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Marv Gaye was a soul sger-songwrer wh Motown the 1960s and 1970s. He produced his own rerds and often addrsed ntroversial them.

Contents:

MARV GAYE

Explore Marv Gaye's disgraphy cludg top tracks, albums, and reviews. Learn all about Marv Gaye on AllMic. * marvin gaye all night long *

Raised a Pentestal church, wh a mister father, no one would have thought twice if a young Marv Gaye cid to bee a gospel sger, mirrorg the choic of his peers cludg Sam Cooke and Lou Rawls. But Gaye’s ears were attuned to the street rner—where Doo-Wop ptured the imagatn of a generatn of Amerin boys—and his ey fixed the imag of T Pan Alley.

When Gaye rerd the Soulful Moods of Marv Gaye (1961) his first long-playg disc for Motown, was filled wh tracks “My Funny Valente, ” Cole Porter’s “Love for Sale, ” and “Wchcraft”; simply put, Gaye wanted to be Frank Satra and Nat Kg Cole, even rerdg a tribute to the latter after his ath 1965. Once “Stubborn Kda of Fellow” h 1962, beme clear to all that Gaye was gog to have another reer trajectory, but he never gave up on that sire to rerd his versn of Satra’s In the Wee Small Hours of the Morng.

MARV GAYE IS SHOT AND KILLED BY HIS OWN FATHER

Marv Gaye "The Late, Late Show": Kiss! Kiss! Kiss! Kiss! Kiss! All night long Gee 's sy the park tonight When you c... * marvin gaye all night long *

In the late 1970s, Gaye ntracted songwrer and arranger Bobby Stt (who had worked wh Aretha Frankl on her Columbia sis the 1960s) to produce a seri of Big Band ballads. “Funny, ” origally rerd for Doris Day’s Love Him (1963), marks the marriage of Gaye’s ballaer sensibili wh his Doo-Wop trag, as advanc rerdg technology allowed Gaye to layer his voice ways that Satra and Cole uld have never imaged. The semal rerdg What’s Gog On, marked the most dramatic leap Marv Gaye’s song-wrg technique, as he benefted om willg llaborators like Jam Nix and Al Cleveland and took every advantage of new stud technologi.

The album is long remembered for phg Motown polilly and artistilly to the future—Stevie Wonr’s n of landmark albums om 1972-1975 are practilly unimagable whout Gaye’s terventn, as uld also be said about Smokey Robson’s Quiet Storm (1974). As Gaye ntued to hear Doo-Wop his head, he began to wre for and produce Motown vol groups like The Monors (featurg one-and-future Temptatn Richard Street), The Origals, who sred wh Gaye’s “Baby I’m for Real, ” and “The Bells” and the post-Smokey Miracl—groups that Gaye ed as placeholrs until he uld perfect such harmoni the stud g his own voice.

MARV GAYE’S ‘WHAT’S GOG ON’ TURNS 50 — SECRETS BEHD THE H ALBUM

Disver Gold by Marv Gaye released 2005. Fd album reviews, track lists, creds, awards and more at AllMic. * marvin gaye all night long *

“Jt to Keep You Satisfied” was ially wrten wh Gaye’s wife Anna Gordy Gaye, but by the time Gaye laid down for Let’s Get It On, was a document to the Gaye’s failg marriage. Wh his first marriage end, and Gaye needg pay back alimony to his first wife, even as his send marriage to Janis Hunter was ayg, Gaye agreed to e royalti om his next stud album Here, My Dear to meet his rponsibili.

In classic Marv Gaye fashn, he ma an album about his divorce proceedgs, hopg that would tank mercially (which did). Years later Here, My Dear is viewed as Gaye’s last great artistic statement (before paranoia and e addictn took him unr).

