The Gay Voice - Universy of Toronto Magaze

Contents:

• THE GAY VOICE
• WHAT'S THE LK BETWEEN HOMOSEXUALY AND HAVG A 'GAY VOICE'
• THIS IS WHY SOME MEN ‘SOUND GAY’ – EVEN IF THEY’RE NOT
• "DO I SOUND GAY?"
• DO YOU SOUND GAY? WHAT OUR VOIC TELL – AND WHAT THEY DON’T
• IS THERE A “GAY VOICE”?
• SPEECH ATIC FEATUR: A COMPARISON OF GAY MEN, HETEROSEXUAL MEN, AND HETEROSEXUAL WOMEN
• WHY DO (SOME) GAY MEN HAVE HIGHER VOIC?
• WHAT MEANS TO ‘SOUND GAY’
• THREAD: IS IT ME, OR DO ALL GAY MEN HAVE A "HIGH VOICE"...?

THE GAY VOICE

After intifyg phoic characteristics that seem to make a man’s voice sound gay, their bt hunch is that some gay men may subnscly adopt certa female speech patterns. Stay ahead of the trend fashn and beyond wh our ee weekly Liftyle Ed newsletterStay ahead of the trend fashn and beyond wh our ee weekly Liftyle Ed newsletter After a particularly bad break-up, David Thorpe, a journalist who’s his forti, cid to take his md off thgs by leavg his ts his Manhattan apartment and drowng his sorrows at a gay beach town on Fire Island.

”It was the start of a four-year journey of self-disvery durg which Thorpe tried to figure out his so-lled “gay voice”: when did he start talkg that way, what ed , how exactly did sound, and, fally, what was so wrong wh anyway?

WHAT'S THE LK BETWEEN HOMOSEXUALY AND HAVG A 'GAY VOICE'

The rults n be seen his new documentary, Do I Sound Gay?, which featur terviews wh lguists, amics, fay and iends, as well as a number of high-profile personali, cludg David Sedaris and Dan Savage. Another expert that he terviews for the film is a Canadian lguist who studi vol microvariatns between gay and straight men and speculat that many gay men more readily pick up speech s om women. When he was younger, Thorpe not, the only “gay voic” on televisn were those belongg to figur such as Liberace and Charl Nelson Reilly, the host of The Match Game.

“Growg up, I was always told that what was wrong wh me was that I was gay, so ’s not hard to unrstand that a moment of vulnerabily I might also feel secure about my sexualy. Through a seri of terviews and teractns wh Thorpe’s iends and relativ, a few celebri, and random strangers on the streets, we hear a spectm of perspectiv about what “sounds gay” and why soundg as such is perceived as bad. Many of the gay men the film adm to beg que fortable wh the sounds of their voic, not fully unrstandg why Thorpe would feel so strongly about his voice that he would even vis a speech pathologist and a celebry vol traer to get rid of his “gay voice.

THIS IS WHY SOME MEN ‘SOUND GAY’ – EVEN IF THEY’RE NOT

” However, most of the gay men the film were able to relate to the secury of havg a more feme voice and some even relled tim that their “gay soundg” voic (and general gay inti) had led to gettg bullied or worse. As psychology profsors and rearchers, the first thg that popped to our mds while watchg the film was the ncept of ternalized opprsn, particularly ternalized homophobia* (please see note below about the term “homophobia”), which may be fed as the negative attus that LGBTQ people have about themselv bee of their sexual orientatns.

"DO I SOUND GAY?"

” We believe ternalized homophobia is why “soundg ls like a man” would make a gay man view himself as ferr and unsirable, even to the ey (or ears) of other gay men. In this regard for our LGBTQ brothers and sisters, rearch suggts that people velop ternalized homophobia bee they learned that beg different or genr nonnformg was bad (om their fai, iends, society general) and so they also learned not to love themselv.

So beg strsed out and psychologilly bothered by “soundg gay"—to the pot that one’s self-teem and other aspects of one’s life are negatively affected—is a very tellg “symptom” of ternalized homophobia. For example, thor David Sedaris talked about stanc which others may have prumed that he was heterosexual and he retrospectively ponrs what many gay men may also wonr: “Why do passg as straight make me feel good?

DO YOU SOUND GAY? WHAT OUR VOIC TELL – AND WHAT THEY DON’T

This wispread societal margalizatn of the “gay voice” and pretty much everythg that is “gay” is very real, as most if not all of are socialized or tght to associate negativy, ferry, and “otherns” wh beg gay. ) n attt to this wispread homophobia as he has wnsed – and even participated – many such stanc of otherg, teasg, and bullyg gay men, pecially those who speak wh high-pched, highly-feme, and flamboyantly “gay voic.

We believe, however, that two of the other celebry terviewe—Dan Savage and Tim Gunn—more profoundly sum up the perfect batn of what many gay men stggle wh when to their voic.

IS THERE A “GAY VOICE”?

Rearch suggts that opprsn— this se homophobia or heterosexism—n be ternalized so eply that even those of who are most aware, most cril, and most “liberated” (or “lonized” as some other margalized peopl may refer to ) may still be affected by . D., is an Associate Profsor of Psychology at the Cy Universy of New York, the Executive Director of CLAGS: The Center for LGBTQ Studi, and the thor of That’s So Gay!

*Note: Instead of “homophobia, ” some folks may e the term “heterosexism” – and this se “ternalized heterosexism” – which has been argued to be a more appropriate term given that anti-LGBTQ prejudice is not jt an dividual-level, clil-soundg problem (as the term “phobia” impli), but is also a wispread form of opprsn that is rooted our culture, society, and stutns. And y, the stretchg out of “sibilant” nsonants such as s and z (image Kenh Williams sayg “She sells sea shells on the sea shore” and you’re sort of there) what about gay women?

