Meet Gaysper, A Gay Ghost Ma A Star By A Spanish Far-Right Party

spanish gay ghost

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Queer ghosts - spirs and spectr are explored this area of queer horror. Have a gay ghost? Has your lbian lover returned to hnt you? Interted and want to read books on the subject, here's the place.

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A FAR-RIGHT PARTY TURNED THIS LIL’ GAY GHOST INTO AN LGBT IN

Wh BFI Flare: London LGBTQ+ Film Ftival nearly upon , we take a look at some of the bt Lat Amerin gay, lbian and trans films om years past. * spanish gay ghost *

Aragorn, son of Arathorn, pal of hobbs, surge of orcs and wielr of a legendary sword, appears to have met his match a ty gay ghost.

SPANISH FAR-RIGHT PARTY’S ANTI-LGBT TWEET MAK STAR OF TY GAY GHOST

Huntg Gay Ghosts Remds Us of Both Queer Trma and Queer Joy. * spanish gay ghost *

The symbol, known as ‘Gaysper’ – a portmante of gay and Casper – has been enthiastilly adopted as an LGBT mast and now boasts s own Twter acunt and more than 5, 000 followers. “A star is born, ” tweeted one admirer, while another superimposed Gaysper’s face on that of Lady Gaga a poster for the film of the same name.

