Jaguars associate strength ach out as gay a first for US-based pro leagu

Contents:

• THE MCHELLS VS. THE MACH DO GAY REPRENTATN FAR BETTER THAN THE COMPETN
• THE YEAR THAT QUEER ANIMATED CHARACTERS MA HISTORYTHE MCHELLS VS. THE MACH’S KATIE MCHELL AND FLEE’S AM LEAD THE WAY A MEDIUM THAT HAS LONG GIVEN VOICE TO STRIVG OUTSIRS.BY CHRIS FEILMARCH 16, 2022EVERYONE THE MCHELLS VS. THE MACH IS AN ENARG ODDBALL, BUT ELST DGHTER KATIE FEELS SEPARATE OM EVEN HER MISF FAY.COURTY OF SONY PICTURES ANIMATION. SAVE THIS STORYSAVESAVE THIS STORYSAVEAT THE EMOTNAL CLIMAX OF DISNEY’S ENNTO, OUR HEROE, MIRABEL, NSIRS HER REFLECTN. SURROUND BY HER BEAMG FAY, THE OIME BLACK SHEEP OF THE MADRIGAL CREW IS NOW S LEAR, EMBRACG HER LACK OF A MAGIL GIFT AND HELPG REBUILD THE FAY’S SPRAWLG HOME. “WHAT DO YOU SEE?” ASKS MIRABEL’S STERN ABUELA ALMA, WHO HAS LEARNED TO EMBRACE HER GRANDDGHTER’S DIFFERENC. “ALL OF ME,” MIRABEL REPLI.“I THK MANY OF , BUT SPECIFILLY QUEER PEOPLE, N INTIFY WH THAT FEELG,” SAYS STEPHANIE BEATRIZ, WHO VOIC MIRABEL AND INTIFI AS BISEXUAL. “FOR MANY OF , OUR EXISTENCE HAS BEEN SORT OF SPRKLED WH THE VERY PAFUL, SOMETIM, MOMENTS [OF] HIDG PARTS OF OURSELV OM OUR FAI OR FEELG LIKE WE WERE OUTSIRS OUR OWN FAI.”IN ENNTO, ’S MIRABEL’S LACK OF A MAGIL GIFT THAT DIVIS HER OM HER FAY BUT ALSO EVENTUALLY ALLOWS HER TO SAVE .COURTY OF DISNEY.FOR S, LGBTQ+ DIENC HAVE INTIFIED WH ANIMATED CHARACTERS WHO ARE SEARCH OF THEIR INTY OR A PLACE TO BELONG. THE OUTSIR NARRATIV HAVE APPEALED TO A WI RANGE OF DIENC BUT HAVE HELD SPECIAL RONANCE FOR VIEWERS WHO ULDN’T OTHERWISE SEE THEMSELV ACTUALLY REPRENTED. IN RECENT YEARS THAT HAS SHIFTED, AND LAST YEAR PARTICULAR BROUGHT OPENLY, INTIFIABLY LGBTQ+ ANIMATED HERO, ADDN TO CHARACTERS LIKE MIRABEL WHO EXPRS A MORE UNIVERSAL YEARNG.A GUI TO HOLLYWOOD’S BIGGT RACARROWNETFLIX’S THE MCHELLS VS. THE MACH FEATUR AN ASPIRG FILMMAKER NAMED KATIE. SHE’S VOICED BY QUEER EDIAN ABBI JABSON—AND IS THE FIRST OPENLY QUEER PROTAGONIST AN ANIMATED FAY FILM. ALL OF THE MCHELLS ARE ENARG ODDBALLS, BUT EARLY THE FILM KATIE SCRIB HERSELF VOICEOVER AS “A LTLE DIFFERENT THAN EVERYONE ELSE” AS A TY ANIMATED RABOW POPS UP BEHD HER. AT FIRST SEEMS LIKE THIS MIGHT BE A WTY PARODY OF HEAVY-HAND, HIDG--PLA-SIGHT QUEER DG, BUT AT THE END OF THE MOVIE THE FILMMAKERS MOVE WELL BEYOND THAT. HAVG THWARTED A ROBOT APOLYPSE TOGETHER, KATIE AND HER FAY ARE PREPARG TO RNE FOR THANKSGIVG. IN A VIO LL HER MOM ASKS AFTER HER NEW LLEGE IEND JA, AND WHETHER SHE AND KATIE ARE “OFFICIAL.”“I THINK MANY OF US, BUT SPECIFICALLY QUEER PEOPLE, CAN IDENTIFY WITH THAT FEELING… HIDING PARTS OF OURSELVES FROM OUR FAMILIES.”IT’S A QUTN SANDWICHED A FLURRY OF OTHER FAY TOPICS, PRENTG QUEERNS AS SIMPLY PART OF THE FABRIC OF EVERYDAY LIFE. KATIE’S INTY IS KEY TO HER CHARACTER ARC—SHE IS SPERATE TO GET TO LLEGE PARTLY SO SHE N BE A MUNY WH PEOPLE LIKE HER—BUT NOT A POT OF NFLICT THE STORY. THE MCHELLS VS. THE MACH CCIALLY SHOWS A FAY THAT IS NOT ONLY SUPPORTIVE BUT SUAL ABOUT THEIR DGHTER’S SEXUALY—WHICH FEELS RIGHT FOR TODAY’S DIENCE.BUT EVEN AN ERA WH MORE POSSIBIL­I FOR REPRENTATN THAN EVER, THERE’S STILL POWER THE MORE TRADNAL OUTSIR NARRATIV, AS ENNTO AS WELL AS PIXAR’S LU. ENNTO IS A FANTASY TALE OF A COLOMBIAN FAY GIFTED WH MAGIL POWERS—EXCEPT FOR AWKWARD MIRABEL. LIKE KATIE MCHELL, MIRABEL IS A MISF—HER LACK OF A MAGIL GIFT, THE ONE THG THAT SETS HER APART OM HER FAY, IS ALL ANYONE SEEMS TO NOTICE.ENNTO ALSO GENTLY NUDG AT THE FALSENS OF GENR BARI, AS MIRABEL’S SUPERSTRONG OLR SISTER, LUISA, STGGL TO EXPRS EMOTN, WHILE THE BETIFUL ISABELA FEELS NFED TO THE HYPERFEME ROLE SHE’S EXPECTED TO PLAY THE FAY.THEN THERE’S BNO, THE OUTST UNCLE EVERYONE SAYS THEY DON’T TALK ABOUT BUT ACTUALLY TALK ABOUT AN AWFUL LOT. AT THE END OF THE FILM, MIRABEL HELPS BRG HIM BACK TO THE FOLD, AND THE TWO JO FORC TO BREAK THE NSTRICTIVE L OF HOW THE FAY’S GIFTS ARE “SUPPOSED” TO OPERATE. AS BEATRIZ PUTS , “BEE MIRABEL CID TO REALLY EPLY LISTEN TO HER FAY, [AND] EPLY CHALLENGED THE FAY STCTURE, THAT IS HOW THE FAY WAS HEALED.” ENNTO GRACEFULLY PRENTS SOMETHG REGNIZABLE TO GAY DIENC’ LIVED EXPERIENC: THE WEIGHT OF FAY EXPECTATNS.MOST POPULARSARA RAMIREZ ISSU STHG RPONSE TO ANTI–CHE DIAZ PROFILEBY SAVANNAH WALSHTHE GILD AGE WILL GET A LOT MORE OPERATIC SEASON 2BY RICHARD LAWSONINSI ALL OF US STRANGERS, ANDREW STT AND PL ML’S METAPHYSIL LOVE STORYBY DAVID CANFIELDIN LU, TWO YOUNG SEA MONSTERS WHO N SHAPE-SHIFT TO HUMAN BOYS BUILD A POWERFUL IENDSHIP BASED ON A SHARED SECRET.COURTY DISNEY/PIXAR.LU FDS SIAR METAPHORIL POWER S STORY OF IENDSHIP BETWEEN TWO YOUNG SEA MONSTERS WHO N SHAPE-SHIFT TO HUMAN BOYS, LU AND ALBERTO. THEIR HIDN NATURE BONDS THEM IMMEDIATELY AS THEY REPEATEDLY GO ASHORE TO VIS A LOL ITALIAN VILLAGE HOSTILE TO SEA MONSTERS, WHILE LU NTU TO KEEP THE VISS SECRET OM MOST OF HIS FAY. AT ONE POT, LU BETRAYS ALBERTO TO SAVE