Rememberg Tomie Paola, The Gay Children's Book Author Who Pated Catholic Tal - New Ways Mistry

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Prolific and honored children's book thor and illtrator Tomie Paola died today at age 85 after plitns followg a fall. Among his many works, DePaola, who was gay, wrote one of the earlit picture books to feature a boy who uld be read as queer and “didn’t like to do thgs that boys are supposed to do.” The book was based on his own childhood experienc.

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REMEMBERG TOMIE PAOLA, THE GAY CHILDREN’S BOOK AUTHOR WHO PATED CATHOLIC TAL

Though he was married briefly to a woman the neteen-sixti, Paola was gay, and a special sensivy to the plight of the socially margalized unrgirds his work. In 2019, The New York Tim published a feature on “The Gay History of Ameri’s Classic Children’s Picture Books, ” and noted that Oliver Button was the first picture book to e the word ‘gay’ when was published 1979. In the article, Paola acknowledg the stigma that would have surround him if he had e out as gay earlier life:.

THE GAY HISTORY OF AMERI’S CLASSIC CHILDREN’S BOOKS

“If beme known you were gay, you’d have a big red ‘G’ on your cht, and schools wouldn’t buy your books anymore. Dpe his great succs and universal populary, was not until 2019 that DePaola me out as gay. Explag why he had taken so long to do so, he told the New York Tim magaze that, for much of his reer: “If beme known you were gay, you’d have a big red ‘G’ on your cht...

” It’s about a t who liv wh two gay men; you n tell by the book, then jt published, was evintly meant to help normalize already borgly normal fai like ours by g the tradnal substutn of animals for people orr to illtrate how much fun havg gay dads n be. ) And if you stopped to thk about , “Lucy” seemed to argue that the gay dads, however full of fun, were aquate: When the pa chips were down, they need rcug, too.

Among gay-themed children’s stori, they preferred “Frog and Toad. ” No, I know: “Frog and Toad” — a seri of four picture books by Arnold Lobel, origally published between 1970 and 1979 — is not gay-themed.

