Khayal Gayaki is the art of terpretive sgg - one that has no fe style, speed, pattern, or text. Khayal Gayaki is the rendn of Ragas.
Contents:
- KHAYAL GAYAKI - THE TRADNAL FACET OF HDTANI CLASSIL MIC
- KHAYAL GAYAN: THE FOUNDATN OF GHARANAS HDTANI CLASSIL MIC
- RAJASTHAN GK KHYAL GAYAKI JAIPUR GHARANE SE SAMBANDH KALAKAAR HAI
- FROM KHAYAL GAYAKI'S GLOR PAST TO S CHANGG FUTURE, TRACG THE TRAJECTORY OF THIS ANCIENT FORM OF CLASSIL MIC
- KANHAIYA PHAS GAYA
KHAYAL GAYAKI - THE TRADNAL FACET OF HDTANI CLASSIL MIC
* khayal gayaki se kaun sambandhit hai *
Out of the, the ancient tradn of Khayal Gayaki, or Khyal Gayaki is one such type of mil performance that has fluenced many Hdtani micians.
But what is Khayal/Khyal Gayaki? What is Khayal Gayaki?
KHAYAL GAYAN: THE FOUNDATN OF GHARANAS HDTANI CLASSIL MIC
Gayaki stands for sgg Hdi as well as Arabic. Simply put, Khayal Gayaki is the art of terpretive sgg - one that has no fe style, speed, pattern, or text. A long-form, ntuo-paced sgg that is performed by the sger, Khayal Gayaki is the rendn of is one of the few mil tradns that pend solely on the performg is also acpanied by mil stments like the Tabla and the Indian Flute, also known as the Tambura ( Indian classil mic termology) is also important to remember that Khayal Gayaki is performed the ascendg (aroh) as well as the scendg pattern (avaroh) of a Raga, a cycle of ntuo rhythm.
The Orig Story Behd This Mic GenreMost of Khayal Gayaki’s form emerged om Dhpad, a style of votnal and tradnal sgg that was performed Mughal urts.
This gradually led to the foundatn of Khayal Gayaki as a mil genre the 17th century - maly through the famo Dhpad urt mician Sadarang. Sadarang’s sgg style clud a lot of votnal Hdu votnal mic where he clud the mil techniqu of Sufi mic and Qawwali - spe beg tegorized as a Dhpad sgg as well as the acpanied mic was different - spired by both Dhpad sgg wh middle-east and Persian is Sadarang’s unique blend of mic durg this perd, that spired many micians to sp their own rendns om the same performg style, leadg to the birth of Khayal Gayaki.
RAJASTHAN GK KHYAL GAYAKI JAIPUR GHARANE SE SAMBANDH KALAKAAR HAI
The troductn of Khayal Gayaki as a mil genre is, however, creded to the Sultans of Jnpur the 17th Century. The district lers are the on who started troducg Khayal Gayaki.
FROM KHAYAL GAYAKI'S GLOR PAST TO S CHANGG FUTURE, TRACG THE TRAJECTORY OF THIS ANCIENT FORM OF CLASSIL MIC
Performed on royal ocsns and urts, Khayal Gayaki was nsired to be extremely dreamy and romantic - nsistg of several os to love stori, emotns, and Gayaki was also the most popular choice among Mughal micians and this reflects the preference of the listeners too, those days. And steadily, this mil genre grew s importance, makg the predomant vol genre Hdtani Classil Stcture of Khayal GayakiKhayal Ghayaki n be performed two different fashns - one is the Bada Khayal and the send is lled the Chota Khayal. Khayal Gayaki is performed three parts: the Mhada (lower octave), the Madhya Sthan (the middle octave), and the Antara (the upper octave).
The Roopak Alaapti is an alaap-like versn of the Bada Khayal, sung to the pre-existg mil form of the of the mil attentn Khayal Gayaki’s reference text foc on the var kds of Taan. This metamorphosis to Khayal Gayaki was gradual but sential to the prent state of this age-old mic style and genre.
Khayal Gayan n be rightfully acclaimed as the face of Hdtani classil mic. Through the crt and fall of empir India, and all the external fluenc that the untry’s art and culture have gone through, Khayal Gayan has been the most blissful, let’s map the journey of Khayal mic and the Khayal Gharanas of India.
KANHAIYA PHAS GAYA
Gharanas of Khayal Gayan:The Khayal Gharana lead to ement mil iologi that clu:Dilli GharanaAgra GharanaGwalr GharanaKirana GharanaBhendibazaar GharanaJaipur-Atrli GharanaPatiala GharanaRampur-Sahaswan GharanaIndore GharanaMewati GharanaSham Chrasia GharanaLet's read tail:-Dilli GharanaThe very mentn of Dilli Gharana rak the nam of the revered doyen of the olst Khayal mic leage - Hazrat Amir Khasr and Miyan Samti. It further marri the urt style of mic to give the khayal gayaki of Dilli Gharana s profoundns.
But more than that has given stori that sg prais of the highly refed melody and mil prows of the practners who cultivated this khayal gayan shaili or mil Gopal of Devagiri, later renamed Nhar Bani is believed to be the founr of the Agra Gharana. Later, when he returned to Agra after pletg his vol trag, he seemed to have been transformed so much that his khayal gayaki left his listeners Khuda Baksh’s grandson - Ustad Faiyaz Khan Sahib is said to have taken Agra Gharana to the zenh of succs, aclas, and acclaims the early 20th century.