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Roxane Gay lik to joke that even her opns have opns — which handy for her lumn The New York Tim. The Haian-Amerin wrer is fond of dark exploratns, but her work n also be funny and erotic. IDEAS Producer Mary Lynk speaks wh the formidable Ms. Gay about racism, survivg gang rape and what she lls the 'fetishizg of fivens.'

Contents:

ROXANE GAY, MASHA GSEN AMONG 2017 NATNAL BOOK CRICS CIRCLE FALISTS

* roxane gay playboy *

But, as wh Roxane Gay’s siarly sensual ntributn, the story’s real drama is psychologil. Other notable falists clu Roxane Gay, ced the Autobgraphy tegory for her harrowg memoir Hunger; Masha Gsen, who recently won the Natnal Book Award for her acclaimed nonfictn book The Future Is History; and poet Kev Young, nomated this time for his brilliant and prcient work of cricism, Bunk: The Rise of Hoax, Humbug, Plagiarists, Phoni, Post-Facts and Fake News.

FictnMohs Hamid, Ex Wt (Riverhead)Alice McDermott, The Nth Hour (FSG)Andhati Roy, The Mistry of Utmost Happs (Knopf)Joan Silber, Improvement (Counterpot)Jmyn Ward, Sg, Unburied, Sg (Scribner) NonfictnJack Davis, Gulf: The Makg of An Amerin Sea (Liveright/Norton)Franc FzGerald, The Evangelils: The Stggle to Shape Ameri (Simon & Schter)Masha Gsen, The Future is History: How Totalarianism Reclaimed Rsia (Riverhead)Kapka Kassabova, Borr: A Journey to the Edge of Europe (Graywolf)Adam Rutherford, A Brief History of Everyone Who Ever Lived (The Experiment) BgraphyCarole Fraser, Prairie Fir: The Life and Tim of Lra Ingalls Wilr (Henry Holt)Edmund Gordon, The Inventn of Angela Carter: A Bgraphy (Oxford)Howard Markel, The Kelloggs: The Battlg Brothers of Battle Creek (Pantheon)William Tbman, Gorbachev: His Life and Tim (Norton)Kenh Whyte, Hoover: An Extraordary Life Extraordary Tim (Knopf) AutobgraphyThi Bui, The Bt We Could Do: An Illtrated Memoir (Abrams)Roxane Gay, Hunger: A Memoir of (My) Body (Harper)Henry Marsh, Admissns: A Life Bra Surgery (St.

Is any wonr Roxane Gay has been dubbed by Playboy as the most important and most accsible femist cric of our time? Roxane Gay is not that. She was an edor for The Rump, found PANK lerary magaze, and is currently edor at Gay Mag.

CHAPTER 67: ROXANE GAY ON LSONS LOVE AND THE LETHAL LURE OF LIKEABILY

The ten facts you need to know about Roxane Gay, cludg life path number, birthstone, body stats, zodiac and worth. View tails that no one tells you about. * roxane gay playboy *

Growg up suburban Nebraska, Roxane Gay was a happy, straight-A stunt om a lovg fay. “Everythg I thought I knew was shattered, ” says Gay, 42, of the btal asslt a b the woods 1986. “I didn’t ever want to be over-powered aga, ” explas Gay, who reached 577 lbs.

WHY ROXANE GAY TURNED TO OVEREATG AFTER BEG GANG-RAPED AT AGE 12

Now, an astonishgly ndid new memoir, Hunger, excerpted exclively this week’s issue, Gay tails her emotnal journey and exam “how much sufferg is born of sexual vlence. For much more om Gay and an exclive excerpt om Hunger, please pick up this week’s issue of PEOPLE.

Hollars, Roxane Gay!, Marcia Aldrich, Ryan Van Meter, Bonnie J.

THE WORLD OF ROXANE GAY: A FIERCE VOICE WHAT SHE LLS 'AN AGE OF ELASTICY'

Roxane Gay shows how to be cent to ourselv, and cent to one another. At s simplt, ’s a memoir about beg fat — Gay’s preferred term — a hostile, fat-phobic world.

A memoir that’s so brave, so raw, feels as if [Gay]’s entstg you wh her soulSeattle Tim. Gay turns to memoir this powerful reflectn on her childhood trmas…Timely and ronant, you n be sure that Hunger will touch a nerve, as so much of Roxane Gay’s wrg do.

