‎What's Gog On by Marv Gaye on Apple Mic

Contents:

• REMEMBERG MARV GAYE'S INIC 'WHAT'S GOG ON'
• MARV GAYE’S ‘WHAT’S GOG ON’ GETS 50TH ANNIVERSARY DIGAL REISSUE
• ‘WHAT’S GOG ON’: WHEN MARV GAYE UNVEILED A MASTERPIECE
• WHAT'S GOG ON
• 50 YEARS LATER, WHY MARV GAYE'S SEMAL ALBUM 'WHAT'S GOG ON' ENDUR
• HOW MARV GAYE’S ‘WHAT’S GOG ON’ CHANGED THE SOUND OF R&B FOREVER
• 50 YEARS AFTER MARV GAYE ASKED, ‘WHAT’S GOG ON?’ AMERI STILL SEARCHG FOR AN ANSWER
• 50 THGS YOU NEED TO KNOW ABOUT MARV GAYE'S WHAT'S GOG ON
• WHAT’S GOG ONMARV GAYETRACK 1 ON WHAT’S GOG ON PRODUCED BYMARV GAYEWHAT’S GOG ON IS AN EXQUISE PLEA FOR PEACE ON EARTH, SUNG BY A MAN AT THE HEIGHT OF CRISIS. IN 1970, MARV GAYE WAS MOTOWN’S TOP MALE VOL STAR, YET HE WAS TRATED… READ MORE JAN. 17, 19716 VIEWERS591.3K VIEWS85 CONTRIBUTORSWHAT’S GOG ON LYRICS[INTRO]HEY, HEY-HEYHEY, WHAT'S HAPPEN'?HEY, BROTHER, WHAT'S HAPPEN'?BOY, THIS IS A GROOVY PARTY (HEY, HOW YOU DO'?)MAN, I N DIG YEAH, BROTHER, SOLID, RIGHT ONWHAT'S HAPPEN'?HEY, MAN, WHAT'S HAPPENG?WOOEVERYTHG IS EVERYTHGWE'RE GONNA DO A GET DOWN TODAY, BOY, I'LL TELL YA[VERSE 1]MOTHER, MOTHERTHERE'S TOO MANY OF YOU CRYGBROTHER, BROTHER, BROTHERTHERE'S FAR TOO MANY OF YOU DYGYOU KNOW WE'VE GOT TO FD A WAYTO BRG SOME LOVG HERE TODAY, YEAH[VERSE 2]FATHER, FATHERWE DON'T NEED TO LATEYOU SEE, WAR IS NOT THE ANSWERFOR ONLY LOVE N NQUER HATEYOU KNOW WE'VE GOT TO FD A WAYTO BRG SOME LOVG HERE TODAY, OH (OH)YOU MIGHT ALSO LIKE[CHOS]PICKET L (SISTER) AND PICKET SIGNS (SISTER)DON'T PUNISH ME (SISTER) WH BTALY (SISTER)TALK TO ME (SISTER), SO YOU N SEE (SISTER)OH, WHAT'S GOG ON (WHAT'S GOG ON)WHAT'S GOG ON (WHAT'S GOG ON)YEAH, WHAT'S GOG ON (WHAT'S GOG ON)OH, WHAT'S GOG ON[POST-CHOS]AH-AH-AH-AH (IN THE MEANTIME, RIGHT ON, BABY)WOO (RIGHT ON, BABY), WOOAH-YA-YA-YA-YA-YA-YA, YA-YA-YA-YA-YAWOO (RIGHT ON, BABY, RIGHT ON), WOOAH-YA-YA-YA-YA-YA-YA-YA-YA-YA-YA-YABA-DA-BOO-DOO, BOO-BOO-BOO-DOO, BOO-BOO-BOOBA-DA-BOO-BOO-BOO-DOO, BOO-BOO-BOO-BA-BA-DO[VERSE 3]MOTHER, MOTHEREVERYBODY THKS WE'RE WRONGOH, BUT WHO ARE THEY TO JUDGE SIMPLY 'E OUR HAIR IS LONG?OH, YOU KNOW WE'VE GOT TO FD A WAYTO BRG SOME UNRSTANDG HERE TODAY, OH-OH[CHOS]PICKET L (BROTHER) AND PICKET SIGNS (BROTHER)DON'T PUNISH ME (BROTHER) WH BTALY (BROTHER)COME ON, TALK TO ME (BROTHER), SO YOU N SEE (BROTHER)OH, WHAT'S GOG ON (WHAT'S GOG ON)YEAH, WHAT'S GOG ON (WHAT'S GOG ON)TELL ME WHAT'S GOG ON (WHAT'S GOG ON)I'LL TELL YOU WHAT'S GOG ON (WHAT'S GOG ON)[POST-CHOS]WOO-OOH-OOH-OOH (RIGHT ON, BABY, RIGHT ON)AH-YA-YA-YA-YA-YA-YA, YA-YA-YA-YA-YA-YA-YAWOO, WOO (RIGHT ON)AH-YA-YA-YA-YA-YA-YA-YA-YA-YA-YA-YABA-DA-BOO-DOO, BOO-BOO-BOO-DOOBA-DA-BOO-BOO-BOO-DOO, BA-DA-DA-DA-DA-DA-DA[OUTRO]WOO (RIGHT ON, BABY, E ON, RIGHT ON)AH-YA-YA-YA-YA-YA-YA-YA-YA-YA-YAWOO (RIGHT ON)LISTEN, AH-YA-YA-YA-YA-YA-YA-YADA-BOO-DOO, BOO-BOO-BOO-DOODA-BOO-BOO-DOO, BOO-BOO-BOO49EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT

REMEMBERG MARV GAYE'S INIC 'WHAT'S GOG ON'

What's Gog On is not only Marv Gaye's masterpiece, 's the most important and passnate rerd to e out of soul mic, livered by one of s ft voic, a man fally ee to speak his md and so move om R&B sex symbol to te rerdg artist. Bis cementg Marv Gaye as one of the most important artists pop mic, What's Gog On was far and away the bt full-length to issue om the sgl-domated Motown factory, and arguably the bt soul album of all time. Conceived as a statement om the viewpot of a Vietnam veteran (Gaye's brother Frankie had returned om a three-year hch 1967), What's Gog On isn't jt the qutn of a baffled soldier returng home to a strange place, but a promise that listeners would be rmed by what they heard (that missg qutn mark the tle certaly wasn't a typo).

Instead of releasg listeners om their troubl, as so many of his sgl had the past, Gaye ed the album to reflect on the climate of the early '70s, rife wh civil unrt, dg abe, abandoned children, and the spectre of rts the near past.

MARV GAYE’S ‘WHAT’S GOG ON’ GETS 50TH ANNIVERSARY DIGAL REISSUE

Alternately prsed and hopeful, angry and jubilant, Gaye saved the most sublime, eply spired performanc of his reer for "Mercy Mercy Me (The Elogy), " "Inner Cy Blu (Make Me Wanna Holler), " and "Save the Children. " The songs and performanc, however, furnished only half of a revolutn; ltle uld've been acplished wh the Motown sound of prev Marv Gaye hs like "Stubborn Kd of Fellow" and "Hch Hike" or even "I Heard It Through the Grapeve. Gay, Sr., Anna Ruby, Gordy Gaye, Marv Pentz Gaye III, Mike Cooper, Frankie Gay, Pl and Gerald Comedy, Zeola “Sweetsie” Gay, Mable Jean Gay, Clarence Pl, Aunt Zeola, Parisee Monyel, Harvey Fuqua and Gee Maxilian.

‘WHAT’S GOG ON’: WHEN MARV GAYE UNVEILED A MASTERPIECE

(SOUNDBITE OF SONG, "AIN'T NO MOUNTAIN HIGH ENOUGH")MARVIN GAYE: (Sgg) Listen, baby, a't no mounta high, a't no valley low, a't no river wi enough, TERRELL: (Sgg) If you need me ll me, no matter where you are, no matter how (Sgg) Don't worry, Tammi Terrell's ath 1970 vastated Marv Gaye. (SOUNDBITE OF SONG, "MERCY MERCY ME")GAYE: (Sgg) Oil wasted on the oceans and upon our seas, fish full of That one really h me bee I was an environmental science scholar studyg the world's oceans, lerally, and studyg the creatur the oceans and startg to learn that same bad news all over aga.