‘MORE LIKE A STORY THAN A SONG’: HOW MARV GAYE’S ‘WHAT’S GOG ON’ REMAS RELEVANT 50 YEARS LATER

Today (April 1st) is the 38th anniversary of the ath of Marv Gaye, wh Saturday (April 2nd) markg what would have been the sger's 83rd birthday. In 2019, celebratn of the Gaye's 80th, Motown/UMe released his never-issued 1972 album You’re The Man  a double-album gatefold vyl and digal edns. You’re The Man featur all of Gaye’s solo and non-soundtrack rerdgs om 1972, wh most of the album’s tracks makg their vyl release buts. Acrdg to the album's prs release, followg the massive succs of the prev year's What's Gog On album, "His new sgle, 'You’re The Man' -- a perlatg, sarstic riff on polil non-actn issued as the U.S. printial mpaign was kickg off -- reached Number Seven on Billboard’s Hot Soul Sgl chart. He saw Motown schle a You’re The Man album (for release) but when the lead sgle didn’t cross over (to the pop charts), stallg at Number 50, Marv retreated. Ambivalent about rerdg, stubborn about movg to Los Angel wh Berry Gordy and Motown, Marv by his actns proclaimed no more new Marv Gaye mic. Or so seemed. In this sgular and transnal year for the late mic legend, Gaye rerd more than an album’s worth of mic Detro and L.A. (that) he produced himself. None of the tracks or any other on the LP, except the sgle, were issued at the time." In 2016, Marv Gaye was fally ducted to the Songwrers Hall of Fame at a gala ductn ceremony at New York Cy's Marrtt Marquis Hotel. Marv Gaye’s name and work has kept a high profile the media the days due to his fay recently wng a $7.3 ln pyright gement su. The Gaye tate succsfully sued Rob Thicke and Pharrell Williams for appropriatg the sound and feel of Gaye’s 1977 chart-topper, “Got To Give It Up, Pt 1” for Thicke's 2013 blockbter, "Blurred L." Last year, a panel on the 9th Circu Court of Appeals nfirmed that they would uphold the origal cisn the 2015 verdict the se, which will award the tate wh 50 percent of all royalti om the rerd forever.  Marv Pentz Gay Jr. (the "e" his last name was add later) was born Washgton, D.C. 1939. The son of a mister, he began sgg church at the age of three. After a stt the armed forc, he returned to Washgton and began sgg lol doo-wop groups. In 1957 he formed his own group, the Marque, whose rerdgs were produced by their iend and supporter Bo Diddley. The followg year sger Harvey Fuqua reced the group to be his backg volists the then-current lp of his group Harvey & the Moonglows, and they rerd for the legendary Chs Rerds label. Gaye left the Moonglows 1960 and signed to Gwen Gordy's Anna label, a subsidiary of then fledglg Motown Rerds, which was owned by Gwen's brother Berry Gordy Jr. Gaye played dms for the Miracl and sang backup for the Marvelett. The followg year, he signed to Motown as a solo artist and married Berry Gordy's sister Anna. Marv's first rerdgs ma ltle impact on the charts. His fourth release, 1962's "Stubborn Kd Of Fellow" -- featurg backg vols by Martha & the Vanllas -- was his first rerdg to chart. In 1963, "Pri and Joy" went to the Top 10. Although Gaye sang duets wh numero female volists, cludg Mary Wells, his bt-known pairg was wh Tammi Terrell. The llaboratn began 1967 and rulted hs such as "A't Nothg Like The Real Thg" and "A't No Mounta High Enough." That same year, 1967, Terrell llapsed Gaye's arms durg a ncert Virgia and was diagnosed wh a bra tumor. The duo ntued to rerd together until Terrell's ath 1970. In 1968, Gaye sred his biggt solo h of the '60s, "I Heard It Through The Grapeve," which stayed at Number One for seven weeks. When Terrell died 1970, a grief-stricken Gaye whdrew om the public eye, emergg the followg year to sg the Natnal Anthem at Super Bowl V. Gaye's wrg beme more socially nsc, and 1971 he released the watershed album What's Gog On, which spawned the hs "What's Gog On," "Inner Cy Blu (Make Me Wanna Holler)," and "Mercy Mercy Me (The Elogy)." In 1973 he sred the movie Trouble Man, and that same year his wrg began to explore more erotic them wh the release of the classic album, Let's Get It On. At this pot, Gaye's marriage to Gordy was cmblg, and 1977 they divorced wh Gaye gog on to marry Janis Hunter. Over the next few years, Gaye's personal and fancial life beme rocky; he filed for bankptcy and Hunter filed for divorce. The 1979 album Here My Dear documented Gaye and Gordy's breakup. Experiencg problems wh dgs addn to his fancial troubl, Gaye moved to Europe 1979 and lived self-imposed exile. In 1981, he rerd In Our Lifetime, his last album of new material for Motown Rerds, and signed wh Columbia Rerds. In 1982, he released Sexual Healg, and the h tle track earned him his first Grammy Award. Old iend Diana Ross was wh Gaye when he rerd "Sexual Healg," and later relled that was the last time she saw him alive: ["I was Bssels, Belgium, to do a ncert. The fans and people there told me that Marv was Bssels, but I didn't know how to reach him or to fd him. And that night, we we're filmg the ncert, and I heard that he was the dience -- he me to the show -- and I lled him up on the stage and I sang wh him. I had him skippg across the stage wh me. Then backstage. . . we sat backstage and talked, and he had basilly n away om Ameri, and we went to his stud that night, where he was rerdg 'Sexual Healg.' That was the night he was dog that, and I stayed there at the stud wh him most of that eveng. And you uld tell that he was gog through a lot of pa, and I remember him tellg me how much he loved me, and how much we loved each other, and that we need to spend more time together. That was the last time I saw him."] SOUNDCUE (:40 OC: . . . I saw him) In 1983, he performed on Motown's 25th anniversary TV special and he also performed an a pella versn of "The Star Spangled Banner" before the NBA All-Star Game. Still g dgs and sufferg om prsn, Gaye moved to his parents' home 1984. Gaye's relatnship wh his father had always been stormy, and on April 1st, 1984 his father shot him to ath at pot-blank range after a vlent argument; Gaye would have turned 45 the followg day. In 1987, Gaye was ducted to the Rock and Roll Hall of Fame. He earned a star on the Hollywood Walk of Fame 1990. Gaye's mic has fluenced untls sgers and micians. Former Commodor ontman Lnel Richie was one of Gaye's good iends when both artists were signed to Motown Rerds. Acrdg to Richie, Gaye was a major fluence on him as a songwrer and rerdg artist: ["Every time we met, was always he gave me one more new suggtn on how to play the mic, and his wrg, and how he wrote. I would go by his stud a lot of tim and jt s there and watch him rerd. It's funny -- he never really ed pad and pencil, pen, nothg. He jt would go the microphone and, 'Roll back. Let me try aga,' and he sgs off the top of his head most s. And was jt amazg how he would weave the rerds together, and I thk back how fortunate I was as a songwrer, as a young kid, to be able to be able to stand that room wh him and watch him do that."] SOUNDCUE (:31 OC: . . . him do that.) Earth, Wd & Fire's Philip Bailey was also a iend of Gaye. He remembers another si of the man -- the playful si: ["I didn't work wh him milly -- I worked wh him on the basketball urt (lghs), 'e he was a big basketball fan and, at that time, we were both playg basketball. We had a celebry basketball challenge at the Fom and he played, and he was notor for givg elbows (lghs), God rt his soul. Very kd man -- everyone knows of his talent and of his givg spir and stuff, but he had a pretty good jump shot, too."] SOUNDCUE (:23 OC: . . . jump shot, too) Recently parted Suprem -founr Mary Wilson told she forever had a soft spot her heart for Marv Gaye: ["He was jt a betiful guy. Y'know, a human beg -- like an angel. (Lghs) I'm not sayg anythg bad, but his soul was very warm. But like a lot of at Motown, y'know, he went through var thgs. He wasn't as tragic as a lot of people ma him out to be."] SOUNDCUE (:14 OC: . . . out to be) Wilson went on to reveal that, unbeknownst to the public at large -- while at the peak of his '60s reer at Motown -- Gaye was willg to leave his sgg reer behd to bee an profsnal athlete: ["He also wanted to play football. And so he bulked himself up, I fot what year, 's maybe 1967, 1968 somethg like (that). Bulked himself up like a football player. I thk he actually did try out for the Lns, I thk they were. So he had this other si of him that the public didn't know about."] SOUNDCUE (:15 OC: . . . didn't know about). A former neighbor of Gaye's Detro told that the sger loved the game so much that he'd often jo if he saw the neighborhood kids throwg a football around outsi. Gaye played golf wh Detro Lns football stars Lem Barney and Mel Farr, who appear as background sgers on "What's Gog On." Stevie Wonr ranks the loss of Marv Gaye as among the biggt morn tim: ["No different than John Lennon, I mean, his life was too short. There was so more I feel that he had to say. But he left an credible statement wh the elogy, the What's Gog On album, and still sounds like was done yterday."] SOUNDCUE (:12 OC: . . . was done yterday) * marvin gaye all night long *

