How Marv Gaye's 'What's Gog On' Changed the Sound of R&B Forever - Variety

Contents:

• 【欧美唱片推荐006】 WHAT'S GOG ON--MARV GAYE
• THE STORY OF MARV GAYE'S 'WHAT'S GOG ON'
• WHAT’S GOG ON AT 50: MARV GAYE’S MASTERPIECE IS STILL SO TE TO LIFE
• WHAT’S GOG ONMARV GAYETRACK 1 ON WHAT’S GOG ON PRODUCED BYMARV GAYEWHAT’S GOG ON IS AN EXQUISE PLEA FOR PEACE ON EARTH, SUNG BY A MAN AT THE HEIGHT OF CRISIS. IN 1970, MARV GAYE WAS MOTOWN’S TOP MALE VOL STAR, YET HE WAS TRATED… READ MORE JAN. 17, 19711 VIEWER587.9K VIEWS85 CONTRIBUTORSWHAT’S GOG ON LYRICS[INTRO]HEY, HEY-HEYHEY, WHAT'S HAPPEN'?HEY, BROTHER, WHAT'S HAPPEN'?BOY, THIS IS A GROOVY PARTY (HEY, HOW YOU DO'?)MAN, I N DIG YEAH, BROTHER, SOLID, RIGHT ONWHAT'S HAPPEN'?HEY, MAN, WHAT'S HAPPENG?WOOEVERYTHG IS EVERYTHGWE'RE GONNA DO A GET DOWN TODAY, BOY, I'LL TELL YA[VERSE 1]MOTHER, MOTHERTHERE'S TOO MANY OF YOU CRYGBROTHER, BROTHER, BROTHERTHERE'S FAR TOO MANY OF YOU DYGYOU KNOW WE'VE GOT TO FD A WAYTO BRG SOME LOVG HERE TODAY, YEAH[VERSE 2]FATHER, FATHERWE DON'T NEED TO LATEYOU SEE, WAR IS NOT THE ANSWERFOR ONLY LOVE N NQUER HATEYOU KNOW WE'VE GOT TO FD A WAYTO BRG SOME LOVG HERE TODAY, OH (OH)YOU MIGHT ALSO LIKE[CHOS]PICKET L (SISTER) AND PICKET SIGNS (SISTER)DON'T PUNISH ME (SISTER) WH BTALY (SISTER)TALK TO ME (SISTER), SO YOU N SEE (SISTER)OH, WHAT'S GOG ON (WHAT'S GOG ON)WHAT'S GOG ON (WHAT'S GOG ON)YEAH, WHAT'S GOG ON (WHAT'S GOG ON)OH, WHAT'S GOG ON[POST-CHOS]AH-AH-AH-AH (IN THE MEANTIME, RIGHT ON, BABY)WOO (RIGHT ON, BABY), WOOAH-YA-YA-YA-YA-YA-YA, YA-YA-YA-YA-YAWOO (RIGHT ON, BABY, RIGHT ON), WOOAH-YA-YA-YA-YA-YA-YA-YA-YA-YA-YA-YABA-DA-BOO-DOO, BOO-BOO-BOO-DOO, BOO-BOO-BOOBA-DA-BOO-BOO-BOO-DOO, BOO-BOO-BOO-BA-BA-DO[VERSE 3]MOTHER, MOTHEREVERYBODY THKS WE'RE WRONGOH, BUT WHO ARE THEY TO JUDGE SIMPLY 'E OUR HAIR IS LONG?OH, YOU KNOW WE'VE GOT TO FD A WAYTO BRG SOME UNRSTANDG HERE TODAY, OH-OH[CHOS]PICKET L (BROTHER) AND PICKET SIGNS (BROTHER)DON'T PUNISH ME (BROTHER) WH BTALY (BROTHER)COME ON, TALK TO ME (BROTHER), SO YOU N SEE (BROTHER)OH, WHAT'S GOG ON (WHAT'S GOG ON)YEAH, WHAT'S GOG ON (WHAT'S GOG ON)TELL ME WHAT'S GOG ON (WHAT'S GOG ON)I'LL TELL YOU WHAT'S GOG ON (WHAT'S GOG ON)[POST-CHOS]WOO-OOH-OOH-OOH (RIGHT ON, BABY, RIGHT ON)AH-YA-YA-YA-YA-YA-YA, YA-YA-YA-YA-YA-YA-YAWOO, WOO (RIGHT ON)AH-YA-YA-YA-YA-YA-YA-YA-YA-YA-YA-YABA-DA-BOO-DOO, BOO-BOO-BOO-DOOBA-DA-BOO-BOO-BOO-DOO, BA-DA-DA-DA-DA-DA-DA[OUTRO]WOO (RIGHT ON, BABY, E ON, RIGHT ON)AH-YA-YA-YA-YA-YA-YA-YA-YA-YA-YAWOO (RIGHT ON)LISTEN, AH-YA-YA-YA-YA-YA-YA-YADA-BOO-DOO, BOO-BOO-BOO-DOODA-BOO-BOO-DOO, BOO-BOO-BOO49EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT
• 50 THGS YOU NEED TO KNOW ABOUT MARV GAYE'S WHAT'S GOG ON
• 50 YEARS AFTER MARV GAYE ASKED, ‘WHAT’S GOG ON?’ AMERI STILL SEARCHG FOR AN ANSWER
• MARV GAYE’S ‘WHAT’S GOG ON’ GETS 50TH ANNIVERSARY DIGAL REISSUE
• MARV GAYE’S “WHAT’S GOG ON”
• REMEMBERG MARV GAYE'S INIC 'WHAT'S GOG ON'
• HOW MARV GAYE’S ‘WHAT’S GOG ON’ CHANGED THE SOUND OF R&B FOREVER
• MARV GAYE’S ‘WHAT’S GOG ON’ IS AS RELEVANT TODAY AS IT WAS 1971