5 REAL-LIFE QUEER GHOST STORI PERFECT FOR HALLOWEENGET YOUR SPOOK ON, GIRL!{FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}{FONT:NORMAL 800 1.2REM/1.2 "D BOLD",SANS-SERIF;TEXT-TRANSFORM:NORMAL;LOR:HER;DISPLAY:LE-BLOCK;PADDG-BOTTOM:6PX;POSN:RELATIVE;TEXT-TRANSFORM:UPPERSE;}{BACKGROUND:#89308A;BOTTOM:0;NTENT:'';DISPLAY:BLOCK;HEIGHT:2PX;LEFT:0;POSN:ABSOLUTE;RIGHT:0;-WEBK-TRANSN:ALL 0.2S EASE;TRANSN:ALL 0.2S EASE;WIDTH:100%;}{LEFT:51%;RIGHT:51%;WIDTH:0;}LIFEBY SAM MANZELLAOCTOBER 31, 2018/12:58 {HEIGHT:HER;DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;POSN:RELATIVE;-WEBK-FLEX-WRAP:WRAP;-MS-FLEX-WRAP:WRAP;FLEX-WRAP:WRAP;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;-WEBK-TRANSFORM-ORIG:CENTER;-MS-TRANSFORM-ORIG:CENTER;TRANSFORM-ORIG:CENTER;} IMG{HEIGHT:100%;WIDTH:100%;OBJECT-F:VER;}{HEIGHT:3439PX;WIDTH:3438PX;}BETTMAN/GETTY IMAGLIBERACE SPOOFS A DAY HIS OWN LIFE DURG A TELEVISN SPECIAL, CLUDG A SCENE WHERE HE BATHS HIS $55,000 MARBLE BATHTUB.BY SAM MANZELLAOCTOBER 31, 2018 / 12:58 PM{"@NTEXT":","@TYPE":"NEWSARTICLE","HEADLE":"5 REAL-LIFE QUEER GHOST STORI PERFECT FOR HALLOWEEN","THUMBNAILURL":","DATEPUBLISHED":"2018-10-31T16:58:31.000+0000","DATEMODIFIED":"2018-10-31T16:58:31.000+0000","IMAGE":{"@NTEXT":","@TYPE":"IMAGEOBJECT","URL":","WIDTH":1920,"HEIGHT":1080},"URL":","THOR":{"@TYPE":"ORGANIZATN","NAME":"LOGO TV"},"MAENTYOFPAGE":{"@TYPE":"WEBPAGE","@ID":"},"PUBLISHER":{"@TYPE":"ORGANIZATN","@ID":","NAME":"LOGO TV","URL":","LOGO":{"@TYPE":"IMAGEOBJECT"}},"CREATOR":"SAM MANZELLA","KEYWORDS":"BOOKS","ARTICLESECTN":"LIFE"}{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WHAT BETTER WAY TO RG HALLOWEEN WEEK THAN A GAY GHOST STORY? READ ON FOR FIVE AMAZG (AND TOTALLY TE!) TAL OF PARANORMAL ENUNTERS WH LGBTQ APPARNS AND SPIRS, SOURCED OM QUEER HNTGS: TE TAL OF GAY AND LBIAN GHOSTS BY KEN SUMMERS.LETHE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}KEN SUMMERS, THOR OF QUEER {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE AFTERLIFE OF HARVEY MILKBETTMAN/GETTY IMAGHARVEY MILK, A HOMOSEXUAL, WAS RECENTLY ELECTED TO THE BOARD OF SUPERVISORS HERE. THE NATN'S MOST NCENTRATED GAY MUNY HAS VELOPED FANCIAL AS WELL AS POLIL {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}HARVEY MILK, THE OUT-AND-PROUD CIVIL RIGHTS PNEER WHO BEME THE FIRST OPENLY GAY ELECTED OFFICIAL CALIFORNIA, IS A LEGEND SAN FRANCIS. TURNS OUT, SOME FOLKS THE CASTRO DISTRICT, WHERE MILK LIVED AND SERVED AS A CY SUPERVISOR, BELIEVE HIS SPIR STILL HABS THOSE STREETS: NICK ROMERO, OWNER OF GIVEN, A STOREONT WHAT WAS MILK'S OLD MERA SHOP, CLAIMS HE'S FELT MILK'S PRENCE THE BUILDG. (IN 2011, THAT LOTN BEME AN HRC SHOP.) AND WHILE G VAN SANT, DIRECTOR OF THE 2008 MILK BPIC, WAS FILMG AT THE LOTN, AN UNKNOWN MAN WHO LOOKED EXACTLY LIKE MILK REPORTEDLY WALKED ON SET AND SAT DOWN ON A {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ACTORS WERE "EXCED" ABOUT THE MAN AND ULDN'T WA FOR VAN SANT TO SEE HIM—BUT THE MILK LOOKALIKE PURPORTEDLY VANISHED BEFORE THE DIRECTOR EVEN REGISTERED HIS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE OTHER LIZZIE BORN HOECOURTY FALL RIVER (MASS.) HISTORIL SOCIETY VIA LETHE PRSSH13F234LIZZIEBORDENFATHER JUNE 28, 2013 -- RINCE OF ANDREW JACKSON BORN, 92 SEND ST., FALL RIVER, MASS., 1892. (SHNS PHOTO URTY FALL RIVER (MASS.) HISTORIL SOCIETY) (NEWS TAGID: ) [PHOTO VIA NEWS]{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}LIZBETH "LIZZIE" BORN, A WOMAN OM VICTORIAN-ERA MASSACHETTS, WAS FAMOLY TRIED AND ACQUTED FOR THE GOME MURR OF HER OWN FATHER AND STEPMOTHER. HER STORY EVEN SPIRG A FILM THAT BUTED THIS YEAR, STARRG CHLOë SEVIGNY AS BORN AND KRISTEN STEWART AS HER MORED LOVER, HOEKEEPER BRIDGET {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}BUT WHAT TRANSPIRED AFTER BORN'S ACQUTAL IS JT AS TRIGUG. DPERATE TO PE THE UNFORTUNATE NAME-LLG AND MORS THAT FOLLOWED THE ACCATNS, BORN MOVED TO MAPLECROFT, A NEARBY PROPERTY, WH HER SISTER, EMMA. (SHE WAS ALSO MORED TO HAVE SPARKED UP A LOVE AFFAIR WH ANOTHER