Marv Gaye: 'I was terribly disillned wh life' | Soul | The Guardian

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• MARV GAYE’S WIFE REVEALS HOW HE TORTURED HER
• SEXUAL HEALGMARV GAYETRACK 2 ON MIDNIGHT LOVE PRODUCED BYMARV GAYERELEASED 1982, “SEXUAL HEALG” IS ONE OF MARV GAYE’S MOST POPULAR SONGS, AND HIS LAST TO REACH THE TOP 20 THE US, UK AND ATRALIA. IT WON THE GRAMMY AWARD FOR… READ MORE SEP. 30, 19821 VIEWER264.8K VIEWS49 CONTRIBUTORSSEXUAL HEALG LYRICS[INTRO]GET UP, GET UP, GET UP, GET UPWAKE UP, WAKE UP, WAKE UP, WAKE UPOH BABY, NOW LET'S GET DOWN TONIGHTOOH[VERSE 1]BABY I'M HOT JT LIKE AN OVEN (HEAL ME, MY DARLG)I NEED SOME LOV' (HEAL ME, MY DARLG)AND BABY, I N'T HOLD MUCH LONGER (HEAL ME, MY DARLG)IT'S GETTG STRONGER AND STRONGER (HEAL ME, MY DARLG)[CHOS]AND WHEN I GET THAT FEELGI WANT SEXUAL HEALGSEXUAL HEALG, OH BABYMAK ME FEEL SO FEHELPS TO RELIEVE MY MDSEXUAL HEALG, BABY, IS GOOD FOR MESEXUAL HEALG IS SOMETHG THAT'S GOOD FOR ME[BRIDGE]WHENEVER BLUE TEARDROPS ARE FALLGAND MY EMOTNAL STABILY IS LEAVG METHERE IS SOMETHG I N DOI N GET ON THE TELEPHONE AND LL YOU UP, BABY, ANDHONEY, I KNOW YOU'LL BE THERE TO RELIEVE METHE LOVE YOU GIVE TO ME WILL EE MEIF YOU DON'T KNOW THE THG YOU'RE ALGOH, I N TELL YOU, DARLG, THAT 'S SEXUAL HEALGYOU MIGHT ALSO LIKE[BREAK](GET UP, GET UP, GET UP, GET UP)LET'S MAKE LOVE TONIGHT(WAKE UP, WAKE UP, WAKE UP, WAKE UP)'CSE YOU DO RIGHT[VERSE 2]BABY, I GOT SICK THIS MORNG (HEAL ME, MY DARLG)A SEA WAS STORMG SI OF ME (HEAL ME, MY DARLG)BABY, I THK I'M PSIZG (HEAL ME, MY DARLG)THE WAV ARE RISG AND RISG (HEAL ME, MY DARLG)[CHOS]AND WHEN I GET THAT FEELGI WANT SEXUAL HEALGSEXUAL HEALG IS GOOD FOR MEMAK ME FEEL SO FE, 'S SUCH A SHHELPS TO RELIEVE THE MD, AND 'S GOOD FOR SEXUAL HEALG, BABY, 'S GOOD FOR MESEXUAL HEALG IS SOMETHG THAT'S GOOD FOR ME[BRIDGE]AND 'S GOOD FOR ME, AND 'S SO GOOD TO MEMY BABY, OHHHCOME TAKE NTROL, JT GRAB A HOLDOF MY BODY AND MD, SOON WE'LL BE MAKG , HONEYOH, WE'RE FEELG FEYOU'RE MY MEDICE, OPEN UP AND LET ME DARLG, YOU'RE SO GREATI N'T WA FOR YOU TO OPERATE[BREAK](HEAL ME, MY DARLG)I N'T WA FOR YOU TO OPERATE[CHOS]WHEN I GET THIS FEELG (HEAL ME, MY DARLG)I NEED SEXUAL HEALGOH, WHEN I GET THIS FEELG (HEAL ME, MY DARLG)I NEED SEXUAL HEALGI GOTTA HAVE SEXUAL HEALG, DARLG (HEAL ME, MY DARLG)'CSE I'M ALL ALONEI NEED SEXUAL HEALG, DARLG (HEAL ME, MY DARLG)'TIL YOU E BACK HOMEPLEASE DON'T PROCRASTATE (HEAL ME, MY DARLG)IT'S NOT GOOD TO MASTURBATE18EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT
