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The heirs of Ed Townsend, who -wrote “Let’s Get It On” wh Marv Gaye, had acced the pop star of pyg “Thkg Out Loud.”

Contents:

MARV GAYE'S 10 GREATT SONGS EVER, RANKED

Marv Gaye was one of the greatt sgers of all time, who rerd some of the ft ever soul songs a short perd of time." name="scriptn * play some marvin gaye *

Marv Gaye was one of the greatt sgers of all time, who rerd some of the ft ever soul songs a short perd of time. Taken far too soon, Marv Gaye's mic took on var styl, om upliftg duets to heartbreakg ballads to socially-nsc 've taken his 10 very bt songs for the ultimate Marv Gaye troductn:. Marv Gaye “How Sweet It Is” Live At Montrx Jazz Ftival 1980 HD.

MARV GAYE

Marv Gaye, Amerin soul sger-songwrer-producer who, to a large extent, hered the era of artist-ntrolled popular mic of the 1970s. Among his h songs were ‘I Heard It Through the Grapeve,’ ‘A’t Nothg Like the Real Thg,’ ‘What’s Gog On,’ ‘Let’s Get It On,’ and ‘Sexual Healg.’ * play some marvin gaye *

Wrten by the famo Holland–Dozier–Holland tr at Motown, this gave Marv Gaye his biggt h at the time song's tle was spired by one of Jackie Gleason's signature tchphras: "How Sweet It Is!