*BEAR-MAGAZINE.COM* TOMIE DEPAOLA GAY

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iRsSlw"><a class="RubricLk-gRWSOU fgWnkQ bric__lk" href="/culture/postscript"><span class="RubricName-fVtemz cLxcNi">Postscript</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd NbxED hpJvIc">The Delight and Sadns of Tomie Paola</h1></div><div class="ContentHearAccredatn-lfctVB cKRKZx ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearByle-kmPyCa gvUmxJ"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearContributorImage-cvjZXn jKACOU"><picture class="RponsiveImagePicture-cWuUZO dUOtEa ContentHearContributorImage-cvjZXn jKACOU rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="66px"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="66px"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bqbBYQ"><p class="ByleWrapper-jWHrLH ivtvgj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx byle__name-lk button" href="/ntributors/naomi-y">Naomi Fry</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2020-04-06T09:00:00-04:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd kYZrFA kEBrdf">April 6, 2020</time></div></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ContentHearLeadAsset-hGbumP iWPCcH lead-asset ContentHearLeadAssetWrapper-hfXHEc fTrSlG lead-asset--width-smallle" data-ttid="ContentHearLeadAsset"><figure class="ContentHearLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHearLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__ntent__photo"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearRponsiveAsset-bREgIb khLUzS"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz fXAMSS"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO KhjZz ContentHearRponsiveAsset-bREgIb khLUzS rponsive-image rponsive-image--expandable"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="Tomie Paola" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span><div class="CaptnWrapper-jSZdqE iTuhkZ ptn ContentHearLeadAssetCaptn-hPWmSN kuCzGS"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">Tomie DePaola was highly attuned to ambivalence and to characters who experience small flar of light and longer stretch of disappotment.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Photograph by Jim Cole / AP</span></div></div></figure><div data-ttid="ContentHearLeadRailAnchor" class="ContentHearLeadRailAnchor-jYVcDc djtEof"></div></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU hQrwCF bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kAEsuD viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU cjjxgx bookmark mobile"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG Uozmo"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg">There are books that you read and love as a child that, when you pick them up years later, seem sudnly like near-strangers. For reasons of age or taste, what was once adored no longer ronat. Then, there are Tomie Paola’s books. DePaola, the prolific, celebrated wrer and illtrator—who died, last Monday, at age eighty-five, due to plitns om surgery after a head jury ed by a fall—created more than two hundred and seventy works for children. The books have an unual emotnal and artistic power, which I immediately sensed when I read them as a girl. Even unr the bt of circumstanc, navigatg one’s way through childhood n be btal, like clearg a path a jungle’s thicket. Though I surely wouldn’t have been able to articulate this at the time, to enunter, as a child, Paola’s visual and wrerly voice—clear-eyed, sympathetic, gently sly—felt like g across an ally wh whom to brave that jungle.</p><p class="paywall">The universe of Paola’s books is moral but not moralistic. There is disarray , and people are imperfect and n make mistak, but there is goodns, too, and a larger sense that, sce an omniscient narrator is often able to shepherd the books’ protagonists to safety, the same might perhaps prove te, by extensn, for the liv of the books’ rears. As the years went on, I disvered that this hope kept animatg my readg of Paola. Adulthood, after all, is a jungle, too. I uld say that I redisvered the books when I had my own dghter and began readg them to her a few years ago, but that wouldn’t be exactly te. Though there was a distct pleasure troducg my child to my own special favor, I had, fact, never really stopped readg Paola’s works. When I moved to the U.S. my early twenti om my native Israel, nearly two s ago, a few well-loved Paolas ma the journey wh me, like talismans.</p><p class="paywall">DePaola was born 1934, Merin, Connecticut, to a barber father and a homemaker mother. His fay was close-kn, and his paternal grandparents hailed om the regn of Italy where he set his bt-known seri of picture books. “In a town Calabria, a long time ago, there lived an old lady everyone lled Strega Nona, which meant ‘Grandma Wch’ ”—so begs the first of the dozen or so books the Strega Nona seri, which all feature a kdly and knowg old woman, fahfully servg her townspeople as half medice woman, half sorcers. If the books have the air of folk tal that take place an unspecified, vaguely Renaissance-ish historil era, where people dance the tarantella the town square, k their goats, and wear brch and tunics, Tudor ps and cloaks, the emotnal landspe that Paola picted is neverthels keenly intifiable to ntemporary rears. At the start of the first, and most famo, of the books, published 1975, Strega Nona, whose skills clu healg warts, nctg effective love potns, and curg headach “wh oil and water and a hairp,” fds that, sce she is gettg olr, she needs someone “to help her keep her ltle hoe and garn.” She posts a sign the town square, and the plot’s talyzg figure enters the picture: “And Big Anthony, who didn’t pay attentn, went to see her.”</p><p class="paywall">What a spare but perfect scriptn is given that seemgly offhand clse! Anthony isn’t evil, but his md wanrs. He is crafty, but bee he has an abily to thk thgs through, his crafts fails to h s mark. Strega Nona has a magic pasta pot, and Anthony overhears the spell she chants to set aburble wh noodl. Unfortunately, he miss the three kiss she blows to the pot to halt the pasta’s productn. When Strega Nona go away to vis her iend Strega Amelia, over the mounta, Anthony se his chance to prove the pot’s powers to the jeerg townspeople who have long doubted what they saw as his tall tal. This attempt, of urse, evably leads to disaster, as the pasta overflows, fillg Strega Nona’s home to s rafters, and shg down the town’s streets and to s square a glor avalanche. (“ ‘We are lost,’ said the people. And the prit and the sisters of the nvent began prayg.”)