WOMAN, ACTRS NANCE O'NEILL, WHO LATER SRNED HER BY ENDG THEIR "PANNSHIP.") DES DOWN THE LE, MULTIPLE ACUNTS OF PARANORMAL ACTIVY AT MAPLECROFT HAVE BEEN REPORTED, CLUDG SIGHTGS OF BORN'S APPARN {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}LIBERACE LIV ONBETTMAN/GETTY IMAGLIBERACE SPOOFS A DAY HIS OWN LIFE DURG A TELEVISN SPECIAL, CLUDG A SCENE WHERE HE BATHS HIS $55,000 MARBLE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE GHOST OF FAMED FLAMBOYANT PIANIST LIBERACE IS SAID TO HNT CARLUCC'S TIVOLI GARNS, THE RTRANT THAT ONCE WAS LIBERACE'S TIVOLI GARNS (AND IS LOTED NEXT TO THE NOW-SHUTTERED LIBERACE MM LAS VEGAS). THE CARLUCC FAY PURCHASED THE PROPERTY AFTER LIBERACE'S TRAGIC ATH OM AIDS-RELATED ILLNS 1987. DES LATER, LIBERACE, WHO PROFSED TO HAVE A SOMEWHAT SPIRUAL NNECTN TO HIS MIL ABILI, HAS APPEARED AS AN APPARN TO WASTAFF AT THE RTRANT. HIS GHOST IS SAID TO HAVE ED MYSTER HAPPENSTANC, CLUDG FLHG TOILETS, LOCKG DOORS, AND WHISPERG PEOPLE'S {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}ON ONE MEMORABLE FEBARY 4, LIBERACE'S ATH DAY, THE SPIR REPORTEDLY ED THE POWER TO ABPTLY FAIL. STAFF, WHO RRECTLY BELIEVED WAS HIS BIRTHDAY, HUDDLED TOGETHER TO SG THE SUPERSTAR "HAPPY BIRTHDAY." SENDS AFTER THE FAL REA, THE LIGHTS AT CARLUCC'S FLICKERED BACK TO LIFE. SADLY, CARLUCC'S HAS SCE CLOSED AND {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}WANRG WH WALT WHMANLIBRARY OF CONGRS/CORBIS/VCG VIA GETTY IMAGA PORTRA OF WALT WHMAN (1819-1892), TAKEN THE LAST YEARS OF HIS LIFE. WHMAN'S DISTCTIVE, ANK POETRY MET WH MISUNRSTANDG AND ADVERSE CRICISM FOR MANY YEARS, BUT BY THIS TIME HIS VOLUME LEAV OF GRASS (ORIGALLY PUBLISHED 1855) HAD GAED AN APPRECIATIVE DIENCE. HIS LAST YEARS WERE PLAGUED BY POOR HEALTH, AND HE WROTE LTLE AFTER A STROKE 1873. (PHOTO BY LIBRARY OF CONGRS/CORBIS/VCG VIA GETTY IMAG){BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AMERIN WRER AND POET WALT WHMAN, LONG NSIRED TO BE ONE OF THE MOST FLUENTIAL LERARY VOIC OF THE 19TH CENTURY, LIVED BROOKLYN, NEW JERSEY, AND LONG ISLAND THROUGHOUT THE URSE OF HIS LIFE. HE STCK UP MULTIPLE ROMANC WH OTHER MEN, LIKE IRISH STAGEACH DRIVER FRED VGHAM, WHO WAS THE SUBJECT OF SOME POEMS OM WHMAN'S MAGNUM OP, LEAV OF GRASS. WHMAN ALSO SUFFERED VASTATG PERSONAL TRAGEDI, CLUDG UNREQUED LOVE AND THE LOSS OF TWO OF HIS BROTHERS. BEFORE HIS ATH 1892, HE ASKED THAT HIS TOMB BE LEFT UNSEALED SO THAT HIS SPIR "ULD ROAM EE."{BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AND ROAM, HAS: MULTIPLE SIGHTGS OF WHMAN'S APPARN HAVE BEEN REPORTED THE WT HILLS OF LONG ISLAND, WHERE WHMAN WAS BORN AND SPENT THE FIRST FEW YEARS OF HIS LIFE. THE HILLS SPIRED MANY OF HIS POEMS, AND 'S SAID THAT WHMAN'S GHOST N OCSNALLY BE SEEN WANRG THE HIGHLANDS, LOOKG THROUGH THE WOODS TOWARD FIRE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}THE "PSYCHIC PIANIST" OF SAN DIEGOLETHE {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}VILLA MONTEZUMA, A QUEEN ANNE-STYLE HOME SAN DIEGO, IS THE REPORTED RINCE OF A QUASI-FAMO SPIR: THE GHOST OF JSE SHEPARD, A GLOBE-TROTTG GAY WRER AND "PSYCHIC PIANIST" WHO WAS BELIEVED TO CHANNEL THE SPIRS OF FAMO POSERS DURG HIS {BOX-SIZG:BORR-BOX;PADDG:24PX 0;} A{LOR:#354A4E;-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} A:HOVER, A:FOC{-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} B, STRONG{FONT-WEIGHT:700;}AFTER SETTLG TO VILLA MONTEZUMA, WHERE HE LIVED FOR JT TWO YEARS AFTER WAS RATED TO HIS OSTENTAT SPECIFITNS, SHEPARD PUBLISHED HIS FIRST SAY UNR THE PEN NAME FRANCIS GRIERSON. HE WENT ON TO BE KNOWN BY THIS ALIAS UNTIL HIS ATH 1927, IMMEDIATELY AFTER PLAYG A PIANO PERFORMANCE TO RAISE FUNDS FOR HIMSELF AND HIS LONGTIME PARTNER, LAWRENCE WALMAR TONNER, WHO WERE DOWN ON THEIR LUCK LOS ANGEL. GRIERSON'S GHOST AND AN APPARN OF HIS FORMER BUTLER ARE BOTH SAID TO HNT THE VILLA, KNOWN LOLLY AS "THE SPOOK HOE."{BOX-SIZG:BORR-BOX;CLEAR:BOTH;}{BOX-SIZG:BORR-BOX;MARG:0 TO;WIDTH:90%;M-WIDTH:288PX;MAX-WIDTH:1440PX;M-HEIGHT:194PX;}LATT NEWS

