Marv Gaye - Moods of Marv Gaye Lyrics and Tracklist | Geni

Contents:

• MOODS OF MARV GAYE
• THE SOULFUL MOODS OF MARV GAYE
• 55 YEARS AGO: HOW ‘MOODS OF MARV GAYE’ CHANGED EVERYTHGNICK DERISONICK DERISOPUBLISHED: MAY 29, 2021MOTOWNSHARETWEETMARV GAYE ACTUALLY REVEALED HIMSELF AS MORE THAN THE TYPIL MOTOWN FACTORY DRONE WELL BEFORE 1971'S WHAT'S GOG ON. HE JT HADN'T QUE HARNSED THOSE AMBNS YET.A SIRE TO BREAK THE MOLD, TO NFOUND POPULAR MIC'S BUILT- EXPECTATNS, EVENTUALLY LED GAYE TO ANK MIL DISCSNS ABOUT WAR, THE ENVIRONMENT AND SOCIAL JTICE. WHEN MOODS OF MARV GAYE ARRIVED ON MAY 23, 1966, HOWEVER, HE WAS STILL ENGAGED THE AD-END PURSU OF BEG A CELEBRATED TERPRETER OF THE GREAT AMERIN SONGBOOK.IN SOME WAYS, MA SENSE. HE CERTALY HAD THE STYLE AND GRACE, AND SUCCS WH SOPHISTITED VERS OF AGELS FAVOR POPULARIZED BY THE LIK OF FRANK SATRA, BILLIE HOLIDAY AND NAT "KG" COLE WOULD HAVE PLACED HIM WELL OUTSI ANY R&B NVENTN."MARV ULD SG ANYTHG," MOODS OF MARV GAYE PRODUCER SMOKEY ROBSON TOLD ROLLG STONE 2010, "OM GOSPEL TO GUTBUCKET BLU TO JAZZ TO POP."THE PROBLEM IS HE WANTED TO, BUT DIENC WEREN'T ALL THAT TERTED. NEHER, OF URSE, WERE GAYE'S LABEL BOSS. SO, HE FOLLOWED UP 1965'S A TRIBUTE TO THE GREAT NAT "KG" COLE WH MOODS OF MARV GAYE, AN ALBUM THAT SPL THE DIFFERENCE. HE SANG SONGS BY ROBSON AND STEVIE WONR, WHILE ALSO VERG HAROLD ARLEN AND JOHNNY MERCER.IT QUICKLY BEME BTALLY OBV WHICH ON THE BUYG PUBLIC PREFERRED. GAYE HAD NO PROBLEMS WH THE OLD CHTNUT "ONE FOR MY BABY (AND ONE MORE FOR THE ROAD)" AND EVEN MORE FTLY HANDLED WILLIE NELSON'S TWILIGHT CLASSIC "NIGHT LIFE." BUT ONLY THE R&B STUFF H, AS ROBSON'S "A'T THAT PECULIAR" AND "I'LL BE DOGGONE" BEME GAYE'S FIRST LN SELLERS.LISTEN TO MARV GAYE'S 'A'T THAT PECULIAR'FOR ROBSON, THAT FELT ALMOST PREORDAED. SEEMS HE ALWAYS HAD GAYE MD FOR "A'T THAT PECULIAR": "WE WERE ON TOUR, AND [MIRACL BANDMATE MARV TARPL] ME TO ME BEE HE HAD THAT GUAR RIFF, WHICH I THOUGHT WAS AWOME," ROBSON LATER REMEMBERED. "AND WE WROTE THE SONG RIGHT THERE. IT WAS SPECIFILLY FOR HIM."THE SGLE BEME THE FIRST OF FOUR TOP 20 R&B-THEMED SMASH TO EMERGE OM MOODS OF MARV GAYE. ROBSON, WHO ALSO WROTE "ONE MORE HEARTACHE" (NO. 4) AND "TAKE THIS HEART OF ME" (NO. 16) FOR THE LP, ALREADY REGNIZED SOMETHG EPER MOVG BENEATH THE SURFACE WH GAYE."I SPENT A LOT OF TIME WAG FOR MARV," ROBSON TOLD ROLLG STONE. "SEE, MARV WAS BASILLY LATE G TO THE STUD ALL THE TIME. BUT I NEVER MD, BEE I KNEW THAT WHENEVER MARV DID GET THERE, HE WAS GOG TO SG MY SONG A WAY THAT I HAD NEVER IMAGED . HE WOULD 'MARVIZE' MY SONGS, AND I LOVED ."UNFORTUNATELY, "ONE FOR MY BABY" WAS JT AS QUICKLY FOTTEN – AND THGS WERE EVEN ROUGHER OUT ON THE ROAD. GAYE HAD BEGUN TO FOC MORE ON SUPPER CLUBS RATHER THAN TYPIL NCERT VENU GEARED TO YOUTH. HE WORE A TUXEDO, THE SARTORIAL MANNER OF MID-CENTURY CROONERS, FURTHER SEPARATG