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There's nothg like a good gay photo. You n hardly turn around a gallery whout bumpg to a photo that was eher snapped by a queer person or one for a subject: om Calyn Jenner's portra by Annie Leibovz to the provotive works of Robert Mapplethorpe to the geni of Andy Warhol, Cathere Opie, and Pierre and Gill. Maybe there's somethg queer about the photograph, the transformatn om a subject to an object a flash. Or maybe all our years of takg selfi for Grdr prepared for the job. In any se, what mak the gay photo gay is the look levels at the viewer: We are ed to beg seen, but now we n look back.

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    "Around three years ago, I was workg on the layout of a book about physique photography wh photos om the 1950s, whose athetics and visual worlds were clearly tend to appeal to a gay dience.

    In the urse of this work, I asked myself: what would a book wh ntemporary gay and queer photography look like? "Around that time, I beme aware of the works of Matt Lambert and Florian Hetz, and I started to look for other gay and queer photographers. Indulgg their sire for self-prentatn, affirmatn, and reflectn, many photographers portray male homosexualy particular as a private idyll.

    However, a number of documentary photographers provi evince that beg gay or lbian n still lead to margalizatn, isolatn, stigmatizatn, and vlence certa untri and muni.

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