(SOUNDBITE OF SONG, "MERCY MERCY ME")GAYE: (Sgg) Oh, mercy, mercy In the late 2000s, I found myself dog outreach tn wh high schoolers and teachg this environmental science g standardized textbooks and realizg that I wasn't really engagg the stunts - right? (SOUNDBITE OF MARVIN GAYE SONG, "MERCY MERCY ME")JEFFERSON PATERSON: The other song that actually guts me is the song - and I feel like I'm gog to choke up now talkg about , but 's the song "Inner Cy Blu. (SOUNDBITE OF SONG, "INNER CITY BLUES")GAYE: (Volizg) That was Eva Jefferson Paterson, a civil rights lawyer who -found the Equal Jtice Society and also sgs a Motown ver band Oakland, Calif.

WHAT'S GOG ON

Although both albums suffer om this over-exposure of lyric stiffns, Gaye’s work is much more supple and nversatnal ultimately smoothg self out on what is a very fe rerd while Wonr’s is too self-nsc and edg to pretentns (“Suffote the new high Ri the thorny mule that cri ‘Dig your grave and step right '”) the recently-veloped Curtis Mayfield Syndrome beg nearly prehensible when sung.

50 YEARS LATER, WHY MARV GAYE'S SEMAL ALBUM 'WHAT'S GOG ON' ENDUR

Where Stevié was ntent to liver his msag — however blurred — three or four songs, Gaye has signed his album as one many-faceted statement on ndns the world today, ma nearly seamls by reful transns between the cuts.

The style is set the first cut, “What’s Gog On, ” wh s sweet horn openg le; Gaye’s soft, simmerg voice reflectg on self betifully om two or three tracks; the ntrast of ngas and strgs; the breaks an excg jumble of street-rner jive and sttg. As Sly & The Fay Stone channelled their anger to to bter funk (1971’s There’s a Rt Go’ On), Gaye sublimated his lh strg sectns and Lat percsn—signals not jt of mil gentlens, but cultural sophistitn. The revelatn is that polil mic don’t have to be nontatnal— n be mellow and vg too, the provce not jt of radils, but the same mixed, middle-class dienc that had been buyg Gaye’s albums all along.

HOW MARV GAYE’S ‘WHAT’S GOG ON’ CHANGED THE SOUND OF R&B FOREVER

Motown/UMe has marked the 50th anniversary of Marv Gaye’s sgle release for “What’s Gog On” — the tle track om Rollg Stone’s Greatt Album of All Time — wh an all-enpassg digal reissue of the 1971 LP out now on streamg servic. To honor the sgle’s 50th birthday, Motown/UMe grouped together all that bon mic for the digal release dubbed What’s Gog On: Deluxe Edn/50th Anniversary, which ntas the origal album pl 12 bon tracks cludg sgle versns, mos and more, the “Detro Mix” of the album and the llectn of “Funky Natn” stmentals om Gaye’s post-What’s Gog On rerdg ssns.

50 YEARS AFTER MARV GAYE ASKED, ‘WHAT’S GOG ON?’ AMERI STILL SEARCHG FOR AN ANSWER

To unrstand the seismic shift the reer of Marv Gaye that was brought about by his bold new artistic directn on What’s Gog On, ’s worth steppg back to the Motown mastay’s prev LP release.

50 THGS YOU NEED TO KNOW ABOUT MARV GAYE'S WHAT'S GOG ON

“Motown was not a pany that was built on any kd of personal statements, ” says Nelson Gee, a mic journalist, thor and cultural cric who terviewed Gaye durg the sger-songwrer’s the 1970s, Motown Rerds was known for s “superb productn le, ” which clud the stud band, The Funk Brothers, Gee says.