• LET’S GET IT ONMARV GAYETRACK 1 ON LET’S GET IT ON PRODUCED BYMARV GAYE & ED TOWNSEND“LET’S GET IT ON” IS A CEPTIVELY SIMPLE CLARATN OF SEX-POSIVY, RELEASED AT A TIME WHEN SUCH STATEMENTS WERE REVOLUTNARY. IT IS EVEN MORE IMPRSIVE WHEN ONE… READ MORE JUN. 15, 19731 VIEWER224.6K VIEWS45 CONTRIBUTORSLET’S GET IT ON LYRICS[VERSE 1]I'VE BEEN REALLY TRYG, BABYTRYG TO HOLD BACK THIS FEELG FOR SO LONGAND IF YOU FEEL LIKE I FEEL, BABYTHEN E ON, OH, E ON, OOH[CHOS]LET'S GET ON, OW BABYLET'S GET ON, LET'S LOVE, BABYLET'S GET ON, SUGARLET'S GET ON, WOO[VERSE 2]WE'RE ALL SENSIVE PEOPLE WH SO MUCH TO GIVEUNRSTAND ME, SUGARSCE WE GOT TO BE HERE, LET'S LIVE, I LOVE YOUTHERE'S NOTHG WRONG WH ME LOVG YOU, BABY, NO, NOAND GIVG YOURSELF TO ME N NEVER BE WRONGIF THE LOVE IS TE, OH, BABY, OOH[BRIDGE]DON'T YOU KNOW HOW SWEET AND WONRFUL LIFE N BE, OOH-OOHI'M ASKG YOU, BABY, TO GET ON WH ME, OOH-OOH-OOHI A'T GONNA WORRY, I A'T GONNA PH, I WON'T PH YOU, BABYSO E ON, E ON, E ON, E ON, E ON, BABYSTOP BEATG 'ROUND THE BH, HEYYOU MIGHT ALSO LIKE[VERSE 3]LET'S GET ON, LET'S GET ONYOU KNOW WHAT I'M TALK' 'BOUTCOME ON, BABY, HEY, LET YOUR LOVE E OUTIF YOU BELIEVE LOVELET'S GET ON, OOH, LET'S GET ON BABYTHIS MUTE, OH YEAH, LET'S GET ONPLEASE, LET'S GET ON, HEY, HEY[BRIDGE]I KNOW YOU KNOW WHAT I BEEN DREAM' OF, DON'T YOU, BABY?MY WHOLE BODY WANTS THAT FEEL' OF LOVE, OH, HELP ME, WOOI A'T GONNA WORRY, NO, I A'T GONNA PHI WON'T PH YOU, BABY, WOOCOME ON, E ON, E ON, E ON, DARLGSTOP BEAT' 'ROUND THE BH, HEY[REA]OH, GONNA GET ON, THREATEN' YOU, BABYI WANNA GET ONYOU DON'T HAVE TO WORRY THAT 'S WRONGIF THE SPIR MOV YOULET ME GROOVE YOU GOODLET YOUR LOVE E DOWNOH, GET ON, E ON, BABYDO YOU KNOW THE MEANG?OF BEG SANCTIFIED, HEY, HEYGIRL, YOU GIVE ME GOOD FEELGSO GOOD, SOMETH' LIKE SANCTIFIEDOH, DO RIGHT, BABYNOTHG WRONG WH LOVEIF YOU WANT TO LOVE ME, JT LET YOURSELF GOOH BABY, LET'S GET ON RIGHT NOW24EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT
• 10 SURPRISG FACTS ABOUT MARV GAYE
• MARV {LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:600;MARG-BOTTOM:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:0.875REM;LE-HEIGHT:1.2;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:1.25REM;LE-HEIGHT:1.2;}} A{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:HER;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;} A:HOVER{LOR:#A00000;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL {MARG-BOTTOM:0.625REM;PADDG-RIGHT:0.3125REM;LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;} SPAN{LE-HEIGHT:1.6;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;}{FONT-STYLE:NORMAL;PADDG-RIGHT:0.3125REM;FONT-FAY:RALAS,GEIA,TIM,SERIF;LOR:#323232;FONT-SIZE:0.75REM;LE-HEIGHT:1.3;FONT-WEIGHT:BOLD;TEXT-TRANSFORM:PALIZE;}{DISPLAY:LE-BLOCK;TEXT-TRANSFORM:UPPERSE;MARG-LEFT:0.625REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}UPDATED: APR 19, {DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;}{MARG-BOTTOM:0.9375REM;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 64REM){{MAX-WIDTH:LC(100VW - (1REM * 2));MARG-LEFT:1REM;MARG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(-1 * 1REM);}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MARG-LEFT:TO;MARG-RIGHT:TO;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC((100VW - (LC(20.625REM * 2 - 1REM) - 2 * 1REM)) / -2);}}@MEDIA(M-WIDTH: 61.25REM) AND (MAX-WIDTH: 90REM){{MAX-WIDTH:LC(20.625REM * 2 - 1REM);MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / 2);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / -2) - 1REM);}}@MEDIA(M-WIDTH: 90REM){{MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 2);MAX-WIDTH:LC(20.625REM * 2 - 1REM);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 + 1REM)) / -2) - LC(2 * 1REM));}[DATA-HAS-SPONSOR] {MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);MARG-RIGHT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);}}{JTIFY-SELF:CENTER;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 48REM){{MARG-LEFT:-50VW;MARG-RIGHT:-50VW;WIDTH:100VW;LEFT:50%;RIGHT:50%;}}{HEIGHT:TO;}@MEDIA(MAX-WIDTH: 48REM){{MARG:TO LC(50% - 50VW);}}@MEDIA(M-WIDTH: 48REM){{MARG:TO;}}{POSN:RELATIVE;HEIGHT:TO;}{POSN:RELATIVE;--POSN:ABSOLUTE;HEIGHT:TO;} IMG{MAX-WIDTH:100%;HEIGHT:TO;} A{POSN:ABSOLUTE;}{POSN:RELATIVE;WIDTH:100%;HEIGHT:100%;OBJECT-F:VER;VERTIL-ALIGN:TOP;}{BACKGROUND:#C92228;BOTTOM:0;PADDG:.5REM;RIGHT:0;}@MEDIA(M-WIDTH: 64REM){{PADDG:0.39REM;}}{DISPLAY:BLOCK;HEIGHT:1REM;WIDTH:1REM;}@MEDIA(M-WIDTH: 64REM){{WIDTH:1.063REM;HEIGHT:1.063REM;}}{LE-HEIGHT:1;MARG-TOP:0.3125REM;}@MEDIA(MAX-WIDTH: 73.75REM){{PADDG-LEFT:0.9375REM;}}@MEDIA(M-WIDTH: 64REM){{PADDG-LEFT:0;}}{PADDG-RIGHT:0.3125REM;LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}PHOTO: NBCU PHOTO BANK/GETTY {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;PADDG-LEFT:0REM;PADDG-RIGHT:0REM;POSN:RELATIVE;}@MEDIA(M-WIDTH: 48REM){{PADDG-LEFT:3.5REM;PADDG-RIGHT:3.5REM;}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MAX-WIDTH:45.25REM;MARG-LEFT:TO;MARG-RIGHT:TO;}}@MEDIA(M-WIDTH: 61.25REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 73.75REM) AND (MAX-WIDTH: 100REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 90REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;}{CLEAR:BOTH;NTENT:" ";DISPLAY:BLOCK;FONT-SIZE:0.7REM;LE-HEIGHT:1.5REM;HEIGHT:0REM;VISIBILY:HIDN;}{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;}(1939-1984){LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:800;LETTER-SPACG:0.02EM;MARG-BOTTOM:0.625REM;MARG-TOP:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:1.875REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 64REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;}WHO WAS MARV GAYE?MARV GAYE SANG HIS FATHER'S CHURCH AND THE MOONGLOWS BEFORE SIGNG WH MOTOWN. HE RERD SONGS BY SMOKEY ROBSON BEFORE BEG HIS