HIMSELF OM HIS SOUL-SGG ROOTS.FRANKIE GAYE'S MEMOIR MARV GAYE, MY BROTHER SET THE SCENE FOR A NTEMPORARY APPEARANCE AT BIMBO'S 365 CLUB SAN FRANCIS, AS MARV "STROLLED OUT LOOKG SO SUAVE A TOP HAT AND TAILS, OF ALL THGS, ACTG LIKE ROMEO BUT G ACROSS AS THE DAPPER DANS '30S MOVIE MILS."THAT ENGAGEMENT PRAGED WHAT GAYE MT HAVE IMAGED WOULD BEE A SIGNATURE MOMENT DURG HIS EXTEND STAND THAT AUGT AT THE COPABANA. LOTED ADJACENT TO CENTRAL PARK NEW YORK CY, THE POSH VENUE WELED GAYE'S SURPRISG PENCHANT FOR BARET MATERIAL, BUT THE MOTOWN STUFF WAS MORE LIKELY TO BE MET WH CUR STAR.A TERMED GAYE TOLD BILLBOARD 1966 THAT HE STILL FELT "VERY STRONGLY ABOUT R&B," BUT "I'D LIKE TO BEE KNOWN AS A MORE VERSATILE SGER." THE HEADLE, HOWEVER, SUMMED UP HIS MIL NUNDM: "GAYE, POPPG WH POP, KEEPS EYE ON 'FIRST LOVE.'"LISTEN TO MARV GAYE'S 'I'LL BE DOGGONE'IN TTH, HIS REER DIRECTN WAS ALREADY OBV: MOODS OF MARV GAYE, LIKE 1965'S HOW SWEET IT IS TO BE LOVED BY YOU, BEME A TOP 10 R&B H ALBUM WHILE SONGBOOK-FOCED PROJECTS CLUDG 1964'S HELLO BROADWAY FAILED TO CHART ANYWHERE. MOTOWN RERD GAYE'S 1966 DAT NEW YORK CY WH AN EYE TOWARD RELEASG A LIVE ALBUM BUT END UP SHELVG THE PROJECT FELY.CLEARLY STUNG, GAYE WOULD RERD A FEW OTHER NON-R&B TRACKS BUT NEVER RETURNED TO THE COPABANA. INSTEAD, HE RETREATED EPER TO THE STUD, FOCG ON DUETS WH TAMMI TERRELL THE N UP TO AN IAL CREATIVE BREAKTHROUGH WH 1968'S HEARTBROKEN AND MYSTER "I HEARD IT THROUGH THE GRAPEVE.""I'M NOT PECIALLY AN ENTERTAER," GAYE LATER ADMTED TO THE WASHGTON POST. "I'M AN ARTIST AND AN ENTERTAER, BUT THE TWO ARE PLETELY DIFFERENT. WH ONE I'M EXTREMELY HAPPY AND JOYFUL AND AT PEACE, AND WH THE OTHER I'M ANKLY OUT OF MY ELEMENT. ALTHOUGH I DO OKAY, I DO NICELY AND EVERYTHG, 'S NOT WHERE I GET MY BIGGT KICK."THIS IS WHERE HIS TE LEGACY WOULD SOON BE FED. GAYE WASN'T GOG TO SHAKE OFF MOTOWN'S SHACKL BY LOOKG BACKWARD TO SOME OF THE UNTRY'S MOST TREASURED STANDARDS, NO MATTER HOW TASTEFULLY DONE. (AND NO MATTER HOW UNNIABLY GREAT HE LOOKED A TUXEDO.) MARV GAYE WOULD HAVE TO DIG EPER, TO GET MORE REAL.JT AS CCIALLY, HOWEVER, HE'D ACHIEVE EEDOM ONLY THROUGH FAME. A PLATFORM OF SUCCS WAS NEED ORR TO LNCH ONE OF THE MOST REMARKABLE TRANSFORMATNS ALL OF MIC. GAYE NEED TO BEE UNNIABLE. IN MANY WAYS, THAT STARTED WH MOODS OF MARV GAYE – JT NOT THE TIME OR MANNER HE ONCE HOPED WOULD. PATIENCE FALLY PAID OFF WH WHAT'S GOG ON."MARV WAS MUCH MORE THAN JT A GREAT SGER. HE WAS A GREAT RERD MAKER, A GIFTED SONGWRER, A EP THKER — A REAL ARTIST THE TE SENSE," ROBSON TOLD ROLLG STONE. "MARV WAS ALWAYS WORTH THE WA." TOP 25 SOUL ALBUMS OF THE '70S
• MOODS OF MARV GAYE/THAT'S THE WAY LOVE IS
• MOODS OF MARV GAYE – MARV GAYE
• MARV GAYE
• MOODS OF MARV GAYE/IN THE GROOVE
• MOODS OF MARV GAYE LP RIP
• MARV GAYE THE SOULFUL MOODS OF MARV GAYE
• MARV GAYE - THE SOULFUL MOODS OF MARV GAYE ALBUM

