The Gayt Mic Vios of the '80s | Grdr

Contents:

• THE 13 GAYT MIC VIOS OF THE '80S
• THE 50 BT GAY SONGS TO CELEBRATE PRI ALL YEAR LONG
• POP MIC COULD USE ANOTHER DE AS 'GAY' AS THE '80S

THE 13 GAYT MIC VIOS OF THE '80S

Ins like Whney and Madonna turned out plenty of hs durg the ‘80s that are today nsired gay anthems, but the classic vios—eher by LGBTQ+ artists or featurg queer subject matter—are gay a more leral sense. BRONSKI BEAT - “SMALLTOWN BOY” (1984)This ‘80s dance h and s explicly queer vio about a smalltown gay boy the big cy broke new ground for LGBTQ+ visibily—and reached the top of the charts the procs.

MARC ALMOND - “RUBY RED” (1987)Few ‘80s pop stars were more -your-face about their sexualy than Soft Cell ontman Marc Almond, and this kky Kenh Anger-spired visual is as gay as B-52s - “LOVE SHACK” (1989)As if The B-52’s John Waters-spired athetic and out-and-proud ontman Fred Schneir weren’t gay enough for you, this mpy vid for their late-’80s h featur a pre-fame meo by the one and only RuPl. - “CLUB TROPICANA” (1983)It would be another 15 years before he formally me out, but if Gee Michael a whe speedo vampg to this breezy 1983 bop don’t set off your gaydar…nothg will.

ERASURE - “CHAINS OF LOVE” (1988)If seeg Andy Bell spend om chas jt BASKING his gayns don’t make you feel like you’re an episo of Queer as Folk, you’ve got some homework to do. LGBTQ mic history is so much more than a timele of who me out when and which songs beme gay anthems -- 's also about the artists who weren't aaid to be themselv eras when dog so…. But 1973, a sger and actor named Bce Wayne Campbell beme what is believed to be the first openly gay rock mician signed to a major label when he buted as the outrageoly flashy Jobriath.

THE 50 BT GAY SONGS TO CELEBRATE PRI ALL YEAR LONG

Remarkably, another out gay man, Gary Floyd, also onted another of At’s first-rank punk bands, the Dicks, who would go on to be vered by the lik of The Butthole Surfers, J Lizard and Mudhoney. ” Durg the first half of the 1980s, many artists found mercial succs wh songs and vios that openly picted or referenced queer life, particularly gay nightlife — as seen work of Frankie Go to Hollywood, Pet Shop Boys, Soft Cell and others.

POP MIC COULD USE ANOTHER DE AS 'GAY' AS THE '80S

While some classics do appear on our list, others do not – sorry, Gloria Gaynor, Kylie Mogue, RuPl, Brney and Cher, we still adore you — here are 25 sential pri songs om the 1970s to today. Somewhat rctively lled the “Queen of Dis, ” the virtuosic, openly gay sger approached genr ( his performative and private liv) as a fluid, non-bary ncept a pre–Judh Butler era.

Although seems most of Queen’s fans were cluels as to how openly gay and subversive ontman Freddie Mercury was – spe the unabashed swank of his stage prence – he also never really tried to hi . Much of Erasure’s disgraphy embodi not precisely celebratory gay pri but gay romantic realy – a ankns about the emotnal, if not overtly sexual, liv of gay men toward the end of the 20th century.

The Bay Area gay punk pneers found a ht of mastream fame when they toured wh Green Day on their Dookie n 1994, but was their sexy lyrics and who-giv-a-fuck attu that enared them to a generatn of queer kids – before that term was even fashnable. It’s difficult to pick one song that f them – wh songs like “Dick of Death, ” “Groovy Unrwear” or their classic ver of Prce’s “Jack You Off” – but we went wh one that seems to fy the ia of a gay “anthem” no matter how you thk of . I thk, over time, some of them are ls specifilly gay than they were at first bee seemed like, when we had the chance that was really what we wanted to sg about and that was really unique.