SLOW JAMZTWISTATRACK 4 ON KAMIKAZE FEATURGKANYE WT & JAMIE FOXXPRODUCED BYKANYE WTA WHIMSIL, TNAL, EDIC JOURNEY THROUGH THE GREAT OVR OF THE R&B ERA, “SLOW JAMZ” IS FUNNY, SEXUAL, AND TAILOR-MA FOR BREAKDOWN BY RAP GENIDEC. 2, 20031 VIEWER381.1K VIEWS96 CONTRIBUTORSSLOW JAMZ LYRICS[PRODUCED BY KANYE WT][INTRO]ARE YOU GOG TO BE, SAY THAT YOU'RE GONNA BE[HOOK: JAMIE FOXX]SHE SAY SHE WANT SOME MARV GAYE, SOME LUTHER VANDROSSA LTLE ANA, WILL FELY SET THIS PARTY OFF RIGHT(ARE YOU GONNA BE, ARE YOU GONNA BE, ARE YOU GONNA BEARE YOU GONNA BE, ARE YOU GONNA BE, WELL WELL WELL WELL)SHE SAY SHE WANT SOME READY FOR THE WORLD, SOME NEW EDNSOME MNIE RIPERTON, WILL FELY SET THIS PARTY OFF RIGHTY WELL, OH Y WILL(ARE YOU GONNA BE, ARE YOU GONNA BE, ARE YOU GONNA BEARE YOU GONNA BE, ARE YOU GONNA BE, WELL WELL WELL WELL)[VERSE 1: KANYE WT]Y WILL, FELY WILL! YOU KNOW WHAT I TOLD HER?I TOLD HER TO "DRIVE OVER YOUR NEW WHIPBRG SOME IENDS YOU OL WHI'MMA BRG THE COOL WHIP, THEN I WANT YOU TO STRIPSEE YOU IS MY NEW CHICK, SO WE GET OUR GRD ONSHE BE GRABBG, LLG ME BIGGIE, LIKE SHYNE HOMEMAN I SWEAR SHE FE HOM, WHY SHE ALWAYS LYG THOUGH?TELLG ME THEM DIAMONDS, WHEN SHE KNOW THEY RHTONSHE GOT A LIGHT-SKNED IEND, LOOK LIKE MICHAEL JACKSONGOT A DARK-SKNED IEND, LOOK LIKE MICHAEL JACKSONI PLAYED READY FOR THE WORLD, SHE WAS READY FOR SOME ACTNMY DOG SAID YOU A'T NO EAK, SO YOU 'BOUT TO PROVE MY MAN WRONGI'MMA PLAY THIS VANDROSS, YOU GON' TAKE YOUR PANTS OFFI'MMA PLAY THIS GLADYS KNIGHT, ME AND YOU GON' GET RIGHTYOU MIGHT ALSO LIKE[HOOK: JAMIE FOXX]SHE SAY SHE WANT SOME MARV GAYE, SOME LUTHER VANDROSSA LTLE ANA, WILL FELY SET THIS PARTY OFF RIGHT(ARE YOU GONNA BE, ARE YOU GONNA BE, ARE YOU GONNA BEARE YOU GONNA BE, ARE YOU GONNA BE, WELL WELL WELL WELL)SHE SAY SHE WANT SOME READY FOR THE WORLD, SOME NEW EDNSOME MNIE RIPERTON, WILL FELY SET THIS PARTY OFF RIGHTY WELL, OH Y WILL(ARE YOU GONNA BE, ARE YOU GONNA BE, ARE YOU GONNA BEARE YOU GONNA BE, ARE YOU GONNA BE, WELL WELL WELL WELL)[INTERLU: AISHA TYLER & KANYE WT]NOW KANYE, I KNOW I TOLD YOU TO SLOW DOWN, BABYAND 'S GOOD, 'S ALL GOOD, 'S BETIFUL, 'S BETIFULBUT NOW I NEED YOU TO DO FASTER, BABYCAN YOU PLEASE? DO FASTER BABY, DO FASTER!DAMN, BABY; I N'T DO THAT FAST...BUT I KNOW SOMEBODY WHO N, TWISTA![VERSE 2: TWISTA]GOT YOU LOOKG AT THE GLISS' ON MY HANDS AND WRISTSWHILE I'M LAYG BACK AND SMOKG ON MY NNABISWHEN E TO ROCKG THE RHYTHM LIKE MARV AND LUTHERI N TELL YOU A'T NO MS' WH KAN-MAN AND TWISTIN THE CHI, AND I BE SIPPG HENNSYPLAY SOME R&B WHILE I SMOKE A BYOU N PREFERABLY FD THAT I'M A GAND ALL IS (WELL WELL WELL WELL)COME WH ME AND SIP ON SOME EVELYN CHAMPAGNEYOU A'T KNOW TWISTA N WORK LIKE THE WHISPERS?H THE STOP LIGHT, MOV' TO SOME ISLEYSHIS RIMS STILL MOVG SO I BUMP A LTLE SPNERSWHILE I'M SMOKG ON A B, DIPPG THROUGH THE STREETSBUMPG R&B, AND I GOT THE HEAT ON THEM 23'SAND I DO (WELL WELL WELL WELL)WH MY EARTH THE WD SMOK' FIRELET ME GET YOUR SHEETS WET LISTENG TO KEH SWEATPUT YOU A DAZE WH MAZEFULFILLG HER WH EVERY TEMPTATN, SLOW-JAMMG, HAVG EP SEXYOU READY FOR THE WORLD, GIRL? COME ON GO WH MEI'LL TOUCH YOU ALL OVER YOUR BODY, BABY DON'T SAY NO TO MEAND EVERY NOTE'LL BE NTROLLG MEI'M LOVG THE WAY YOU BE HOLDG ME WHEN I BE LISTENG TO JOCIAND WHEN I E OVER AND BEND YOUR ASSYOU BE BUMP' TEDDY PENRGRASSI DONE H OM THE BACK TO THE MELODY OF "ROLL IT SLOW"NOW I GOTTA GO UP FAST, BUT I'MMA FISH LASTNO MATTER HOW MUCH OF A THUG YOU SEEI STILL SP LIKE S R&B, GO TO THE CLUB WH MEAND WH SOME LUTHER E ONI HOPE YOU FEEL' ME AND STILL GON' BE LOVE WH ME, CHI RI[HOOK: JAMIE FOXX]SHE SAY SHE WANT SOME MARV GAYE, SOME LUTHER VANDROSSA LTLE ANA, WILL FELY SET THIS PARTY OFF RIGHT(ARE YOU GONNA BE, ARE YOU GONNA BE, ARE YOU GONNA BEARE YOU GONNA BE, ARE YOU GONNA BE, WELL WELL WELL WELL)SHE SAY SHE WANT SOME READY FOR THE WORLD, SOME NEW EDNSOME MNIE RIPERTON, WILL FELY SET THIS PARTY OFF RIGHTY WELL, OH Y WILL(ARE YOU GONNA BE, ARE YOU GONNA BE, ARE YOU GONNA BEARE YOU GONNA BE, ARE YOU GONNA BE, WELL WELL WELL WELL)[OUTRO: TWISTA]BABY DROP ANOTHER SLOW JAMAND ALL LOVERS, NEED TO HOLD HANDSAND IF YOU A'T GOT NO MAN, HOP UP MY BROUGHAMI KEEP PIMPG LIKE AN OLD MAN, YOU GOTS TO ROLL WH THE PLANCSE AFTER THAT, THEN I TAKE TO THE DOMETHEN I GOT TO BONE, STAY UP THE ZONEGOT TO GET YOU HOME, GOTTA N UP ONAND I DO (WELL WELL WELL WELL)BABY DROP ANOTHER SLOW JAMAND ALL LOVERS, NEED TO HOLD HANDSAND IF YOU A'T GOT NO MAN, HOP UP MY BROUGHAMI KEEP PIMPG LIKE AN OLD MAN, YOU GOTS TO ROLL WH THE PLANCSE AFTER THAT THEN I, TAKE YOU TO MY HOMEWE N GET ON, DISNNECT THE PHONETRYG TO GET YOU GONE, I'MMA MAKE YOU MOANAND I'LL DO (WELL WELL WELL WELL)32EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT

Slow Jamz Lyrics: Are you gog to be, say that you're gonna be / She say she want some Marv Gaye, some Luther Vandross / A ltle Ana, will fely set this party off right / (Are you gonna * play some marvin gaye *

Released on Motown's Tamla label 1966, this duet between Marv and Kim Wton scrib var thgs life - such as dreams, love and wish - beg far better wh two people stead of more: The tragic story of Marv Gaye and the untimely ath of a soul legendIn 1990, Rod Stewart and Ta Turner teamed up for a ver versn, takg to number five the UK. Origally by Dn, this song was a tribute to four inic Amerins who were assassated: Abraham Lln, Mart Luther Kg Jr, John F Kennedy and Robert Gaye vered the song 1970, and was one of his first experiments socially-nsc mic, a year before his What's Gog On?

A't No Mounta High Enough (extra HQ) - Marv Gaye & Tammi Terrell. Songwrers Ashford & Simpson scribed this song as their 'goln egg' which got them their first Motown Sprgfield wanted to rerd first, but the duo turned her down so that they uld secure Motown, and land wh Marv and Tammi Terrell, who sred a big h wh their origal more: Tammi Terrell - The tragic life story of a Motown sger and how Marv Gaye never got over her athThree years later, Diana Ross achieved her first solo US number one wh a ver versn g a different arrangement. Marv Gaye - Mercy Mercy Me (From "Live at Montrx 1980" DVD).