“Sparrow” stands out, part, bee do not directly reference Anna Gordy Gaye and bee fds Gaye flourishg a mil environment borrg on early ee Jazz. But “Sparrow” also feels like a rponse to Gaye’s earlier rerdg of “His Eye is On the Sparrow” (1968), which remas one of Gaye’s most passnate rerdgs. ” The impact of Gaye’s versn uld be heard s later when Boyz II Men and En Vogue rerd versn of the song, which Gaye’s versn was clearly the domant referent.

At the peak of his reer, Marv Gaye was the Prce of Motown—the soulful voice behd hs as wi-rangg as “How Sweet It Is (To Be Loved By You)” and “Mercy Mercy Me (The Elogy). That life me to a tragic end on April 1, 1984, when Marv Gaye was shot and killed by his own father one day short of his 45th the physil e of Marv Gaye’s ath was straightforward—”Gunshot wound to cht perforatg heart, lung and liver, ” acrdg to the Los Angel County Coroner—the events that led to were much more tangled.

MARVIN GAYE REMEMBERED

Fd Marv Gaye bt songs, old and new, pl top hs and full song list at AllMic. * marvin gaye all night long *

Marv Gay, Sr., (the “e” was add by his son for his stage name) was a preacher the Hebrew Pentestal Church and a proponent of a strict moral he enforced btally wh his four children. Clearly harbored unrolved feelgs toward his abive feelgs spilled out for the fal time the Los Angel home of Marv Gay, Sr., and his wife Alberta.

Only one year removed om his first Grammy w and om a triumphant return to the pop charts wh “Sexual Healg, ” Marv Gaye was horrible physil, psychologil and fancial an argument between father and son lated to a physil fight on the morng of April 1, 1984, Alberta Gay was tryg to lm her son his bedroom when Marv Sr. Marv Gaye’s brother, Frankie, who lived next door, and who held the legendary sger durg his fal mut, later wrote his memoir that Marv Gaye’s fal, disturbg statement was, “I got what I wanted…. Marv Gaye left behd one of the greatt legaci Amerin pop mic, a fascatg and irristible strg of chart hs and stunng album-long su that explored the sacred/secular divi his own soul, and by extensn, the philosophil divi the Amerin psyche, and he did all wh grace, ease, assurance, and style.

" There are untls Marv Gaye pilatns on the market, but Gold do as well a job as any of them at skatg across the high pots of his reer.

30 PIEC OF WISDOM OM MARV GAYE LYRICS

There are few more revered and inic volists mic than Marv Gaye. Startg out as an -hoe ssn player at Motown Rerds, he soon beme a s... * marvin gaye all night long *

“It was durg a time when he was tryg out for the Detro Lns and beg a football player, ” said David Rz, thor of 1985’s “Divid Soul: The Life of Marv Gaye, ” the five bgraphy of the sger. Still, Gaye went on to bee such good buddi wh Detro Lns players Lem Barney and Mel Farr that they teamed up to provi background vols on “What’s Gog On, ” the song that spired and troduced Gaye’s masterpiece album, which last year Rollg Stone ranked at No.