Others were even moved to crochet their own Gayspers. Happily, Gaysper was not a solary phantom for long: siar signs were soon brand Lper, Bisper, Transper and Pansper. What better way to rg Halloween week than a gay ghost story?

) tal of paranormal enunters wh LGBTQ apparns and spirs, sourced om Queer Hntgs: Te Tal of Gay and Lbian Ghosts by Ken Summers, thor of Queer Afterlife of Harvey MilkHarvey Milk, the out-and-proud civil rights pneer who beme the first openly gay elected official California, is a legend San Francis. The hills spired many of his poems, and 's said that Whman's ghost n ocsnally be seen wanrg the highlands, lookg through the woods toward Fire "Psychic Pianist" of San DiegoVilla Montezuma, a Queen Anne-style home San Diego, is the reported rince of a quasi-famo spir: the ghost of Jse Shepard, a globe-trottg gay wrer and "psychic pianist" who was believed to channel the spirs of famo posers durg his settlg to Villa Montezuma, where he lived for jt two years after was rated to his ostentat specifitns, Shepard published his first say unr the pen name Francis Grierson. Gay ghost emoji go viral after beg posted an attack agast LGBT people.

ANTI-LGBT PARTY VOX POSTS ‘GAY GHOST’ EMOJI BUT BACKFIR SPECTACULARLY

A tweet om Spanish far-right polil party Vox has spectacularly backfired after the group ed a ‘gay ghost’ emoji to reprent their battle agast LGBT+ people. The Photoshopped image clud an anarchist sign, femist sign, a Catalonia flag, a munist symbol, an El Pais logo (a Spanish newspaper) and to reprent the LGBT muny, a gay ghost emoji.

DOROS AD FOR DAY OF THE DEAD FEATURG GAY GHOSTS HAS THE INTER APPLDG THROUGH TEARS

Queer and trans social media ers started g the hashtag #gaysper to create mem and roundly mock the group, g the rabow-loured ghost emoji, who oppose same-sex marriage and LGBT+ fai. One er asked the LGBT+ muny to “please” reclaim the gay ghost emoji as their own. While another person tweeted: “The worst thg the far right uld have done was give the LGBT muny a new cute symbol, ” while ntug their Twter thread to clu imag of Gaysper srg people.

“Here, Gaysper srg a young right-wg heterosexual, ” another Tweet said. I grew up unr the Sectn 28 law the Uned Kgdom, which forba tnal settgs om “promotg homosexualy” or promotg “the teachg... Of the acceptabily of homosexualy as a pretend fay relatnship.

” And, last June, Kristen Stewart—whose journey om beg Robert Pattson’s reticent girliend durg her “Twilight” years to announcg, “I’m, like, so gay, du! ” has been a source of great light to me—released a stg ll for her new venture, “the most gayt, most funnt, most tillatg queer ghost-huntg show ever. In Nigeria, where homosexualy remas illegal, Osun’s queer characters live fully, often jubilantly, but also, by necsy, secretively: “We’re ghosts bee we have to be, ” a queer character imag sayg, “bee our liv pend on passg and beg passed by.

SPANISH FAR-RIGHT PARTY POSTS LGBT GHOST AND BACKFIR, CREATG ADORABLE GAY IN #GAYSPER

Around gay marriage and gay parentg not changed.