MARV GAYE(1939-1984)

Got My Whiskey Lyrics: I worked hard all week and s time to take a break / Play me some Marv Sease or some Marv Gaye / Call me later bee I won’t be at home / I’m gog out tonight bee I * play some marvin gaye *

Album, this song is one of mic's most poignant anthems regardg the was a ln-seller, and was later vered by Robert Palmer 1990 as part of a medley wh Gaye's song 'I Want You'.

GOT MY WHISKEYMEL WAERS1 VIEWER8.1K VIEWS3 CONTRIBUTORSGOT MY WHISKEY LYRICSI WORKED HARD ALL WEEK AND S TIME TO TAKE A BREAKPLAY ME SOME MARV SEASE OR SOME MARV GAYECALL ME LATER BEE I WON’T BE AT HOMEI’M GOG OUT TONIGHT BEE I FEEL LIKE GETTG ONI ME OUT (I ME OUT) TO HAVE A GOOD TIME (Y I DID)THAT'S ALL (THAT’S ALL) THAT'S ON MY MDSAY I GOT MY MONEY (GOT MY MONEY) AND I GOT MY WHISKEY (GOT MY WHISKEY)(BEE TONIGHT) TONIGHT I'M GONNA GET….. REAL TIPSY (OH YEAH)I'M NOT GONNA S AROUND ALL NIGHT LONGI'M GONNA DANCE UNTIL THE MORNG I'M GONNA LET ALL OF MY TROUBL GOIT'S 2 A.M. THE MORNGAND I'M READY FOR MOREI ME OUT (I ME OUT) TO HAVE A GOOD TIME (Y I DID)THAT'S ALL (THAT’S ALL) THAT'S ON MY MDSAY I GOT MY MONEY (GOT MY MONEY) AND I GOT MY WHISKEY (GOT MY WHISKEY)(BEE TONIGHT) TONIGHT I'M GONNA GET….. REAL TIPSY (OH YEAH)(REPEAT)YOU SEE ALL YOU WANNA DO IS GO OUT AND HAVE A GOOD TIMEYOU’RE NOT GOG OUT TO PICK UP ANYBODY RIGHT?ALL YOU WANT TO DO IS LET GO OF SOME TRATNSCSE YOU’VE HAD A HARD AND HELL OF A WEEKGOT YOUR MONEY, GOT YOUR RIGO AHEAD ON AND HAVE YOURSELF A GOOD TIMEYOU KNOW WHAT I MEAN MIGHT AS WELL E OUT AND SAY YOU MIGHT ALSO LIKEI ME OUT (I ME OUT) TO HAVE A GOOD TIME (Y I DID)THAT'S ALL (THAT’S ALL) THAT'S ON MY MDSAY I GOT MY MONEY (GOT MY MONEY) AND I GOT MY WHISKEY (GOT MY WHISKEY)(BEE TONIGHT) TONIGHT I'M GONNA GET….. REAL TIPSY (OH YEAH)(REPEAT)I WORKED ALL WEEK AND ’S TIME TO TAKE A BREAKPLAY ME SOME MARV SEASE OR SOME MARV GAYECALL ME LATER BEE I WON’T BE AT HOMEI’M GOG OUT TONIGHT BEE I WANT TO GET ONI ME OUT (I ME OUT) TO HAVE A GOOD TIME (Y I DID)THAT'S ALL (THAT’S ALL) THAT'S ON MY MDSAY I GOT MY MONEY (GOT MY MONEY) AND I GOT MY WHISKEY (GOT MY WHISKEY)(BEE TONIGHT) TONIGHT I'M GONNA GET….. REAL TIPSY (OH YEAH)(REPEAT)EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT

* play some marvin gaye *

This was the song that saw Marv Gaye bee a sex symbol for the rt of his life. The tle track of his 1973 album, beme Marv's biggt h and one of his sgature wh Ed Townsend, was origally nceived as a relig song after Townsend had recently fished rehab, before Gaye transformed to an emotnal plea about love and sexual liberatn. This song was -wrten by Renaldo 'Obie' Benson, Al Cleveland, and Marv Gaye, and produced by Gaye marked Gaye's parture om the Motown Sound of his prev output, towards more personal more: The Story of...

Gaye asked himself: "'Wh the world explodg around me, how am I supposed to keep sgg love songs? Marv Gaye - Heard It Through The Grapeve (Live at Montrx).

However, is Marv Gaye's versn om 1968 that beme the most inic, spe the fact that Motown chief Berry Gordy was not nvced would be a h at more: Marv Gaye's isolated vols om 'I Heard Through the Grapeve' will give you tglIt beme a h for a send time 1985, after s e the inic Levi's advert featurg a certa Nick Kamen at a lndrette. Marv Gaye, byname of Marv Pentz Gay, Jr., (born April 2, 1939, Washgton, D. Gaye sang his father’s Evangelil church Washgton, D.