OWN PRODUCER ON THE PROTT ALBUM WHAT'S GOG ON (1971). GAYE'S LATER RERDS VELOPED HIS PRODUCTN STYLE AND YIELD SEVERAL HS, CLUDG "LET'S GET IT ON," "SEXUAL HEALG" AND "I HEARD THROUGH THE GRAPEVE." GAYE WAS KILLED 1984 DURG A DOMTIC DISPUTE WH HIS FATHER.EARLY LIFESGER MARV PENTZ GAYE, JR., ALSO KNOWN AS THE "PRCE OF SOUL," WAS BORN WASHGTON, D.C., ON APRIL 2, 1939. GAYE WAS RAISED UNR THE STRICT NTROL OF HIS FATHER, REVEREND MARV GAY SR.—MARV GAYE JR. ADD THE "E" ON THE END OF HIS NAME LATER LIFE—THE MISTER AT A LOL CHURCH, AGAST A BLEAK BACKDROP OF WISPREAD VLENCE HIS NEIGHBORHOOD. THROUGHOUT HIS CHILDHOOD, GAYE OFTEN FOUND PEACE MIC, MASTERG THE PIANO AND DMS AT A YOUNG AGE. UNTIL HIGH SCHOOL, HIS SGG EXPERIENCE WAS LIMED TO CHURCH REVIVALS, BUT SOON HE VELOPED A LOVE FOR R&B AND DOO-WOP THAT WOULD SET THE FOUNDATN FOR HIS REER. IN THE LATE 1950S, GAYE JOED A VOL GROUP LLED THE NEW MOONGLOWS. THE TALENTED SGER HAD A PHENOMENAL RANGE THAT SPANNED THREE VOL STYL AND HE SOON IMPRSED THE GROUP'S FOUNR, HARVEY FUQUA. IT WASN'T LONG BEFORE GAYE AND FUQUA BOTH ME TO THE ATTENTN OF DETRO MIC IMPRAR {-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:#A00000;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;}{LOR:#595959;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}BERRY GORDY JR. AND WERE SIGNED TO GORDY'S LEGENDARY MOTOWN RERDS.MOTOWN RERDSGAYE'S FIRST CERTIFIED H UNR HIS OWN NAME WOULDN'T E UNTIL 1962, BUT HIS EARLY YEARS AT MOTOWN WERE FULL OF BEHD-THE-SCEN SUCCS. HE WAS A SSN DMMER FOR MOTOWN LEGENDS SUCH AS LTLE STEVIE WONR, THE SUPREM, THE MARVELETT AND MARTHA AND THE VANLLAS. SHOWG HIS STRIP AS MOTOWN'S RENAISSANCE MAN, GAYE WENT ON TO BREAK TO THE TOP 40 FOR THE FIRST TIME ON HIS OWN 1962 WH HIS SOLO SGLE "HCH HIKE." THROUGHOUT THE 1960S, GAYE WOULD SHOW HIS IMMENSE RANGE, CHURNG OUT SOLO DANCE HS AND ROMANTIC DUETS WH H-MAKERS LIKE DIANA ROSS AND MARY WELLS. "CAN I GET A WNS" AND "I HEARD THROUGH THE GRAPEVE" WERE SOME OF GAYE'S BIGGT HS OF THE PERD, THE LATTER ACHIEVG S PLACE AS MOTOWN'S BT-SELLG SGLE OF THE 1960S. FOR THREE HIGH-FLYG YEARS, GAYE AND TAMMI TERRELL WOWED THE UNTRY WH THEIR SOARG DUET PERFORMANC OF SONGS LIKE "A'T NO MOUNTA HIGH ENOUGH" AND "IF I COULD BUILD MY WHOLE WORLD AROUND YOU." UNFORTUNATELY, THEIR REIGN AS THE ROYAL COUPLE OF R&B END WHEN TERRELL SUCCUMBED TO A BRA TUMOR 1970. HIS BELOVED PARTNER'S ATH HERED A DARK PERD FOR THE SGER, WHO SWORE NEVER TO PARTNER WH ANOTHER FEMALE VOLIST AND THREATENED TO ABANDON THE STAGE FOR GOOD.POLIL MSAGEIN 1970, SPIRED BY LATG VLENCE AND POLIL UNRT OVER THE VIETNAM WAR, GAYE WROTE THE LANDMARK SONG "WHAT'S GOG ON." DPE CLASH WH MOTOWN OVER THE SONG'S CREATIVE DIRECTN, THE SGLE WAS RELEASED 1971 AND BEME AN STANT SMASH. ITS SUCCS PROMPTED