HIMSELF, A HEARTBREAKGLY FAIAR SCENE FOR VIEWERS WHO HAVE HAD GAY IENDSHIPS LLAPSE FOR THE SAKE OF SURVIVAL AN UNKD ENVIRONMENT. BUT THE FILM IS ULTIMATELY ABOUT EMBRACG THENTICY SPE SOCIAL PRSUR. IN THE FAL SHOT, LU STEPS TO THE RA AND LOOKS AHEAD TO THE FUTURE, MAKG THE CISN TO LIVE THENTILLY AS HIS TE SEA MONSTER SELF.LU WORKS AS AN IMMIGRANT NARRATIVE TOO—AND AS AN ALLEGORY FOR ANYONE WHO HAS EXPERIENCED SELF-DISVERY THE FACE OF A MUNY THAT NMNS THEM. THE THEME IS PART OF WHAT MAK ONE OF PIXAR’S RICHT FILMS YEARS. AS LU’S GRANDMOTHER POTEDLY PUTS THE FILM’S CLOSG MOMENTS, “SOME PEOPLE, THEY’LL NEVER ACCEPT HIM. BUT SOME WILL. AND HE SEEMS TO KNOW HOW TO FD THE GOOD ON.”EVEN IN AN ERA WITH MORE POSSIBILITIES FOR REPRESENTATION THAN EVER, THERE’S STILL POWER IN THE MORE TRADITIONAL OUTSIDER NARRATIVES.FLEE, AN ANIMATED DOCUMENTARY OF ONE GAY MAN’S STORY OF PG AFGHANISTAN WH HIS FAY, BRGS A WELE SPOTLIGHT TO BOTH THE LGBTQ+ AND IMMIGRANT MUNI. THE FILM’S NARRATOR, AM, WHO IS ANIMATED PART TO PRERVE HIS ANONYMY, SPEAKS AS NDIDLY ABOUT HIS JOURNEY OF SELF-DISVERY AS HE DO ABOUT THE HORRORS HE SAYS HE EXPERIENCED AT THE HANDS OF SMUGGLERS AND RPT POLICE. AS HE SCRIB THE PROCS OF LEAVG AFGHANISTAN FOR AN EQUALLY HOSTILE RSIA BEFORE FDG SAFE HAVEN DENMARK, AM’S STORY IS PUNCTUATED BY MOMENTS OF GAY LONGG. AND THOUGH HE’S NOW A HAPPY RELATNSHIP—HUNTG FOR A NEW HOME WH HIS BOYIEND—THE STRA OF HIS PAST IS ALWAYS VISIBLE.BUT EVEN AM’S JOURNEY THROUGH A CEL SYSTEM IS NOT ALL DARKNS AND TRMA. IN THE FILM’S MOST SURPRISG AND UPLIFTG SEQUENCE, HE JECTEDLY OUT TO HIS SIBLGS, ONLY TO BE LOVGLY AFFIRMED BY HIS OLR BROTHER, WHO TAK HIM TO HIS FIRST GAY CLUB. IT’S HERE THAT AM SE THE FIRST GLIMMER OF A BRIGHTER FUTURE AND UNRSTANDS THAT THERE’S A WORLD WHERE HE WILL NOT ONLY BE SAFE, BUT SAFELY HIMSELF. FLEE IS A NEW KD OF QUEER STORY, TOLD A NEW WAY. AT A TIME WHEN LGBTQ+ STORI ARE FLOURISHG ANIMATED CEMA, MAY BE THE CROWNG ACHIEVEMENT.MORE GREAT STORI FROM VANY FAIR— JANE CAMPN: A CANDID INTERVIEW WH A MASTER— THE VANY FAIR OSR PARTY RETURNS: FILL OUT YOUR BALLOT AND WATCH THE LIVTREAM ON MARCH 27— THE AMY IS STANDG FIRM ON ITS CONTROVERSIAL CATEGORY CHANGE— SAM ELLTT HAS ONLY HELPED THE POWER OF THE DOG’S OSR CHANC— CAN CODA W BT PICTURE? IT’S COMPLITED— INDTRY TANS JO FORC TO SLAM OSR CATEGORY CHANG— SIGN UP FOR THE “AWARDS INSIR” NEWSLETTER FOR MT-READ DTRY AND AWARDS VERAGE.CHRIS FEIL
• THE 77 WNBA PLAYERS THAT HAVE COME OUT AS GAY LBIAN, TRANS OR NON-BARY
• THE YEAR THAT QUEER ANIMATED CHARACTERS MA HISTORYTHE MCHELLS VS. THE MACH’S KATIE MCHELL AND FLEE’S AM LEAD THE WAY A MEDIUM THAT HAS LONG GIVEN VOICE TO STRIVG OUTSIRS.BY CHRIS FEILMARCH 16, 2022EVERYONE THE MCHELLS VS. THE MACH IS AN ENARG ODDBALL, BUT ELST DGHTER KATIE FEELS SEPARATE OM EVEN HER MISF FAY.COURTY OF SONY PICTURES ANIMATION. SAVE THIS STORYSAVESAVE THIS STORYSAVEAT THE EMOTNAL CLIMAX OF DISNEY’S ENNTO, OUR HEROE, MIRABEL, NSIRS HER REFLECTN. SURROUND BY HER BEAMG FAY, THE OIME BLACK SHEEP OF THE MADRIGAL CREW IS NOW S LEAR, EMBRACG HER LACK OF A MAGIL GIFT AND HELPG REBUILD THE FAY’S SPRAWLG HOME. “WHAT DO YOU SEE?” ASKS MIRABEL’S STERN ABUELA ALMA, WHO HAS LEARNED TO EMBRACE HER GRANDDGHTER’S DIFFERENC. “ALL OF ME,” MIRABEL REPLI.“I THK MANY OF , BUT SPECIFILLY QUEER PEOPLE, N INTIFY WH THAT FEELG,” SAYS STEPHANIE BEATRIZ, WHO VOIC MIRABEL AND INTIFI AS BISEXUAL. “FOR MANY OF , OUR EXISTENCE HAS BEEN SORT OF SPRKLED WH THE VERY PAFUL, SOMETIM, MOMENTS [OF] HIDG PARTS OF OURSELV OM OUR FAI OR FEELG LIKE WE WERE OUTSIRS OUR OWN FAI.”IN ENNTO, ’S MIRABEL’S LACK OF A MAGIL GIFT THAT DIVIS HER OM HER FAY BUT ALSO EVENTUALLY ALLOWS HER TO SAVE .COURTY OF DISNEY.FOR S, LGBTQ+ DIENC HAVE INTIFIED WH ANIMATED CHARACTERS WHO ARE SEARCH OF THEIR INTY OR A PLACE TO BELONG. THE OUTSIR NARRATIV HAVE APPEALED TO A WI RANGE OF DIENC BUT HAVE HELD SPECIAL RONANCE FOR VIEWERS WHO ULDN’T OTHERWISE SEE THEMSELV ACTUALLY REPRENTED. IN RECENT YEARS THAT HAS SHIFTED, AND LAST YEAR PARTICULAR BROUGHT OPENLY, INTIFIABLY LGBTQ+ ANIMATED HERO, ADDN TO CHARACTERS LIKE MIRABEL WHO EXPRS A MORE UNIVERSAL YEARNG.A GUI TO HOLLYWOOD’S BIGGT RACARROWNETFLIX’S THE MCHELLS VS. THE MACH FEATUR AN ASPIRG FILMMAKER NAMED KATIE. SHE’S VOICED BY QUEER EDIAN ABBI JABSON—AND IS THE FIRST OPENLY QUEER PROTAGONIST AN ANIMATED FAY FILM. ALL OF THE MCHELLS ARE ENARG ODDBALLS, BUT EARLY THE FILM KATIE SCRIB HERSELF VOICEOVER AS “A LTLE DIFFERENT THAN EVERYONE ELSE” AS A TY ANIMATED RABOW POPS UP BEHD HER. AT FIRST SEEMS LIKE THIS MIGHT BE A WTY PARODY OF HEAVY-HAND, HIDG--PLA-SIGHT QUEER DG, BUT AT THE END OF THE MOVIE THE FILMMAKERS MOVE WELL BEYOND THAT. HAVG THWARTED A ROBOT APOLYPSE TOGETHER, KATIE AND HER FAY ARE PREPARG TO RNE FOR THANKSGIVG. IN A VIO LL HER MOM ASKS AFTER HER NEW LLEGE IEND JA, AND WHETHER SHE AND KATIE ARE “OFFICIAL.”