He later llaborated wh Motown songwrer Al Cleveland to fe-tune the track before submtg to Gaye, who as Rz puts , “Marv-ized” . “Gordy thought Marv had worked hard to create an image of a sex symbol, a sger who women adore, ” said Rz, who, addn to terviewg Gaye the ’70s and early ’80s, also -wrote his 1982 h “Sexual Healg.

MARV GAYE'S 7 BT SONGS OF ALL TIME

List of songs wh Songfacts entri for Marv Gaye * marvin gaye all night long *

Th, a ncept album revolvg around the sgle “What’s Gog On” was born, wh Gaye takg his first shot at producg his own material — a groundbreakg move for Motown’s H Factory. The album’s other hs clud “Mercy Mercy Me (The Elogy), ” which found Gaye gettg woke about the environment a year after the very first Earth Day.

” But Gaye himself had a nflicted relatnship wh relign that would ntribute to his mister father shootg him ad durg a fay altertn 1984.

MARV GAYE ALL NIGHT LONG MP3 DOWNLOAD

From Heard It Through The Grapeve to 'Let's Get It On', Far Out Magaze tak a close look at Marv Gaye's bt songs. * marvin gaye all night long *

“It’s sad that the problems are still the same problems, ” said four-time Grammy nomee BJ the Chigo Kid, who dueted wh Gaye on a “What’s Gog On” remake to celebrate the song’s 45th anniversary 2016. Fifty years ago, vibratg wh agatn and energy, Marv Gaye head down the wood steps to a Detro stud and ma his anthem for the ag.

Racial tensns, police ntroversy, environmental anxieti, a globe on edge — they were the topics on the ont burner when Gaye rebooted his mil reer and took ntrol of his creative visn si Motown.

Three years after the 1967 rt and rebelln that transformed his adopted hometown, the 31-year-old Gaye was a ep and evolvg head space. Shaken by the ath of sgg partner Tammi Terrell, hnted by the Vietnam War stori of his younger Army vet brother, Gaye was an emotnal lightng rod wag to be zapped wh creative energy when Motown’s Obie Benson and Al Cleveland brought him their new posn about troubl across the land.

