The Real Story Of The YMCA That Inspired The Village People's Gay Anthem - Gothamist

village people ymca gay

The Village People's Y.M.C.A. is an unmistakable ll to the dance floor -- om the openg brass hs of s tro melody you know what song is playg and you even know the arm motns that acpany the lyrics. The song self is one of the most bizarre cultural phenomena of all time. What began as a gay anthem performed by the Village People is performed at mpaign ralli and the sixth ng of New York Yanke baseball gam.

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THE REAL STORY OF THE YMCA THAT INSPIRED THE VILLAGE PEOPLE'S GAY ANTHEM

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In the 40 years sce the Village People released “YMCA, ” the song has bee a cultural touchstone: a gay anthem famo for s nuendos and double entendr about young, f men “havg a good time, ” as well as a staple at Yanke gam and bar song has also immortalized the Young Men's Christian Associatn pop culture. Yet former rints of the McBurney Y Chelsea — the buildg that spired the song, and which was featured the vio released late 1978 — say the realy of stays at the YMCA those days was more plited than the lyrics portray, wh gay culture and workg-class workouts existg a sgle munal space.

THE GAY ECSTASY OF THE VILLAGE PEOPLE

Former Village People Member: 'Y.M.C.A.' Is Not A Gay Anthem [UPDATED] * village people ymca gay *

“There was certaly a party aspect to their vio and that time was the height of all the gay clubs Chelsea, ” rells Davidson Garrett, who lived at the McBurney Y om 1978 through 2000. “[The YMCA] did have some overlappg of gay cisg. Garrett adds unrgraduate stunts and disabled men to the mix of ethnilly and racially diverse renters, about half of whom he timat were gay.

HAPPY PRIDE! HOW “Y.M.C.A.” BEME A GAY ANTHEM!

Often gay and their 20s or 30s, the weekend guts ed the YMCA “as a drsg room, ” and as a place to discreetly hook up, Garrett says. Meanwhile, hoekeepers me not jt to offer towels and change your sheets, but to keep an eye on you, Kangappadan of the song’s charm, of urse, is s petg terpretatns: It n be read equally well as a celebratn of gay culture or of the workg man.

And as a Sp oral history revealed on the song's 30th anniversary ten years ago, even the group self didn't agree on the proper Hodo (“the nstctn worker”) sisted to Sp that Jacqu Morali, the French producer who helped create the group and -wrote the song wh lead sger Victor Willis (“the p”), certaly had the gay muny md when he me up wh the song.

'Y.M.C.A.,' THE SPORTS ANTHEM ABOUT A GAY CISG SPOT: LYRICS AND MEANG

There’s nothg gay about them. ”Jon, who was a Y member at the time, sists to Gothamist that the band's artistic tent wasn’t to produce a gay anthem.

“But if you happen to be a gay man and have the experience and perspective of hookg up wh each other, ’s another way n be perceived. However, be this memory real or simulacm, strik me as hilar given what the Village People are universally known for: tongue--cheek gay nuendo, sparsely vered by a flimsy veneer of hyper-macho drag.

But they’re not ‘jt’ gay.

VILLAGE PEOPLE GIV TMP OK TO PLAY GAY ANTHEMS 'YMCA,' 'MACHO MAN' AT RALLI

They’re almost overtly (homo)sexual.

VILLAGE PEOPLE FOUNR VICTOR WILLIS ON WHY YMCA WASN’T A GAY SONG

However the service’s tomatic n-on feature clearly disagreed and cid that, when Cowley’s sensual, gay bathhoe-ready rhythms end, ‘Macho Man’ would be a great follow-up. And I was fascated by the empowerment I felt om Village People, the tle track on their eponymo but album, and an unambiguo ll for gay liberatn that sounds more ak to a prott chant than a chart topper. Said first three albums (and pecially the first two) rry a surprisgly polil energy; the more popular tracks, such as the eponymo Macho Man, might be vacuo but others – take I Am What I Am, a fiant chant that suggts exactly what you’d expect to suggt – envisn a world which male bodi uld be ee to e together whout Francis was one of the gay mecs the Village People celebrated on their visnary but album (Cred: Alamy)As far as evokg same-sex love go, there was a precent – om dis’s genis, queered sexual posivy was the life blood of the genre, as Peter Shapiro intifi Turn the Beat Around: The Secret History of Dis.

“As the cultural adjunct of the gay pri movement, dis was the embodiment of the pleasure-is-polics ethos of a new generatn of gay culture, a generatn fed up wh police raids, dranian laws and the darkns of the closet, ” he wr. That said, the genre’s lyrics tend to chew more overt polil statements – and the few that did rry an unambiguo msage of gay liberatn didn’t chart well.

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