There are a few theori knockg around as to why this might be: Arnold Zwicky, his mply tled 1994 paper Two Lavenr Issu for Lguists, suggts that: “For many lbians, what is most important is intifitn wh the muny of women – while for many gay men, what is most important is distancg themselv om straight men.

SPEECH ATIC FEATUR: A COMPARISON OF GAY MEN, HETEROSEXUAL MEN, AND HETEROSEXUAL WOMEN

Third: this style of speakg isn’t simply an importatn of “feme” quali to male speech, although that appears to be what a lot of people, we’re still left wh the qutn of why a gay male voice might emerge.

When dis, a subversive dance movement that spoke to black people and women and gays, broke through, was vilified by mastream rock lovers for beg ksch and plastic. Not long after Thorpe broke up wh his boyiend, he began thkg about the way he speaks, and the way other gay men speak, and why both sudnly bothered him so much.

Gay adolcents, Thorpe pots out, often learn that the “tell” of their sexualy is their voic, even more so than physily—a limp wrist is easier to straighten out than an flectn.

WHY DO (SOME) GAY MEN HAVE HIGHER VOIC?

Regardg atic featur of speech, rearchers have hypothized a femizatn of such characteristics homosexual men, but prev vtigatns have so far produced mixed rults. To fill the gaps, we explored potential differenc atic featur of speech between homosexual and heterosexual native French men and vtigated whether the former showed a trend toward femizatn by parg theirs to that of heterosexual native French women.

Rults showed that homosexual men displayed signifintly higher pch modulatn patterns and ls breathy voic pared to heterosexual men, wh valu shifted toward those of heterosexual women. Keywords: Speech, Voice, Atics, Sexual orientatn, Ttosterone levels, Genr atypilyIntroductnThe genr atypily hypothis suggts that genr atypil tras homosexuals uld be ed as cu to dite sexual orientatn. In addn to the fact that homosexuals exhib tras that differ om those of heterosexuals, has been shown that some of them, such as specific nral procs (LeVay, 1991; Savic, Berglund, & Ldstrom, 2005) or specific childhood behavrs (Alanko et al., 2010; Bailey & Zucker, 1995), displayed valu shifted toward those of the oppose sex, i.

Although there is no clear evince that the mean fundamental equency differs between homosexual and heterosexual men (Gd, 1994; Lerman & Damsté, 1969; Munson et al., 2006b; Rendall et al., 2008; Rogers, Jabs, & Smyth, 2001; Smyth, Jabs, & Rogers, 2003; but see Baeck, Corthals, & Borsel, 2011), rults toward differenc pch modulatn patterns are more ntroversial: Some studi have found that homosexual men displayed greater variatns tonatn, wh valu shifted toward those of women (Baeck et al., 2011; Gd, 1994), while others did not fd any difference (Levon, 2006; Rogers et al., 2001). For stance, homosexual men produce higher peak equency and longer duratn valu for /s/ (Lville, 1998) and the speech characteristics are associated wh “gayer-soundg” voic by listeners (Mack & Munson, 2012). Lastly, homosexual men seem to produce a more expand vowel space than heterosexual men for some specific vowels (Rendall et al., 2008), hyper-articulatn beg monly found female speech (Pierrehumbert et al., 2004) the atic speech featur, other characteristics uld vary wh sexual orientatn, such as vol breaths and roughns that are, rpectively, ptured by the harmonics-to-noise rat (HNR) and the jter.

WHAT MEANS TO ‘SOUND GAY’

Such rults suggt that vol breaths and roughns may play a role the qualifitn of mascule vers feme soundg voic, th qutng homosexuals’ vol breaths and roughns wh this ntuum.

In le wh the speech femizatn hypothis, homosexual men uld ed potentially exhib higher valu of HNR and lower valu of jter, but, so far, no studi have tackled this issue. Although evince of a difference ttosterone levels between homosexual and heterosexual men is nsistent (Meyer-Bahlburg, 1977, 1984), ttosterone may still mediate the relatnship between sexual orientatn and the aforementned vol speech featur, which has received ltle attentn so far.

Consequently, muni of homosexual men uld potentially differ their specific vol speech featur across different this ntext, the goal of the prent study was to provi further tails on the potential differenc between homosexual and heterosexual men’s speech an unrreprented populatn the lerature (i. We vtigated the effect of sexual orientatn on four sexually dimorphic atic parameters (F0, F0-SD, jter, and HNR) and examed whether homosexual men’s vol characteristics showed a femizatn by parg theirs wh that of heterosexual women. To vtigate the effects of sexual orientatn and tt the hypothis of femizatn on the vol featur, we ed an explanatory variable lled “SexOr” that nsirs both sex and sexual orientatn wh three modali: heterosexual men, homosexual men, and heterosexual women.

THREAD: IS IT ME, OR DO ALL GAY MEN HAVE A "HIGH VOICE"...?

Then, to asss if homosexual men displayed vol featur wh valu shifted toward those of heterosexual women, post hoc analys (Tey HSD tts) were performed to pare which tegory (i. Thrholds of signifince were rrected for the number of mols and post hoc parisons g the Bonferroni orr to asss the overall difference on speech atic featur between heterosexual and homosexual men and to exame whether homosexual men’s vol featur are shifted toward those of women, we nducted a lear discrimant analysis (LDA). LDA attempts to mol whether a set of variabl (here F0, F0-SD, Jter, and HNR) is effective predictg tegory membership (here heterosexual men, homosexual men, and heterosexual women).