“I THINK MANY OF US, BUT SPECIFICALLY QUEER PEOPLE, CAN IDENTIFY WITH THAT FEELING… HIDING PARTS OF OURSELVES FROM OUR FAMILIES.”IT’S A QUTN SANDWICHED A FLURRY OF OTHER FAY TOPICS, PRENTG QUEERNS AS SIMPLY PART OF THE FABRIC OF EVERYDAY LIFE. KATIE’S INTY IS KEY TO HER CHARACTER ARC—SHE IS SPERATE TO GET TO LLEGE PARTLY SO SHE N BE A MUNY WH PEOPLE LIKE HER—BUT NOT A POT OF NFLICT THE STORY. THE MCHELLS VS. THE MACH CCIALLY SHOWS A FAY THAT IS NOT ONLY SUPPORTIVE BUT SUAL ABOUT THEIR DGHTER’S SEXUALY—WHICH FEELS RIGHT FOR TODAY’S DIENCE.BUT EVEN AN ERA WH MORE POSSIBIL­I FOR REPRENTATN THAN EVER, THERE’S STILL POWER THE MORE TRADNAL OUTSIR NARRATIV, AS ENNTO AS WELL AS PIXAR’S LU. ENNTO IS A FANTASY TALE OF A COLOMBIAN FAY GIFTED WH MAGIL POWERS—EXCEPT FOR AWKWARD MIRABEL. LIKE KATIE MCHELL, MIRABEL IS A MISF—HER LACK OF A MAGIL GIFT, THE ONE THG THAT SETS HER APART OM HER FAY, IS ALL ANYONE SEEMS TO NOTICE.ENNTO ALSO GENTLY NUDG AT THE FALSENS OF GENR BARI, AS MIRABEL’S SUPERSTRONG OLR SISTER, LUISA, STGGL TO EXPRS EMOTN, WHILE THE BETIFUL ISABELA FEELS NFED TO THE HYPERFEME ROLE SHE’S EXPECTED TO PLAY THE FAY.THEN THERE’S BNO, THE OUTST UNCLE EVERYONE SAYS THEY DON’T TALK ABOUT BUT ACTUALLY TALK ABOUT AN AWFUL LOT. AT THE END OF THE FILM, MIRABEL HELPS BRG HIM BACK TO THE FOLD, AND THE TWO JO FORC TO BREAK THE NSTRICTIVE L OF HOW THE FAY’S GIFTS ARE “SUPPOSED” TO OPERATE. AS BEATRIZ PUTS , “BEE MIRABEL CID TO REALLY EPLY LISTEN TO HER FAY, [AND] EPLY CHALLENGED THE FAY STCTURE, THAT IS HOW THE FAY WAS HEALED.” ENNTO GRACEFULLY PRENTS SOMETHG REGNIZABLE TO GAY DIENC’ LIVED EXPERIENC: THE WEIGHT OF FAY EXPECTATNS.MOST POPULARWH MATRO, LEONARD BERNSTE’S LEGACY AND LOV FALLY H THE BIG SCREENBY REBEC FORDTHE BOOK OF CLARENCE IS A BOMBASTIC JOURNEY BACK TO THE BIBLIL ERABY REBEC FORD25 PERFECT TV EPISOS FROM THE LAST 25 YEARSBY HILLARY BISIN LU, TWO YOUNG SEA MONSTERS WHO N SHAPE-SHIFT TO HUMAN BOYS BUILD A POWERFUL IENDSHIP BASED ON A SHARED SECRET.COURTY DISNEY/PIXAR.LU FDS SIAR METAPHORIL POWER S STORY OF IENDSHIP BETWEEN TWO YOUNG SEA MONSTERS WHO N SHAPE-SHIFT TO HUMAN BOYS, LU AND ALBERTO. THEIR HIDN NATURE BONDS THEM IMMEDIATELY AS THEY REPEATEDLY GO ASHORE TO VIS A LOL ITALIAN VILLAGE HOSTILE TO SEA MONSTERS, WHILE LU NTU TO KEEP THE VISS SECRET OM MOST OF HIS FAY. AT ONE POT, LU BETRAYS ALBERTO TO SAVE HIMSELF, A HEARTBREAKGLY FAIAR SCENE FOR VIEWERS WHO HAVE HAD GAY IENDSHIPS LLAPSE FOR THE SAKE OF SURVIVAL AN UNKD ENVIRONMENT. BUT THE FILM IS ULTIMATELY ABOUT EMBRACG THENTICY SPE SOCIAL PRSUR. IN THE FAL SHOT, LU STEPS TO THE RA AND LOOKS AHEAD TO THE FUTURE, MAKG THE CISN TO LIVE THENTILLY AS HIS TE SEA MONSTER SELF.LU WORKS AS AN IMMIGRANT NARRATIVE TOO—AND AS AN ALLEGORY FOR ANYONE WHO HAS EXPERIENCED SELF-DISVERY THE FACE OF A MUNY THAT NMNS THEM. THE THEME IS PART OF WHAT MAK ONE OF PIXAR’S RICHT FILMS YEARS. AS LU’S GRANDMOTHER POTEDLY PUTS THE FILM’S CLOSG MOMENTS, “SOME PEOPLE, THEY’LL NEVER ACCEPT HIM. BUT SOME WILL. AND HE SEEMS TO KNOW HOW TO FD THE GOOD ON.”EVEN IN AN ERA WITH MORE POSSIBILITIES FOR REPRESENTATION THAN EVER, THERE’S STILL POWER IN THE MORE TRADITIONAL OUTSIDER NARRATIVES.FLEE, AN ANIMATED DOCUMENTARY OF ONE GAY MAN’S STORY OF PG AFGHANISTAN WH HIS FAY, BRGS A WELE SPOTLIGHT TO BOTH THE LGBTQ+ AND IMMIGRANT MUNI. THE FILM’S NARRATOR, AM, WHO IS ANIMATED PART TO PRERVE HIS ANONYMY, SPEAKS AS NDIDLY ABOUT HIS JOURNEY OF SELF-DISVERY AS HE DO ABOUT THE HORRORS HE SAYS HE EXPERIENCED AT THE HANDS OF SMUGGLERS AND RPT POLICE. AS HE SCRIB THE PROCS OF LEAVG AFGHANISTAN FOR AN EQUALLY HOSTILE RSIA BEFORE FDG SAFE HAVEN DENMARK, AM’S STORY IS PUNCTUATED BY MOMENTS OF GAY LONGG. AND THOUGH HE’S NOW A HAPPY RELATNSHIP—HUNTG FOR A NEW HOME WH HIS BOYIEND—THE STRA OF HIS PAST IS ALWAYS VISIBLE.BUT EVEN AM’S JOURNEY THROUGH A CEL SYSTEM IS NOT ALL DARKNS AND TRMA. IN THE FILM’S MOST SURPRISG AND UPLIFTG SEQUENCE, HE JECTEDLY OUT TO HIS SIBLGS, ONLY TO BE LOVGLY AFFIRMED BY HIS OLR BROTHER, WHO TAK HIM TO HIS FIRST GAY CLUB. IT’S HERE THAT AM SE THE FIRST GLIMMER OF A BRIGHTER FUTURE AND UNRSTANDS THAT THERE’S A WORLD WHERE HE WILL NOT ONLY BE SAFE, BUT SAFELY HIMSELF. FLEE IS A NEW KD OF QUEER STORY, TOLD A NEW WAY. AT A TIME WHEN LGBTQ+ STORI ARE FLOURISHG ANIMATED CEMA, MAY BE THE CROWNG ACHIEVEMENT.MORE GREAT STORI FROM VANY FAIR— JANE CAMPN: A CANDID INTERVIEW WH A MASTER— THE VANY FAIR OSR PARTY RETURNS: FILL OUT YOUR BALLOT AND WATCH THE LIVTREAM ON MARCH 27— THE AMY IS STANDG FIRM ON ITS CONTROVERSIAL CATEGORY CHANGE— SAM ELLTT HAS ONLY HELPED THE POWER OF THE DOG’S OSR CHANC— CAN CODA W BT PICTURE? IT’S COMPLITED— INDTRY TANS JO FORC TO SLAM OSR CATEGORY CHANG— SIGN UP FOR THE “AWARDS INSIR” NEWSLETTER FOR MT-READ DTRY AND AWARDS VERAGE.CHRIS FEIL
• JAGUARS ASSOCIATE STRENGTH ACH OUT AS GAY A FIRST FOR US-BASED PRO LEAGU
• THE MCHELLS VS. THE MACH DO GAY REPRENTATN FAR BETTER THAN THE COMPETN