</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">This would make for a strsful read if weren’t for Paola’s gentle humor, and his geo waterlor illtratns, whose muted hu and pleasgly neat outl seem to reflect his sympathy toward the book’s characters. Anthony, bony and wild-haired and awkward too-large sho and a pumpk-lored tunic, might be no match for the pasta’s ky, overwhelmg undulatns. (When I was a child, the book always aroed my hunger, as, I’d like to ntend, all the bt books do.) The thickset, clever Strega Nona, however, arrivg back home om her sojourn jt time, not only stops the noodl om stroyg the town but also giv Anthony the punishment he serv. “ ‘<em>I</em> want to sleep my ltle bed tonight,” she says, handg him a fork, and mandg him to “start eatg!” (“And he did—poor big Anthony.”)</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">Poor Big Anthony, ed! He might be a fool, but Paola ma you feel for him. In what is perhaps my favore Strega Nona book, “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Big Anthony and the Magic Rg</a>,” om 1979, the lovable dolt once aga attempts to snatch some of his employer’s magil powers for himself, slippg on a goln rg that turns him to a thick-maned, cleft-chned hunk whom all the women at the village dance want to uple wh. When the ladi threaten to overwhelm him, however (“ ‘Help! Save me! Help!’ he cried”), Anthony realiz that is, perhaps, better to rema humble-lookg and untrammelled. But is ? The fal page of the book shows him beg pursued by Bambolona, the baker’s iendly but pla-faced dghter, who hands him a tatty bunch of flowers. For better or worse, the dream is over—but that, after all, is life.</p><le-embed name="feature-flt" attrs="[object Object]" childTyp="image" hasProducts="false" ntentType="llout:feature-flt"><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO KhjZz AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image rponsive-image--expandable"><noscript><img alt="Tomie Paola's books on a shelf" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w" siz="100vw"/></noscript></picture></span></div><div class="CaptnWrapper-jSZdqE iTuhkZ ptn AssetEmbedCaptn-fNQBPI fmQnYP asset-embed__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">The Strega Nona seri featur a kdly and knowg old woman, fahfully servg her townspeople as half medice woman, half sorcers.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Photograph by Jim Cole / AP</span></div></figure></le-embed><p class="paywall">DePaola was highly attuned to such ambivalence, and to characters who experience everyday existence as a thg ma of small flar of light and longer stretch of disappotment and sadns. Though he was married briefly to a woman the neteen-sixti, Paola was gay, and a special sensivy to the plight of the socially margalized unrgirds his work. In the tobgraphil “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Oliver Button Is a Sissy</a>,” also om 1979, he tells the story of a boy who “didn’t like to do thgs that boys are supposed to do,” and stead “liked to read books and draw pictur” and “sg and dance and make believe he was a movie star.” (Wh his dark, shaggy hair and sweet se, Oliver is a stand- for the young Paola, and a double for other avatars of the thor, books such as “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">The Art Lson</a>,” or the “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">26 Fairmount Avenue</a>” chapter-book seri.) His parents agree to send him to tap-dancg class (“ ‘Especially for the exercise,’ Papa said”). Though some of the girls protect him, the other boys tease him, and someone graffis the words “Oliver Button Is a Sissy” on the schoolyard wall. The adjog illtratn, which picts Oliver standg mutely, wh his hand verg his mouth, and is renred, like the rt of the book, a betifully melancholic palette of light blue, brown, and whe, is a real heartbreaker.</p><p class="paywall">But Oliver don’t give up, and prepar a route for the talent show, which he ends up losg. (“ ‘Never md,’ said Papa, ‘we are takg our great dancer out for a great pizza. I’m so proud of you.’ ”) On Monday morng he tdg listlsly to school, where he is shocked to see that the word “Sissy” was crossed out and the word “Star” wrten s place. This is a qutsential Paola endg. The good hasn’t e to pletely replace the bad—the word “Sissy” is still visible—but has e to ri next to . The warmth of fay and iends, or even of strangers, and the pleasurable reprieve that art provis, is ocsnally enough to rry through.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box ArticlePageSplAdRail-OyjwD jikppc"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="ArticlePageSplAdRailContent-jsltpq iZDmmY spl-ad-rail-ntent"><div class="ArticlePageSplAdRailTop-jUrrVY jzzFg"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="i9jsv3"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div 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class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Rabb Hol</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href="/culture/rabb-hol/the-athetic-splendor-of-the-simpsons" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">The Athetic Splendor of “The Simpsons”</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/culture/rabb-hol/the-athetic-splendor-of-the-simpsons" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Athetic Splendor of “The Simpsons”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Stand-alone imag om the show are as quietly stunng as any ma by our greatt Amerin artists of alienatn and lonels.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Naomi Fry</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff ewgXAt summary-em summary-em--article summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm kdEfwY" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL 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summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Culture Dk</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href="/culture/culture-sk/ronavis-quarante-diary-yoga-wh-adriene" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Coronavis-Quarante Diary: “Yoga Wh Adriene”</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/culture/culture-sk/ronavis-quarante-diary-yoga-wh-adriene" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Coronavis-Quarante Diary: “Yoga Wh Adriene”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">If you’ve fotten what feels like to be a body, Mishler’s rout allow for the creatn of a nsistent, staable meetg pot wh your flhly self.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Naomi Fry</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff ewgXAt summary-em summary-em--evio summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm kdEfwY" role="button" tabx="0"><div 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class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Vio</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Meet the Italians Makg Mic Together Durg Coronavis Quarante</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div 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summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Extravagant Treats of “Missn: Impossible&-Dead Reckong Part One”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA 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