As both voutly straight edge and proudly homosexual, their substance-ee stance ma them stand out a time when bars, clubs and other toxitg spac prised the few safe havens for LGBTQ people. The tr would later make headl after the 2014 Grammy Awards, where their landmark performance of the song would soundtrack a mass weddg between 33 gay and straight upl.

” Sgg “No fay is safe when I sashay, ” he slks to a nference room and gyrat his hips for a room full of sus – a sly riposte to the legns of homophob who weaponize their fears agast LGBTQ people, om wh board rooms, Congrs, or out on the streets. In the 1920s and early ’30s, Prohibn’s end gave way to the “Pansy Craze”: baret drag performanc that brought gay nightlife to the mass and rried their athetics to mastream mil theater. In the mid-’30s, at the edge of the Great Deprsn, moral backlash—sometim disguised as enomic nservatism but ually explic s bigotry—shut down many of the clubs and formally crimalized gay sex at a sle that had never before been seen.

Jazz n’t be imaged whout the ntributns of giants like Billy Strayhorn (of De Ellgton’s band), who was openly gay, and, later, Cecil Taylor, who found that three-letter word was too limg. The ’70s brought glam and dis, genr play, and explicly queer nightlife back to the mastream; we n’t fet that ’s great gay pop in, Elton John, and s great bisexual on, David Bowie and Freddie Mercury.

In the UK, the Thatcher ernment created Sectn 28 of the Lol Government Act, makg illegal for lol thori to support anythg that might promote homosexual relatnships as a viable alternative to heterosexual ‘fay life’. And even the US Army, who had clared homosexualy to be “patible wh ary service” 1982, were forced to adm 1989 that gay recs were “jt as good or better” than heterosexuals.

Valento, ‘I Was Born This Way’ (1975)The first rerd to feature lyrics about beg an out-and-proud gay man me om the mil performer Charl “Valento” Harris, who released “I Was Born This Way” as an apparently one-off release on Gaiee.

” “The lyrics were perfect, ” she told me Summer, ‘I Feel Love’ (1977)Gay male dance crowds were drawn to rerdgs that featured Black female volists, often intifyg wh their emotnal exprsivens and strength the face of adversy, often to the surprise of the artists, who were ually gospel-traed. Patrick Cowley, ‘Mutant Man’ (1982)Patrick Cowley fed his reputatn as one of the world’s most progrsive synthizer players durg rerdgs wh the dis pneer Sylvter, cludg “You Make Me Feel (Mighty Real), ” perhaps the ultimate gay male anthem.

Fans may openly embrace a gay Elton John, Melissa Etheridge or Ricky Mart now, but over the past 50 years or more ’s been a stggle for most queer artists to live their liv openly and whout shame and persecutn. His theatril scream-sgg, macho stage prence, and all-around badassery (bt showsed on inic rerds like 1980’s Brish Steel and 1982’s Screamg for Vengeance) prompted many fans to ll him “Metal God:” a tradnally mascule trope Halford boldly upend Febary 1998, when he me out as gay an MTV News terview. As the earlit show of queer solidary om a proment metal mician, Halford’s admissn proved val rhapg the public perceptn of heavy metal, repostg an earspltg, heteronormative boys’ club as a safe space where headbangers of all typ uld be themselv, sheltered the flailg arms of not jt a benevolent (and openly gay) God, but the scene wr large.

” The fact that he did all while beg pletely open about his sexualy – llg himself “rock’s tt fairy” – is astoundg and, for a brief, shg moment 1974, Jobriath beme the most visible gay man popular mic. While the “Queen of Dis” is a tle most monly btowed upon Donna Summer, also appli to Sylvter, who was a fixture of the dis scene and an in of the gay liberatn movement that spawned out of San Francis. It wasn’t until after hostg var episos of the show for a uple years – which all centered on LGBT issu – that she spoke openly about her partner of over two s and the stggl of beg gay the mic dtry.