Gay ni that hers is a story of “triumph, ” but rears will be hard prsed to fd a better word. In 88 short, lucid chapters, Gay powerfully tak rears through reali that pa her, vex her, gui her, and rm her work.

ROXANE GAY: TOP 10 MT-KNOW FACTS ABOUT NON-FICTN AUTHOR

And on nearly every page, Gay’s raw, powerful prose plants a flag, facg down s of shame and self-loathg by reclaimg the body she never should have had to lose.

Gay, live your life. We all need to hear what Gay has to say the pag.... Gay says hers is not a succs story bee ’s not the weight-loss story our culture mands, but her breakg of her own silence, her movement om shame and self-loathg toward honorg and fivg and rg for herself, is self a profound Francis Chronicle.

Hunger is Gay at her most laceratg and probg....

ROXANE GAY

Anyone faiar wh Gay’s books or tweets knows she also wields a dagger-sharp Globe. Lord and Amanda Foreman and the femist thors Roxane Gay (a ntributg Opn wrer) and Gloria Steem, wh each of offerg ntext and mentary on Barbie’s place the past, prent and future of women’s liv. Warng | Content clus rape and Gay lik to joke that even her opns have opns — which handy for her often searg opn lumn  The New York Tim.

*BEAR-MAGAZINE.COM* ROXANE GAY PLAYBOY

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jssHut nsumer-marketg-un nsumer-marketg-un--display-hero" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-hero"></div><div class="journey-un"></div></div></div><div class="SpaceHolr-oayp fXtswJ ad-height-hold"></div><ma id="ma-ntent" tabx="-1" class="BasePageMaContent-kFvAuh ewPCZH page__ma-ntent"><article class="article ma-ntent" lang="en-US"><div class="ArticlePageLeBackground-EufvU tFsh"><hear class="ContentHearWrapper-clujbs bhNIJY ntent-hear article__ntent-hear"><div data-ttid="ContentHearContaer" class="ContentHearContaer-cGKRbE knDxNq"><div class="ContentHearHedAccredatnWrapper-GFiQf cDNVlV"><div data-ttid="ContentHearTleBlockWrapper" class="ContentHearTleBlockWrapper-cjmSKp jbzVNV"><div data-ttid="ContentHearRubric" class="ContentHearRubricBlock-LmpbT kkDiIx"><div data-ttid="ContentHearRubricDateBlock" class="ContentHearRubricDateBlock-kAQcZP fTFWxD"><div class="RubricWrapper-dKmCNX dZhWBL bric ContentHearRubricContaer-eTudtt iRsSlw"><a class="RubricLk-gRWSOU fgWnkQ bric__lk" href="/books/page-turner"><span class="RubricName-fVtemz cLxcNi">Page-Turner</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd NbxED hpJvIc">“Kk” Cononts the Challenge of Turng Sex Into Lerature</h1></div><div class="ContentHearAccredatn-lfctVB cKRKZx ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearByle-kmPyCa gvUmxJ"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearContributorImage-cvjZXn jKACOU"><picture class="RponsiveImagePicture-cWuUZO dUOtEa ContentHearContributorImage-cvjZXn jKACOU rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="66px"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="66px"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span><div class="ContentHearByleContent-dpPmNn DRFq"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl ContentHearByl-cZqgyJ bqbBYQ"><p class="ByleWrapper-jWHrLH ivtvgj byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span><a class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM ByleLk-gEnFiw iUEiRd ggMZaT cXqSTL eErqIx byle__name-lk button" href="/ntributors/katy-waldman">Katy Waldman</a></span></span></p></div><time data-ttid="ContentHearPublishDate" dateTime="2021-01-23T06:00:00-05:00" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearPublishDate-eIBicG iUEiRd kYZrFA kEBrdf">January 23, 2021</time></div></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ContentHearLeadAsset-hGbumP iWPCcH lead-asset ContentHearLeadAssetWrapper-hfXHEc fTrSlG lead-asset--width-smallle" data-ttid="ContentHearLeadAsset"><figure class="ContentHearLeadAssetContent-kOfYSG dRGWbI"><div class="ContentHearLeadAssetContentMedia-bLEIpi jjhWdS lead-asset__ntent__photo"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearRponsiveAsset-bREgIb khLUzS"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz gOkWog"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO KhjZz ContentHearRponsiveAsset-bREgIb khLUzS rponsive-image rponsive-image--expandable"><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w, 960w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/><img alt="A shirtls person s as they're tickled by a purple feather." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></div></div></span><div class="CaptnWrapper-jSZdqE iTuhkZ ptn ContentHearLeadAssetCaptn-hPWmSN kuCzGS"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">A perhaps irrencilable tensn exists between a good story about kk and a good story about <em>what kk means</em>.