MARV {LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:600;MARG-BOTTOM:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:0.875REM;LE-HEIGHT:1.2;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:1.25REM;LE-HEIGHT:1.2;}} A{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:HER;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;} A:HOVER{LOR:#A00000;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL {MARG-BOTTOM:0.625REM;PADDG-RIGHT:0.3125REM;LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;} SPAN{LE-HEIGHT:1.6;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;}{FONT-STYLE:NORMAL;PADDG-RIGHT:0.3125REM;FONT-FAY:RALAS,GEIA,TIM,SERIF;LOR:#323232;FONT-SIZE:0.75REM;LE-HEIGHT:1.3;FONT-WEIGHT:BOLD;TEXT-TRANSFORM:PALIZE;}{DISPLAY:LE-BLOCK;TEXT-TRANSFORM:UPPERSE;MARG-LEFT:0.625REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}UPDATED: APR 19, {DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;}{MARG-BOTTOM:0.9375REM;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 64REM){{MAX-WIDTH:LC(100VW - (1REM * 2));MARG-LEFT:1REM;MARG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(-1 * 1REM);}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MARG-LEFT:TO;MARG-RIGHT:TO;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC((100VW - (LC(20.625REM * 2 - 1REM) - 2 * 1REM)) / -2);}}@MEDIA(M-WIDTH: 61.25REM) AND (MAX-WIDTH: 90REM){{MAX-WIDTH:LC(20.625REM * 2 - 1REM);MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / 2);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / -2) - 1REM);}}@MEDIA(M-WIDTH: 90REM){{MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 2);MAX-WIDTH:LC(20.625REM * 2 - 1REM);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 + 1REM)) / -2) - LC(2 * 1REM));}[DATA-HAS-SPONSOR] {MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);MARG-RIGHT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);}}{JTIFY-SELF:CENTER;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 48REM){{MARG-LEFT:-50VW;MARG-RIGHT:-50VW;WIDTH:100VW;LEFT:50%;RIGHT:50%;}}{HEIGHT:TO;}@MEDIA(MAX-WIDTH: 48REM){{MARG:TO LC(50% - 50VW);}}@MEDIA(M-WIDTH: 48REM){{MARG:TO;}}{POSN:RELATIVE;HEIGHT:TO;}{POSN:RELATIVE;--POSN:ABSOLUTE;HEIGHT:TO;} IMG{MAX-WIDTH:100%;HEIGHT:TO;} A{POSN:ABSOLUTE;}{POSN:RELATIVE;WIDTH:100%;HEIGHT:100%;OBJECT-F:VER;VERTIL-ALIGN:TOP;}{BACKGROUND:#C92228;BOTTOM:0;PADDG:.5REM;RIGHT:0;}@MEDIA(M-WIDTH: 64REM){{PADDG:0.39REM;}}{DISPLAY:BLOCK;HEIGHT:1REM;WIDTH:1REM;}@MEDIA(M-WIDTH: 64REM){{WIDTH:1.063REM;HEIGHT:1.063REM;}}{LE-HEIGHT:1;MARG-TOP:0.3125REM;}@MEDIA(MAX-WIDTH: 73.75REM){{PADDG-LEFT:0.9375REM;}}@MEDIA(M-WIDTH: 64REM){{PADDG-LEFT:0;}}{PADDG-RIGHT:0.3125REM;LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}PHOTO: NBCU PHOTO BANK/GETTY {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;PADDG-LEFT:0REM;PADDG-RIGHT:0REM;POSN:RELATIVE;}@MEDIA(M-WIDTH: 48REM){{PADDG-LEFT:3.5REM;PADDG-RIGHT:3.5REM;}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MAX-WIDTH:45.25REM;MARG-LEFT:TO;MARG-RIGHT:TO;}}@MEDIA(M-WIDTH: 61.25REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 73.75REM) AND (MAX-WIDTH: 100REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 90REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;}{CLEAR:BOTH;NTENT:" ";DISPLAY:BLOCK;FONT-SIZE:0.7REM;LE-HEIGHT:1.5REM;HEIGHT:0REM;VISIBILY:HIDN;}{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;}(1939-1984){LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:800;LETTER-SPACG:0.02EM;MARG-BOTTOM:0.625REM;MARG-TOP:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:1.875REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 64REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;}WHO