Please tell me "What’s Gog On"?: the ntemporary ronance of Marv Gaye | Natnal Council on Public History

marvin gaye reaction

In a send legal victory for Ed Sheeran this month, a feral district judge dismissed another lawsu that claimed Sheeran’s h “Thkg Out Loud” pied the 1973 Marv Gaye h “Let’s Get It On.”

Contents:

20 YEARS AGO, MARV GAYE TOOK 'NATNAL ANTHEM' TO NEW HEIGHTS

It was 20 years ago, at the 1983 NBA All-Star Game, that Marv Gaye stole the show wh his sgular rendn of the Natnal Anthem, set to a sultry rhythym-and-blu beat. * marvin gaye reaction *

It was 20 years ago, at the 1983 NBA All-Star Game, that Marv Gaye stole the show wh his sgular rendn of "The Star-Spangled Banner. Released on May 21, 1971, at the height of the Vietnam War, Marv Gaye’s album beme a monster, spawng three h sgl on s way to beg Motown’s bt-sellg album to date. The album also marked a turng pot for Motown and for Marv Gaye as an artist.

And the host of the weekly rad show “Soul Stori, ” I am stck by how many of the them Gaye explor rema as relevant today as they were when he first wrote about them 50 years ago. But the song provis an sight to the evolutn of Gaye’s mic to enpass overtly polil them.

For example, “Soldier’s Plea, ” the first sgle om Gaye’s send album, “That Stubborn Kda Fellow” 1962, offers a cidly romantic view of war:.

MARV GAYE’S ‘WHAT’S GOG ON’ IS AS RELEVANT TODAY AS IT WAS 1971

The heirs of Ed Townsend, who -wrote “Let’s Get It On” wh Marv Gaye, had acced the pop star of pyg “Thkg Out Loud.” * marvin gaye reaction *

“Can’t fd no work, n’t fd no job, my iend, ” Gaye laments on “What’s Happeng Brother.

PLEASE TELL ME “WHAT’S GOG ON”?: THE NTEMPORARY RONANCE OF MARV GAYE

Marv Gaye, Amerin soul sger-songwrer-producer who, to a large extent, hered the era of artist-ntrolled popular mic of the 1970s. Among his h songs were ‘I Heard It Through the Grapeve,’ ‘A’t Nothg Like the Real Thg,’ ‘What’s Gog On,’ ‘Let’s Get It On,’ and ‘Sexual Healg.’ * marvin gaye reaction *

Gaye repeats the affirmatn “right on” – a phrase distctly ground black urban vernacular – throughout the album and on a song bearg that name. ” Gaye affirms “Right on, brother” to men who rpond kd at different pots the song. The ll and rponse munit a sense of shared ncern, shared stggle, and shared remptn – an ethos Gaye took om the gospel tradn that rms his mily.

This ll and rponse is repeated “Wholy Holy, ” wh Gaye utilizg a multrackg technique to layer two versns of his own vols:.

AdvertisementSKIP ADVERTISEMENTThe heirs of Ed Townsend, who -wrote “Let’s Get It On” wh Marv Gaye, had acced the pop star of pyg “Thkg Out Loud. “Y, Amy Wadge and I wrote the song ‘Thkg Out Loud, ’” he Newman/Associated PrsIn a closely watched mic pyright trial, jurors ultimately sid wh Ed Sheeran, who had been acced of pyg his Grammy-wng ballad “Thkg Out Loud” om Marv Gaye’s classic “Let’s Get It On.

MARV GAYE

Five s later, we're still to "What's Gog On." That's bee them om Gaye's album reflect some of the most signifint challeng and divisns we face as a society today. * marvin gaye reaction *

“Thkg Out Loud”Ed Sheeran“Let’s Get It On”Marv GayeWhat were the trial’s highlights?

”ImageEd Townsend was a songwrer and producer who llaborated wh Gaye on the “Let’s Get It On” Ochs Archiv/Getty ImagWhat parts of the songs are dispute? The trial was watched closely mic and legal circl as the latt example a seri of s that have alt wh whether monplace bs of harmony or melody n be owned by any poser or are part of the public trend began 2015 when a jury found that Rob Thicke and Pharrell Williams, their h “Blurred L, ” had ged on the pyright of another Gaye tune, “Got to Give It Up, ” and they were orred to pay more than $5 ln damag.

