and DJs alike, but for the producers whose mic actually fills all those sets, ’s been yet another stance where the value of their work has plummeted. Producers historilly have received a licensg fee, however negligible, when their work gets placed on a mix CD, but placement a streamg mix typilly s only exposure. Enter French producer Maelstrom, whose “Ensemble Mix” harns the blockcha as a potential solutn to the problem.</p><div class="AdWrapper-dQtivb fZrssQ ad ad---ntent"><div class="ad__slot ad__slot---ntent" data-no-id="pfgb6g"></div></div><p>In March, he upload the mix to <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"></a>, a web3 mic platform, as an NFT an edn of 150. The price tag was .1 ETH, or around $300, on the day of release. A smart ntract wrten to the blockcha guarante nearly 6 percent of each sale to each of the 14 producers wh a track the mix, while Maelstrom tak home 15 percent. (FWB, the crypto anizatn that helped him execute the ncept, got 5 percent.) The only tch is that all the producers need to have blockcha wallets to get paid, so Maelstrom end up sourcg the mix om tracks he found on <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Na</a>, another blockcha mic platform, along wh others that he soliced on Twter.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p>Listeng to the set—which is also <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">ee to stream</a>—you’d never gus that he was pullg om such a limed pool. Blendg heavy hters like Space Dimensn Controller and Boys Noize wh relative unknowns like Bagvs and Random Brothers (both, cintally enough, om Indonia), his mixg flows naturally across an evolvg selectn of dark techno and electro.</p><p>Sal of the set raised 15.0 ETH—on the day was released, the equivalent of a ltle more than $45,000, which meant a payout of about $2,266 for each artist volved. Whether this strategy is staable, of urse, is another qutn—the number of buyers willg and able to plunk down hundreds of dollars on a sgle mix is likely to be limed. As a mil proof of ncept, though, “Ensemble Mix” revealed the growg breadth of the blockcha mic muny, while unrsrg a simple but provotive ia: Micians serve to be paid for their mic.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Shannen SP: Dekmantel 377</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>On her new Dekmantel mix, the London NTS Rad rint (and -curator of Hyperdub’s monthly <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Ø club nights</a>) Shannen SP is tent upon tracg nnectns across dance-mic history, pullg together rap, techno, electro, dm’n’bass, footwork, ghetto hoe, breakbeat hardre, and more, both classic and recent. The set is so tightly wound that seems ready to snap at any moment. That’s particularly te of the closg stretch, where rapid-fire breaks explo to Tanzanian sgeli, a dizzygly fast style that sounds a ltle like a merengue ssette played back wh the fast-forward button held down. You n tell that she had a blast mixg , too: The faster the rhythm gets, the giddier the mood.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Jam Bangura: Origs Tap 051</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>Washgton, D.C.’s Jam Bangura out kickg this set for UK promoters <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Origs Sound</a>, dolg out boomg dms, punchy bassl, and the stacto chords of classic Detro techno. Bangura’s <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><em>Interpretatn of Sound</em> EP</a> for New York’s Mister Saturday Night label 2020 balanced mcle wh pth, and his mixg here do the same: The dms h hard, but his textur are diaphano and billowg. The openg of the mix blends Robert Hood-like squelch wh a percsive workout om veteran producer Mark Broom and verno techno. The mood softens the back half as Leon Vynehall’s “Brother” giv way to a <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">1996 ep-hoe track</a> om <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">a surprisg source</a>. He wraps up wh Detro producer Shigeto’s “There’s a Vibe Tonight,” which is, tly, a whole vibe.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Skee Mask B2B Simo Cell</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>In April 2019, French bass producer Simo Cell strapped wh German breakbeat polymath Skee Mask for a seven-hour B2B set at Nant, France’s Trempo club, and November 2020, Simo Cell’s TemeT label released a pair of particularly dynamic 45-mute excerpts om the night as <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><em>TemeTape1</em></a>, the first edn a new seri of mixtap. The ssette sold out quickly, but late January, Simo Cell’s TemeT label posted the whole thg to SoundCloud, makg available for all to hear whout ponyg up silly money on Disgs. On the A-si, the two explore grdg EBM, electro, and gothic trap, fdg unexpected nnectns between Drexciya, Autechre, and Ikonika. The B-si is a whirlwd tour of 160 BPM that’s heavy on footwork, breakbeat hardre, and jungle; near the end, the mix of LSDXOXO’s Depeche Mo-samplg “False Idols” to a DJ Chap track that sampl New Orr llaps new wave to fast techno a way you might not believe possible.