【欧美唱片推荐006】 WHAT'S GOG ON--MARV GAYE

As Sly & The Fay Stone channelled their anger to to bter funk (1971’s There’s a Rt Go’ On), Gaye sublimated his lh strg sectns and Lat percsn—signals not jt of mil gentlens, but cultural sophistitn. The revelatn is that polil mic don’t have to be nontatnal— n be mellow and vg too, the provce not jt of radils, but the same mixed, middle-class dienc that had been buyg Gaye’s albums all along. You tch more fli wh honey than wh vegar, and as Gaye seems to say on What’s Gog On, you don’t have to be a hippie to be worried by what you see—you jt have to be human.

《What's Gog On》是美国灵魂乐歌手马文·盖伊（Marv Gaye）于1971年发行的一张专辑，被广泛认为是他的巅峰之作和灵魂乐史上最伟大的专辑之一。这张专辑是马文·盖伊的第十一张录音室专辑，也是他首次担任制作人的作品，以及他对当时社会和政治问题的强烈关注的体现。《What's Gog On》以其独特的音乐风格和深刻的歌词而闻名，融合了soul、jazz、pop，R&B和福音的元素，展现出马文·盖伊对社会不平等、战争、环境污染等问题的担忧。专辑的歌曲创造了一种连贯的概念，以流畅的方式讲述了一个关于爱、和平和团结的故事。专辑的开场曲目是同名曲《What's Gog On》，这首歌以其深情的歌词和马文·盖伊独特的声音，表达了对战争和社会问题的困惑和反思。编曲中有一些嘈杂的人声，代表着人文背景，陶喆的黑色柳丁中的《今天晚间新闻》也许也有对这首作品的致敬。其他值得注意的歌曲包括《Mercy Mercy Me (The Elogy)》和《Inner Cy Blu (Make Me Wanna Holler)》，这些歌曲关注环境破坏和城市贫困，反映了当时美国社会的现实。其中Mercy Mercy Me是我最爱的一首，类似一种呼喊，祈求一种关怀，世界是否能更美好，小爱中凝聚了大爱。《Right On》这首的编曲极具jazz的风格，也融合了soul，节拍上速度的转换，使这张富有节奏感的吟唱能让人对充满爱的乌托邦无限共鸣。《What's Gog On》在其发行时并没有得到商业上的巨大成功，但随着时间的推移，它获得了巨大的赞誉，并被广泛认为是20世纪最伟大的专辑之一。这张专辑不仅影响了当时的音乐界，而且对后来的音乐人产生了深远的影响。它的音乐和主题仍然具有重要的意义，对于理解马文·盖伊和他所处时代的文化、社会和政治背景非常重要。立意上的高度决定了这张专辑的深度以及影响，是属于灵魂乐的理想主义（个人认为和约翰列侬的image有相似之处）。在音乐制作上也编曲水准极高，极具律动的groove，让整张专辑流畅，主题统一，听感极佳。个人评分：100. His album beme an ternnected sue, a gallery of songs reflectg the state of the unn as Gaye saw , om neglected ghettos to the thrivg muny church, to the abed environment.