50 YEARS LATER, WHY MARV GAYE'S SEMAL ALBUM 'WHAT'S GOG ON' ENDUR

* marvin gaye reaction *

We wanted to provi a direct opportuny to hear Marv Gaye’s semal album while parg to morn mic om Kendrick Lamar and Janelle Monáe. One n also fd the cril role of the Natnal Rerdg Board, appoted by the Library of Congrs, which add Marv Gaye’s hallmark album What’s Gog On (1971) to s Natnal Rerdg Registry 2003.

Albums like Marv Gaye’s What’s Gog On igne our personal and cultural memori and fuel our hop for the future.

As a young child growg up the South the 1970s, my mother troduced me to Marv Gaye and the rt of the “Motown Sound. ” I beme enamored by Gaye’s quiet and nfint persona, his ol, and his soulfulns, all of which radiated Black pri.

THE PLAYERS’ ANTHEM: WHEN MARV GAYE SANG ‘THE STAR-SPANGLED BANNER’ AT THE 1983 ALL-STAR GAME

Marv Gaye was the middle of a pretty remarkable eback when the NBA tapped him to perform the Natnal Anthem at the 1983 All-Star Game. After * marvin gaye reaction *

As stunts, we wore pi of his signature knted hat that we dubbed our “Marv Gaye ps. To aspirg youths, Gaye and the rt of the Motown fay served as stimuli, and we, turn, challenged lims placed on due to race, socenomic stat, genr, and geography. Today, Gaye’s prophetic lyrics echo anew as current generatns tie new experienc to them and hear them relatn to ntemporary soc-polil problems.

THE REAL MEANG BEHD MARV GAYE'S 'WHAT'S GOG ON'

Ed Sheeran’s trial for pyright gement of Marv Gaye and Ed Townsend’s “Let’s Get It On” highlights how hard is to draw the property l of pop, John Seabrook wr. * marvin gaye reaction *

Marv Gaye’s album What’s Gog On addrsed social ills that clud the Vietnam War and police btaly (“What’s Gog On”); environmental jtice (“Mercy, Mercy, Me” or “The Elogy Song”); and enomic dispari and systemic racism (“Make Me Wanna Holler” or “Inner Cy Blu”), all of which reverberate today. In the May 20, 2011, BBC documentary What’s Gog On—Mic That Defed a De, Smokey Robson, Motown legend and Gaye’s iend, asserts that What’s Gog On, “refed soul mic as an agent for social change.

Today, Gaye’s anthem “What’s Gog On” prs both public historians and micians to actively engage socially and polilly and to reflect on mic as an art form has rried the impet for change the past and the prent. Gaye’s songs are historil documents that public historians n e to engage dienc about social jtic, while also monstratg how they will ntue if we do not move to actn. The song ronat tergeneratnally, revealg the turbulence of society today jt as did Gaye’s time.

FLASHBACK: MARV GAYE REIMAG ‘THE STAR-SPANGLED BANNER’ 1983

They thk Pharrell's 'Happy' sounds like Gaye's 'A't That Peculiar' * marvin gaye reaction *

Jt as Marv Gaye’s mic and style spired activism the 1970s, his work serv as a prototype for today’s artists who e their platforms to make effective social and polil statements. Young mil artists today are ntug the ll for social reform enunciated by Marv Gaye. ” Kendrick Lamar’s lyrics—those “Alright” and many others—suggt that he is one of those wearg the mantle of Marv Gaye.

They also prove that the issu addrsed by Gaye the early 70s are still wh , as is the need for rilience. ” Jt as Marv Gaye ed his microphone to mand social jtice the 1970s, the artists e their podium to expla the ntemporary urgency of some of the same soc-polil and cultural issu, such as the need to end police btaly and systemic racism that are the root of the current Black Liv Matter Movement. Marv Gaye turned his mic to a ll for the posive change that n be wrought by love, and “What’s Gog On” implor to realize his aspiratn for uny: “Let’s get some unrstandg here today.

” As an advote for social and environmental jtice, Gaye created mic that would reta s relevance and urgency for generatns to e.