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Slowfoam: Our Tomorrow w/ Ran Park</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>For the January stallment of her monthly show on Guadalajara’s <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Inter Public Rad</a>, Berl-based mician Slowfoam mixed together a batch of material om Seattle experimentalist Ran Park—songs, snippets, stems—together wh some of her own unreleased material. The rults are foggy and formls the bt way. The openg passage plays glowg synthizers off sprz of static and radar chirps; timatns of electric jazz add pth, and the diffe atmosphere clears to reveal a simple, poignant piece for piano and flute—one of the “unabashedly aspiratnal” nods to Enn Morrine and Ryuichi Sakamoto that Park referenc a note acpanyg the mix. There’s much more, too: gentle chamber-jazz sketch; glowerg reeds; ambient piano; and even, toward the end, a dreamy trip-hop breakbeat. There’s no tracklistg and no clue as to which parts are Park’s and which are Slowfoam’s. It’s bt to jt close your ey and let wash over you.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Lrel Halo: Awe 10.01.22</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>In January, experimental artist Lrel Halo celebrated the one-year anniversary of her monthly rincy on NTS Rad. Her show tends to range wily—a typil episo might clu classil mimalism, Amerin primive guar, dub reggae, and Detro techno, all mixed seamlsly together. This program is no exceptn: It begs wh a psychelic Orb bootleg, drifts across half an hour of ambient soundspg, and eventually emerg to a sunl clearg of spirual jazz.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="zr8c2h"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div><div data-attr-viewport-monor="" class="RecircMostPopularWrapper-bRuGTi jkTTgR recirc-most-popular-wrapper viewport-monor-anchor"><div class="RecircMostPopularConter-jiViNn ktrplG recirc-most-popular-sparrow-trackg hi-asi-ad" data-most-popular-id="mod-most-popular-54"><div class="RecircMostPopularHeadg-iVzhzt ggoCpM">Top Stori</div><ul class="RecircMostPopularItems-dCAajf gqcRrp"><li><div class="SummaryItemWrapper-iwvBff STePr summary-em summary-em--has-borr summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-si-by-si summary-em--layout-posn-image-left summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard RecircMostPopularSummaryItem-jQxxiw cGRyZE" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jTnDXj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="Lizzo Sued by Former Dancers for Sexual Harassment, Creatg a Hostile Work Environment" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent summary-em__ntent--no-bric"><a class="SummaryItemHedLk-civM dQteGc summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ dupIXR summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Lizzo Sued by Former Dancers for Sexual Harassment, Creatg a Hostile Work Environment</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Evan Msker</span></span></p></div></div></div></div></div></div></li><li><div class="SummaryItemWrapper-iwvBff STePr summary-em summary-em--has-borr summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-si-by-si summary-em--layout-posn-image-left summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard RecircMostPopularSummaryItem-jQxxiw cGRyZE" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jTnDXj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="Zendaya and Domic Fike Pay Tribute to Euphoria Co-Star Ang Cloud" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent summary-em__ntent--no-bric"><a class="SummaryItemHedLk-civM dQteGc summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ dupIXR summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Zendaya and Domic Fike Pay Tribute to <em>Euphoria</em> Co-Star Ang Cloud</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Allison Hsey</span></span></p></div></div></div></div></div></div></li><li><div class="SummaryItemWrapper-iwvBff STePr summary-em summary-em--has-borr summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-si-by-si summary-em--layout-posn-image-left summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard RecircMostPopularSummaryItem-jQxxiw cGRyZE" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jTnDXj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="Injury Rerve Retire Name, Share First Song as By Storm" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent summary-em__ntent--no-bric"><a class="SummaryItemHedLk-civM dQteGc summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ dupIXR summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Injury Rerve Retire Name, Share First Song as By Storm</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Evan Msker</span></span></p></div></div></div></div></div></div></li><li><div class="AdWrapper-dQtivb fZrssQ RecircMostPopularSummaryItem-jQxxiw iOZoWR ad ad--asi"><div class="ad__slot ad__slot--asi" data-no-id="skupd"></div></div></li></ul><div class="RecircMostPopularFooter-enPjgs gCLhcL"></div></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="06st65"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bCHUuY body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p>Even at s most diffe, an unrstated lyril sensibily nnects s disparate parts. This shaphiftg through le tak var forms—the flowg chords of claire roay and more eaze’s “An Afternoon Whe,” the plative vol melody of Reiko Kudo’s “Son of Man,” or the foghorn-like ton of Joe Zawul’s “<a href=">Arrival New York</a>.” The mood throughout is eply medative. Followg such a staed terr journey, the closg song—Oh Penentiary 511 Ensemble’s jubilant “Psych Cy,” om a <a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">private-prs 1971 rerdg</a> by a group of rcerated micians—feels like emergg to brilliant sunlight, spirually cleansed.</p><hr/><div role="headg" aria-level="3" class="headg-h3">Fn Johannsen: Hsmik 10 (1994-1995)</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>As one of the anizers of unrground Berl night spots Paloma and Monarch, a former employee of the cy’s Hard Wax rerd store, and a mic journalist wh s of byl to his name, Fn Johannsen is a verable founta of dance-mic history. And he’s got the mix to prove .