Marv Gaye's sublime and transcennt album, What's Gog On, had a mil style and pth of feelg that lifted up to the hight level of pop and soul releas and ma unpyable even by Gaye himself, who was smart enough not to try.

THE STORY OF MARV GAYE'S 'WHAT'S GOG ON'

It seems to float, practilly lumo a sea of ngas and percsn, talkg and strgs, saxophone and multi-tracked Gaye and background sgers a nstantly changg mix that bursts wh energy like life self.

It's as relevant today as ever was though sad to say, I believe tim are even worse now than they were when the album was big surprise was that was Marv Gaye who ma . The real Marv Gaye was aware of the time which he lived, a time that had left the sunny early 60's behd and which had bee turbulent and torn by a multu of problems: the Vietnam War and s protts, the unterculture, life the ghetto, dgs and the only recent realizatn that the natural environment was beg stroyed a way no one had spected.

I thk that her ath, on top of everythg else really shook Marv Gaye and ma him realize he uldn't put out another happy, bouncy Motown album as he always song me om Obie Benson the ep voice of the Four Tops who -wrote wh Motown hoe songwrer Al Cleveland. Gaye often lled "God's album" not only bee he sought a spirual answer to mankd's problems but bee he, the micians (Motown's Funk Brothers hoe band), the producer (David Van De Pte) and his -wrers all felt a sh of spiratn like they had never felt rult was unique among Motown albums.

WHAT’S GOG ON AT 50: MARV GAYE’S MASTERPIECE IS STILL SO TE TO LIFE

“He uld have wrten What’s Gog On yterday, ” poet Nikki Gvanni noted an terview last tumn, explag that the ver portra of her 2020 llectn, Make Me Ra, pays homage to Gaye’s album ver, picturg Gvanni a raat, her llar upturned. The rerd’s endurance – most movgly displayed by Nelson Manla, who, shortly after his release om prison 1990, reced l om the album at Tiger Stadium Detro – has practilly bee a one is wrong, of urse, to say that Gaye’s album cuts as eply today as did 1971.