THE MCHELLS VS. THE MACH DO GAY REPRENTATN FAR BETTER THAN THE COMPETN

Straight Gay. Mch Paranorman was the first openly gay character an all-ag Amerin animated movie, and until now, he was still the most proment. 'Unrneath this hilar movie, s ma character, Katie Mchell (voiced by Abbi Jabson), seemed to be gay.

"I noticed all the people I was basg Katie on were queer to the pot that people on the movie started askg, 'Is Katie gay? In the world of stud animatn, havg a gay character is rare — let alone makg the lead character gay. "Sony really pulled through and didn't chicken out, bee the tth is, you n't do this at every stud, " Rianda after speakg to Rianda and Nichols for this story, Variety reported that the LGBTQ+ staff at Pixar alleged that Disney mand cuts their movi of "nearly every moment of overtly gay affectn...

"This followed the pany-wi memo om Disney CEO Bob Chapek regardg recent Florida legislatn known as the "Don't Say Gay" bill, which would ban discsn of sexual orientatn and genr inty schools. Katie is openly gay while Jabson is bisexual.

THE YEAR THAT QUEER ANIMATED CHARACTERS MA HISTORYTHE MCHELLS VS. THE MACH’S KATIE MCHELL AND FLEE’S AM LEAD THE WAY A MEDIUM THAT HAS LONG GIVEN VOICE TO STRIVG OUTSIRS.BY CHRIS FEILMARCH 16, 2022EVERYONE THE MCHELLS VS. THE MACH IS AN ENARG ODDBALL, BUT ELST DGHTER KATIE FEELS SEPARATE OM EVEN HER MISF FAY.COURTY OF SONY PICTURES ANIMATION. SAVE THIS STORYSAVESAVE THIS STORYSAVEAT THE EMOTNAL CLIMAX OF DISNEY’S ENNTO, OUR HEROE, MIRABEL, NSIRS HER REFLECTN. SURROUND BY HER BEAMG FAY, THE OIME BLACK SHEEP OF THE MADRIGAL CREW IS NOW S LEAR, EMBRACG HER LACK OF A MAGIL GIFT AND HELPG REBUILD THE FAY’S SPRAWLG HOME. “WHAT DO YOU SEE?” ASKS MIRABEL’S STERN ABUELA ALMA, WHO HAS LEARNED TO EMBRACE HER GRANDDGHTER’S DIFFERENC. “ALL OF ME,” MIRABEL REPLI.“I THK MANY OF , BUT SPECIFILLY QUEER PEOPLE, N INTIFY WH THAT FEELG,” SAYS STEPHANIE BEATRIZ, WHO VOIC MIRABEL AND INTIFI AS BISEXUAL. “FOR MANY OF , OUR EXISTENCE HAS BEEN SORT OF SPRKLED WH THE VERY PAFUL, SOMETIM, MOMENTS [OF] HIDG PARTS OF OURSELV OM OUR FAI OR FEELG LIKE WE WERE OUTSIRS OUR OWN FAI.”IN ENNTO, ’S MIRABEL’S LACK OF A MAGIL GIFT THAT DIVIS HER OM HER FAY BUT ALSO EVENTUALLY ALLOWS HER TO SAVE .COURTY OF DISNEY.FOR S, LGBTQ+ DIENC HAVE INTIFIED WH ANIMATED CHARACTERS WHO ARE SEARCH OF THEIR INTY OR A PLACE TO BELONG. THE OUTSIR NARRATIV HAVE APPEALED TO A WI RANGE OF DIENC BUT HAVE HELD SPECIAL RONANCE FOR VIEWERS WHO ULDN’T OTHERWISE SEE THEMSELV ACTUALLY REPRENTED. IN RECENT YEARS THAT HAS SHIFTED, AND LAST YEAR PARTICULAR BROUGHT OPENLY, INTIFIABLY LGBTQ+ ANIMATED HERO, ADDN TO CHARACTERS LIKE MIRABEL WHO EXPRS A MORE UNIVERSAL YEARNG.A GUI TO HOLLYWOOD’S BIGGT RACARROWNETFLIX’S THE MCHELLS VS. THE MACH FEATUR AN ASPIRG FILMMAKER NAMED KATIE. SHE’S VOICED BY QUEER EDIAN ABBI JABSON—AND IS THE FIRST OPENLY QUEER PROTAGONIST AN ANIMATED FAY FILM. ALL OF THE MCHELLS ARE ENARG ODDBALLS, BUT EARLY THE FILM KATIE SCRIB HERSELF VOICEOVER AS “A LTLE DIFFERENT THAN EVERYONE ELSE” AS A TY ANIMATED RABOW POPS UP BEHD HER. AT FIRST SEEMS LIKE THIS MIGHT BE A WTY PARODY OF HEAVY-HAND, HIDG--PLA-SIGHT QUEER DG, BUT AT THE END OF THE MOVIE THE FILMMAKERS MOVE WELL BEYOND THAT. HAVG THWARTED A ROBOT APOLYPSE TOGETHER, KATIE AND HER FAY ARE PREPARG TO RNE FOR THANKSGIVG. IN A VIO LL HER MOM ASKS AFTER HER NEW LLEGE IEND JA, AND WHETHER SHE AND KATIE ARE “OFFICIAL.”“I THINK MANY OF US, BUT SPECIFICALLY QUEER PEOPLE, CAN IDENTIFY WITH THAT FEELING… HIDING PARTS OF OURSELVES FROM OUR FAMILIES.”IT’S A QUTN SANDWICHED A FLURRY OF OTHER FAY TOPICS, PRENTG QUEERNS AS SIMPLY PART OF THE FABRIC OF EVERYDAY LIFE. KATIE’S INTY IS KEY TO HER CHARACTER ARC—SHE IS SPERATE TO GET TO LLEGE PARTLY SO SHE N BE A MUNY WH PEOPLE LIKE HER—BUT NOT A POT OF NFLICT THE STORY. THE MCHELLS VS. THE MACH CCIALLY SHOWS A FAY THAT IS NOT ONLY SUPPORTIVE BUT SUAL ABOUT THEIR DGHTER’S SEXUALY—WHICH FEELS RIGHT FOR TODAY’S DIENCE.BUT EVEN AN ERA WH MORE POSSIBIL­I FOR REPRENTATN THAN EVER, THERE’S STILL POWER THE MORE TRADNAL OUTSIR NARRATIV, AS ENNTO AS WELL