MARV {LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:600;MARG-BOTTOM:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:0.875REM;LE-HEIGHT:1.2;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:1.25REM;LE-HEIGHT:1.2;}} A{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:HER;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;} A:HOVER{LOR:#A00000;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL {MARG-BOTTOM:0.625REM;PADDG-RIGHT:0.3125REM;LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;} SPAN{LE-HEIGHT:1.6;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;}{FONT-STYLE:NORMAL;PADDG-RIGHT:0.3125REM;FONT-FAY:RALAS,GEIA,TIM,SERIF;LOR:#323232;FONT-SIZE:0.75REM;LE-HEIGHT:1.3;FONT-WEIGHT:BOLD;TEXT-TRANSFORM:PALIZE;}{DISPLAY:LE-BLOCK;TEXT-TRANSFORM:UPPERSE;MARG-LEFT:0.625REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}UPDATED: APR 19, {DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;}{MARG-BOTTOM:0.9375REM;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 64REM){{MAX-WIDTH:LC(100VW - (1REM * 2));MARG-LEFT:1REM;MARG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(-1 * 1REM);}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MARG-LEFT:TO;MARG-RIGHT:TO;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC((100VW - (LC(20.625REM * 2 - 1REM) - 2 * 1REM)) / -2);}}@MEDIA(M-WIDTH: 61.25REM) AND (MAX-WIDTH: 90REM){{MAX-WIDTH:LC(20.625REM * 2 - 1REM);MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / 2);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / -2) - 1REM);}}@MEDIA(M-WIDTH: 90REM){{MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 2);MAX-WIDTH:LC(20.625REM * 2 - 1REM);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 + 1REM)) / -2) - LC(2 * 1REM));}[DATA-HAS-SPONSOR] {MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);MARG-RIGHT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);}}{JTIFY-SELF:CENTER;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 48REM){{MARG-LEFT:-50VW;MARG-RIGHT:-50VW;WIDTH:100VW;LEFT:50%;RIGHT:50%;}}{HEIGHT:TO;}@MEDIA(MAX-WIDTH: 48REM){{MARG:TO LC(50% - 50VW);}}@MEDIA(M-WIDTH: 48REM){{MARG:TO;}}{POSN:RELATIVE;HEIGHT:TO;}{POSN:RELATIVE;--POSN:ABSOLUTE;HEIGHT:TO;} IMG{MAX-WIDTH:100%;HEIGHT:TO;} A{POSN:ABSOLUTE;}{POSN:RELATIVE;WIDTH:100%;HEIGHT:100%;OBJECT-F:VER;VERTIL-ALIGN:TOP;}{BACKGROUND:#C92228;BOTTOM:0;PADDG:.5REM;RIGHT:0;}@MEDIA(M-WIDTH: 64REM){{PADDG:0.39REM;}}{DISPLAY:BLOCK;HEIGHT:1REM;WIDTH:1REM;}@MEDIA(M-WIDTH: 64REM){{WIDTH:1.063REM;HEIGHT:1.063REM;}}{LE-HEIGHT:1;MARG-TOP:0.3125REM;}@MEDIA(MAX-WIDTH: 73.75REM){{PADDG-LEFT:0.9375REM;}}@MEDIA(M-WIDTH: 64REM){{PADDG-LEFT:0;}}{PADDG-RIGHT:0.3125REM;LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}PHOTO: NBCU PHOTO BANK/GETTY {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;PADDG-LEFT:0REM;PADDG-RIGHT:0REM;POSN:RELATIVE;}@MEDIA(M-WIDTH: 48REM){{PADDG-LEFT:3.5REM;PADDG-RIGHT:3.5REM;}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MAX-WIDTH:45.25REM;MARG-LEFT:TO;MARG-RIGHT:TO;}}@MEDIA(M-WIDTH: 61.25REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 73.75REM) AND (MAX-WIDTH: 100REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 90REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;}{CLEAR:BOTH;NTENT:" ";DISPLAY:BLOCK;FONT-SIZE:0.7REM;LE-HEIGHT:1.5REM;HEIGHT:0REM;VISIBILY:HIDN;}{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;}(1939-1984){LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:800;LETTER-SPACG:0.02EM;MARG-BOTTOM:0.625REM;MARG-TOP:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:1.875REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 64REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;}WHO WAS MARV GAYE?MARV GAYE SANG HIS FATHER'S CHURCH AND THE MOONGLOWS BEFORE SIGNG WH MOTOWN. HE RERD SONGS BY SMOKEY ROBSON BEFORE BEG HIS OWN PRODUCER ON THE PROTT ALBUM WHAT'S GOG ON (1971). GAYE'S LATER RERDS VELOPED HIS PRODUCTN STYLE AND YIELD SEVERAL HS, CLUDG "LET'S GET IT ON," "SEXUAL HEALG" AND "I HEARD THROUGH THE GRAPEVE." GAYE WAS KILLED 1984 DURG A DOMTIC DISPUTE WH HIS FATHER.EARLY LIFESGER MARV PENTZ GAYE, JR., ALSO KNOWN AS THE "PRCE OF SOUL," WAS BORN WASHGTON, D.C., ON APRIL 2, 1939. GAYE WAS RAISED UNR THE STRICT NTROL OF HIS FATHER, REVEREND MARV GAY SR.—MARV GAYE JR. ADD THE "E" ON THE END OF HIS NAME LATER LIFE—THE MISTER AT A LOL CHURCH, AGAST A BLEAK BACKDROP OF WISPREAD VLENCE HIS NEIGHBORHOOD. THROUGHOUT HIS CHILDHOOD, GAYE OFTEN FOUND PEACE MIC, MASTERG THE PIANO AND DMS AT A YOUNG AGE. UNTIL HIGH SCHOOL, HIS SGG EXPERIENCE WAS LIMED TO CHURCH REVIVALS, BUT SOON HE VELOPED A LOVE FOR R&B AND DOO-WOP THAT WOULD SET THE FOUNDATN FOR HIS REER. IN THE LATE 1950S, GAYE JOED A VOL GROUP LLED THE NEW MOONGLOWS. THE TALENTED SGER HAD A PHENOMENAL RANGE THAT SPANNED THREE VOL STYL AND HE SOON IMPRSED THE GROUP'S FOUNR, HARVEY FUQUA. IT WASN'T LONG BEFORE GAYE AND FUQUA BOTH ME TO THE ATTENTN OF DETRO MIC IMPRAR {-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:#A00000;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;}{LOR:#595959;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}BERRY GORDY JR. AND WERE SIGNED TO GORDY'S LEGENDARY MOTOWN RERDS.MOTOWN RERDSGAYE'S FIRST CERTIFIED H UNR HIS OWN NAME WOULDN'T E UNTIL 1962, BUT HIS EARLY YEARS AT MOTOWN WERE FULL OF BEHD-THE-SCEN SUCCS. HE WAS A SSN DMMER FOR MOTOWN LEGENDS SUCH AS LTLE STEVIE WONR, THE SUPREM, THE MARVELETT AND MARTHA AND THE VANLLAS. SHOWG HIS STRIP AS MOTOWN'S RENAISSANCE MAN, GAYE WENT ON TO BREAK TO THE TOP 40 