WHAT’S GOG ONMARV GAYETRACK 1 ON WHAT’S GOG ON PRODUCED BYMARV GAYEWHAT’S GOG ON IS AN EXQUISE PLEA FOR PEACE ON EARTH, SUNG BY A MAN AT THE HEIGHT OF CRISIS. IN 1970, MARV GAYE WAS MOTOWN’S TOP MALE VOL STAR, YET HE WAS TRATED… READ MORE JAN. 17, 19711 VIEWER587.9K VIEWS85 CONTRIBUTORSWHAT’S GOG ON LYRICS[INTRO]HEY, HEY-HEYHEY, WHAT'S HAPPEN'?HEY, BROTHER, WHAT'S HAPPEN'?BOY, THIS IS A GROOVY PARTY (HEY, HOW YOU DO'?)MAN, I N DIG YEAH, BROTHER, SOLID, RIGHT ONWHAT'S HAPPEN'?HEY, MAN, WHAT'S HAPPENG?WOOEVERYTHG IS EVERYTHGWE'RE GONNA DO A GET DOWN TODAY, BOY, I'LL TELL YA[VERSE 1]MOTHER, MOTHERTHERE'S TOO MANY OF YOU CRYGBROTHER, BROTHER, BROTHERTHERE'S FAR TOO MANY OF YOU DYGYOU KNOW WE'VE GOT TO FD A WAYTO BRG SOME LOVG HERE TODAY, YEAH[VERSE 2]FATHER, FATHERWE DON'T NEED TO LATEYOU SEE, WAR IS NOT THE ANSWERFOR ONLY LOVE N NQUER HATEYOU KNOW WE'VE GOT TO FD A WAYTO BRG SOME LOVG HERE TODAY, OH (OH)YOU MIGHT ALSO LIKE[CHOS]PICKET L (SISTER) AND PICKET SIGNS (SISTER)DON'T PUNISH ME (SISTER) WH BTALY (SISTER)TALK TO ME (SISTER), SO YOU N SEE (SISTER)OH, WHAT'S GOG ON (WHAT'S GOG ON)WHAT'S GOG ON (WHAT'S GOG ON)YEAH, WHAT'S GOG ON (WHAT'S GOG ON)OH, WHAT'S GOG ON[POST-CHOS]AH-AH-AH-AH (IN THE MEANTIME, RIGHT ON, BABY)WOO (RIGHT ON, BABY), WOOAH-YA-YA-YA-YA-YA-YA, YA-YA-YA-YA-YAWOO (RIGHT ON, BABY, RIGHT ON), WOOAH-YA-YA-YA-YA-YA-YA-YA-YA-YA-YA-YABA-DA-BOO-DOO, BOO-BOO-BOO-DOO, BOO-BOO-BOOBA-DA-BOO-BOO-BOO-DOO, BOO-BOO-BOO-BA-BA-DO[VERSE 3]MOTHER, MOTHEREVERYBODY THKS WE'RE WRONGOH, BUT WHO ARE THEY TO JUDGE SIMPLY 'E OUR HAIR IS LONG?OH, YOU KNOW WE'VE GOT TO FD A WAYTO BRG SOME UNRSTANDG HERE TODAY, OH-OH[CHOS]PICKET L (BROTHER) AND PICKET SIGNS (BROTHER)DON'T PUNISH ME (BROTHER) WH BTALY (BROTHER)COME ON, TALK TO ME (BROTHER), SO YOU N SEE (BROTHER)OH, WHAT'S GOG ON (WHAT'S GOG ON)YEAH, WHAT'S GOG ON (WHAT'S GOG ON)TELL ME WHAT'S GOG ON (WHAT'S GOG ON)I'LL TELL YOU WHAT'S GOG ON (WHAT'S GOG ON)[POST-CHOS]WOO-OOH-OOH-OOH (RIGHT ON, BABY, RIGHT ON)AH-YA-YA-YA-YA-YA-YA, YA-YA-YA-YA-YA-YA-YAWOO, WOO (RIGHT ON)AH-YA-YA-YA-YA-YA-YA-YA-YA-YA-YA-YABA-DA-BOO-DOO, BOO-BOO-BOO-DOOBA-DA-BOO-BOO-BOO-DOO, BA-DA-DA-DA-DA-DA-DA[OUTRO]WOO (RIGHT ON, BABY, E ON, RIGHT ON)AH-YA-YA-YA-YA-YA-YA-YA-YA-YA-YAWOO (RIGHT ON)LISTEN, AH-YA-YA-YA-YA-YA-YA-YADA-BOO-DOO, BOO-BOO-BOO-DOODA-BOO-BOO-DOO, BOO-BOO-BOO49EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT

A dively spired work driven by social rage – one that braid doo-wop harmoni, jazz and the hymns Gaye had loved as a child – What’s Gog On was also Gaye’s claratn of creative pennce om Berry Gordy’s Motown mache. ”What’s Gog On remas val, above all, for how turns away om that “Ameri” and stead addrs the tle qutn to a closer-kn group – those people gathered at the hoe party Gaye stag the album’s openg moments; the “mother, mother” and “father father” he lls out to (and that the party settg might emboln him to ndidly addrs).

” the speaker asks What’s Happeng Brother?, checkg the claims of those power agast the thory of everyday Black is one thg to celebrate Gaye’s endurg and prcient mo of creatn; another to appld the ntued ronance of his album’s ncerns.

