‘The Sopranos’ Belongs to the Gays Now

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A STRANGE LOOP, BILLY PORTER, AND MORE MAKE THE TONYS GAY

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"I jt wanted to create a ltle b of a life raft for myself as a Black gay man to jt get through the day.

Bernatte Peters, who starred many Sondheim shows, livered a tribute to the poser-lyricist, who died November, sgg "Children Will Listen" om Into the Me Out, Richard Greenberg's play about a gay pro baseball player, won for Bt Revival of a Play, and out actor Jse Tyler Fergon won Bt Actor a Featured Role a Play for his performance the an award prented before the natnally televised portn of the ceremony, Toby Marlow and Lucy Moss won Bt Sre for Six: The Mil. But, all this heterosexism and flattened nuance ignor the obv tth: The Sopranos belongs to the gays now.

‘THE SOPRANOS’ BELONGS TO THE GAYS NOW

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And while some of the Gays of Gabagool have been fans sce the begng, seems many of them have only disvered recently, via word of mouth. But this new realy rais qutns: How did a show about vlent straight men bee so popular wh queer and trans people, pecially given the racism, misogyny and homophobia shows?

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— hawaiian k-hole (@TheGayChgy) Augt 12, 2021. — hawaiian k-hole (@TheGayChgy) March 28, 2021. “The men are so secure about thgs like homosexualy, but at the same time, many of them are much more image-nsc and effete than mastream men of different social class — the manicur, the obssn wh cloth, the hair, the jewelry, the logne.

‘NOT JT FOR GAYS’: THE YEAR THE TONYS DARED TO GO THERE

There’s a lot of shared terrory between this branch of 1990s/2000s Italian-Amerin ultra-macho culture and gay men’s club culture of the same perd. — hawaiian k-hole (@TheGayChgy) April 3, 2021.

IS TONY GAY '13 REASONS WHY'? HERE'S HOW THE TV SHOW ADDS LGBTQ CHARACTERS.

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But even better, what I found was other gays to chat wh about my favore mobsters. — hawaiian k-hole (@TheGayChgy) September 27, 2020.

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But wrer and gay porn performer Ty Mchell says “g at the end” might be exactly why The Sopranos has bee so beloved queer circl now.

”And they all me the first six mut of the broadst, urty of an impish Neil Patrick Harris’s showstoppg show opener, “It’s Not Jt for Gays Anymore” (“” beg Broadway). Subsequent Tonys numbers have been more ep-cuttish (Jam Corn riffg off “Be More Chill” a bathroom stall) or more spontaneo (L-Manuel Miranda and Thomas Kail’s end-of-show rep) or jt pla bigger (Harris aga , well, “Bigger”) “Not Jt for Gays, ” wrten by Adam Schlger (who died of the ronavis April) and David Javerbm, set a new template for what the Broadway muny would accept terms of self-mockery.

When Schlger appeared on the edian Marc Maron’s “WTF” podst 2012, he creded this surge work to the succs of “Not Jt for Gays, ” which won an Emmy Award that year. “Hontly, Adam was pable of wrg far more imprsive melodi” than “Not Jt for Gays, ” Javerbm said.

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Characters' motivatns were altered, the timele was stretched and the ncln was left more open-end to allow for a potential send of the most notable differenc, however, was how much queerer the show beme, wh the addn of several explicly gay characters who eher weren't the source material or whose sexualy was changed.

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