Ntaed wrgs that were provotive and discsed issu such as homosexualy and prostutn.
In Google search, her name would appear alongsi other renowned gay or bisexual wrers like Jam Baldw, Alae Locke, and Lorrae Hansberry. Most of Hurston’s iends were homosexual men.
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iRsSlw"><a class="RubricLk-gRWSOU fgWnkQ bric__lk" href="/books/page-turner"><span class="RubricName-fVtemz cLxcNi">Page-Turner</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd NbxED hpJvIc">The Zora Neale Hurston We Don’t Talk About</h1></div><div class="ContentHearAccredatn-lfctVB enhwXT ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearDek-bIqFFZ Mtme">In the new nonfictn llectn “You Don’t Know Us Negro,” what emerg is a wrer who mastered a Black idm but seldom champned race pri.</div><div class="ContentHearByle-kmPyCa gvUmxJ"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearContributorImage-cvjZXn jKACOU"><picture class="RponsiveImagePicture-cWuUZO dUOtEa ContentHearContributorImage-cvjZXn jKACOU rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="66px"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="66px"/><img alt="" 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2022</time></div></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ContentHearLeadAsset-hGbumP iWPCcH lead-asset ContentHearLeadAssetWrapper-hfXHEc fTrSlG lead-asset--width-smallle" data-ttid="ContentHearLeadAsset"><figure class="ContentHearLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHearLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__ntent__photo"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearRponsiveAsset-bREgIb khLUzS"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz kmjVzX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO KhjZz ContentHearRponsiveAsset-bREgIb khLUzS rponsive-image rponsive-image--expandable"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="Zora Neale Hurston wearg a hat and glov stands near a bookse holdg a book." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span><div class="CaptnWrapper-jSZdqE iTuhkZ ptn ContentHearLeadAssetCaptn-hPWmSN kuCzGS"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">Readg Hurston’s says requir lettg go of the agonizg bs of savg the thor om her polics.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Photograph om Getty</span></div></div></figure><div data-ttid="ContentHearLeadRailAnchor" class="ContentHearLeadRailAnchor-jYVcDc djtEof"></div></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save 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xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG Uozmo"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg">“You are my ia of the world’s worst secretary,” the whe woman once told the Black woman. But today she was sayg, “Come on, Zora, wh your r and let’s you and I go on a trip.” So Miss Fannie Hurst and Miss <a href=">Zora Neale Hurston</a> left the nf of Hurst’s Wt Sixty-seventh Street duplex and went drivg. As Hurston wr, an say lled “Fannie Hurst,” the two wrers wound their way through Saratoga Sprgs and Ontar, stoppg off at the Falls bee Hurst begged —“Zora, you mt see this thg om the Canadian si.” Zora, lovg a trip and, prumably, a paycheck, obliged. Hurst, as observed by Hurston, ma immatury a hab, “almost dancg up and down like a six-year-old puttg somethg over on s elrs.” But the trip showed Hurston another si, the artist “about to birth a book.” (The book, though Hurston don’t mentn , was likely “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Imatn of Life</a>.”) Hurst was “a blend of woman and thor,” Hurston wr. “You n’t separate the two thgs her se. Nature mt have meant to be that way.”</p><p class="paywall">This ep-cut say, origally published the <em>Saturday Review</em>, is among the fifty piec llected “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">You Don’t Know Us Negro</a>,” a new volume of Hurston’s wrgs, released last month. Eded by Henry Louis Gat, Jr., and Genevieve Wt, is the first book-length llectn of Hurston’s short nonfictn. The story of Hurston’s revery prefac her archive like fable: the lible image of Alice Walker bg through central Florida bsh for an unmarked grave. That grave has read “Geni of the South” sce 1973. The terim has seen Hurston regnized as a folklorist and ethnographer, a novelist and short-story wrer. Her name has bee synonymo wh a certa stra of Ao-Amerina, her most famo quot voked as maxims: “I am not tragilly lored”; “I feel most lored when I am thrown agast a sharp whe background.” Wh the new llectn, s edors wre, “Hurston tak her place as a major sayist of the twentieth century.” The says also torque the imprsn that many rears still have of the md behd “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Their Ey Were Watchg God</a>.”