MARV GAYE'S FAY CONSIRG 'HAPPY' AFTER 'BLURRED L' W

Gaye’s “What’s Gog On” vok personal and historil memori and ntu to ronate and stir emotns.

When doo-wop dissipated the late 1950s, Gaye had already absorbed Fuqua’s lsons close harmony. After disbandg the Moonglows, Fuqua took the 20-year-old Gaye to Detro, where Berry Gordy, Jr., was formg Motown Rerds. Gaye, who also played dms and piano, bucked the Motown system and s emphasis on teen hs.

MARV GAYE’S ‘WHAT’S GOG ON’ GETS 50TH ANNIVERSARY DIGAL REISSUE

Gaye also enjoyed a seri of succsful duets, most notably wh Tammi Terrell (“A’t Nothg Like the Real Thg” [1968]). Blsed wh an exceptnally wi range that enpassed three distct vol styl—a piercg falsetto, a smooth mid-range tenor, and a ep gospel growl—Gaye bed great technil prows wh rare mil dividualy.

*BEAR-MAGAZINE.COM* MARVIN GAYE REACTION

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(Rob Verhorst/Redferns)" style="object-posn:50% 50%"/></picture><figptn class="article-fig-ptn">Marv Gaye performs on stage at De Doelen, Rotterdam, Netherlands, July of 1980. (Rob Verhorst/Redferns)</figptn></figure></sectn><div class="article-sectns"><sectn class="article-sectn--ntent hang-punctuatn article-sectn--first article-sectn--centered"><p class=""><em>Edor's note: This story was rebroadst on May 31, 2021. Fd that d <a href=">here</a>.</em></p><p class="">When Marv Gaye's rerd "What's Gog On" me out 1971, unemployment was at a high of 6%, people were prottg police btaly, and Amerins were angry over the Vietnam War.</p><p class="nt-medium">"What's Gog On" reflected those tim wh laser-sharp precisn, and 's gone on to bee Motown's biggt mercial succs. And 50 years later, the them of the album still reflect some of the most signifint challeng and divisns we face as a society.</p><p class="">But many people may be surprised to learn that this pivotal album almost never existed. Motown founr Berry Gordy was aaid would Gaye’s reer.</p><p class="nt-medium">“Motown was not a pany that was built on any kd of personal statements,” says Nelson Gee, a mic journalist, thor and cultural cric who terviewed Gaye durg the sger-songwrer’s lifetime.</p><p class="">By the 1970s, Motown Rerds was known for s “superb productn le,” which clud the stud band, The Funk Brothers, Gee says. The rerd pany aimed to make pop mic that ptured “the sound of young Ameri.”</p><p class="nt-medium">“That kd of polil, social, personal work was not a signature of the pany,” Gee says.</p><p class="">Durg a tour stop Berkeley, California, Renaldo “Obie” Benson of Motown giant the Four Tops was spired to wre “What’s Gog On” after wnsg a scuffle between police and monstrators at an anti-Vietnam War prott.</p><p class="">When Benson brought the song to him, Gaye was reluctant to rerd . At this pot his reer, Gaye was famo for his pop duets and love ballads, such as “A't No Mounta High Enough” wh Tammi Terrell and “I Heard It Through the Grapeve.”</p><div class="article-sectn--youtube article-sectn--embed wiscreen"><div class="youtube" id="yt-embed-1"><picture><img src="></picture><div class="play-button"></div></div></div><p class="">Gaye thought the song was better sued for a band lled The Origals, but he agreed to rerd himself after Benson allowed him to rewre some parts of . One of the most notable chang Gaye ma was the fal versn of the song, there was no qutn mark the tle.</p><p class="">The song illtrat the challeng society durg the 1960s — “spirualy, brotherhood, the onens of man” — and speaks to what Gaye thks are solutns, Gee explas.</p><p class="nt-medium">“It wasn't a qutn. It was a statement a sense, and the rerd self tri to actually provi answers,” he says. “So I don't thk you need a qutn mark for that. It was a statement — what's gog on — and here are some of the answers.”</p><p class="">When “What’s Gog On” me out January of 1971, was an stant h, and Gordy sisted Gaye rerd an entire album to back up the sgle. In the five s sce the song was released, “What’s Gog On” has been ed throughout the world monstratns agast totalarian regim, as a ll for peace the Middle East and durg recent Black Liv Matter protts.