FOR THE FIRST TIME ON HIS OWN 1962 WH HIS SOLO SGLE "HCH HIKE." THROUGHOUT THE 1960S, GAYE WOULD SHOW HIS IMMENSE RANGE, CHURNG OUT SOLO DANCE HS AND ROMANTIC DUETS WH H-MAKERS LIKE DIANA ROSS AND MARY WELLS. "CAN I GET A WNS" AND "I HEARD THROUGH THE GRAPEVE" WERE SOME OF GAYE'S BIGGT HS OF THE PERD, THE LATTER ACHIEVG S PLACE AS MOTOWN'S BT-SELLG SGLE OF THE 1960S. FOR THREE HIGH-FLYG YEARS, GAYE AND TAMMI TERRELL WOWED THE UNTRY WH THEIR SOARG DUET PERFORMANC OF SONGS LIKE "A'T NO MOUNTA HIGH ENOUGH" AND "IF I COULD BUILD MY WHOLE WORLD AROUND YOU." UNFORTUNATELY, THEIR REIGN AS THE ROYAL COUPLE OF R&B END WHEN TERRELL SUCCUMBED TO A BRA TUMOR 1970. HIS BELOVED PARTNER'S ATH HERED A DARK PERD FOR THE SGER, WHO SWORE NEVER TO PARTNER WH ANOTHER FEMALE VOLIST AND THREATENED TO ABANDON THE STAGE FOR GOOD.POLIL MSAGEIN 1970, SPIRED BY LATG VLENCE AND POLIL UNRT OVER THE VIETNAM WAR, GAYE WROTE THE LANDMARK SONG "WHAT'S GOG ON." DPE CLASH WH MOTOWN OVER THE SONG'S CREATIVE DIRECTN, THE SGLE WAS RELEASED 1971 AND BEME AN STANT SMASH. ITS SUCCS PROMPTED GAYE TO TAKE EVEN MORE RISKS, BOTH MILLY AND POLILLY. WHEN WAS RELEASED THE SPRG OF 1971, THE WHAT'S GOG ON ALBUM SERVED TO OPEN GAYE UP TO NEW DIENC WHILE MATAG HIS MOTOWN FOLLOWG. DEPARTG OM THE TRIED AND TE MOTOWN FORMULA, GAYE WENT OUT ON HIS OWN ARTISTILLY, PAVG THE WAY FOR OTHER MOTOWN ARTISTS LIKE WONR AND MICHAEL JACKSON TO BRANCH OUT LATER YEARS. BEYOND FLUENCG HIS PEERS, THE ALBUM GARNERED WISPREAD CRIL ACCLAIM, WNG THE ROLLG STONE ALBUM OF THE YEAR AWARD.CROSSOVER SUCCSIN 1972, GAYE MOVED TO LOS ANGEL AND SOON MET JANIS HUNTER, WHO WOULD LATER BEE HIS SEND WIFE. INSPIRED PART BY HIS NEWFOUND PENNCE, GAYE RERD ONE OF THE MOST REVERED LOVE ANTHEMS OF ALL TIME, "LET'S GET IT ON." THE SONG BEME HIS SEND NO. 1 BILLBOARD H, CEMENTG HIS CROSSOVER APPEAL ONCE AND FOR ALL. SHORTLY AFTERWARDS, MOTOWN PHED GAYE TO TOURG TO PALIZE ON HIS MOST RECENT SUCCS; RELUCTANTLY THE SGER-SONGWRER RETURNED TO THE STAGE. THROUGH MOST OF THE MID-1970S, GAYE WAS TOURG, LLABORATG OR PRODUCG. WORKG WH DIANA ROSS AND THE MIRACL, HE PUT OFF RELEASG ANOTHER SOLO ALBUM UNTIL 1976. HE NTUED TOURG AFTER THE RELEASE OF I WANT YOU (1976) AND, AFTER SRG A NO. 1 H 1977 WH THE DANCE SGLE "GOT TO GIVE IT UP," RELEASED HIS LAST ALBUM FOR MOTOWN RERDS (HERE, MY DEAR) 1978. (DES LATER, "GOT TO GIVE IT UP" WOULD BEE THE CENTER OF A BIG NTROVERSY. IN 2013, GAYE'S TATE ASSERTED THAT PRODUCER/SONGWRER PHARRELL WILLIAMS AND SGER/SONGWRER ROB THICKE HAD MTED PYRIGHT GEMENT BY TAKG MAJOR MIL ELEMENTS OM THE DIS TRACK FOR THE MEGA-H "BLURRED L." AFTER A SE WHICH THICKE TTIFIED THAT HE'D HAD LTLE TO DO WH THE WRG OF THE SONG, THE JURY LED FAVOR OF GAYE'S FAY, WHO WERE AWARD $7.3 LN DAMAG AND PROF SHAR. THE JURY ALSO LED THAT NEHER WILLIAMS OR THICKE HAD PURPOSELY MTED GEMENT.) AFTER TWO S AT MOTOWN, GAYE SIGNED WH CBS'S COLUMBIA RERDS 1982 AND BEGAN TO WORK ON HIS LAST ALBUM, MIDNIGHT LOVE. THE LEAD SGLE OM THAT ALBUM, "SEXUAL HEALG," BEME A HUGE EBACK H FOR THE R&B STAR AND EARNED HIM HIS FIRST TWO GRAMMY AWARDS AND AN AMERIN MIC AWARD FOR FAVORE SOUL SGLE.PERSONAL LIFEIN 1975, GAYE'S WIFE ANNA GORDY—BERRY GORDY'S SISTER—FILED FOR DIVORCE, AND TWO YEARS LATER GAYE MARRIED HUNTER, WHO HAD BY THEN GIVEN BIRTH TO THEIR DGHTER, NONA (BORN SEPTEMBER 4, 1974) AND THEIR SON FRANKIE (BORN NOVEMBER 16, 1975). GAYE ALSO HAD AN ADOPTED SON (MARV PENTZ GAYE III) OM HIS PREV MARRIAGE. THE SGER'S MARRIAGE TO HUNTER PROVED SHORT LIVED AND TUMULTUO, ENDG DIVORCE 1981.DEATH AND LEGACYDPE HIS SUCCSFUL EBACK THE EARLY 1980S, GAYE STGGLED BADLY WH THE SUBSTANCE ABE AND BOUTS OF PRSN THAT HAD PLAGUED HIM FOR MOST OF HIS LIFE. AFTER HIS LAST TOUR, HE MOVED TO HIS PARENTS' HOE. THERE HE AND HIS FATHER FELL TO A PATTERN OF VLENT FIGHTS AND QUARRELS THAT RELLED NFLICTS THAT HAD HNTED THE FAY FOR S. ON APRIL 1, 1984, MARV GAYE SR. SHOT AND KILLED HIS SON AFTER A PHYSIL ALTERTN; THE FATHER CLAIMED HE ACTED SELF-FENSE BUT WOULD LATER BE NVICTED OF VOLUNTARY MANSLGHTER. THREE YEARS AFTER HIS ATH, GAYE WAS DUCTED TO THE ROCK AND ROLL HALL OF FAME. CREATG BETIFUL ART OM A TROUBLED LIFE, GAYE AGA AND AGA BROUGHT HIS VISN, RANGE AND ARTISTRY TO THE WORLD STAGE. AT THE END OF HIS REER, HE ADMTED HE NO LONGER MA MIC FOR PLEASURE; STEAD, HE SAID, "I RERD SO THAT I N FEED PEOPLE WHAT THEY NEED, WHAT THEY FEEL. HOPEFULLY, I RERD SO THAT I N HELP SOMEONE OVERE A BAD TIME."{BORR:0;BORR-BOTTOM:TH SOLID BLACK;MARG:1.875REM 0;CLEAR:BOTH;}QUICK {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;MARG:0.9375REM 0 0 0.625REM;PADDG:0 0 0 1.25REM;}@MEDIA(M-WIDTH: 48REM){{MARG:0.9375REM 0;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;} LI{PADDG-BOTTOM:0.625REM;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;} LI::MARKER{LOR:#323232;}NAME: MARV GAYEBIRTH YEAR: 1939BIRTH DATE: APRIL 2, 1939BIRTH CY: WASHGTON, D. C.BIRTH COUNTRY: UNED STATGENR: MALEBT KNOWN FOR: MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL THEM.INDTRIPOPASTROLOGIL SIGN: ARIINTERTG FACTSBEFORE MAKG AS A SOLO ARTIST, MARV GAYE PLAYED DMS FOR ARTISTS SUCH AS STEVIE WONR AND THE SUPREM.DEATH YEAR: 1984DEATH DATE: APRIL 1, 1984DEATH STATE: CALIFORNIADEATH CY: LOS ANGELDEATH COUNTRY: UNED STATFACT CHECKWE STRIVE FOR ACCURACY AND YOU SEE SOMETHG THAT DON'T LOOK RIGHT,NTACT !CITATION INFORMATIONARTICLE TLE: MARV GAYE BGRAPHYAUTHOR: EDORSWEBSE NAME: THE WEBSEURL: ACCS DATE: PUBLISHER: A&E; TELEVISN NETWORKSLAST UPDATED: APRIL 19, 2021ORIGAL PUBLISHED DATE: APRIL 2, 2014QUOTES