MOODS OF MARV GAYE

Marv Gaye.

After Marv Gaye rerd tribut to Broadway and Nat Kg Cole the prev two years, Motown fans may have had their spicns raised by an LP tled Moods of Marv Gaye. Y, there are a few supper-club standards to be found here, but Gaye mov smoothly between good-time soul and adult pop.

THE SOULFUL MOODS OF MARV GAYE

As for the pyrights not owned by Jobete, the chtnut "One for My Baby (And One More for the Road)" certaly didn't need another readg, but Gaye's take on Willie Nelson's after-hours classic "Night Life" was spired. Marv Gaye was improvg wh every rerd, gag character and strength of performance, and Moods of Marv Gaye is a radilly better rerd than s precsors.

That the years after the release of this album Marv Gaye beme one of the greatt and most fluential sgers the fields of soul and R&B is hardly a matter for discsn. Fans of saloon sgg may be cur to know how well Gaye far this difficult genre, and for the most part the are fe performanc nsirg the versatile range of his voice and the pth of feelg he brought to most of his performanc. No, this is not Gaye wh a fully veloped style, and is hardly the novative legend of Let's Get It On or What's Gog On but there is nothg he uld have been embarrassed about here.

Marv Gaye actually revealed himself as more than the typil Motown factory drone well before 1971's What's Gog On. A sire to break the mold, to nfound popular mic's built- expectatns, eventually led Gaye to ank mil discsns about war, the environment and social jtice. When Moods of Marv Gaye arrived on May 23, 1966, however, he was still engaged the ad-end pursu of beg a celebrated terpreter of the Great Amerin some ways, ma sense.