*BEAR-MAGAZINE.COM* SPANISH GAY GHOST

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class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU hQrwCF bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kAEsuD viewport-monor-anchor"><button id="bookmark" aria-label="Save this 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body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg">My iends and I ed to tell one another ghost stori when we were young. It was the neti, and we lived Oxford, England. There was a perd—we mt have been eleven or twelve—when nothg pelled more than ma-up fear, and each day we’d sh to school eager to share some newly ncted tale of horror. The ghost stori were told utterly un-spooky ndns— broad daylight, agast the hum and clatter of the feteria—but I ed to rry them home wh me like treasur, to be turned over and marvelled at after dark.</p><p class="paywall">In my favore one, two girls, whose nam were, say, Alice and Bethany, are walkg through a meadow wh Alice’s dog. They’re lghg, gossipg, and they pse at one pot to make daisy chas for each other. (The daisy-cha tail always felt slightly awkward, but was necsary for the endg to land.) Sudnly, out of nowhere, the dog vlently turns on Bethany and kills her. Alice, panic-stricken, grabs the animal and ns home. She says nothg to anyone about what has happened: she has already lost her bt iend and n’t bear to lose her dog, too.</p><p class="paywall">In the days that follow, Bethany’s body is disvered, and the police lnch an vtigatn. At night, Alice lets the dog sleep on the floor bi her bed, and, whenever she wak up, sred and alone, she reach out a hand for him to lick; the animal’s warm tongue on her palm sooth her. And then one morng she go downstairs to fd her parents ashen-faced at the breakfast table. Alice begs to sweat: they have found out the tth, she thks.</p><p class="paywall">Instead, her parents tell her to s down. The dog, they tell her gently, was found ad on their doorstep jt after she went to bed. It had been btally attacked. Alice shak her head and says they mt be mistaken: he slept right bi her—she felt him lickg her hand the night! She ns upstairs to her room and se that ’s empty. Overe wh grief, she crouch by the si of the bed and fds, among the strands of shed dog hair, a wilted daisy cha.</p><p class="paywall">In the bt versn of this story, the teller held your hand as they spoke, and when me time for the lickg part they stroked their fger across your palm. There were variatns on the theme—sometim Alice liberately set the dog on Bethany, sometim the police vtigatn loomed larger the plot—but what remaed nstant was the lickg of the hand at night, the ghostly scrape of a ad tongue across your palm.</p><p class="paywall">I remember the story beg genuely sry. I remember lyg awake at night, not wantg my hands or feet to ext om unr the vers for fear that a ghost might lick them. But most vividly I remember the strange, beguilg image of a ghost’s tongue: the ia of a ad girl lickg a livg girl’s hand felt obscene, somethg we weren’t supposed to have imaged at all. It would be nearly two s before my own queerns beme pletely apparent to me, but I knew, even then, that the appeal of the murred-dog ghost story was not entirely straightforward, that the narrative was transgrsive more ways than one.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">Around the same time, I began fervently readg ghost stori. I wasn’t sure why. Perhaps, when you sense somethg shadowy about yourself, you start lookg the shadows for unrstandg, or at least meang of some kd. What I did see clearly was that my tert ghosts endured, long after my iends had moved on. We no longer swapped sry stori the feteria, strokg each other’s palms. Instead, we talked about ourselv, and one another, and spent an extravagant amount of time tryg to terme what was and wasn’t ol. I did my bt to keep up. We bought magaz lled thgs like <em>Sugar</em> and <em>Shout</em>, which me wh ee iendship bracelets. We went to a club night for unr-eighteens at the Park End Club lled the Fly-by-Night, and then, as soon as we uld get away wh , began sneakg to regular bars. I rell wrg a remr to myself on a scrap of paper that simply read, “Notice boys!” Instead, I would go home alone and read about ghosts.</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-1 viewport-monor-anchor"></div><p class="paywall">The ghost stori of my teen-age years were mostly om the neteenth century. I read Henry Jam’s “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">The Turn of the Screw</a>,” om 1898, which tells the tale of a erns posted at a remote untry home who fds herself and her young charg hnted by two former servants. The ghosts, praved and malic, attempt to rpt the children, though the narrator never lets on exactly what form their pravy tak. I read “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">The Old Nurse’s Story</a>,” by Elizabeth Gaskell, om 1852, which a nurse disvers that her charge has been lured out to the snow by a ghost tent on killg the child. And, though I do not mean to say that the were queer stori, I see now how the spectral prenc, by beg seen and not seen, by exertg energy where none was anticipated, spoke to the queerns I felt wh me and didn’t unrstand. At that time my life, I experienced my queerns as an unknowable force, somethg that might well try to lure me out to the ld, somethg that I tried not to look at directly.</p><p class="paywall">I grew up unr the Sectn 28 law the Uned Kgdom, which forba tnal settgs om “promotg homosexualy” or promotg “the teachg . . . of the acceptabily of homosexualy as a pretend fay relatnship.” (The peculiar celty of that phrase, <em>pretend fay relatnship</em>, hnts me even now as I look out at my wife and son playg the garn behd our hoe.) Though my teachers were willg to go to great tail about all manner of lite subjects—we practiced unfurlg ndoms onto odorant bottl blogy class, and were shown slis of genal warts and herp lns and an extremely graphic vio of someone givg birth—they guard om knowledge of queerns. I don’t rell the subject ever beg discsed at home, eher. It certaly wasn’t treated negatively—and, sce my g out, my parents have been nothg but supportive—but, rather, I don’t remember ever beg addrsed as a subject that might be relevant to me. Queerns was somethg to do wh other people. And yet, like the ghosts the stori I loved, there was, an allurg and alarmg possibily, which I uld talk about wh exactly no one, and which was both more prec and more terrifyg for the silence that surround .