We should not be sangue, for stance, that Gaye’s unrstated blu crique of “trigger-happy policg” has stayed so relevant; or that anti-Black vlence has so persisted over the last 50 years that remas necsary for Black artists and everyday people to approach the task of survivg and thrivg Ameri wh the energy, elegance and grace that Gaye molled this landmark work. Maybe he was tired – was the last song of a long set – but the 40-year-old Gaye, his illed whe shirt and sequned red su jacket, appears to not jt work the crowd but panr to wh some ntempt: “This was our very first No 1 rerd ever the world, ladi and gentlemen.

50 THGS YOU NEED TO KNOW ABOUT MARV GAYE'S WHAT'S GOG ON

Photograph: US Army/Getty ImagThis is precisely the kd of galvanisg work that Gaye was dog wh What’s Gog On, for his own people his own time – a historil pot that is often obscured when we fixate on the rerd’s timelsns. ”Vcent se Gaye’s actns as “the drivg force” behd Stevie Wonr’s polil turn at Motown, as well as the rigoro funk of Sly and the Fay Stone and the righteo soul of Aretha Frankl’s 1972 album Young, Gifted and Black.

The stars, along wh untls ssn micians, were “dog their bt work ever at this ccial moment time” – settg the standard, the se of Gaye and his llaborator David Van De Pte’s meticulo strg, nga, bass and vol arrangements – for what Vcent lls “soul mic as high art” be sure, What’s Gog On is an impecbly posed sue. Listen to how Gaye cranks the volume back up jt as the tle track starts to fa out – a sign of rilience as well as a petty refal to let a track that Gordy hated end whout a fight. Photograph: Jim Brt/Getty ImagWhat I listen for now are moments like the, which, spe repeated plays, ver versns and sampl of Gaye’s songs, still sound disrdant and unrolved.

50 YEARS AFTER MARV GAYE ASKED, ‘WHAT’S GOG ON?’ AMERI STILL SEARCHG FOR AN ANSWER

If at first Gaye seems ncerned wh parsg good om bad actors, “those of who simply like to socialise” v “those of who tend the sick and heed the people’s cri, ” he also gathers them all to an affirmative, right-on roll ll that mellows out to an oblique paean to sex: “And my darlg, one more thg / If you let me, I will take you to live where love is kg. The squawkg tenor saxophone solo wh which Wild Bill Moore tears through Mercy Mercy Me might be the most dramatic performance of the “holler” Gaye sgs about Inner Cy Blu – but which Gaye himself livers, at the end of that song, as a stylised cry: “Owwww! What Gaye performs stead is the virtuosic, ant ntrol required, the midst of panic, of Black people Ameri, no ls than that other war elements are not easily absorbed or nscripted to narrativ about Gaye’s moment or our own; precisely bee they are the rerd’s jagged edg, they keep reachg out to grab listeners through time.

Wh progrs, 100 years we'll look back on the rerd as an album that broke down barriers and beme the blueprt on how to live harmonly wh each other and our, though, let's take a closer look at the makg of Gaye's masterpiece as the album reach s mid-life surround by a world still crisis.

The boss at Motown thought Gaye was jeopardizg his reer wh this albumIn the fall of 1970, Gaye was so exced about the prott album he had md — and the song "What's Gog On" that he'd jt fished — that he tracked down the head of Motown Rerds, Berry Gordy, who was on vatn the Bahamas, to tell him the ia.

MARV GAYE’S ‘WHAT’S GOG ON’ GETS 50TH ANNIVERSARY DIGAL REISSUE

Bettg on 30 days of What's Gog OnAfter Gordy had been proven wrong about the succs of the sgle "What's Gog On, " he drove to Gaye's hoe to ask for the full album.

This irked Gaye, bee Gordy had actively tried to stop the song om beg Gordy knew that one sure-fire way to get mic out of Gaye was to make a bet wh the sger. 'What's Gog On' almost beme a song for vol group the OrigalsIn mid-1970, after workg on the song wh lyricist Al Cleveland, Benson fally had a chance to play for Gaye after trackg him down on a golf urse.

Many of his fans pied his fashn sense, but Gaye later admted to bgrapher David Rz that he wore them to ver up a growg bald spot on the top of his head, and was tickled to see people wear them to look Gaye, wearg his signature toque. Unlike most producers, Gaye sat down the Snakep wh the micians, leadg the rhythm sectn and playg piano stead of producg om behd the glass the Snakep, where What's Gog On was rerd.