55 YEARS AGO: HOW ‘MOODS OF MARV GAYE’ CHANGED EVERYTHGNICK DERISONICK DERISOPUBLISHED: MAY 29, 2021MOTOWNSHARETWEETMARV GAYE ACTUALLY REVEALED HIMSELF AS MORE THAN THE TYPIL MOTOWN FACTORY DRONE WELL BEFORE 1971'S WHAT'S GOG ON. HE JT HADN'T QUE HARNSED THOSE AMBNS YET.A SIRE TO BREAK THE MOLD, TO NFOUND POPULAR MIC'S BUILT- EXPECTATNS, EVENTUALLY LED GAYE TO ANK MIL DISCSNS ABOUT WAR, THE ENVIRONMENT AND SOCIAL JTICE. WHEN MOODS OF MARV GAYE ARRIVED ON MAY 23, 1966, HOWEVER, HE WAS STILL ENGAGED THE AD-END PURSU OF BEG A CELEBRATED TERPRETER OF THE GREAT AMERIN SONGBOOK.IN SOME WAYS, MA SENSE. HE CERTALY HAD THE STYLE AND GRACE, AND SUCCS WH SOPHISTITED VERS OF AGELS FAVOR POPULARIZED BY THE LIK OF FRANK SATRA, BILLIE HOLIDAY AND NAT "KG" COLE WOULD HAVE PLACED HIM WELL OUTSI ANY R&B NVENTN."MARV ULD SG ANYTHG," MOODS OF MARV GAYE PRODUCER SMOKEY ROBSON TOLD ROLLG STONE 2010, "OM GOSPEL TO GUTBUCKET BLU TO JAZZ TO POP."THE PROBLEM IS HE WANTED TO, BUT DIENC WEREN'T ALL THAT TERTED. NEHER, OF URSE, WERE GAYE'S LABEL BOSS. SO, HE FOLLOWED UP 1965'S A TRIBUTE TO THE GREAT NAT "KG" COLE WH MOODS OF MARV GAYE, AN ALBUM THAT SPL THE DIFFERENCE. HE SANG SONGS BY ROBSON AND STEVIE WONR, WHILE ALSO VERG HAROLD ARLEN AND JOHNNY MERCER.IT QUICKLY BEME BTALLY OBV WHICH ON THE BUYG PUBLIC PREFERRED. GAYE HAD NO PROBLEMS WH THE OLD CHTNUT "ONE FOR MY BABY (AND ONE MORE FOR THE ROAD)" AND EVEN MORE FTLY HANDLED WILLIE NELSON'S TWILIGHT CLASSIC "NIGHT LIFE." BUT ONLY THE R&B STUFF H, AS ROBSON'S "A'T THAT PECULIAR" AND "I'LL BE DOGGONE" BEME GAYE'S FIRST LN SELLERS.LISTEN TO MARV GAYE'S 'A'T THAT PECULIAR'FOR ROBSON, THAT FELT ALMOST PREORDAED. SEEMS HE ALWAYS HAD GAYE MD FOR "A'T THAT PECULIAR": "WE WERE ON TOUR, AND [MIRACL BANDMATE MARV TARPL] ME TO ME BEE HE HAD THAT GUAR RIFF, WHICH I THOUGHT WAS AWOME," ROBSON LATER REMEMBERED. "AND WE WROTE THE SONG RIGHT THERE. IT WAS SPECIFILLY FOR HIM."THE SGLE BEME THE FIRST OF FOUR TOP 20 R&B-THEMED SMASH TO EMERGE OM MOODS OF MARV GAYE. ROBSON, WHO ALSO WROTE "ONE MORE HEARTACHE" (NO. 4) AND "TAKE THIS HEART OF ME" (NO. 16) FOR THE LP, ALREADY REGNIZED SOMETHG EPER MOVG BENEATH THE SURFACE WH GAYE."I SPENT A LOT OF TIME WAG FOR MARV," ROBSON TOLD ROLLG STONE. "SEE, MARV WAS BASILLY LATE G TO THE STUD ALL THE TIME. BUT I NEVER MD, BEE I KNEW THAT WHENEVER MARV DID GET THERE, HE WAS GOG TO SG MY SONG A WAY THAT I HAD NEVER IMAGED . HE WOULD 'MARVIZE' MY SONGS, AND I LOVED ."UNFORTUNATELY, "ONE FOR MY BABY" WAS JT AS QUICKLY FOTTEN – AND THGS WERE EVEN ROUGHER OUT ON THE ROAD. GAYE HAD BEGUN TO FOC MORE ON SUPPER CLUBS RATHER THAN TYPIL NCERT VENU GEARED TO YOUTH. HE WORE A TUXEDO, THE