</p><p class="paywall">As I got olr, my search for queerns ghost stori grew more liberate; I knew better what I was lookg for. To read is always to experience a hntg, to be alone while the pany of another nscns, to receive msag om a person who isn’t there. The readg of queer ghost stori beme for me a kd of double hntg, layg bare immense sadns but also the nourishg nsolatn of regnn. Ghosts transgrs bari all sorts of ways—life and ath, prence and absence, fort and grief. At universy, I enuntered queer people who were <em>out</em>, who refed ghostls, and was astonished to see that they moved through the world as solidly and opaquely as everyone else. I read queer theory, and <a href=">Toni Morrison</a>, whose ghosts had a force that I hadn’t seen before; they were powerful and disptive and bold. I also enuntered Radclyffe Hall’s “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">The Well of Lonels</a>,” om 1928, which the female protagonist, Stephen Gordon, is an “vert” who unabashedly pursu female love terts. The novel culmat a feverish llective hntg, as Stephen fds herself surround by queer spectral prenc. “The quick, the ad, and the yet unborn” crowd around her, “potg at her wh their shakg, whe-skned effemate fgers” and shoutg, “You dare not disown !” It’s a surreal moment that felt utterly faiar to me: queer people hntg queer people. At the end, Stephen, overe, gasps, “Acknowledge , oh God, before the whole world. Give also the right to our existence!” After the silence of my adolcence, now seemed that even the ghosts were shoutg, mandg to be heard.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">There is somethg about the act of hntg that, whether this is tentnal or not, n’t help but speak to the way that queer people of the past have always been ghosts, hntg the histori they’ve been wrten out of. It’s hard, as a queer person today, <em>not</em> to feel hnted by them: by the people who suffered immense celty for livg their te liv, but also by the people who did not—whose queer liv were never lived at all. In my most recent novel, I njured the ghost of a fifteenth-century teen-age girl who, the neteenth century, falls love wh the French thor Gee Sand. I was thkg about the weight of all of history’s unnsummated queer longg, the appallg silence of . How else uld I embody but the disembodied form of a ghost?</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">In almost every other way, I have no tolerance for the fantastil or speculative. I once flabbergasted a male date by statg that the mute an alien appears a story I lose tert. But ghosts don’t feel fantastil to me. They seem like the most straightforward way to speak about absence and potential, about uncertaty and transgrsn—that is to say, the most straightforward way to speak about queerns and queer visibily.</p><p class="paywall">I will never fet the jubilatn I felt on enunterg Ali Smh’s “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Hotel World</a>,” om 2001, whose ghost narrator opens the novel, “Woooooooo-hooooooo what a fall what a plummet what a dash to dark to light,” as she rells plungg to her ath a dumbwaer. Later, she reveals that this fall is figurative as much as is leral, cidg wh the velopment of an all-nsumg csh on a girl workg a watch shop. I had not yet graduated om llege when I read , and was still a away om g out, but I remember the sh of clary that the book spired about why I uldn’t stop thkg about ghosts: here was a ad narrator who returned ath not only to her fay home, not only to the se of her mise, but also to her beloved, to the love she’d been unable to pursue her lifetime. The ghost, like me, uldn’t seem to leave her queer longgs behd.</p></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="tex8b"></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">Here was a wrer who ma explic the private, shadowy feelgs that were only ever implic the stori I had read as a child. And, more recent years, queer ghosts have taken a yet more central place popular culture. Netflix’s “The Hntg of Bly Manor,” om 2020, reimag Jam’s “The Turn of the Screw” as, at least part, a sapphic romance. The far-right Spanish party Vox tweeted an image of a rabow-lored ghost to reprent the L.G.B.T. “threat” durg an electn mpaign early 2019, and queer people rpond wh risn and pri equal measure. On YouTube, a seri lled “Queer Ghost Hunters” follows psychics and mediums search of queer ghosts. In one episo, the ghost hunters seek out the spirs of lbian nuns at a nvent cemetery; Joe Applebm, a -producer of the seri, <a href=">scrib</a> “untls lost liv, lost the afterlife bee they uldn’t live eely this one.” And, last June, <a href=">Kristen Stewart</a>—whose journey om beg Robert Pattson’s reticent girliend durg her “Twilight” years to announcg, “I’m, like, so gay, du!” on “S.N.L.” has been a source of great light to me—released a stg ll for her new venture, “the most gayt, most funnt, most tillatg queer ghost-huntg show ever.” The show is still s early stag—the stg ll was posted this summer—but s announcement suggts to me that, culturally, we have arrived at a shared unrstandg that ghosts and queerns go hand hand.