</p><p class="paywall">The volume ntas certa well-known Hurston says, among them “How It Feels to Be Colored Me” and “What Whe Publishers Won’t Prt,” both of which are emblematic of the proud, bristlg Southern woman wh whom we’ve bee faiar. I regularly teach “Characteristics of Negro Exprsn,” another piece the llectn, which provis a wdow to the stud si of Hurston for rears short on time. Yet readg any of those dividual texts differs om knowg Hurston as an sayist, as a blend of Negro woman and wrer who worked for her bread. The late, immense scholar Cheryl Wall, who had a hand raisg Hurston’s reputatn, observed that, though the non of Ain Amerin lerature is full of sayists, often “crics turn to their says maly for the light they shed on the thors’ better-known texts.” But the say form, “digrsive” thought and full of persona, rists such stmental e. Hurston wrote vigoroly and often, and was, by scholarly acunts, the most prolific Black woman wrer Ameri durg the s spanned this llectn. What emerg om the sum of the wrgs is a Hurston who nnot be easily nsted as a champn of race pri, which she once lled “a luxury I nnot afford.”</p><p class="paywall">Consir, for stance, an say tled “Race Cannot Bee Great Until It Regniz Its Talent,” which Hurston offers a peculiar fense of Black artistry. For much of history, “any thought worth s salt had to be embalmed French or Lat,” Hurston wr, addg that Chcer changed all that, as did “Shakpeare the man.” If her lguistic history don’t pass mter, that’s bis the pot; Hurston means to make an analogy for Amerin arts. Black people, she argu, should cherish their unique creative offergs and shuck the half-rate performanc of whens that she saw gog ’round: “We cry out agast the ignorance and barbari the South that we say bar our way to the heights.” Here she mentns Cl Neal, who was lynched and parad among thoands of wh Jackson County, Florida. “But he is one man,” Hurston ntu. “How about the tellectual lynchg we perpetrate upon ourselv?” We uld ll that an analogy too far. I doubt we’ll fd a quote such as “<em class="small">WE LYNCH ORIGINAL THOUGHT</em>” prted on a tote bag anytime soon. The morn rear who associat Hurston wh the lh empathy afford Janie Mae Crawford, the protagonist of “Their Ey Were Watchg God,” might not take kdly, eher, to “The Lost Keys of Glory.” The piece is an amg parable for women’s equaly—“The Devil and the Woman had always been the bt of iends,” Hurston wr—that is as ser as a stroke lamentg the feme powers lost on women who leave the home. “There is no doubt that women are takg themselv que serly as the equal of men all of the pursus,” Hurston wr. “It is obv, however, that women are not aquate to the stggle.”</p><p class="paywall">This is d pared wh what Hurston had to say about Brown v. Board of Edutn (tle: “Court Orr Can’t Make Rac Mix”) or the ongog qutn of segregatn. It was mored that, near the end of her life, Hurston had upset some folks her Florida muny for supportg, wh vigor, a certa segregatnist polician. I spect that polician was Spsard L. Holland, whom she prais one say, cir 1958, that was never published s time. (The piece surviv only a handwrten versn, and brackets the book note portns that were lost when the staff of the nursg home where Hurston had lived began burng her effects after she passed.) Hurston fends Holland on the basis of down-home ctoms that she nsirs patible wh Northern progrsive lexin. “Certa words and phras mean one thg to Dixie and somethg entirely different outsi. For example segregatn is terpreted as racial hatred by outsis but not so the South where merely means separate social activi and nnectns—not hatred of Negro dividuals,” she wr. “The South is very ank about .”</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">That Hurston was no iend of the left is no secret, though few are as eager to discs her polics as John McWhorter, the wrer and lguist, who’s dubbed Hurston “Ameri’s favore black nservative.” Black nservatism, like folklore, is a tradn wh long roots, even if whe people seldom regnize as such. In the troductn to the new llectn, Gat and Wt wre that “we might thk of Hurston as a Black cultural natnalist, ntemporary Black polil parlance, or as a Black cultural ‘nservative’ or a ‘tradnalist.’ ” This strik me as a roundabout way of sayg that Hurston both adored Southern folkways and tted what she lled “Feral handouts.” In a footnote to an say tled “I Saw Negro Vot Peddled,” an eyewns acunt of sgle-shot votg Da County, the edors warn that “Hurston was unwtgly repeatg” racist iology out of Columbia’s Dunng School regardg Renstctn and “clearly had not read W. E. B. Du Bois’s semal rebuttal.” But what if she <em>had</em> read “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Black Renstctn Ameri</a>” and found neher here nor there? Bee we adore Hurston, llg straight n feel hard, like airg out fay bs.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">Readg the says requir lettg go of the agonizg bs of savg Hurston om her polics, as though the wrer we cred wh knowg so much of her own Negro md jt so happened to fet herself on ocsns where the tak haven’t aged as well as we’d prefer. The journalist and scholar Valerie Boyd, who died this past weekend, rightly wrote, her Hurston bgraphy, “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Wrapped Rabows</a>,” that “Hurston’s dividualist stance . . . did not nullify her inty as one of the folk.” Hurston’s lifelong artistic project, the mastery of a Black idm, isn’t ngo wh her opns; Negrons was her mo of posn, whether she was expoundg on electoral polics or nductg her ethnographic rearch. To Hurston, Negrons was anythg lovely, if sound jt right. Idm, as she f an say lled “Art and Such,” ncerns the “poetil flow of language,” effected by “stewg the subject s own juice.” Hurston’s subjects might be Bob Taft or High John Conquer, the folk hero out of Ai (“To some, he was a big, physil-lookg man like John Henry. To others, he was a ltle, hammered-down, low-built man like the Devil’s doll-baby”). Twice the llectn, Hurston wr about nos—as Black a subject as there ever was—ascribg social quali for the feature general and s racial-ethnic (Grecian, Anglo-Saxon, Ain) particulars. “I observe a great stir among the ladi of l’ht mon for if there were no nos, there would be no snubs and wh no snubs there would be no society,” she wr. Out of such disparatens—om nos to neo-spiruals—emerg a sense of the Hurstonian mo, assured and unobjective, yet preoccupied wh this “stewg,” and wh gettg the taxonomy down.</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="farria"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div><div class="RowWrapper-UmqTg HEhan full-bleed-ad row-mid-ntent-ad"><div class="StickyMidContentAdWrapper-fSBzwl drzyIa ad-stickymidntent"><div class="AdWrapper-dQtivb fZrssQ ad ad--mid-ntent should-hold-space"><div class="ad__slot ad__slot--mid-ntent" data-no-id="99ggff"></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="paywall">Hurston’s wrg is distguished, among other thgs, by the prevalence of the word “so,” which n often be found at the very begng of her sentenc and paragraphs. It’s the kd of tic a teacher (or an edor) gets rid of wh a red scribbled note. But Hurston wr, “Characteristics of Negro Exprsn,” that “ story tellg ‘so’ is universally the nnective,” a distct feature of Black storytellg. The word’s lloquial feel mouflag the thory of s teller, and for Hurston be a means of privilegg her own nclns before a rear has the chance of surmisg the terms of bate: “So the Negro begs feelg wh his fgers to fd himself the plastic arts”; “So this Rsian philosophy do not take wh .” Idm, which we might paraphrase as Hurston’s versn of a culturally nsc style, is not to be nfed wh dialect. Dialect is the stuff of vville, “full of ‘ams’ and ‘Is,’ ” as Hurston puts . The bad mic of dialect grat bee is untthful and, as Hurston wr the tle say, liv only a portn of s life on the mstrel stage.</p><p class="paywall">“You Don’t Know Us Negro” plac the performanc of the blackface edian Al Jolson alongsi a whole lerature of “Race Conscns,” those homogeno, hangdog tal about how Blacks talked and lived, peddled by whe and Black wrers alike. “While the whe wrers have been puttg the street that we lgh and lgh and hold no malice, the Negro wrers have set out to prove that we n pout,” Hurston wr. She was skeptil of tragic Black characters, but her crique was not the rallyg cry for “Black joy” that one often hears our time. A wrer found “nfg himself to the spectacular” leav his work cur, and cursy is a fatal mistake Hurston’s realm, whether you’re wrg a book on New Orleans voodoo or a llectn lled “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Uncle Tom’s Children</a>” and