SARTORIAL MANNER OF MID-CENTURY CROONERS, FURTHER SEPARATG HIMSELF OM HIS SOUL-SGG ROOTS.FRANKIE GAYE'S MEMOIR MARV GAYE, MY BROTHER SET THE SCENE FOR A NTEMPORARY APPEARANCE AT BIMBO'S 365 CLUB SAN FRANCIS, AS MARV "STROLLED OUT LOOKG SO SUAVE A TOP HAT AND TAILS, OF ALL THGS, ACTG LIKE ROMEO BUT G ACROSS AS THE DAPPER DANS '30S MOVIE MILS."THAT ENGAGEMENT PRAGED WHAT GAYE MT HAVE IMAGED WOULD BEE A SIGNATURE MOMENT DURG HIS EXTEND STAND THAT AUGT AT THE COPABANA. LOTED ADJACENT TO CENTRAL PARK NEW YORK CY, THE POSH VENUE WELED GAYE'S SURPRISG PENCHANT FOR BARET MATERIAL, BUT THE MOTOWN STUFF WAS MORE LIKELY TO BE MET WH CUR STAR.A TERMED GAYE TOLD BILLBOARD 1966 THAT HE STILL FELT "VERY STRONGLY ABOUT R&B," BUT "I'D LIKE TO BEE KNOWN AS A MORE VERSATILE SGER." THE HEADLE, HOWEVER, SUMMED UP HIS MIL NUNDM: "GAYE, POPPG WH POP, KEEPS EYE ON 'FIRST LOVE.'"LISTEN TO MARV GAYE'S 'I'LL BE DOGGONE'IN TTH, HIS REER DIRECTN WAS ALREADY OBV: MOODS OF MARV GAYE, LIKE 1965'S HOW SWEET IT IS TO BE LOVED BY YOU, BEME A TOP 10 R&B H ALBUM WHILE SONGBOOK-FOCED PROJECTS CLUDG 1964'S HELLO BROADWAY FAILED TO CHART ANYWHERE. MOTOWN RERD GAYE'S 1966 DAT NEW YORK CY WH AN EYE TOWARD RELEASG A LIVE ALBUM BUT END UP SHELVG THE PROJECT FELY.CLEARLY STUNG, GAYE WOULD RERD A FEW OTHER NON-R&B TRACKS BUT NEVER RETURNED TO THE COPABANA. INSTEAD, HE RETREATED EPER TO THE STUD, FOCG ON DUETS WH TAMMI TERRELL THE N UP TO AN IAL CREATIVE BREAKTHROUGH WH 1968'S HEARTBROKEN AND MYSTER "I HEARD IT THROUGH THE GRAPEVE.""I'M NOT PECIALLY AN ENTERTAER," GAYE LATER ADMTED TO THE WASHGTON POST. "I'M AN ARTIST AND AN ENTERTAER, BUT THE TWO ARE PLETELY DIFFERENT. WH ONE I'M EXTREMELY HAPPY AND JOYFUL AND AT PEACE, AND WH THE OTHER I'M ANKLY OUT OF MY ELEMENT. ALTHOUGH I DO OKAY, I DO NICELY AND EVERYTHG, 'S NOT WHERE I GET MY BIGGT KICK."THIS IS WHERE HIS TE LEGACY WOULD SOON BE FED. GAYE WASN'T GOG TO SHAKE OFF MOTOWN'S SHACKL BY LOOKG BACKWARD TO SOME OF THE UNTRY'S MOST TREASURED STANDARDS, NO MATTER HOW TASTEFULLY DONE. (AND NO MATTER HOW UNNIABLY GREAT HE LOOKED A TUXEDO.) MARV GAYE WOULD HAVE TO DIG EPER, TO GET MORE REAL.JT AS CCIALLY, HOWEVER, HE'D ACHIEVE EEDOM ONLY THROUGH FAME. A PLATFORM OF SUCCS WAS NEED ORR TO LNCH ONE OF THE MOST REMARKABLE TRANSFORMATNS ALL OF MIC. GAYE NEED TO BEE UNNIABLE. IN MANY WAYS, THAT STARTED WH MOODS OF MARV GAYE – JT NOT THE TIME OR MANNER HE ONCE HOPED WOULD. PATIENCE FALLY PAID OFF WH WHAT'S GOG ON."MARV WAS MUCH MORE THAN JT A GREAT SGER. HE WAS A GREAT RERD MAKER, A GIFTED SONGWRER, A EP THKER — A REAL ARTIST THE TE SENSE," ROBSON TOLD ROLLG STONE. "MARV WAS ALWAYS WORTH THE WA." TOP 25 SOUL ALBUMS OF THE '70S