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Photograph by Elizabeth Renstrom</span></div></div></figure><div data-ttid="ContentHearLeadRailAnchor" class="ContentHearLeadRailAnchor-jYVcDc djtEof"></div></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU hQrwCF bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" 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22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo gkccfO">Save this story</span></button></div></div></div><div class="LightboxWrapper-dxsWBV hhylRt"><div class="ArticlePageChunksContent-etcMtP bwyLBj"><div data-ttid="ArticlePageChunks" class="ArticlePageChunks-fLyCVG Uozmo"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><p class="has-dropp has-dropp__lead-standard-headg">“I’ve been kneelg here about ten mut the sheer black bloe, the crotchls panti. I don’t dare get up long enough to check my makp. My back is straight, and my palms and cunt are trembly. The motn-sensor light outsi the hoe blks on, and then the door swgs open.” So begs a scene om “Emotnal Technologi,” by <a href=">Chris Krs</a>, one of the fifteen stori round up “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Kk</a>,” a new anthology of lerary fictn. The book mostly terprets kk—nontradnal sexual preference—to mean B.D.S.M., wh a smatterg of polyamory (and, puzzlgly, liaisons between trans or fluidly genred people). “Lerary fictn,” meanwhile, is a publicist’s phrase. Here, nods to the reputatn of the volume’s edors, <a href=">R. O. Kwon</a> and <a href=">Garth Greenwell</a>, and to the prtige of s ntributors, who clu <a href=">Alexanr Chee</a>, <a href=">Carmen Maria Machado</a>, and <a href=">Brandon Taylor</a>. (Skimmg the table of ntents njured, for me, the entrance to some publishg gala where place rds scribed wh gold lligraphy rt on whe tablecloths.) In an troductn, the edors wre of their hope to addrs kk as “a plex, psychologilly rich act of munitn” that rais “qutns of power, agency, inty.” The stori, other words, should do more than tillate. They should edify, challenge; they should buy you dner.</p><p class="paywall">That’s the goal. In realy, the tal s at var tersectns of smolr and technil acplishment. Many do exert an directns or subtlety that bends the straight le om longg to gratifitn. Of the entri, some are arrtg—the characters precise, the language vgly lh—and some are ert. Several ntributns evoke eroti, and a few manage to be both sexy <em>and</em> illumatg, although too much thoughtful terrogatn n dimish the sex, like explag a joke. What be clear is that a perhaps irrencilable tensn exists between a good story about kk and a good story about <em>what kk means</em>.</p><p class="paywall">Consir Krs’s entry, which I loved for the way prs the hard edge of theory agast the body’s soft surface. Dom-sub performance is “a b like what Ezra Pound imaged the Noh drama of Japan to be,” she wr, “a paradox which origaly is attaed only through pliance wh tradn.” Krs argu that sadomasochism tak the ruals of urtship lerally: “How many tim have I, has every heterosexual female this culture, spent evengs moong around our ho and apartments, psychilly stripped bare and on our kne while wag for ‘his’ ll?” But if rote or prcribed gtur n paradoxilly nfer eedom, they also brighten the challenge of craftg “lerature” out of kk. For Krs, the sadomasochistic enunter reprents a “mythic text,” which psychologil dynamics bee externalized: “everythg’s direct and on the surface . . . the master and the slave, the monster and the slut.” Stori that cut, as many of “Kk” ’s do, the other directn—toward metaphor, subtext, an terr world—nform to our ia of good fictn, but they also seem to waste an opportuny to explore kk as an <em>athetic.</em></p><p class="paywall">Of urse, there are myriad sensibili that might read as kky, jt as there are myriad ways to fe kk. But the book don’t offer precise fns of s subject, and so s athetics are also imprecise, fltg often to a diligent serns. Maly, the book btows visibily: on unnventnal sir, on the thors who pict them. Here is a married uple—an ex-Catholic woman and her vanilla hband—who arrange a ssn wh a domatrix; here is a sex worker, wh her “long, black, dark, and lovely wig,” and the boyish client who lls her “Ma’am” before he sucks her ck; here is a divorced gallery curator who, woog his girliend at a KkFt nventn, nceals a history of experimentatn wh his . You might secretly wa and hope for the acknowledgment of your own proclivy—who wouldn’t—but ’s also pretty clear that part of the book’s allure flows om what uld (charably) be lled cursy, or (uncharably) voyrism. This isn’t unique to “Kk,” of urse. On some level, to read anythg is to prs your face to the keyhole of other people’s fantasi.