GAYE TO TAKE EVEN MORE RISKS, BOTH MILLY AND POLILLY. WHEN WAS RELEASED THE SPRG OF 1971, THE WHAT'S GOG ON ALBUM SERVED TO OPEN GAYE UP TO NEW DIENC WHILE MATAG HIS MOTOWN FOLLOWG. DEPARTG OM THE TRIED AND TE MOTOWN FORMULA, GAYE WENT OUT ON HIS OWN ARTISTILLY, PAVG THE WAY FOR OTHER MOTOWN ARTISTS LIKE WONR AND MICHAEL JACKSON TO BRANCH OUT LATER YEARS. BEYOND FLUENCG HIS PEERS, THE ALBUM GARNERED WISPREAD CRIL ACCLAIM, WNG THE ROLLG STONE ALBUM OF THE YEAR AWARD.CROSSOVER SUCCSIN 1972, GAYE MOVED TO LOS ANGEL AND SOON MET JANIS HUNTER, WHO WOULD LATER BEE HIS SEND WIFE. INSPIRED PART BY HIS NEWFOUND PENNCE, GAYE RERD ONE OF THE MOST REVERED LOVE ANTHEMS OF ALL TIME, "LET'S GET IT ON." THE SONG BEME HIS SEND NO. 1 BILLBOARD H, CEMENTG HIS CROSSOVER APPEAL ONCE AND FOR ALL. SHORTLY AFTERWARDS, MOTOWN PHED GAYE TO TOURG TO PALIZE ON HIS MOST RECENT SUCCS; RELUCTANTLY THE SGER-SONGWRER RETURNED TO THE STAGE. THROUGH MOST OF THE MID-1970S, GAYE WAS TOURG, LLABORATG OR PRODUCG. WORKG WH DIANA ROSS AND THE MIRACL, HE PUT OFF RELEASG ANOTHER SOLO ALBUM UNTIL 1976. HE NTUED TOURG AFTER THE RELEASE OF I WANT YOU (1976) AND, AFTER SRG A NO. 1 H 1977 WH THE DANCE SGLE "GOT TO GIVE IT UP," RELEASED HIS LAST ALBUM FOR MOTOWN RERDS (HERE, MY DEAR) 1978. (DES LATER, "GOT TO GIVE IT UP" WOULD BEE THE CENTER OF A BIG NTROVERSY. IN 2013, GAYE'S TATE ASSERTED THAT PRODUCER/SONGWRER PHARRELL WILLIAMS AND SGER/SONGWRER ROB THICKE HAD MTED PYRIGHT GEMENT BY TAKG MAJOR MIL ELEMENTS OM THE DIS TRACK FOR THE MEGA-H "BLURRED L." AFTER A SE WHICH THICKE TTIFIED THAT HE'D HAD LTLE TO DO WH THE WRG OF THE SONG, THE JURY LED FAVOR OF GAYE'S FAY, WHO WERE AWARD $7.3 LN DAMAG AND PROF SHAR. THE JURY ALSO LED THAT NEHER WILLIAMS OR THICKE HAD PURPOSELY MTED GEMENT.) AFTER TWO S AT MOTOWN, GAYE SIGNED WH CBS'S COLUMBIA RERDS 1982 AND BEGAN TO WORK ON HIS LAST ALBUM, MIDNIGHT LOVE. THE LEAD SGLE OM THAT ALBUM, "SEXUAL HEALG," BEME A HUGE EBACK H FOR THE R&B STAR AND EARNED HIM HIS FIRST TWO GRAMMY AWARDS AND AN AMERIN MIC AWARD FOR FAVORE SOUL SGLE.PERSONAL LIFEIN 1975, GAYE'S WIFE ANNA GORDY—BERRY GORDY'S SISTER—FILED FOR DIVORCE, AND TWO YEARS LATER GAYE MARRIED HUNTER, WHO HAD BY THEN GIVEN BIRTH TO THEIR DGHTER, NONA (BORN SEPTEMBER 4, 1974) AND THEIR SON FRANKIE (BORN NOVEMBER 16, 1975). GAYE ALSO HAD AN ADOPTED SON (MARV PENTZ GAYE III) OM HIS PREV MARRIAGE. THE SGER'S MARRIAGE TO HUNTER PROVED SHORT LIVED AND TUMULTUO, ENDG DIVORCE 1981.DEATH AND LEGACYDPE HIS SUCCSFUL EBACK THE EARLY 1980S, GAYE STGGLED BADLY WH THE SUBSTANCE ABE AND BOUTS OF PRSN THAT HAD PLAGUED HIM FOR MOST OF HIS LIFE. AFTER HIS LAST TOUR, HE MOVED TO HIS PARENTS' HOE. THERE HE AND HIS FATHER FELL TO A PATTERN OF VLENT FIGHTS AND QUARRELS THAT RELLED NFLICTS THAT HAD HNTED