</p><p class="nt-medium">“Ultimately, the world me back to this album, and I thk that's one of the thgs that happened the last few years wh all the turmoil over race relatns, the entire chaos and the agmentatn,” Gee says. “The are all ias and nversatns we're havg right now 2021 that Marv was havg, and so the them of the album have proved to be endurg.”</p><span><h3><b>Gaye Captured A ‘Sense Of Confn And Sadns’</b></h3></span><p class="">The send song on the album, “What's Happeng Brother” was wrten for Gaye's brother, Frankie, who had jt returned om a tour Vietnam and was stgglg to fd a job.</p><p class="">In 1971, the Amerin people were learng through the Pentagon Papers how the U.S. ernment had basilly lied to them about the Vietnam War. This song spoke exactly to the sentiment of hundreds of thoands of Amerins impacted by loved on servg the war.</p><p class="">Gee says when he listens to this song particular, he don’t jt hear , he se . As a child growg up New York Cy, Gee remembers all of the men returng om the war who would wear Army jackets. He says “What’s Happeng Brother” reflects the “sense of nfn and sadns” that many Vietnam veterans felt when they returned home.</p><p class="nt-medium">“You had this return of all the brothers who had been the war, and they weren't celebrated,” Gee says. “There was a lot of prott about the war, so wasn't like the World War II people where everyone was pattg them on the back. So [there was] that sense of displacement, disillnment, the feelg of beg ed by the ernment as nnon fodr.”</p><p class="nt-medium">“Mercy Mercy Me (The Elogy),” another popular song om the album, is a direct tth-tellg about how we impact our environment. The song rose to No. 4 on the Billboard pop sgl chart and even had a rare appearance for Gaye on the adult ntemporary charts.</p><p class="">The sound of that song has an “herent spirual dimensn” that embrac many tradns om European and Black church, Gee says. The percsn on this song — and the album as a whole — also plays a huge role how the rerd flows.</p><p class="nt-medium">“So by layerg anilly so many different kds of mic, you create an environment that is very distctive,” he says. “This album really changed Marv's reer.”</p><figure class="article-fig size-large"><a href="><picture><img class="size-large article-image" src=" alt="Marv Gaye's rerd &quot;What's Gog On&quot; me out around this time 50 years ago. (Gems/Redferns)" loadg="lazy"/></picture></a><figptn class="article-fig-ptn">Marv Gaye's rerd "What's Gog On" me out around this time 50 years ago. (Gems/Redferns)</figptn></figure><span><h3><b>‘A Betiful Piece Of Art’</b></h3></span><p class="">In the followg years after the album was released, Gaye stggled wh prsn and dg abe, survivg a suici attempt 1979. When Gee <a href=">terviewed him</a> March of 1983, Gaye was a visibly broken man.</p><p class="">He was g back to the U.S. om his self-imposed exile Europe, and he was on a eback wh his song, “Sexual Healg.” But Gaye was also “nontg his old mons” and “ght fay relatns,” Gee says. There was a sense of melancholy that permeated throughout that entire terview.</p><p class="nt-medium">“When I sat wh him, I asked him about 'What's Gog On' and whether or not the time lled for another album like that, and he was very reluctant to sort of embrace that ia,” he says. “He said took a lot of soul searchg, a lot of medatn ... whatever space that had created 'What's Gog On' had passed for him. He had moved away om the social mentary that 'What's Gog On' reprented. And I thk 's bee he spirually didn't feel nnected both to the U.S. the same way and even to some parts of his own me.”</p><p class="">A year after that terview, Gaye was shot and killed by his father. He was 44 years old.</p><p class="">Reflectg back on Gaye’s semal work 50 years later, Gee says “What’s Gog On” is a “betiful piece of art.” The fal song on the album, “Inner Cy Blu (Make Me Wanna Holler),” still hnts him to this day.