AS PIXAR’S LU. ENNTO IS A FANTASY TALE OF A COLOMBIAN FAY GIFTED WH MAGIL POWERS—EXCEPT FOR AWKWARD MIRABEL. LIKE KATIE MCHELL, MIRABEL IS A MISF—HER LACK OF A MAGIL GIFT, THE ONE THG THAT SETS HER APART OM HER FAY, IS ALL ANYONE SEEMS TO NOTICE.ENNTO ALSO GENTLY NUDG AT THE FALSENS OF GENR BARI, AS MIRABEL’S SUPERSTRONG OLR SISTER, LUISA, STGGL TO EXPRS EMOTN, WHILE THE BETIFUL ISABELA FEELS NFED TO THE HYPERFEME ROLE SHE’S EXPECTED TO PLAY THE FAY.THEN THERE’S BNO, THE OUTST UNCLE EVERYONE SAYS THEY DON’T TALK ABOUT BUT ACTUALLY TALK ABOUT AN AWFUL LOT. AT THE END OF THE FILM, MIRABEL HELPS BRG HIM BACK TO THE FOLD, AND THE TWO JO FORC TO BREAK THE NSTRICTIVE L OF HOW THE FAY’S GIFTS ARE “SUPPOSED” TO OPERATE. AS BEATRIZ PUTS , “BEE MIRABEL CID TO REALLY EPLY LISTEN TO HER FAY, [AND] EPLY CHALLENGED THE FAY STCTURE, THAT IS HOW THE FAY WAS HEALED.” ENNTO GRACEFULLY PRENTS SOMETHG REGNIZABLE TO GAY DIENC’ LIVED EXPERIENC: THE WEIGHT OF FAY EXPECTATNS.MOST POPULARSARA RAMIREZ ISSU STHG RPONSE TO ANTI–CHE DIAZ PROFILEBY SAVANNAH WALSHTHE GILD AGE WILL GET A LOT MORE OPERATIC SEASON 2BY RICHARD LAWSONINSI ALL OF US STRANGERS, ANDREW STT AND PL ML’S METAPHYSIL LOVE STORYBY DAVID CANFIELDIN LU, TWO YOUNG SEA MONSTERS WHO N SHAPE-SHIFT TO HUMAN BOYS BUILD A POWERFUL IENDSHIP BASED ON A SHARED SECRET.COURTY DISNEY/PIXAR.LU FDS SIAR METAPHORIL POWER S STORY OF IENDSHIP BETWEEN TWO YOUNG SEA MONSTERS WHO N SHAPE-SHIFT TO HUMAN BOYS, LU AND ALBERTO. THEIR HIDN NATURE BONDS THEM IMMEDIATELY AS THEY REPEATEDLY GO ASHORE TO VIS A LOL ITALIAN VILLAGE HOSTILE TO SEA MONSTERS, WHILE LU NTU TO KEEP THE VISS SECRET OM MOST OF HIS FAY. AT ONE POT, LU BETRAYS ALBERTO TO SAVE HIMSELF, A HEARTBREAKGLY FAIAR SCENE FOR VIEWERS WHO HAVE HAD GAY IENDSHIPS LLAPSE FOR THE SAKE OF SURVIVAL AN UNKD ENVIRONMENT. BUT THE FILM IS ULTIMATELY ABOUT EMBRACG THENTICY SPE SOCIAL PRSUR. IN THE FAL SHOT, LU STEPS TO THE RA AND LOOKS AHEAD TO THE FUTURE, MAKG THE CISN TO LIVE THENTILLY AS HIS TE SEA MONSTER SELF.LU WORKS AS AN IMMIGRANT NARRATIVE TOO—AND AS AN ALLEGORY FOR ANYONE WHO HAS EXPERIENCED SELF-DISVERY THE FACE OF A MUNY THAT NMNS THEM. THE THEME IS PART OF WHAT MAK ONE OF PIXAR’S RICHT FILMS YEARS. AS LU’S GRANDMOTHER POTEDLY PUTS THE FILM’S CLOSG MOMENTS, “SOME PEOPLE, THEY’LL NEVER ACCEPT HIM. BUT SOME WILL. AND HE SEEMS TO KNOW HOW TO FD THE GOOD ON.”EVEN IN AN ERA WITH MORE POSSIBILITIES FOR REPRESENTATION THAN EVER, THERE’S STILL POWER IN THE MORE TRADITIONAL OUTSIDER NARRATIVES.FLEE, AN ANIMATED DOCUMENTARY OF ONE GAY MAN’S STORY OF PG AFGHANISTAN WH HIS FAY, BRGS A WELE SPOTLIGHT TO BOTH THE LGBTQ+ AND IMMIGRANT MUNI. THE FILM’S NARRATOR, AM, WHO IS ANIMATED PART TO PRERVE HIS ANONYMY, SPEAKS AS NDIDLY ABOUT HIS JOURNEY OF SELF-DISVERY AS HE DO ABOUT THE HORRORS HE SAYS HE EXPERIENCED AT THE HANDS OF SMUGGLERS AND RPT POLICE. AS HE SCRIB THE PROCS OF LEAVG AFGHANISTAN FOR AN EQUALLY HOSTILE RSIA BEFORE FDG SAFE HAVEN DENMARK, AM’S STORY IS PUNCTUATED BY MOMENTS OF GAY LONGG. AND THOUGH HE’S NOW A HAPPY RELATNSHIP—HUNTG FOR A NEW HOME WH HIS BOYIEND—THE STRA OF HIS PAST IS ALWAYS VISIBLE.BUT EVEN AM’S JOURNEY THROUGH A CEL SYSTEM IS NOT ALL DARKNS AND TRMA. IN THE FILM’S MOST SURPRISG AND UPLIFTG SEQUENCE, HE JECTEDLY OUT TO HIS SIBLGS, ONLY TO BE LOVGLY AFFIRMED BY HIS OLR BROTHER, WHO TAK HIM TO HIS FIRST GAY CLUB. IT’S HERE THAT AM SE THE FIRST GLIMMER OF A BRIGHTER FUTURE AND UNRSTANDS THAT THERE’S A WORLD WHERE HE WILL NOT ONLY BE SAFE, BUT SAFELY HIMSELF. FLEE IS A NEW KD OF QUEER STORY, TOLD A NEW WAY. AT A TIME WHEN LGBTQ+ STORI ARE FLOURISHG ANIMATED CEMA, MAY BE THE CROWNG ACHIEVEMENT.MORE GREAT STORI FROM VANY FAIR— JANE CAMPN: A CANDID INTERVIEW WH A MASTER— THE VANY FAIR OSR PARTY RETURNS: FILL OUT YOUR BALLOT AND WATCH THE LIVTREAM ON MARCH 27— THE AMY IS STANDG FIRM ON ITS CONTROVERSIAL CATEGORY CHANGE— SAM ELLTT HAS ONLY HELPED THE POWER OF THE DOG’S OSR CHANC— CAN CODA W BT PICTURE? IT’S COMPLITED— INDTRY TANS JO FORC TO SLAM OSR CATEGORY CHANG— SIGN UP FOR THE “AWARDS INSIR” NEWSLETTER FOR MT-READ DTRY AND AWARDS VERAGE.CHRIS FEIL