your name is Richard Wright. (“Not one act of unrstandg and sympathy to pass the entire work,” she wr, of Wright’s llectn.) Fet the “I” “I am not tragilly lored”—Hurston is “not tragilly lored,” bee, she argu, <em>no one</em> is. For her, the Black person of tragic circumstance existed only fictn, and the worst part was that the work wasn’t even good. “So the same old theme, the same old phras get done aga to the triment of art,” she wr. Meanwhile, what of Black life won’t whe publishers prt? Ordars—and Hurston craved . “The realizatn that Negro are no better nor no worse, and at tim jt as borg as everybody else, will hardly kill off the populatn of the natn,” she wr.</p><p class="paywall">We n trace variatns on this pot across many of the says this llectn, cludg a ten-part assignment that Hurston took, for the Ptsburgh <em>Courier</em>, begng 1952, verg the trial of Ruby J. McCollum. McCollum, a married Black mother of three Florida, was placed on trial for shootg her whe doctor ad. The <em>Courier’s</em> headl lean to “the spectacular” (“Victims of Fate!”), but Hurston’s wrg search for dividuals stead of stock typ. She offers readgs of the judge, of the lawyers, and of the gawkers om the lored parts of their towns who, like Hurston, were rtricted to the urtroom’s balny. But McCollum is Hurston’s most tertg subject bee she giv so ltle. Uncled to voke the tragic Negrs or the srned Jezebel, Hurston stead eagerly works to get McCollum on the page. The woman ss so motnls the urtroom that the wrer mt fixate on the tit of tails, like a flexg of the fgers on the hand that allegedly wield the gun. “The undiscerng uld ga the imprsn that this Ruby McCollum was different to her fate,” Hurston wr. At one pot, McCollum sighs and looks up. “In this one gture, one glimpsed the pattern of her whole life.” And Hurston was there to see .</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="ssgw7"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU 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summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="How Much Do Words Matter?" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Page-Turner</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">How Much Do Words Matter?</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="How Much Do Words Matter?" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">A scholar of medieval lerature believ that words ed the past n empower women the prent.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>S.C. Cornell</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm eamwqR" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Disciplg Power of Disappotment" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Unr Review</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">The Disciplg Power of Disappotment</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Disciplg Power of Disappotment" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">In a new book, Sara Marc argu that Amerin polics are fed by unfulfilled sire.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Keeanga-Yamahtta Taylor</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm eamwqR" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Inventn of a Neighborhood" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Letter om Brooklyn</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">The Inventn of a Neighborhood</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="The Inventn of a Neighborhood" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">In the early years of Brooklyn’s gentrifitn, a 1977 <em>New Yorker</em> piece by Jervis Anrson ptured the procs a eeze-ame. Those he terviewed were my neighbors.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Jonathan Lethem</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm eamwqR" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Diane Mehta Reads Eavan Boland" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Poetry Podst</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Diane Mehta Reads Eavan Boland</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Diane Mehta Reads Eavan Boland" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">The poet jos Kev Young to read and discs “The Lost Art of Letter Wrg,” by Eavan Boland, and her own poem “Landspe wh Double Bow.”</div></div></div><div class="AdWrapper-dQtivb fZrssQ SummaryCollectnGridSummaryItem-WColm eamwqR ad 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