</p><p class="paywall">In fictn, too, queer ghosts are claimg space. The queer ghost stori that I once furtively yearned for have proliferated. They now have their own tegori on Goodreads: “LGBT Supernatural,” “YA LGBT paranormal romance,” “Bi & Lbian Ghost Stori,” and so on. My childhood self would have faced no shortage of material, had she been readg now, and perhaps would have felt enuraged to be much ls surrept about her terts. The unrgraduate creative-wrg stunts I teach belong to a generatn that created and nsumed vast amounts of queer Harry Potter fan fictn. (A notable example, “All the Young Dus,” which tails the explos of a bisexual Rem Lup, has more than seventeen thoand ratgs on Goodreads; s hashtag has been viewed more than four hundred ln tim on TikTok.) I have the imprsn that the stunts fd the queerns of ghosts somewhat obv; for them, is certaly not the tantalizg, secret disvery that was to me when I was their age.</p><p class="paywall">And, though the explosn of queer ghosts is most evint genre fictn—horror, fantasy, of urse, and also Y.A.—lerary fictn, too, has bee creasgly preoccupied wh them. Jennifer Mills’s novel “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">The Airways</a>,” which was published last year Atralia and serv ternatnal rears, follows the spir of Yun, a nonbary microblogy stunt. Yun, havg experienced a vlent ath the openg pag, fds themself disembodied but still nsc, able to move between the bodi of others a manner much like a vis. Their experience of life was one which they were already hnted, though not entirely aware of : “If there were signals—a prickle of hair at the nape of the neck, a sharpeng the heart, a sudn chill, or a tickle of sweat the hand—then I accepted them as normal. If the alarms were soundg si me, they were so faiar that they had bee fat and distant.” And now, ath, Yun themself rri out the hntg, as they seek vengeance for their untimely mise. It’s an unnervg readg experience, at once immersive and alienatg, pturg the -betweenns of ghostls and queerns—as Mills herself puts , the ways which “genr is a kd of hntg.”</p><div data-attr-viewport-monor="le-recirc" class="le-recirc-wrapper le-recirc-observer-target-2 viewport-monor-anchor"></div><p class="paywall">K-Mg Chang’s new short-story llectn, “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Gods of Want</a>,” which was published this summer, is so full of queer characters who enunter, spect the prence of, or bee ghosts that the experience is treated as almost route. Chang’s wry, obstrepero ghosts are poro, leaky begs; everyone gets very wet. In one story, “The Chos of Dead Cos,” the narrator’s marriage to another woman is subject to repeated disturbanc by her ceased relativ, who “tore out our plumbg, unrollg a flood as proudly as a flag.” Another story, “Dyk,” mak e of puns: “Mrs. Tai lled me a dyke sometim, and I told her that was right. Born to whhold water, want.” Later, this narrator’s love tert drench them both a r wash before disappearg, jt as Las Vegas disappears unr floodwaters. In all this queer ad wetns, there’s a refal to be ntaed: wh a body, wh a grave, wh a dimensn.</p><p class="paywall">Eloghosa Osun’s recent novel--stori, “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Vagabonds!</a>,” shows a Lagos habed by spirs, ghosts, vils, and livg queer people who nohels feel like ghosts. In Nigeria, where homosexualy remas illegal, Osun’s queer characters live fully, often jubilantly, but also, by necsy, secretively: “We’re ghosts bee we have to be,” a queer character imag sayg, “bee our liv pend on passg and beg passed by. But we’re ghosts who see other ghosts often, who hold them and hug them and fuck them, too.” The queer ghostls of “Vagabonds!” is one of tenrns, pannship, and re—and also, given s polil ntext, a radil rebelln, a refal to be hidn.</p><p class="paywall">Vengeful, unly, exuberant, protective: the queer ghosts fdg their way to recent lerary fictn are shadowy begs who step, at last, out of the shadows. They do this, dividually, story by story, but llectively, too: queer ghost stori are beg told to ever greater dienc, by ever more nfint voic.</p></div></div></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="f9u9ye"></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ArticlePageChunksGrid-hfxa bDFJoo"><div class="GridItem-buujkM kHPPIF grid--em"><div class="BodyWrapper-kufPGa EOneK body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">I sometim wonr if I would ever have e out—even to myself!—had laws the U.K. around gay marriage and gay parentg not changed. Though queer people have always ma unns and fai together, long before the state acknowledged their validy, I was timid and, I see now, unimagative. As much as I knew that there was somethg queer about me, I also knew that I wanted to get married, I wanted to have babi, I wanted to live an unshadowed life like my straight iends did. I don’t know now whether I would have been able to accept a life which I wouldn’t be able to have those thgs. I pursued doomed attempts at heterosexualy through my twenti, prsg on om failed relatnship to relatnship, aware that somethg about them—about me—didn’t feel que right. And, perhaps, had the Brish laws not changed, I might have ntued dog that fely. I am hugely ashamed of this, when I thk of the urage of the many, many queer people who live thentilly societi stcturally and enthiastilly hostile to them.</p><p class="paywall">My own steppg out of the shadows followed a seri of legal chang England and Wal: the end of Sectn 28 2003, and laws g to effect that ma legal for gay people to adopt children, 2005, and, fally, to marry, 2014. The world felt brighter, more open, and as a nsequence I felt ls ghostly and more secure: the life I wanted uld be lived on an equal footg wh straight peers; there was no longer a sense that queer people and queer fai were sendary, “pretend.” It is now beg obv that, far om reprentg an irrevoble step forward, the moment to which I me out was a historil anomaly—a blip that may well be reversed. My wife and I got married New Hampshire 2018. It seems que likely that this will not be possible many stat the future. The Church of England remas opposed to equal marriage and recently barred Mpho Tutu van Furth, an Anglin prit and a dghter of the late <a href=">Dmond Tutu</a>, om officiatg at her godfather’s funeral bee she is married to a woman. The U.S. Supreme Court, havg <a href=">overturned Roe v. Wa</a>, may well turn s attentn to Obergefell v. Hodg. Homophobic beliefs rema fervently held by powerful people, and a younger generatn of queer people may fd that they are forced to feel like ghosts aga—although, culturally if not legally, I spect that the ti nnot be turned back. I thk of all those queer ghost stori, of that army of spectral prenc, and believe there will be no silencg them. They give me hope.