WHAT’S GOG ONMARV GAYETRACK 1 ON WHAT’S GOG ON PRODUCED BYMARV GAYEWHAT’S GOG ON IS AN EXQUISE PLEA FOR PEACE ON EARTH, SUNG BY A MAN AT THE HEIGHT OF CRISIS. IN 1970, MARV GAYE WAS MOTOWN’S TOP MALE VOL STAR, YET HE WAS TRATED… READ MORE JAN. 17, 19716 VIEWERS591.3K VIEWS85 CONTRIBUTORSWHAT’S GOG ON LYRICS[INTRO]HEY, HEY-HEYHEY, WHAT'S HAPPEN'?HEY, BROTHER, WHAT'S HAPPEN'?BOY, THIS IS A GROOVY PARTY (HEY, HOW YOU DO'?)MAN, I N DIG YEAH, BROTHER, SOLID, RIGHT ONWHAT'S HAPPEN'?HEY, MAN, WHAT'S HAPPENG?WOOEVERYTHG IS EVERYTHGWE'RE GONNA DO A GET DOWN TODAY, BOY, I'LL TELL YA[VERSE 1]MOTHER, MOTHERTHERE'S TOO MANY OF YOU CRYGBROTHER, BROTHER, BROTHERTHERE'S FAR TOO MANY OF YOU DYGYOU KNOW WE'VE GOT TO FD A WAYTO BRG SOME LOVG HERE TODAY, YEAH[VERSE 2]FATHER, FATHERWE DON'T NEED TO LATEYOU SEE, WAR IS NOT THE ANSWERFOR ONLY LOVE N NQUER HATEYOU KNOW WE'VE GOT TO FD A WAYTO BRG SOME LOVG HERE TODAY, OH (OH)YOU MIGHT ALSO LIKE[CHOS]PICKET L (SISTER) AND PICKET SIGNS (SISTER)DON'T PUNISH ME (SISTER) WH BTALY (SISTER)TALK TO ME (SISTER), SO YOU N SEE (SISTER)OH, WHAT'S GOG ON (WHAT'S GOG ON)WHAT'S GOG ON (WHAT'S GOG ON)YEAH, WHAT'S GOG ON (WHAT'S GOG ON)OH, WHAT'S GOG ON[POST-CHOS]AH-AH-AH-AH (IN THE MEANTIME, RIGHT ON, BABY)WOO (RIGHT ON, BABY), WOOAH-YA-YA-YA-YA-YA-YA, YA-YA-YA-YA-YAWOO (RIGHT ON, BABY, RIGHT ON), WOOAH-YA-YA-YA-YA-YA-YA-YA-YA-YA-YA-YABA-DA-BOO-DOO, BOO-BOO-BOO-DOO, BOO-BOO-BOOBA-DA-BOO-BOO-BOO-DOO, BOO-BOO-BOO-BA-BA-DO[VERSE 3]MOTHER, MOTHEREVERYBODY THKS WE'RE WRONGOH, BUT WHO ARE THEY TO JUDGE SIMPLY 'E OUR HAIR IS LONG?OH, YOU KNOW WE'VE GOT TO FD A WAYTO BRG SOME UNRSTANDG HERE TODAY, OH-OH[CHOS]PICKET L (BROTHER) AND PICKET SIGNS (BROTHER)DON'T PUNISH ME (BROTHER) WH BTALY (BROTHER)COME ON, TALK TO ME (BROTHER), SO YOU N SEE (BROTHER)OH, WHAT'S GOG ON (WHAT'S GOG ON)YEAH, WHAT'S GOG ON (WHAT'S GOG ON)TELL ME WHAT'S GOG ON (WHAT'S GOG ON)I'LL TELL YOU WHAT'S GOG ON (WHAT'S GOG ON)[POST-CHOS]WOO-OOH-OOH-OOH (RIGHT ON, BABY, RIGHT ON)AH-YA-YA-YA-YA-YA-YA, YA-YA-YA-YA-YA-YA-YAWOO, WOO (RIGHT ON)AH-YA-YA-YA-YA-YA-YA-YA-YA-YA-YA-YABA-DA-BOO-DOO, BOO-BOO-BOO-DOOBA-DA-BOO-BOO-BOO-DOO, BA-DA-DA-DA-DA-DA-DA[OUTRO]WOO (RIGHT ON, BABY, E ON, RIGHT ON)AH-YA-YA-YA-YA-YA-YA-YA-YA-YA-YAWOO (RIGHT ON)LISTEN, AH-YA-YA-YA-YA-YA-YA-YADA-BOO-DOO, BOO-BOO-BOO-DOODA-BOO-BOO-DOO, BOO-BOO-BOO49EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT

”“That kd of polil, social, personal work was not a signature of the pany, ” Gee a tour stop Berkeley, California, Renaldo “Obie” Benson of Motown giant the Four Tops was spired to wre “What’s Gog On” after wnsg a scuffle between police and monstrators at an anti-Vietnam War Benson brought the song to him, Gaye was reluctant to rerd . One of the most notable chang Gaye ma was the fal versn of the song, there was no qutn mark the song illtrat the challeng society durg the 1960s — “spirualy, brotherhood, the onens of man” — and speaks to what Gaye thks are solutns, Gee explas.

”Gaye Captured A ‘Sense Of Confn And Sadns’The send song on the album, “What's Happeng Brother” was wrten for Gaye's brother, Frankie, who had jt returned om a tour Vietnam and was stgglg to fd a 1971, the Amerin people were learng through the Pentagon Papers how the U. 4 on the Billboard pop sgl chart and even had a rare appearance for Gaye on the adult ntemporary sound of that song has an “herent spirual dimensn” that embrac many tradns om European and Black church, Gee says. ”Gaye’s artistic velopment and his transformatn om a sger of love songs to one of the most important artists to brg polilly nsc lyrics to soul mic was closely bound up wh the ndns of social and polil turmoil the US and ternatnally durg this perd.

Marv also faced dg addictn, and his llaborator Tammi Terrell began to experience the health problems that would lead to her tragic ath at 24 om a bra tumor March was this climate that Gaye began to feel that Motown’s popular mic formulas were fallg out of touch wh changg moods and his own strong views. The talented players provi vibrant and h sounds that be elements of jazz, blu, Lat percsn, gospel and even operatic mil to the album, Gaye began regularly attendg performanc of the Detro Symphony Orchtra as a source of mil spiratn for the album. ”Gaye is referrg to the speratn faced by those g back om the war, havg difficulty fdg employment and fdg their place society, spe what the newspapers and rporate news media were album also spoke of ndns the ci, addn to voicg opposn to the war.

Gaye’s song “Inner Cy Blu (Make Me Wanna Holler)” speaks about the harsh reali for the workg class the ner-cy ghettos:“Hang ups, let downs Bad breaks, setbacksNatural fact is I n’t pay my taxOh, make me wanna holler and throw up both my handsYeah, mak me wanna holler and throw up both my handsCrime is creasg Trigger happy policgPanic is spreadg God knows where we’re headg.

For stance, large portns of the album served as the soundtrack for Spike Lee’s recent Vietnam War film Da 5 the album’s release, Gaye was himself bet by dg addictn and mental illns and fell to a ep prsn for several years.

While Gaye’s songs no doubt pture the experience of Ain Amerins the early 1970s, the them, mily and prott of the album were of a much more universal character than the sentiments of today’s inty-obssed upper-middle-class mentators.

The album was unlike anythg prevly released by a Black superstar: Wrten and produced by Gaye (a first for any Motown artist not named Smokey Robson) and clockg at jt over 35 mut, secured his spot as one of mic’s leadg Black trs of the . He wasn’t the first Black artist to produce challengg mic after assumg plete creative ntrol — Jam Brown had done and so had former Imprsns lear Curtis Mayfield — but Gaye, who butted heads hard wh Motown orr to pursue a new artistic directn (he was signed to the Motown imprt Tamla), was the first to do wh such a thematilly and milly hive statement.

If he had wanted to, Gaye probably uld have spent years astg on the 1968 succs of “I Heard It Through the Grapeve, ” a chart-toppg smash that, at one pot, was Motown’s bt-sellg sgle of all time. But stead of vg to creative expectatns, Gaye cid to challenge himself and his dience by embarkg on a stunng mic reventn that rivaled what The Beatl had done a half- earlier wh “Rubber Soul. ” Gaye, who had once harbored aspiratns to be the Black Frank Satra, thoroughly transformed his sound and image, creatg a new chameleonic mil persona that would rry him through the ‘70s.