"Marv uld sg anythg, " Moods of Marv Gaye producer Smokey Robson told Rollg Stone 2010, "om gospel to gutbucket blu to jazz to pop.

Neher, of urse, were Gaye's label boss. So, he followed up 1965's A Tribute to the Great Nat "Kg" Cole wh Moods of Marv Gaye, an album that spl the difference. Gaye had no problems wh the old chtnut "One for My Baby (And One More for the Road)" and even more ftly handled Willie Nelson's twilight classic "Night Life.

MOODS OF MARV GAYE/THAT'S THE WAY LOVE IS

" But only the R&B stuff h, as Robson's "A't That Peculiar" and "I'll Be Doggone" beme Gaye's first ln to Marv Gaye's 'A't That Peculiar'For Robson, that felt almost preordaed. Seems he always had Gaye md for "A't That Peculiar": "We were on tour, and [Miracl bandmate Marv Tarpl] me to me bee he had that guar riff, which I thought was awome, " Robson later remembered.

MOODS OF MARV GAYE – MARV GAYE

"The sgle beme the first of four Top 20 R&B-themed smash to emerge om Moods of Marv Gaye. 16) for the LP, already regnized somethg eper movg beneath the surface wh Gaye.

Gaye had begun to foc more on supper clubs rather than typil ncert venu geared to youth. Frankie Gaye's memoir Marv Gaye, My Brother set the scene for a ntemporary appearance at Bimbo's 365 Club San Francis, as Marv "strolled out lookg so suave a top hat and tails, of all thgs, actg like Romeo but g across as the Dapper Dans '30s movie mils. "That engagement praged what Gaye mt have imaged would bee a signature moment durg his extend stand that Augt at the Copabana.

Loted adjacent to Central Park New York Cy, the posh venue weled Gaye's surprisg penchant for baret material, but the Motown stuff was more likely to be met wh cur star. A termed Gaye told Billboard 1966 that he still felt "very strongly about R&B, " but "I'd like to bee known as a more versatile sger. " The headle, however, summed up his mil nundm: "Gaye, Poppg Wh Pop, Keeps Eye on 'First Love.

MARV GAYE

'"Listen to Marv Gaye's 'I'll Be Doggone'In tth, his reer directn was already obv: Moods of Marv Gaye, like 1965's How Sweet It Is to Be Loved by You, beme a Top 10 R&B h album while songbook-foced projects cludg 1964's Hello Broadway failed to chart anywhere.

Motown rerd Gaye's 1966 dat New York Cy wh an eye toward releasg a live album but end up shelvg the project fely. Clearly stung, Gaye would rerd a few other non-R&B tracks but never returned to the Copabana.

""I'm not pecially an entertaer, " Gaye later admted to The Washgton Post.

MOODS OF MARV GAYE/IN THE GROOVE

Gaye wasn't gog to shake off Motown's shackl by lookg backward to some of the untry's most treasured standards, no matter how tastefully done. ) Marv Gaye would have to dig eper, to get more as ccially, however, he'd achieve eedom only through fame. Gaye need to bee unniable.

In many ways, that started wh Moods of Marv Gaye – jt not the time or manner he once hoped would. Moods of Marv Gaye/That's the Way Love Is Review. A fe two--one CD wh two of Gaye's better love/romantic albums.

After a promisg n of jazz croong and duets, Marv Gaye found his solo footg right here. About “Moods of Marv Gaye”. Go check out the Classic Motown store for some great disunts on Marv’s illtr talogue of mic, cludg Moods Of Marv Gaye LP for only £8/€10/$11.

MOODS OF MARV GAYE LP RIP

Motown Rerds ro the charts 1965 as never before, wh Marv Gaye acuntg for three of the pany’s eleven Top 10 pop hs durg the urse of the year. “It is too early to predict that Marv Gaye will go on to the popular attaments of Nat Cole, ” Persky add, “but to speculate on the possibily is tertg, to say the least.

MARV GAYE THE SOULFUL MOODS OF MARV GAYE

” Gaye was doubtls pleased, given his well-documented aspiratn to be a ballaer, but Berry Gordy was more terted h rerds.

MARV GAYE - THE SOULFUL MOODS OF MARV GAYE ALBUM

” Robson ntued: “Went and cut the song on Dad [his nickname for Gaye] who sang the sh out of . I loved producg Marv Gaye.

Holland/Dozier/Holland were rponsible for three songs on Moods Of Marv Gaye: “You’ve Been A Long Time Comg, ” “Your Unchangg Love” and “Ltle Darlg (I Need You), ” The first two were cut January 1965, while the last was pleted May. “One More Heartache” was the last song on Moods Of Marv Gaye produced by Smokey 1965.

“Harvey, Johnny and Marv Gaye were like the Three Mketeers. “He said there were too many ballads, ” relled Harvey Fuqua when Marv Gaye At The Copa was fally released 2005. You n hear the sger Marv wanted to be on three tracks on Moods Of Marv Gaye.