WAS MARV GAYE?MARV GAYE SANG HIS FATHER'S CHURCH AND THE MOONGLOWS BEFORE SIGNG WH MOTOWN. HE RERD SONGS BY SMOKEY ROBSON BEFORE BEG HIS OWN PRODUCER ON THE PROTT ALBUM WHAT'S GOG ON (1971). GAYE'S LATER RERDS VELOPED HIS PRODUCTN STYLE AND YIELD SEVERAL HS, CLUDG "LET'S GET IT ON," "SEXUAL HEALG" AND "I HEARD THROUGH THE GRAPEVE." GAYE WAS KILLED 1984 DURG A DOMTIC DISPUTE WH HIS FATHER.EARLY LIFESGER MARV PENTZ GAYE, JR., ALSO KNOWN AS THE "PRCE OF SOUL," WAS BORN WASHGTON, D.C., ON APRIL 2, 1939. GAYE WAS RAISED UNR THE STRICT NTROL OF HIS FATHER, REVEREND MARV GAY SR.—MARV GAYE JR. ADD THE "E" ON THE END OF HIS NAME LATER LIFE—THE MISTER AT A LOL CHURCH, AGAST A BLEAK BACKDROP OF WISPREAD VLENCE HIS NEIGHBORHOOD. THROUGHOUT HIS CHILDHOOD, GAYE OFTEN FOUND PEACE MIC, MASTERG THE PIANO AND DMS AT A YOUNG AGE. UNTIL HIGH SCHOOL, HIS SGG EXPERIENCE WAS LIMED TO CHURCH REVIVALS, BUT SOON HE VELOPED A LOVE FOR R&B AND DOO-WOP THAT WOULD SET THE FOUNDATN FOR HIS REER. IN THE LATE 1950S, GAYE JOED A VOL GROUP LLED THE NEW MOONGLOWS. THE TALENTED SGER HAD A PHENOMENAL RANGE THAT SPANNED THREE VOL STYL AND HE SOON IMPRSED THE GROUP'S FOUNR, HARVEY FUQUA. IT WASN'T LONG BEFORE GAYE AND FUQUA BOTH ME TO THE ATTENTN OF DETRO MIC IMPRAR {-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:#A00000;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;}{LOR:#595959;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}BERRY GORDY JR. AND WERE SIGNED TO GORDY'S LEGENDARY MOTOWN RERDS.MOTOWN RERDSGAYE'S FIRST CERTIFIED H UNR HIS OWN NAME WOULDN'T E UNTIL 1962, BUT HIS EARLY YEARS AT MOTOWN WERE FULL OF BEHD-THE-SCEN SUCCS. HE WAS A SSN DMMER FOR MOTOWN LEGENDS SUCH AS LTLE STEVIE WONR, THE SUPREM, THE MARVELETT AND MARTHA AND THE VANLLAS. SHOWG HIS STRIP AS MOTOWN'S RENAISSANCE MAN, GAYE WENT ON TO BREAK TO THE TOP 40 FOR THE FIRST TIME ON HIS OWN 1962 WH HIS SOLO SGLE "HCH HIKE." THROUGHOUT THE 1960S, GAYE WOULD SHOW HIS IMMENSE RANGE, CHURNG OUT SOLO DANCE HS AND ROMANTIC DUETS WH H-MAKERS LIKE DIANA ROSS AND MARY WELLS. "CAN I GET A WNS" AND "I HEARD THROUGH THE GRAPEVE" WERE SOME OF GAYE'S BIGGT HS OF THE PERD, THE LATTER ACHIEVG S PLACE AS MOTOWN'S BT-SELLG SGLE OF THE 1960S. FOR THREE HIGH-FLYG YEARS, GAYE AND TAMMI TERRELL WOWED THE UNTRY WH THEIR SOARG DUET PERFORMANC OF SONGS LIKE "A'T NO MOUNTA HIGH ENOUGH" AND "IF I COULD BUILD MY WHOLE WORLD AROUND YOU." UNFORTUNATELY, THEIR REIGN AS THE ROYAL COUPLE OF R&B END WHEN TERRELL SUCCUMBED TO A BRA TUMOR 1970. HIS BELOVED PARTNER'S ATH HERED A DARK PERD FOR THE SGER, WHO SWORE NEVER TO PARTNER WH ANOTHER FEMALE VOLIST AND THREATENED TO ABANDON THE STAGE FOR GOOD.POLIL MSAGEIN 1970, SPIRED BY LATG VLENCE AND POLIL UNRT OVER THE VIETNAM WAR, GAYE WROTE THE LANDMARK SONG "WHAT'S GOG ON." DPE CLASH WH MOTOWN OVER THE SONG'S CREATIVE DIRECTN, THE SGLE WAS RELEASED 1971 AND BEME AN STANT SMASH. ITS SUCCS PROMPTED GAYE TO TAKE EVEN MORE RISKS, BOTH MILLY AND POLILLY. WHEN WAS RELEASED THE SPRG OF 1971, THE WHAT'S GOG ON ALBUM SERVED TO OPEN GAYE UP TO NEW DIENC WHILE MATAG HIS MOTOWN FOLLOWG. DEPARTG OM THE TRIED AND TE MOTOWN FORMULA, GAYE WENT OUT ON HIS OWN ARTISTILLY, PAVG THE WAY FOR OTHER MOTOWN ARTISTS LIKE WONR AND MICHAEL JACKSON TO BRANCH OUT LATER YEARS. BEYOND FLUENCG HIS PEERS, THE ALBUM GARNERED WISPREAD CRIL ACCLAIM, WNG THE ROLLG STONE ALBUM OF THE YEAR AWARD.CROSSOVER SUCCSIN 1972, GAYE MOVED TO LOS ANGEL AND SOON MET JANIS HUNTER, WHO WOULD LATER BEE HIS SEND WIFE. INSPIRED PART BY HIS NEWFOUND PENNCE, GAYE RERD ONE OF THE MOST REVERED LOVE ANTHEMS OF ALL TIME, "LET'S GET IT ON." THE SONG BEME HIS SEND NO. 1 BILLBOARD H, CEMENTG HIS CROSSOVER APPEAL ONCE