</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p>In his ongog Hsmik seri, now 14 stallments strong, he’s been documentg the ’90s hoe and techno scen German, Atria, and Swzerland. Volume 10 is particularly engrossg, tracg the lite balance of epns and mimalism that held sway the middle of the ’90s. It kicks off wh an uncharacteristilly downy selectn om Kompakt’s Wolfgang Voigt his Mt guise before veteran duo Alter Ego, unr their seldom-ed Primive Pater alias, offer a ep-divg Detro homage; ensug selectns offer terpretatns of the stabbg ans that were ubiquo that era. The perd Johannsen surveys here tends to get overlooked histori of ’90s dance mic, and listeners who weren’t there for may be unfaiar wh a lot the tun—all of which mak tracks like the shimmerg “<a href=">Psycho Kis</a>” all the more revelatory.</p><hr/><div role="headg" aria-level="3" class="headg-h3">John Talabot: DJ Set @ Nsa (17Dec21)</div><figure data-ttid="IameEmbed" class="IameEmbedWrapper-sc-dRedg hZiq iame-embed"><div data-ttid="IameEmbedContaer" class="IameEmbedContaer-hptgUZ kHuUWr"><div class="IameEmbedAspectRatWrapper-hFVJps BKpgQ"><iame class="IameEmbedContent-cMdiev csnuAY IameEmbedContent lazyload" height="166" width="100%" sandbox="allow-scripts allow-same-orig" tle="Embedd Frame" data-src=" allow="toplay *; encrypted-media *; clipboard-wre; toplay; fullscreen; picture--picture"></iame></div></div></figure><p>At the very end of last year, Barcelona’s <a href=">John Talabot</a>—the cy’s most celebrated DJ for over a now—settled at Nsa Club, his long-time stompg ground, to liver a peak-time set of unmon pth. Nsa was a ccial uldron of lol dance-mic culture the ’90s, and Talabot flash back to those years equently here.</p><p>It’s not an exprsly retro set; toward the end of the first hour, there’s a stretch of recent tun that feels like a wi-angled snapshot of morn techno all s nuance. And right around the two-hour mark, he drops Burial’s 2007 track “Raver,” pched up slightly, a spellbdg moment of dancefloor melancholy. But the majory of the set is steeped the bright, brtle sound of the early-to-mid ’90s, which sullen FM bass, rigid hats and claps, and flickerg pads sketched out a hypnotic fn of techno and trance. Those early European trance sounds have been g back to vogue lately, particularly Sndavia and Eastern Europe, but Talabot never tips to the headbangg tempos of Copenhagen’s “fast techno” scene. Instead, he tak somethg of a Goldilocks approach to blendg styl. At once drivg and immersive, ’s a picture of classic European dance mic at s most ecstatic.</p><div role="headg" aria-level="3" class="headg-h3"></div></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="uoqz8"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em 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</span>Matthew Ismael Ruiz</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hymcSS summary-em summary-em--has-le summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm ijsXGm" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jTnDXj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="Cardi B Jos FendiDa Rappa Vio for New Song “Pot Me 2”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX irmJOI bric SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">News</span></div><a class="SummaryItemHedLk-civM kHqDAk summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ lfbrty summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Cardi B Jos FendiDa Rappa Vio for New Song “Pot Me 2”</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Hattie Lrt</span></span></p></div></div></div></div></div></div><div class="AdWrapper-dQtivb fZrssQ SummaryCollectnGridSummaryItem-WColm ijsXGm ad ad--read-more"><div class="ad__slot ad__slot--read-more" data-no-id="k352ur"></div></div><div class="SummaryItemWrapper-iwvBff hymcSS summary-em summary-em--has-le summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm ijsXGm" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jTnDXj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="Listen to Róisín Murphy’s New Song “You Knew”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX irmJOI bric SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">News</span></div><a class="SummaryItemHedLk-civM kHqDAk summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ lfbrty summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Listen to Róisín Murphy’s New Song “You Knew”</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Na Corran</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hymcSS summary-em summary-em--has-le summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm ijsXGm" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-5" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jTnDXj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="Lrel Halo Announc New Album Atlas, Shar New Song “Belleville”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX irmJOI bric SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">News</span></div><a class="SummaryItemHedLk-civM kHqDAk summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-5" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ lfbrty summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Lrel Halo Announc New Album <em>Atlas</em>, Shar New Song “Belleville”</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Evan Msker</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hymcSS summary-em summary-em--has-le summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm ijsXGm" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-6" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jTnDXj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="MJ Lenrman Shar Vio for First Anti- Rerds Sgle" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX irmJOI bric SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">News</span></div><a class="SummaryItemHedLk-civM kHqDAk summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-6" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ lfbrty summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">MJ Lenrman Shar Vio for First Anti- Rerds Sgle</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Allison Hsey</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hymcSS summary-em summary-em--has-le summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm ijsXGm" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-7" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jTnDXj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="Listen to Slowdive’s New Song “Sk the Game”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX irmJOI bric SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">News</span></div><a class="SummaryItemHedLk-civM kHqDAk summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-7" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ lfbrty summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">Listen to Slowdive’s New Song “Sk the Game”</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Matthew Strss</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hymcSS summary-em summary-em--has-le summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm ijsXGm" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-8" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jTnDXj"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg bDvSkO summary-em__image rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><img alt="8 Albums Out This Week You Should Listen to Now" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl XMZX summary-em__ntent"><div class="RubricWrapper-dKmCNX irmJOI bric SummaryItemRubric-dguGKN lapGFj summary-em__bric"><span class="RubricName-fVtemz cLxcNi">News</span></div><a class="SummaryItemHedLk-civM kHqDAk summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-8" data-recirc-pattern="summary-em" href=" target="_self"><div data-ttid="ClampWrapper" class="ClampWrapper-kZxfkB hTTNGO clamp SummaryItemHedBase-hiFYpQ lfbrty summary-em__hed"><div class="ClampContent-hilPkr jVhSBH"><div class="SummaryItemHedTag-TWblf gxaOcP" data-ttid="SummaryItemHed">8 Albums Out This Week You Should Listen to Now</div></div></div></a><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY jCKKIz summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH CViXj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd gebkj gnILss byle__preamble">By </span>Jazz Monroe</span></span></p></div></div></div></div></div></div></div><div class="SummaryCollectnGridToActnWrapper-gnReGN eGayfk"></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="TaboolaWrapper-hMVdpE iYfBhy"><div class="TaboolaWidgetWrapper-egPIjc hkSrgt TaboolaWidget-eUSdED hQCCRa" data-ttid="TaboolaWidgetWrapper"><div class="TaboolaWidgetContent-iBEQTO eXroXG TABOOLA" id="taboola-below-article-thumbnails" data-ttid="TaboolaWidgetContent"></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="AdWrapper-dQtivb fZrssQ ad ad--footer should-hold-space"><div class="ad__slot ad__slot--footer" data-no-id="6txg3"></div></div></div></div></div></ma><div class="BasePageMaFooterFiller-hTlZph jSriYf page__ma-footer-filler"></div><div class="RowWrapper-UmqTg HEhan"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--cm-footer" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--cm-footer"></div><div class="journey-un"></div></div></div><div class="RowWrapper-UmqTg HEhan BasePageSeFooterRow-kpEBGH lfUKax"><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 BasePageSeFooterRowGrid-iBGjXL zQNeb"><div class="GridItem-buujkM kHPPIF grid--em"><footer class="SeFooterWrapper-bXjkRY VecEt se-footer--wh-store"><div class="SeFooterGridNoMargs-jSrXSj kdlxBX" data-ttid="SeFooterGridNoMargs"><div class="SeFooterBrandInfo-cdoqKy cdkwFG"><div class="SeFooterLogo-eYlNHY eigdAF se-footer__logo"><a href="/"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset SeFooterLogoRponsiveAsset-ckjzWk kubVDn se-footer__rponsive-image"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SeFooterLogoRponsiveAsset-ckjzWk kubVDn se-footer__rponsive-image rponsive-image"><img alt="Pchfork" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="/verso/static/pchfork/assets/" srcSet="" siz="100vw"/></picture></span></a></div><div data-ttid="SeFooterAbout" class="SeFooterAbout-lflfWa hwdcsM"><div class="SeFooterAboutText-XXKBX blTbmF">The most tsted voice mic</div></div><div class="SocialInsWrapper-hKMEXV hwdgCG social-ins social-ins--footer SeFooterSocialIns-cLAKVY pJQob"><ul data-ttid="socialInslist" class="SocialInsList-cHVTIA gBoIvv social-ins__list"><li class="SocialInsListItem-mbhR gQILrJ social-ins__list-em social-ins__list-em--stagram social-ins__list-em--footer"><a aria-label="Follow Pchfork on Instagram" class="external-lk SocialInExternalLk-huuzOU gwwaKG social-ins__lk social-ins__lk--stagram" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank"><div class="SocialInContaer-huXzUC pMzVC social-ins__in-ntaer"><svg class="SocialInNetworkInComponent-cZaKGz dlOAhZ in in-stagram" focable="false" viewBox="0 0 32 32" width="32" height="32" fill="none" xmlns="><tle>Instagram .