Marv Gaye All Night Long Mp3 Download 320kbps - Mp3Skulls . Download Marv Gaye All Night Long Mp3 Download 320kbps - Mp3Skulls high qualy Marv Gaye All Night Long Mp3 Download 320kbps - Mp3Skulls mp3 songs om MP3skull Official. * marvin gaye all night long *

As Benson reflected for Ben Edmonds’ 2001 book, “Marv Gaye: What’s Gog On, ” an dispensable acunt of the song and album:.

Feelg through the posn  the livg room of the latter’s northwt Detro hoe — Benson on guar, Gaye on piano — Gaye was moved, but was eager to prent  to the Origals, a Motown group he was now producg. Gaye relented, mted and promptly “fe-tuned the tune, ” as Benson put , tackg on jazzy flourish and a sense of realism. Unable to read or wre mic, Gaye tailed his sonic visn to jazz arranger Dave Van De Pte, who set about translatg to the micians.

Marv Gaye, photographed the Motown stud nsole room early 1971 by Gordon Stapl, ncertmaster of the Detro Symphony Orchtra. Havg cut multiple lead vols, Gaye asked engeer Ken Sands to create a stereo tape wh two strong tak — one the left channel, one on the right — so he uld take not. Gaye had been “all over the cy, soakg up Detro’s vib and moods as he was rerdg, ” wrote the Freep’s Bob Talbert, who was tight wh Gaye at the time.