AND FOR ALL. SHORTLY AFTERWARDS, MOTOWN PHED GAYE TO TOURG TO PALIZE ON HIS MOST RECENT SUCCS; RELUCTANTLY THE SGER-SONGWRER RETURNED TO THE STAGE. THROUGH MOST OF THE MID-1970S, GAYE WAS TOURG, LLABORATG OR PRODUCG. WORKG WH DIANA ROSS AND THE MIRACL, HE PUT OFF RELEASG ANOTHER SOLO ALBUM UNTIL 1976. HE NTUED TOURG AFTER THE RELEASE OF I WANT YOU (1976) AND, AFTER SRG A NO. 1 H 1977 WH THE DANCE SGLE "GOT TO GIVE IT UP," RELEASED HIS LAST ALBUM FOR MOTOWN RERDS (HERE, MY DEAR) 1978. (DES LATER, "GOT TO GIVE IT UP" WOULD BEE THE CENTER OF A BIG NTROVERSY. IN 2013, GAYE'S TATE ASSERTED THAT PRODUCER/SONGWRER PHARRELL WILLIAMS AND SGER/SONGWRER ROB THICKE HAD MTED PYRIGHT GEMENT BY TAKG MAJOR MIL ELEMENTS OM THE DIS TRACK FOR THE MEGA-H "BLURRED L." AFTER A SE WHICH THICKE TTIFIED THAT HE'D HAD LTLE TO DO WH THE WRG OF THE SONG, THE JURY LED FAVOR OF GAYE'S FAY, WHO WERE AWARD $7.3 LN DAMAG AND PROF SHAR. THE JURY ALSO LED THAT NEHER WILLIAMS OR THICKE HAD PURPOSELY MTED GEMENT.) AFTER TWO S AT MOTOWN, GAYE SIGNED WH CBS'S COLUMBIA RERDS 1982 AND BEGAN TO WORK ON HIS LAST ALBUM, MIDNIGHT LOVE. THE LEAD SGLE OM THAT ALBUM, "SEXUAL HEALG," BEME A HUGE EBACK H FOR THE R&B STAR AND EARNED HIM HIS FIRST TWO GRAMMY AWARDS AND AN AMERIN MIC AWARD FOR FAVORE SOUL SGLE.PERSONAL LIFEIN 1975, GAYE'S WIFE ANNA GORDY—BERRY GORDY'S SISTER—FILED FOR DIVORCE, AND TWO YEARS LATER GAYE MARRIED HUNTER, WHO HAD BY THEN GIVEN BIRTH TO THEIR DGHTER, NONA (BORN SEPTEMBER 4, 1974) AND THEIR SON FRANKIE (BORN NOVEMBER 16, 1975). GAYE ALSO HAD AN ADOPTED SON (MARV PENTZ GAYE III) OM HIS PREV MARRIAGE. THE SGER'S MARRIAGE TO HUNTER PROVED SHORT LIVED AND TUMULTUO, ENDG DIVORCE 1981.DEATH AND LEGACYDPE HIS SUCCSFUL EBACK THE EARLY 1980S, GAYE STGGLED BADLY WH THE SUBSTANCE ABE AND BOUTS OF PRSN THAT HAD PLAGUED HIM FOR MOST OF HIS LIFE. AFTER HIS LAST TOUR, HE MOVED TO HIS PARENTS' HOE. THERE HE AND HIS FATHER FELL TO A PATTERN OF VLENT FIGHTS AND QUARRELS THAT RELLED NFLICTS THAT HAD HNTED THE FAY FOR S. ON APRIL 1, 1984, MARV GAYE SR. SHOT AND KILLED HIS SON AFTER A PHYSIL ALTERTN; THE FATHER CLAIMED HE ACTED SELF-FENSE BUT WOULD LATER BE NVICTED OF VOLUNTARY MANSLGHTER. THREE YEARS AFTER HIS ATH, GAYE WAS DUCTED TO THE ROCK AND ROLL HALL OF FAME. CREATG BETIFUL ART OM A TROUBLED LIFE, GAYE AGA AND AGA BROUGHT HIS VISN, RANGE AND ARTISTRY TO THE WORLD STAGE. AT THE END OF HIS REER, HE ADMTED HE NO LONGER MA MIC FOR PLEASURE; STEAD, HE SAID, "I RERD SO THAT I N FEED PEOPLE WHAT THEY NEED, WHAT THEY FEEL. HOPEFULLY, I RERD SO THAT I N HELP SOMEONE OVERE A BAD TIME."{BORR:0;BORR-BOTTOM:TH SOLID BLACK;MARG:1.875REM 0;CLEAR:BOTH;}QUICK {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;MARG:0.9375REM 0 0 0.625REM;PADDG:0 0 0 1.25REM;}@MEDIA(M-WIDTH: 48REM){{MARG:0.9375REM 0;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;} LI{PADDG-BOTTOM:0.625REM;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;} LI::MARKER{LOR:#323232;}NAME: MARV GAYEBIRTH YEAR: 1939BIRTH DATE: APRIL 2, 1939BIRTH CY: WASHGTON, D. C.BIRTH COUNTRY: UNED STATGENR: MALEBT KNOWN FOR: MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL THEM.INDTRIPOPASTROLOGIL SIGN: ARIINTERTG FACTSBEFORE MAKG AS A SOLO ARTIST, MARV GAYE PLAYED DMS FOR ARTISTS SUCH AS STEVIE WONR AND THE SUPREM.DEATH YEAR: 1984DEATH DATE: APRIL 1, 1984DEATH STATE: CALIFORNIADEATH CY: LOS ANGELDEATH COUNTRY: UNED STATFACT CHECKWE STRIVE FOR ACCURACY AND YOU SEE SOMETHG THAT DON'T LOOK RIGHT,NTACT !CITATION INFORMATIONARTICLE TLE: MARV GAYE BGRAPHYAUTHOR: EDORSWEBSE NAME: THE WEBSEURL: ACCS DATE: PUBLISHER: A&E; TELEVISN NETWORKSLAST UPDATED: APRIL 19, 2021ORIGAL PUBLISHED DATE: APRIL 2, 2014QUOTES