Most notably, she wears a gay pri p on her jacket.

The Mach Do Gay Reprentatn Far Better Than the Competn.

While Disney and Pixar ually hate to portray gay relatnships their animated featur, The Mchells vs. It is not only that the film prov more ventive and h s animated style, phg the boundari of the medium's athetics, but also go out of s way to normalize s hero's gay relatnship. There is always a flurry of prs surroundg most any cln of non-heteronormative relatnships productns the studs put out, only for the rult to almost always clu a si character or passg background tail that feels lacklter pared to the normalizatn a gay ma character tablish.

THE 77 WNBA PLAYERS THAT HAVE COME OUT AS GAY LBIAN, TRANS OR NON-BARY

Though there have been an creasg number of gay relatnships fdg their way to animated featur over the years, the studs' hancy stands out stark ntrast a year where one of The Mchells vs. Many parisons have been drawn between Lu and the g-of-age gay romance Call Me By Your Name, but the former holds back om nfirmg a romantic relatnship between the boys at the film's center.

THE YEAR THAT QUEER ANIMATED CHARACTERS MA HISTORYTHE MCHELLS VS. THE MACH’S KATIE MCHELL AND FLEE’S AM LEAD THE WAY A MEDIUM THAT HAS LONG GIVEN VOICE TO STRIVG OUTSIRS.BY CHRIS FEILMARCH 16, 2022EVERYONE THE MCHELLS VS. THE MACH IS AN ENARG ODDBALL, BUT ELST DGHTER KATIE FEELS SEPARATE OM EVEN HER MISF FAY.COURTY OF SONY PICTURES ANIMATION. SAVE THIS STORYSAVESAVE THIS STORYSAVEAT THE EMOTNAL CLIMAX OF DISNEY’S ENNTO, OUR HEROE, MIRABEL, NSIRS HER REFLECTN. SURROUND BY HER BEAMG FAY, THE OIME BLACK SHEEP OF THE MADRIGAL CREW IS NOW S LEAR, EMBRACG HER LACK OF A MAGIL GIFT AND HELPG REBUILD THE FAY’S SPRAWLG HOME. “WHAT DO YOU SEE?” ASKS MIRABEL’S STERN ABUELA ALMA, WHO HAS LEARNED TO EMBRACE HER GRANDDGHTER’S DIFFERENC. “ALL OF ME,” MIRABEL REPLI.“I THK MANY OF , BUT SPECIFILLY QUEER PEOPLE, N INTIFY WH THAT FEELG,” SAYS STEPHANIE BEATRIZ, WHO VOIC MIRABEL AND INTIFI AS BISEXUAL. “FOR MANY OF , OUR EXISTENCE HAS BEEN SORT OF SPRKLED WH THE VERY PAFUL, SOMETIM, MOMENTS [OF] HIDG PARTS OF OURSELV OM OUR FAI OR FEELG LIKE WE WERE OUTSIRS OUR OWN FAI.”IN ENNTO, ’S MIRABEL’S LACK OF A MAGIL GIFT THAT DIVIS HER OM HER FAY BUT ALSO EVENTUALLY ALLOWS HER TO SAVE .COURTY OF DISNEY.FOR S, LGBTQ+ DIENC HAVE INTIFIED WH ANIMATED CHARACTERS WHO ARE SEARCH OF THEIR INTY OR A PLACE TO BELONG. THE OUTSIR NARRATIV HAVE APPEALED TO A WI RANGE OF DIENC BUT HAVE HELD SPECIAL RONANCE FOR VIEWERS WHO ULDN’T OTHERWISE SEE THEMSELV ACTUALLY REPRENTED. IN RECENT YEARS THAT HAS SHIFTED, AND LAST YEAR PARTICULAR BROUGHT OPENLY, INTIFIABLY LGBTQ+ ANIMATED HERO, ADDN TO CHARACTERS LIKE MIRABEL WHO EXPRS A MORE UNIVERSAL YEARNG.A GUI TO HOLLYWOOD’S BIGGT RACARROWNETFLIX’S THE MCHELLS VS. THE MACH FEATUR AN ASPIRG FILMMAKER NAMED KATIE. SHE’S VOICED BY QUEER EDIAN ABBI JABSON—AND IS THE FIRST OPENLY QUEER PROTAGONIST AN ANIMATED FAY FILM. ALL OF THE MCHELLS ARE ENARG ODDBALLS, BUT EARLY THE FILM KATIE SCRIB HERSELF VOICEOVER AS “A LTLE DIFFERENT THAN EVERYONE ELSE” AS A TY ANIMATED RABOW POPS UP BEHD HER. AT FIRST SEEMS LIKE THIS MIGHT BE A WTY PARODY OF HEAVY-HAND, HIDG--PLA-SIGHT QUEER DG, BUT AT THE END OF THE MOVIE THE FILMMAKERS MOVE WELL BEYOND THAT. HAVG THWARTED A ROBOT APOLYPSE TOGETHER, KATIE AND HER FAY ARE PREPARG TO RNE FOR THANKSGIVG. IN A VIO LL HER MOM ASKS AFTER HER NEW LLEGE IEND JA, AND WHETHER SHE AND KATIE ARE “OFFICIAL.”“I THINK MANY OF US, BUT SPECIFICALLY QUEER PEOPLE, CAN IDENTIFY WITH THAT FEELING… HIDING PARTS OF OURSELVES FROM OUR FAMILIES.”IT’S A QUTN SANDWICHED A FLURRY OF OTHER FAY TOPICS, PRENTG QUEERNS AS SIMPLY PART OF THE FABRIC OF EVERYDAY LIFE. KATIE’S INTY IS KEY TO HER CHARACTER ARC—SHE IS SPERATE TO GET TO LLEGE PARTLY SO SHE N BE A MUNY WH PEOPLE LIKE HER—BUT NOT A POT OF NFLICT THE STORY. THE MCHELLS VS. THE MACH CCIALLY SHOWS A FAY THAT IS NOT ONLY SUPPORTIVE BUT SUAL ABOUT THEIR DGHTER’S SEXUALY—WHICH FEELS RIGHT FOR TODAY’S DIENCE.BUT EVEN AN ERA WH MORE POSSIBIL­I FOR REPRENTATN THAN EVER, THERE’S STILL POWER THE MORE TRADNAL OUTSIR