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">What you see, this se, is how kk n be ed to nnect, vent, play, or hi, to flect real vulnerabily wh a staged submissn. The llectn’s strongt stori, rememberg that sex also tak place the bra, twist the mental and the physil to a Möbi strip. In “The Cure,” by <a href=">Melissa Febos</a>, a prsive character releas herself om worryg about her lover’s fort, unceremonly sendg him away whenever he poor kissg technique or expects too much tenrns. The scen of terurse are spare and efficient. It is not until afterward, when the woman is alone, that a warmth and lyricism enter the prose: “the asm was ep and silent, the kd that opens a room the body and then fills wh light.” Taylor’s story, “Oh, Youth,” seems almost to glisten wh physil cravg. It’s set a place of manicured bety, wh pools and lawns and terrac, and the narrator is alert to both his and his iends’ bodi, noticg their nostrils, nails, sacra, the fe hair on their forearms. But, as wh Roxane Gay’s siarly sensual ntributn, the story’s real drama is psychologil. Both thors explore the huiatn of lovg others, and what patience and privacy those others are owed.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">The obligatns that timacy creat form a surprisg through le “Kk.” For all s rnch, the book is very much a study of tst. Greenwell’s story, “Gospodar”—which also appears his novel--stori “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Cleanns</a>,” om 2020—speaks om the wreckage of that tst. After the narrator meets up wh another man, the teractn reens, at first imperceptibly but then unstoppably, om stimulatg to predatory. The story’s work is to show how blurry the edge between appropriate and appropriate behavr—an edge fed entirely by nsent—n seem om whout, and yet how unniable s vlatn feels to the lover, who is now, also, a survivor. But Greenwell’s narrator—his survivor—do not settle for long this new inty. Havg ped, bleedg and weepg, to the street, he uneasily imag the moment which his boundari will aga disappear: “I felt wh a new fear how ltle sense of myself I have, how there was no end to what I uld want or to the punishment I would seek.”</p><p class="paywall">Greenwell monstrat how the extremy—the perceived borrlsns—of sadomasochistic practice n be ed to jtify harm. But, readg “Kk,” I started to thk not jt about the perimeters of acceptable actns but about the perimeters of thorized <em>feelg</em>. For centuri, lerature has been nsired a realm of exquise and epic emotns: love, hate, joy, grief. In her 2005 book, “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">Ugly Feelgs</a>,” however, the cric Sianne Ngai argu that ntemporary fictn serv regnn for evokg such “unprtig feelgs” as irratn and anxiety. “Kk” almost reads as a ntuatn of this project, a bid to add lt or aroal to the sue of celebrated “lerary” rpons. (In this, the edors honor a long leage of wrers, om the Marquis Sa to Mary Gaskill.) The pot is not to perfectly elucidate kk as a ncept but to lower the drawbridge of lerary value—to the unapologetilly porny “Bt Friendster Date Ever,” by Chee (which prevly appeared “<a data-offer-url=" class="external-lk" data-event-click="{"element":"ExternalLk","outgogURL":"" href=" rel="nofollow noopener" target="_blank">The Bt Amerin Eroti 2007</a>”); to the prickly, sctive “Safeword,” by Kwon (which was published, 2017, <em>Playboy</em>); to “The Lost Performance of the High Prits of the Temple of Horror,” by Machado, a tale as bted to bodice rippers as is to the velvet butcheri of Angela Carter.</p><p class="paywall">In some s, the regnn is overdue. And yet I would be remiss if I did not mentn that several of the stori “Kk” are abysmally bad. You n pursue the , nsequenc, and metaphors of B.D.S.M. so studly that the acts themselv bee domtited. (Also, several entri are rife wh cliché—and not the liberatg kd.) It’s cur that the llectn clar s subject to be kk, not sex; dog so embeds the gathered work a firmament of norms and inti rather than one of hungers, sensatns. But maybe this is by sign; as the rear’s md tracks back and forth between bodi and fns, she begs to see those fns’ flimss, and to wonr about the unexprsed pths that live each of . Cultural judgments are never fixed, and the imprecisn of the word “kk” some ways echo the imprecisn of the word “lerature,” which pends on a superfluy of tth or bety that is impossible to p down. In that way, at least, art is exactly like smut: you know when you see .</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box ArticlePageSplAdRail-OyjwD jikppc"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="ArticlePageSplAdRailContent-jsltpq iZDmmY spl-ad-rail-ntent"><div class="ArticlePageSplAdRailTop-jUrrVY jzzFg"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="z5i4rl5"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot 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grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div 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siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="100vw"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span></a></div><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/katy-waldman">Katy Waldman</a> is a staff wrer at <em>The New Yorker</em>.