When doo-wop dissipated the late 1950s, Gaye had already absorbed Fuqua’s lsons close harmony.

After disbandg the Moonglows, Fuqua took the 20-year-old Gaye to Detro, where Berry Gordy, Jr., was formg Motown Rerds. Gaye, who also played dms and piano, bucked the Motown system and s emphasis on teen hs. Gaye also enjoyed a seri of succsful duets, most notably wh Tammi Terrell (“A’t Nothg Like the Real Thg” [1968]).

SLOW JAMZTWISTA, KANYE WT & JAMIE FOXXTRACK 8 ON KON THE LOUIS VUTON DON PRODUCED BYKANYE WT“SLOW JAMZ” IS A SMOOTH, MELODIC TRACK OM KANYE WT’S BUT ALBUM. JAMIE FOXX’S HOOK AND TWISTA’S FAST-PACED VERSE ARE SOME OF THE MORE MEMORABLE PARTS OF THE ALBUM.DEC. 2, 20031 VIEWER677.4K VIEWS137 CONTRIBUTORSTRANSLATNSSVENSKAESPAñOLTWISTA, KANYE WT & JAMIE FOXX - SLOW JAMZ (TRADUZNE ITALIANA)SLOW JAMZ LYRICS[INTRO: JAMIE FOXX]KANYE, 'S, 'S FOXX, MANI'M JT SAY', YOU KNOW, I WAS TALK' TO THE GIRLS, YOU KNOWAND WE, WE DON'T PUT ENOUGH EMPHASIS ON THE LADI SOMETIMEYOU KNOW, I WAS TALK' TO THIS GIRLSHE WAS TALK' ABOUT THE MIC ALL FAST THE CLUB, YOU KNOWSHE GOTTA DRK WATER 'E SHE THIRSTYSHE DONE DANCED LIKE NETY TO A HUNDRED SONGS BACK TO BACKWHEN A'T NOBODY, YOU KNOW, REALLY TRY TO FD OUT WHAT SHE FEEL'LIKE HOW SHE FEEL, YOU KNOW, YOU KNOW WHAT SHE TOLD ME?(ARE YOU GONNA BE?) CHECK OUT, THIS IS WHAT SHE SAID(SAY THAT YOU'RE GONNA BE) OOH, OOH, OOH, OOH, OOOH[CHOS: JAMIE FOXX & LUTHER]SHE SAID SHE WANT SOME MARV GAYE, SOME LUTHER VANDROSSA LTLE ANA WILL FELY SET THIS PARTY OFF RIGHT(ARE YOU GONNA BE, ARE YOU GONNA BE, ARE YOU GONNA BEARE YOU GONNA BE, ARE YOU GONNA BE, WELL, WELL, WELL, WELL)SHE SAID SHE WANT SOME READY FOR THE WORLD, SOME NEW EDNSOME MNIE RIPERTON WILL FELY SET THIS PARTY OFF RIGHT(ARE YOU GONNA BE, ARE YOU GONNA BE, ARE YOU GONNA BEARE YOU GONNA BE, ARE YOU GONNA BE, WELL, WELL, WELL, WELL)[INTERLU: KANYE WT]Y WILLIT FELY WILL!YOU KNOW WHAT I TOLD HER?YOU MIGHT ALSO LIKE[VERSE 1: KANYE WT]I TOLD HER TO DRIVE OVER YO' NEW WHIP, BRG SOME IENDS YOU OL WHI'MA BRG THE OL WHIP, THEN I WANT YOU TO STRIPSEE, YOU IS MY NEW CHICK, SO WE GET OUR GRD ONSHE BE GRABB', LL' ME BIGGIE LIKE SHYNE HOMEMAN, I SWEAR, SHE FE HOM, WHY SHE ALWAYS LY' THOUGH?TELL' ME THEM DIAMONDS, WHEN SHE KNOW THEY RHTONSHE GOT A LIGHT-SKNED IEND LOOK LIKE MICHAEL JACKSONGOT A DARK-SKNED IEND LOOK LIKE MICHAEL JACKSONI PLAYED READY FOR THE WORLD, SHE WAS READY FOR SOME ACTNMY DOG SAID YOU A'T NO EAK SO YOU 'BOUT TO PROVE MY MAN WRONGI'MA PLAY THIS VANDROSS, YOU GON' TAKE YO' PANTS OFFI'MA PLAY THIS GLADYS KNIGHT, ME AND YOU GON' GET RIGHT[CHOS: JAMIE FOXX & LUTHER]SHE SAID SHE WANT SOME MARV GAYE, SOME LUTHER VANDROSSA LTLE ANA WILL FELY SET THIS PARTY OFF RIGHT(ARE YOU GONNA BE, ARE YOU GONNA BE, ARE YOU GONNA BEARE YOU GONNA BE, ARE YOU GONNA BE, WELL WELL WELL WELL)SHE SAID SHE WANT SOME READY FOR THE WORLD, SOME NEW EDNSOME MNIE RIPERTON WILL FELY SET THIS PARTY OFF RIGHT(ARE YOU GONNA BE, ARE YOU GONNA BE, ARE YOU GONNA BEARE YOU GONNA BE, ARE YOU GONNA BE, WELL WELL WELL WELL)[BRIDGE: JAMIE FOXX]SMOKEY ROBSON, SMOKEY ROBSONFREDDIE JACKSON, EVERYTHG, EVERYTHG (WELL, WELL, WELL, WELL)SMOKEY ROBSON, ASHFORD & SIMPSON (ARE YOU GONNA BE)SET THE PARTY, REALLY SET THE PARTY OFF RIGHTY WILL, Y WILL (WELL WELL WELL WELL)AL GREEN, OH! AL GREEN, OH YEAHOOOHWHATCHA KNOW ABOUT THE ISLEY BROTHERS?