</p><p class="nt-medium">“You uld put that mic over any cy scene any urban center the last 50 years and that mic would work,” he says. “The scriptns , the atmosphere of the rerd, his vol stylgs, would still feel like he's scribg right now.”</p><hr/><p class=""><em><a href=">Samantha Raphelson</a> produced and eded this terview for broadst wh <a href=">Todd Mundt</a>. Raphelson also adapted for the web. </em></p></sectn></div><sectn class="article-sectn--story-group article-sectn--centered"><p class=""><em>This segment aired on March 1, 2021.</em></p></sectn></article><sectn class="article-sectn--story-group article-sectn--centered"><hear class="zone"><div class="zone-ner"><h2 class="zone-hdr">Related:</h2></div></hear><ul class="article-story-group"><li class="story-group-em"><a data-ec="Article Related Lks" data-el="'A Study Of Eight' Shows Influence Black Fashn Makers Had On History, Culture" data-ea="Click" class="story-group-lk" href=">'A Study Of Eight' Shows Influence Black Fashn Makers Had On History, Culture</a></li><li class="story-group-em"><a data-ec="Article Related Lks" data-el="In 'Four Hundred Souls,' 90 Wrers Tell Their Stori Of 4 Centuri Of Ain Ameri" data-ea="Click" class="story-group-lk" href=">In 'Four Hundred Souls,' 90 Wrers Tell Their Stori Of 4 Centuri Of Ain Ameri</a></li><li class="story-group-em"><a data-ec="Article Related Lks" data-el="Rememberg Rupert Neve, The Legendary Aud Equipment Inventor Who Shaped Rock 'N' Roll's Sound" data-ea="Click" class="story-group-lk" href=">Rememberg Rupert Neve, The Legendary Aud Equipment Inventor Who Shaped Rock 'N' Roll's Sound</a></li></ul></sectn><sectn class="article-sectn--story-group article-sectn--centered"><div class="ntributor has-photo"><div class="ntributor-profile"><figure class="ntributor-profile-em ntributor-photo"><a href="/si/staff/tonya-mosley"><picture><img src=" class="lazy rd-image" alt=""/></picture></a></figure><p class="ntributor-profile-em ntributor-b"><a class="ntributor-name" href="/si/staff/tonya-mosley">Tonya Mosley</a> <span class="ntributor-tle">Corrponnt, Here & Now</span><br/>Tonya Mosley was the LA-based -host of Here & Now. </p><p class="ntributor-more"><a class="ntributor-lk ntributor-b-lk" href="/si/staff/tonya-mosley">More…</a></p></div></div><div class="ntributor has-photo"><div class="ntributor-profile"><figure class="ntributor-profile-em ntributor-photo"><a href="/si/staff/samantha-raphelson"><picture><img src=" class="lazy rd-image" alt=""/></picture></a></figure><p class="ntributor-profile-em ntributor-b"><a class="ntributor-name" href="/si/staff/samantha-raphelson">Samantha Raphelson</a> <span class="ntributor-tle">Associate Producer, Here & Now</span><br/>Samantha Raphelson is an associate producer for Here & Now, based at NPR Washgton, D.C.</p><p class="ntributor-more"><a class="ntributor-lk ntributor-b-lk" href="/si/staff/samantha-raphelson">More…</a></p></div></div></sectn><sectn class="sectn--bo sectn--bp"><div class="uw bp--rponsive"><div class="bp-ner"><p class="bp-label">Advertisement</p><div class="bp-ntent bp-ntent--centered"><div style="width:300px;height:50px"></div></div></div></div></sectn><div></div><div class="global-d-ponents onmand--is-playg"><div class="global-player"><d preload="to"></d><div class="global-player-bar"><div class="global-player-bar-left"><button class="global-player-bar-ntrol"><i class="in-play in-play--global-player-bar in-play--psed"><span class="in-play-shape"><span class="in-label" data-note="for-screen-rears">Rume</span></span></i></button><div class="global-player-label global-player-label--live"><div class="global-player-channel"><span>Listen Live</span></div><div class="global-player-tle"><a class="global-player-label-lk" href="/">Loadg...</a></div></div></div><div class="global-player-bar-right"><div class="global-player-x"><svg class="in in-close" viewBox="0 0 24 24" aria-labelledby="tle"><tle id="tle">Close .

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