NARRATIV, AS ENNTO AS WELL AS PIXAR’S LU. ENNTO IS A FANTASY TALE OF A COLOMBIAN FAY GIFTED WH MAGIL POWERS—EXCEPT FOR AWKWARD MIRABEL. LIKE KATIE MCHELL, MIRABEL IS A MISF—HER LACK OF A MAGIL GIFT, THE ONE THG THAT SETS HER APART OM HER FAY, IS ALL ANYONE SEEMS TO NOTICE.ENNTO ALSO GENTLY NUDG AT THE FALSENS OF GENR BARI, AS MIRABEL’S SUPERSTRONG OLR SISTER, LUISA, STGGL TO EXPRS EMOTN, WHILE THE BETIFUL ISABELA FEELS NFED TO THE HYPERFEME ROLE SHE’S EXPECTED TO PLAY THE FAY.THEN THERE’S BNO, THE OUTST UNCLE EVERYONE SAYS THEY DON’T TALK ABOUT BUT ACTUALLY TALK ABOUT AN AWFUL LOT. AT THE END OF THE FILM, MIRABEL HELPS BRG HIM BACK TO THE FOLD, AND THE TWO JO FORC TO BREAK THE NSTRICTIVE L OF HOW THE FAY’S GIFTS ARE “SUPPOSED” TO OPERATE. AS BEATRIZ PUTS , “BEE MIRABEL CID TO REALLY EPLY LISTEN TO HER FAY, [AND] EPLY CHALLENGED THE FAY STCTURE, THAT IS HOW THE FAY WAS HEALED.” ENNTO GRACEFULLY PRENTS SOMETHG REGNIZABLE TO GAY DIENC’ LIVED EXPERIENC: THE WEIGHT OF FAY EXPECTATNS.MOST POPULARWH MATRO, LEONARD BERNSTE’S LEGACY AND LOV FALLY H THE BIG SCREENBY REBEC FORDTHE BOOK OF CLARENCE IS A BOMBASTIC JOURNEY BACK TO THE BIBLIL ERABY REBEC FORD25 PERFECT TV EPISOS FROM THE LAST 25 YEARSBY HILLARY BISIN LU, TWO YOUNG SEA MONSTERS WHO N SHAPE-SHIFT TO HUMAN BOYS BUILD A POWERFUL IENDSHIP BASED ON A SHARED SECRET.COURTY DISNEY/PIXAR.LU FDS SIAR METAPHORIL POWER S STORY OF IENDSHIP BETWEEN TWO YOUNG SEA MONSTERS WHO N SHAPE-SHIFT TO HUMAN BOYS, LU AND ALBERTO. THEIR HIDN NATURE BONDS THEM IMMEDIATELY AS THEY REPEATEDLY GO ASHORE TO VIS A LOL ITALIAN VILLAGE HOSTILE TO SEA MONSTERS, WHILE LU NTU TO KEEP THE VISS SECRET OM MOST OF HIS FAY. AT ONE POT, LU BETRAYS ALBERTO TO SAVE HIMSELF, A HEARTBREAKGLY FAIAR SCENE FOR VIEWERS WHO HAVE HAD GAY IENDSHIPS LLAPSE FOR THE SAKE OF SURVIVAL AN UNKD ENVIRONMENT. BUT THE FILM IS ULTIMATELY ABOUT EMBRACG THENTICY SPE SOCIAL PRSUR. IN THE FAL SHOT, LU STEPS TO THE RA AND LOOKS AHEAD TO THE FUTURE, MAKG THE CISN TO LIVE THENTILLY AS HIS TE SEA MONSTER SELF.LU WORKS AS AN IMMIGRANT NARRATIVE TOO—AND AS AN ALLEGORY FOR ANYONE WHO HAS EXPERIENCED SELF-DISVERY THE FACE OF A MUNY THAT NMNS THEM. THE THEME IS PART OF WHAT MAK ONE OF PIXAR’S RICHT FILMS YEARS. AS LU’S GRANDMOTHER POTEDLY PUTS THE FILM’S CLOSG MOMENTS, “SOME PEOPLE, THEY’LL NEVER ACCEPT HIM. BUT SOME WILL. AND HE SEEMS TO KNOW HOW TO FD THE GOOD ON.”EVEN IN AN ERA WITH MORE POSSIBILITIES FOR REPRESENTATION THAN EVER, THERE’S STILL POWER IN THE MORE TRADITIONAL OUTSIDER NARRATIVES.FLEE, AN ANIMATED DOCUMENTARY OF ONE GAY MAN’S STORY OF PG AFGHANISTAN WH HIS FAY, BRGS A WELE SPOTLIGHT TO BOTH THE LGBTQ+ AND IMMIGRANT MUNI. THE FILM’S NARRATOR, AM, WHO IS ANIMATED PART TO PRERVE HIS ANONYMY, SPEAKS AS NDIDLY ABOUT HIS JOURNEY OF SELF-DISVERY AS HE DO ABOUT THE HORRORS HE SAYS HE EXPERIENCED AT THE HANDS OF SMUGGLERS AND RPT POLICE. AS HE SCRIB THE PROCS OF LEAVG AFGHANISTAN FOR AN EQUALLY HOSTILE RSIA BEFORE FDG SAFE HAVEN DENMARK, AM’S STORY IS PUNCTUATED BY MOMENTS OF GAY LONGG. AND THOUGH HE’S NOW A HAPPY RELATNSHIP—HUNTG FOR A NEW HOME WH HIS BOYIEND—THE STRA OF HIS PAST IS ALWAYS VISIBLE.BUT EVEN AM’S JOURNEY THROUGH A CEL SYSTEM IS NOT ALL DARKNS AND TRMA. IN THE FILM’S MOST SURPRISG AND UPLIFTG SEQUENCE, HE JECTEDLY OUT TO HIS SIBLGS, ONLY TO BE LOVGLY AFFIRMED BY HIS OLR BROTHER, WHO TAK HIM TO HIS FIRST GAY CLUB. IT’S HERE THAT AM SE THE FIRST GLIMMER OF A BRIGHTER FUTURE AND UNRSTANDS THAT THERE’S A WORLD WHERE HE WILL NOT ONLY BE SAFE, BUT SAFELY HIMSELF. FLEE IS A NEW KD OF QUEER STORY, TOLD A NEW WAY. AT A TIME WHEN LGBTQ+ STORI ARE FLOURISHG ANIMATED CEMA, MAY BE THE CROWNG ACHIEVEMENT.MORE GREAT STORI FROM VANY FAIR— JANE CAMPN: A CANDID INTERVIEW WH A MASTER— THE VANY FAIR OSR PARTY RETURNS: FILL OUT YOUR BALLOT AND WATCH THE LIVTREAM ON MARCH 27— THE AMY IS STANDG FIRM ON ITS CONTROVERSIAL CATEGORY CHANGE— SAM ELLTT HAS ONLY HELPED THE POWER OF THE DOG’S OSR CHANC— CAN CODA W BT PICTURE? IT’S COMPLITED— INDTRY TANS JO FORC TO SLAM OSR CATEGORY CHANG— SIGN UP FOR THE “AWARDS INSIR” NEWSLETTER FOR MT-READ DTRY AND AWARDS VERAGE.CHRIS FEIL