</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd bPyAoD kQQRmu">More:</span><a href="/tag/books" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Books</span></a><a href="/tag/lerature" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Lerature</span></a><a href="/tag/sex" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Sex</span></a><a href="/tag/roxane-gay" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Roxane Gay</span></a><a href="/tag/alexanr-chee" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Alexanr Chee</span></a><a href="/tag/chris-krs" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Chris Krs</span></a></div></div></div></div><div data-ttid="ContentFooterBottom" class="ContentFooterBottom-jwWZfC kcbyiW"><div class="ContentFooterNewsletterContentWrapper-bmjtna kixtae"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="NewsletterSubscribeFormWrapper" class="NewsletterSubscribeFormWrapper-fCqqkN jKSBhE newsletter-subscribe-form ContentFooterNewsletterForm-hKeYwa liPqcf"><div data-ttid="NewsletterSubscribeFormHedDekWrapper" class="NewsletterSubscribeFormHedDekWrapper-fpMElW eglIBL"><h3 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summary-em__image-lk summary-em-trackg__image-lk" href="/books/page-turner/what-a-lost-psych-ward-memoir-teach--about-madns" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="What a Lost Psych-Ward Memoir Teach Us About Madns" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Page-Turner</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-1" data-recirc-pattern="summary-em" href="/books/page-turner/what-a-lost-psych-ward-memoir-teach--about-madns" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">What a Lost Psych-Ward Memoir Teach Us About Madns</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/books/page-turner/what-a-lost-psych-ward-memoir-teach--about-madns" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-1" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="What a Lost Psych-Ward Memoir Teach Us About Madns" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">“W-3,” Bette Howland’s acunt of her stutnalizatn, 1968, proceeds acrdg to a simple bary: those who suffer are patients; those who don’t are not.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Katy Waldman</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff ewgXAt summary-em summary-em--article summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm dqlGhv" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/books/page-turner/a-lifetime-of-lsons--mrs-dalloway" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="A Lifetime of Lsons “Mrs. Dalloway”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Page-Turner</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href="/books/page-turner/a-lifetime-of-lsons--mrs-dalloway" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">A Lifetime of Lsons “Mrs. Dalloway”</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/books/page-turner/a-lifetime-of-lsons--mrs-dalloway" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="A Lifetime of Lsons “Mrs. Dalloway”" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Wh each readg, some fotten facet of Woolf’s novel to light.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Jenny Offill</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff ewgXAt summary-em summary-em--evio summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm dqlGhv" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 720w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 480w" siz="100vw"/><img alt="How One Polygamo Fay Changed the Law" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Vio</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">How One Polygamo Fay Changed the Law</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 720w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 480w" siz="100vw"/><img alt="How One Polygamo Fay Changed the Law" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k summary-em__k--isCneVio">The Darger fay, a hband and three wiv wh twenty-five children, fought to crimalize polygamy Utah—and won.</div></div></div><div class="SummaryItemWrapper-iwvBff ewgXAt summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right summary-em--layout-proportns-33-66 summary-em--si-by-si-align-center summary-em--si-by-si-image-right-mobile-false summary-em--standard SummaryCollectnGridSummaryItem-WColm dqlGhv" role="button" tabx="0"><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Why Barbie Mt Be Punished" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl bcywvc summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">The Weekend Essay</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-4" data-recirc-pattern="summary-em" href=" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">Why Barbie Mt Be Punished</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href=" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Why Barbie Mt Be Punished" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Mothers, dghters, and an in’s existential crisis.</div><div class="SummaryItemByleWrapper-boCfbi cuRXdL summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div 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