</p><p class="paywall">Recently, I me across a ghost story om around the nth century, which a woman enunters her ceased godmother a basili on the Capole Hill Rome. “Are you not my godmother Marozia, who recently died?” the woman asks. The godmother nfirms that she is, explag that sce her ath she had been experiencg punishment the afterlife, but that the Virg Mary has now eed her om torment. While alive, she says, “I had disgraced myself my youth by succumbg to the enticement of wanton lt wh girls my own age.” She go on, “I am sad to say that for some reason I fot about this,” and explas that she neglected to nfs the ss to a prit. That “for some reason” is the triumph of the story, three words, so sual, so suggtive. This is a ghost who sists, even ath, that her transgrsns life simply slipped her md, and who is now sually visg Rome. I love the brazen nonchalance of this, the souciance of a ghost who, for all that damnatn and torment, appears remarkably unrepentant.</p><p class="paywall">And this is the power and fiant joy of queer ghosts. They tell exactly who they are. They brg themselv back to , channellg, challengg, and changg the procs. And, when I search for what is left of history’s visible queer liv, and when I look forward to an uncerta future, what I fd is ghosts: an absence that is timate, abundant, rebell, and almost enough. ♦</p></div></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 PaywallInleBarrierWhWrapperGrid-fyrGfS jyGBoi"><div class="GridItem-buujkM kHPPIF grid--em"><div class="body body__le-barrier article__body article__body--grid-margs"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0 ContentWrapperGrid-fvkmBv jfHKjr"><div class="GridItem-buujkM kHPPIF grid--em"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG bGJnrW ArticlePageContentFooterGrid-ccsXYy fzwwkW article-body__footer"><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK eRggVV grid grid-margs grid-ems-0"><div class="GridItem-buujkM kHPPIF grid--em"><div class="LkStackWrapper-NFLYw kgtXXB lkstack" data-ttid="LkStack"><div class="SectnTleRoot-dBGvdq hpRFVl LkStackHear-lKjbE hejl lk-stack--headg" data-ttid="SectnTle"><h2 class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SectnTleHed-dKqZet bVCFRm jfOfxc QVDXy">New Yorker Favor</h2></div><div class="LkStackContent-jyKicS gPhyME"><ul class="LkStackList-gGcjdZ dnMwpz"><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>The <a href="/books/unr-review/the-rebrandg-of-mdma" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">rebrandg of MDMA</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>What <em class="small">COVID</em> <a href="/culture/say/what-vid-revealed-about-amerin-psychiatry" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">revealed about Amerin psychiatry</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>How to <a href="/news/annals-of-a-warmg-pla/what-to-do-wh-climate-emotns" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">handle climate emotns</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>The changg role of <a href="/culture/the-new-yorker-terview/we-have-reached-peak-therapy-tv" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">the therapist on televisn</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>Reventg the E.R. for <a href="/science/annals-of-medice/reventg-the-er-for-ameris-mental-health-crisis" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">Ameri’s mental-health crisis</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>Givg away <a href="/culture/personal-history/givg-away-my-tw" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">my tw at her weddg</a>.</p></div></li><li class="LkStackBullet-kQRqul iQHwiG lk-stack--lk-em" data-ttid="LkStackBullet"><div><p>Nearly a century of <a href="/rtoons/rtoon-sk/rtoons-about-therapy-om-the-past-century-well-almost" class="InternalLkEmbedWrapper-fhjgJW cQLtaa">New Yorker rtoons about therapy</a>.</p></div></li></ul><div class="LkStackFooter-KfRyO ebnmps lk-stack--footer"><div><p><a href=">Sign up</a> for our daily newsletter to receive the bt stori om <em>The New Yorker</em>.</p></div></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK eRggVV grid grid-margs 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iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Ghosts</span></a><a href="/tag/ghost-stori" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Ghost stori</span></a><a href="/tag/lerature" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Lerature</span></a><a href="/tag/fictn" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Fictn</span></a><a href="/tag/lgbtq" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd 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class="RubricName-fVtemz cLxcNi">Pop Mic</span></div><a class="SummaryItemHedLk-civM dVrbhU summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ fzzTdh summary-em__hed" data-ttid="SummaryItemHed">Bethany Cosento’s Songs of Self-Actualizatn</div></a><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd kxnNhB jDyfzW summary-em__k">On her solo album, “Natural Disaster,” the Bt Coast ont woman reckons wh old selv and personal transformatns.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Amanda Petsich</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hNpSyX summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below summary-em--layout-posn-image-left summary-em--layout-proportns-50-50 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm hKqhyj" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb cPpCwE summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW 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