MARV GAYE’S “WHAT’S GOG ON”

The end of 'The Sound of Young Ameri'Both the ont and rear ver shots for the album were taken the backyard of the hoe where Gaye and his wife were livg wh their son, Marv III. In the image on the rear of the album, Gaye is surround by a swg set and toys piled up agast a wall, echog one of the album's central songs, "Save the Children.

Gaye went heavy on percsn players, g Eddie Brown (Gaye's former valet) and Earl Derouen on ngas and bongos, Jack Brokensha on vib and Jack Ashford on tamboure. Jam Jamerson rerd his bass l while layg flat on his backThe story go that Gaye knew he wanted Motown ssn man and key Funk Brother Jam Jamerson to play bass on the rhythm tracks, so he followed Jamerson down to a lol Detro blu club where the bassist was playg the band. Gaye axed him offstage and back to the stud, but Jamerson was so toxited he kept fallg off his stool durg the rerdg, so he lay flat on his back to lay down the bass riffs that were wrten out for him by arranger David Van DePte.

Ward was gettg a one-dience-member Marv Gaye ncert but says that she was so by gettg the lyrics down rrectly that she didn't have time to enjoy Gaye sgg jt for her. Gaye was a nervo performer at the bt of tim, but on his namake day, four years sce his last performance, sred, stoned and wh a hired band of unr-rehearsed micians, Gaye panicked and accintally started wh "Right On, " the album's first song on the send si, playg the album back to ont. SmokeThis album was the product of many wrers, among them Anna Gordy, Obie Benson, Al Cleveland, Elgie Stover, Jam Nyx and Earl Derouen, but Gaye always claimed there was one wrer on the album who didn't receive an album cred: Smokey Robson.

REMEMBERG MARV GAYE'S INIC 'WHAT'S GOG ON'

Those vol loops were a happy accintAnother signature sound on the album was the layerg of Gaye's vols, his abily to back his own voice and harmonize wh himself over and over. The three had bee close iends, and 1970 Farr and Barney both helped nvce Gaye that "What's Gog On" was the perfect song for him to sg, bolsterg the early argument om Benson.

HOW MARV GAYE’S ‘WHAT’S GOG ON’ CHANGED THE SOUND OF R&B FOREVER

Their voic n be heard the vol chatter at the begng of the song and, even wh ltle vol talent between them, Gaye asked the pair to sg backg vols on the whole song. Buried the mix of "What's Gog On" you n hear Gaye beatg on a rdboard box to accentuate the percsn of the ngas and the dmmg of big-band tubthumper Chet Fort. 'Father, father, we don't need to late'The lyric "Father, father, we don't need to late" "What's Gog On" speaks both to God and Gaye's own father, Marv Gay Sr.

'What's Happeng Brother'The song "What's Happeng Brother" me directly out of a nversatn between Gaye and his younger brother, Frankie, who had been to Vietnam and pleted a three-year tour of duty. 'The Curse Out Man'The songs "Fly' High ( the Friendly Sky)" and "God is Love" were wrten by Gaye, his wife, Anna, and his nfidante Elgie Stover, who was nicknamed "the curse out man" at Motown.

On the album's next track, "Save the Children, " Gaye shows his two other distct voic: his macho-man style of sgg, ed on his early R&B hs, and Gaye the preacher, his reasoned, level-head spoken-word ratnal voice (which is the ma voice you hear on the track).

MARV GAYE’S ‘WHAT’S GOG ON’ IS AS RELEVANT TODAY AS IT WAS 1971

" Motown legend tells that was performed by sax player Thomas "Beans" Bowl, who was lled to the stud by Gaye a scramble the middle of the night to perform — but the tth is very flute on the song was played by a teenage girl named Dayna Hartwick. Most of the Motown producers found his "growlg" sax style out of date, but a late-night ssn Gaye paid Wild Bill $500 out of his own pocket to play his tenor sax across the whole album. In 2001, to celebrate s 30th anniversary, was released as a double CD legacy edn, which clud the origal LP, Gaye's rejected "Detro Mix" of the album, the mono mix of the sgl and Gaye's first and only plete performance of the album, live at the Kennedy Center his native Washgton, D.