ROCK’ AFTER MIDNIGHTMARV GAYETRACK 3 ON MIDNIGHT LOVE PRODUCED BYMARV GAYEOCT. 1, 19821 VIEWER5 CONTRIBUTORSROCK’ AFTER MIDNIGHT LYRICS[INTRO][X4]ROCKG AFTER MIDNIGHTWE'LL BE ROCKG AFTER MIDNIGHT[VERSE]AFTER MIDNIGHT, GIRLAFTER MIDNIGHT, BABYIT'S TIME TO ROCK, OOHLET ME ROCK YOU, ROCK YOUROCK YOU TO MIDNIGHT, BABYLET ME ROCK YOU TO LOVEI KNOW YOU GIVE ME LOTS AND LOTS OF GOOD LOVG BABYAFTER MIDNIGHT, BABYTHE TIME, THE TIME IS RIGHT FOR YOU AND ME TONIGHTBUT NOW WE'VE GOT TO DANCEAND SOON AFTER WE MAKE ROMANCEYOU KNOW I NEED YOUR LOVEWORSER THAN THE STARS ABOVEDARLG DON'T HATEAFTER THE DATE, OH, NO, NO, NO-O-OSWEETHEART, YOU'RE SO GOOD TO MEYOUR PREC LOVE, N'T BE BEATOH MY SWEET(Y I'M UNRSTOODBABY LOVE ME GOOD)I LOVE THE WAY YOU DO YOUR THGI LOVE ALL THE JOY YOU BRGI LOVE YOUR LTLE OCHIE-OI LOVE MAKG LOVE TO YOUCALL OUT THE NAME OF LOVECALL OUT THE NAME OF TENRNSCALL OUT THE NAME OF SWEET LOVECALL OUT THE NAME OF LOVECALL OUT THE NAME OF HAPPSI LOVE THE WAY YOU WALK BABYOH, YEAH, YEAH, YEAH, YEAHAND I REALLY LOVE THE WAY YOU TALK GIRLAND I REALLY LOVE THE WAY YOU MOVETHRILL ME, THRILL ME, THRILL ME, GIRLGROOVE ME, GROOVE ME, GROOVE ME BABYI LOVE THOSE LTLE PRETTY WAYSWANT TO BE LOVE WH YOUFOR THE RT OF MY DAYSAND I EVEN LOVE THE FUNKY LTLE THGS YOU DOI'M TROUBLE BABYI LOVE YOUR MD AND YOUR BODY TOOMY HEART IS YOURS TO KEEP BABYAND YOUR HAPPS IS ALL I SEEAND YOUR LOVE WILL BE MY LASTOH, I SAY GOOD-BYE TO THE HEARTBREAK PASTOH, Y, I'M UNRSTOODOH, BABY DO ME GOODYOU MIGHT ALSO LIKE[BRIDGE]I LOVE THE WAY YOU DO YOUR THG, HEYI LOVE ALL THE JOY YOU BRGI LOVE ALL YOUR PRETTY WAYSI LOVE YOU THE RT OF YOUR DAYSI LOVE THE WAY YOU OCHIE-O, ANDI LOVE MAKG LOVE TO YOUI LOVE YOU BABYI LOVE YOU BABYI LOVE YOU BABYI LOVE YOU BABY[OUTRO]SO TONIGHT, WHEN THE NIGHT TIME I'LL BE GETTG SOME, GET , GET SO TONIGHT, WHEN THE NIGHT TIME I'LL BE GETTG SOMEHAVG FUNEMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUTHAVE THE SI SOP ON THIS SONG?SIGN UP AND DROP SOME KNOWLEDGESTART THE SONG BASK A QUTN ABOUT THIS SONGASK A QUTN *‌WHO PRODUCED “ROCK' AFTER MIDNIGHT” BY MARV GAYE?WHEN DID MARV GAYE RELEASE “ROCK' AFTER MIDNIGHT”?WHO WROTE “ROCK' AFTER MIDNIGHT” BY MARV GAYE?MIDNIGHT LOVE (1982)MARV GAYE1. MIDNIGHT LADY2. SEXUAL HEALG3. ROCK’ AFTER MIDNIGHT4. ’TIL TOMORROW5. TURN ON SOME MIC6. THIRD WORLD GIRL7. JOY8. MY LOVE IS WAGEXPAND CREDSPRODUCED BYMARV GAYEWRTEN BYMARV GAYEHORNS ARRANGED BYMCKLEY JACKSONFGER SNAPSMARV GAYETAMBOUREMARV GAYEBONGOSMARV GAYEORCHTRAL BELLSMARV GAYEVIBRAPHONEMARV GAYESYNTHIZERMARV GAYEFENR RHOSMARV GAYEDMSMARV GAYEARRANGED BYMARV GAYEVOLSMARV GAYEMASTERED BYBRIAN GARDNERMIXGHARVEY FUQUATENOR SAXOPHONEJOEL PKALTO SAXOPHONEJOEL PKGUARGORDON BANKSHORNSDAVID STOUT AND THE L.A. HORN SECTNRELEASE DATEOCTOBER 1, 1982ROCK’ AFTER MIDNIGHT REMIXROCK' AFTER MIDNIGHT (INSTMENTAL) BY MARV GAYETAGSR&BSOULEXPAND COMMENTSADD A MENTSIGN UP AND DROP KNOWLEDGE ?GENI IS THE ULTIMATE SOURCE OF MIC KNOWLEDGE, CREATED BY SCHOLARS LIKE YOU WHO SHARE FACTS AND SIGHT ABOUT THE SONGS AND ARTISTS THEY LOVE.SIGN UPGENI IS THE WORLD’S BIGGT LLECTN OF SONG LYRICS AND MIL KNOWLEDGE

If Gaye was snng the ont pag of the Detro Free Prs landg on his doorstep  July 1970, he saw plenty of headl settg the mood he would take to the vol booth — a daily dmbeat of stori about protters clashg wh police, Detro air pollutn, ngrsnal battl over the Vietnam draft. Though Motown had recently h big wh a pair of polilly tged Norman Whfield productns — the Temptatns’ “Ball of Confn” and Edw Starr’s “War” — Gaye’s leap ma the label chief nervo.

In his 1994 memoir — where he owned up to his shortsightedns — Gordy reunted their ntent first phone ll about "What's Gog On, ” as Gaye clared his wish to “awaken the mds of mankd. Marv Gaye, clutchg one of three Image Awards received at the NAACP's 5th Annual Image Awards Show Hollywood, sgs "Lift Every Voice and Sg" wh awards chairman Maggie Hathaway and the Rev. “A song like that — which is much more explic s lyrics — is kd of the extensn of what Marv Gaye and ‘What’s Gog On’ did years earlier, ” he said.

*BEAR-MAGAZINE.COM* MARVIN GAYE ALL NIGHT LONG

List of songs by Marv Gaye .

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