Part of what prov so disncertg about such nonmtal portrayals of gay relatnships is that they too often go ignored when nfed to subtext or even outright eded out nservative foreign markets where ntroversi over such cln n threaten box office performance. The Mach settled merely for s brief shoutout to Katie's gay relatnship, eher.

JAGUARS ASSOCIATE STRENGTH ACH OUT AS GAY A FIRST FOR US-BASED PRO LEAGU

Fans rejoiced when Laika’s ParaNorman 2012 revealed the ultra-jock “Mch” as gay his fal moment on screen, makg him the first openly gay character a mastream animated film.

THE MCHELLS VS. THE MACH DO GAY REPRENTATN FAR BETTER THAN THE COMPETN

The first time a mastream animated film acknowledged an openly gay character was ls than a , armed wh an tentnally placed rabow button, a laptop filled wh absurdist edy short films, a bra cluttered wh anxiety, a sire to fd “her people, ” and a ntued msage that sometim tak time to figure out who you are, Katie Mchell of The Mchells vs. Dpe Disney’s one and only nonilly queer character a mastream animated film, they are nstantly unr fire and boytted for promotg a “gay agenda. Jam Gunn revealed last year that his origal script for the live-actn Soby Doo featured long-time queer d in, Velma Dkley, as explicly gay, but the stud ntued to water down her queerns until fally throwg a boyiend character jt to make sure there wouldn’t be any qutng of her sounds ridiculo to say , but Mike Rianda and Jeff Rowe genuely took a risk by makg Katie Mchell queer.

The Mach LGBTQ Character Maya Rudolph & Abbi Jabson terview, you may also enjoy the articl: Is PIXAR’S Lu gay?, The Mchells Vs.