[INTERLU: AISHA TYLER & KANYE WT]NOW, KANYE, I KNOW I TOLD YOU TO SLOW DOWN, BABYIT'S GOOD, 'S ALL GOOD, 'S BETIFULBUT NOW I NEED YOU TO DO FASTER, BABYCAN YOU PLEASE? DO FASTER, BABY, DO FASTER!DAMN, BABY, I N'T DO THAT FASTBUT I KNOW SOMEBODY WHO N, TWISTA![VERSE 2: TWISTA]GOT YOU LOOKG AT THE GLIST ON MY HANDS AND WRISTWHILE I'M LAY' BACK AND SMOKG ON MY NNABISWHEN E TO ROCK' THE RHYTHM LIKE MARV AND LUTHERI N TELL YOU A'T NO MS' WH KAN MAN AND TWISTIN THE CHI AND I BE SIPP' HENNSY, PLAY SOME R&BWHILE I SMOKE A B, YOU N PREFERABLY FD THAT I'M A GAND ALL IS (WELL WELL WELL WELL)COME W' ME AND SIP ON SOME EVELYN CHAMPAGNEYOU A'T KNOW TWISTA ULD WORK LIKE THE WHISPERS?H THE STOP LIGHT, MOVE TO SOME ISLEYSRIMS STILL MOV' SO I BUMP A LIL' SPNERSWHILE I'M SMOKG ON A B, DIPP' THROUGH THE STREETSBUMP' R&B AND I GOT THE HEAT ON THE 23'SAND I DO (WELL WELL WELL WELL)W' MY EARTH THE WD SMOKG FIRELET ME GET YA SHEETS WET LISTEN' TO KEH SWEATPUT YOU A DAZE W' MAZEFULFILLG OUR EVERY TEMPTATNSLOW JAMM', HAV' EP SEXYOU READY FOR THE WORLD GIRL, E ON GO W' MEI TOUCH YOU ALL OVER YOUR BODY BABY DON'T SAY NO TO MEAND EVERY MOMENT BE NTROLLG MEI'M LOV' THE WAY YOU BE HOLD' ME WHEN I BE LISTEN' TO JOCIAND WHEN I E OVER AND BEND YA ASSYOU BE BUMP' TEDDY PENRGRASSI DONE H OM THE BACK, TO THE MELODY AND RO SLOWNOW I GOT TO GO UP FAST, BUT I'MA FISH LASTNO MATTER HOW MUCH OF A THUG YOU SEEI STILL SP LIKE 'S R&B, E TO THE CLUB W' MEAND WHEN SOME LUTHER E ON I HOPE YOU FEEL' MEAND STILL WILL BE LOVE W' ME, CHI RI[CHOS: JAMIE FOXX & LUTHER]SHE SAID SHE WANT SOME MARV GAYE, SOME LUTHER VANDROSSA LTLE ANA WILL FELY SET THIS PARTY OFF RIGHT(ARE YOU GONNA BE, ARE YOU GONNA BE, ARE YOU GONNA BEARE YOU GONNA BE, ARE YOU GONNA BE, WELL, WELL, WELL, WELL)SHE SAID SHE WANT SOME READY FOR THE WORLD, SOME NEW EDNSOME MNIE RIPERTON WILL FELY SET THIS PARTY OFF RIGHT(ARE YOU GONNA BE, ARE YOU GONNA BE, ARE YOU GONNA BEARE YOU GONNA BE, ARE YOU GONNA BE, WELL, WELL, WELL, WELL)[BRIDGE 2: JAMIE FOXX & TRACIE SPENCER]SLY AND THE FAY STONE (SLY AND THE FAY STONE)LET'S GET THE PARTY ON (LET'S GET THE PARTY ON)SLY AND THE FAY STONE (SLY AND THE FAY STONE)LET'S GET OUR PARTY ON (LET'S GET OUR PARTY ON)EARTH, WD AND FIRE, BABY (EARTH, WD AND FIRE, BABY)LET'S TAKE HIGHER, SWEETIE (LET'S TAKE HIGHER, SWEETIE)LET'S REALLY SET, LET'S REALLY SET THIS PARTY OFF[CHOS: JAMIE FOXX & LUTHER]SHE SAID SHE WANT SOME MARV GAYE, SOME LUTHER VANDROSSA LTLE ANA WILL FELY SET THIS PARTY OFF RIGHT(ARE YOU GONNA BE, ARE YOU GONNA BE, ARE YOU GONNA BEARE YOU GONNA BE, ARE YOU GONNA BE, WELL, WELL, WELL, WELL)SHE SAID SHE WANT SOME READY FOR THE WORLD, SOME NEW EDNSOME MNIE RIPERTON WILL FELY SET THIS PARTY OFF RIGHT(ARE YOU GONNA BE, ARE YOU GONNA BE, ARE YOU GONNA BEARE YOU GONNA BE, ARE YOU GONNA BE, WELL, WELL, WELL, WELL)45EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT

Blsed wh an exceptnally wi range that enpassed three distct vol styl—a piercg falsetto, a smooth mid-range tenor, and a ep gospel growl—Gaye bed great technil prows wh rare mil dividualy. Gaye also displayed dazzlg virtuosy by overdubbg (buildg sound track by track onto a sgle tape) his own voice three or four tim to provi his own rich harmony, a technique he would employ for the rt of his reer. ”Other major artists—most importantly Stevie Wonr—followed Gaye’s lead and acted as producer of their own efforts.

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