THE FAY FOR S. ON APRIL 1, 1984, MARV GAYE SR. SHOT AND KILLED HIS SON AFTER A PHYSIL ALTERTN; THE FATHER CLAIMED HE ACTED SELF-FENSE BUT WOULD LATER BE NVICTED OF VOLUNTARY MANSLGHTER. THREE YEARS AFTER HIS ATH, GAYE WAS DUCTED TO THE ROCK AND ROLL HALL OF FAME. CREATG BETIFUL ART OM A TROUBLED LIFE, GAYE AGA AND AGA BROUGHT HIS VISN, RANGE AND ARTISTRY TO THE WORLD STAGE. AT THE END OF HIS REER, HE ADMTED HE NO LONGER MA MIC FOR PLEASURE; STEAD, HE SAID, "I RERD SO THAT I N FEED PEOPLE WHAT THEY NEED, WHAT THEY FEEL. HOPEFULLY, I RERD SO THAT I N HELP SOMEONE OVERE A BAD TIME."{BORR:0;BORR-BOTTOM:TH SOLID BLACK;MARG:1.875REM 0;CLEAR:BOTH;}QUICK {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;MARG:0.9375REM 0 0 0.625REM;PADDG:0 0 0 1.25REM;}@MEDIA(M-WIDTH: 48REM){{MARG:0.9375REM 0;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;} LI{PADDG-BOTTOM:0.625REM;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;} LI::MARKER{LOR:#323232;}NAME: MARV GAYEBIRTH YEAR: 1939BIRTH DATE: APRIL 2, 1939BIRTH CY: WASHGTON, D. C.BIRTH COUNTRY: UNED STATGENR: MALEBT KNOWN FOR: MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL THEM.INDTRIPOPASTROLOGIL SIGN: ARIINTERTG FACTSBEFORE MAKG AS A SOLO ARTIST, MARV GAYE PLAYED DMS FOR ARTISTS SUCH AS STEVIE WONR AND THE SUPREM.DEATH YEAR: 1984DEATH DATE: APRIL 1, 1984DEATH STATE: CALIFORNIADEATH CY: LOS ANGELDEATH COUNTRY: UNED STATFACT CHECKWE STRIVE FOR ACCURACY AND YOU SEE SOMETHG THAT DON'T LOOK RIGHT,NTACT !CITATION INFORMATIONARTICLE TLE: MARV GAYE BGRAPHYAUTHOR: EDORSWEBSE NAME: THE WEBSEURL: ACCS DATE: PUBLISHER: A&E; TELEVISN NETWORKSLAST UPDATED: APRIL 19, 2021ORIGAL PUBLISHED DATE: APRIL 2, 2014QUOTES
• MARV GAYE: 'I WAS TERRIBLY DISILLNED WH LIFE'
• I HEARD IT THROUGH THE GRAPEVEMARV GAYETRACK 4 ON IN THE GROOVE/I HEARD IT THROUGH THE GRAPEVE PRODUCED BYNORMAN WHFIELD“I HEARD IT THROUGH THE GRAPEVE” WAS ORIGALLY A SONG WRTEN BY NORMAN WHFIELD AND BARRETT STRONG FOR MOTOWN RERDS 1966, AND MA FAMO BY MARV GAYE A… READ MORE AUG. 26, 19681 VIEWER148.6K VIEWS39 CONTRIBUTORSI HEARD IT THROUGH THE GRAPEVE LYRICS[VERSE 1]OOH-OOH, I BET YOU'RE WONRG HOW I KNEW'BOUT YOUR PLANS TO MAKE ME BLUEWH SOME OTHER GUY YOU KNEW BEFOREBETWEEN THE TWO OF GUYSYOU KNOW I LOVE YOU MOREIT TOOK ME BY SURPRISE, I MT SAYWHEN I FOUND OUT YTERDAYDON'T YOU KNOW THAT[CHOS]I HEARD THROUGH THE GRAPEVENOT MUCH LONGER WOULD YOU BE MEOH, I HEARD THROUGH THE GRAPEVEOH, I'M JT ABOUT TO LOSE MY MDHONEY, HONEY, YEAH (HEARD THROUGH THE GRAPEVE, NOT MUCH LONGER WOULD YOU BE MY BABY)[VERSE 2]I KNOW A MAN A'T SUPPOSED TO CRYBUT THE TEARS, I N'T HOLD SILOSG YOU WOULD END MY LIFE, YOU SEE'CSE YOU MEAN THAT MUCH TO MEYOU ULD HAVE TOLD ME YOURSELFTHAT YOU LOVE SOMEONE ELSEINSTEADYOU MIGHT ALSO LIKE[CHOS]I HEARD THROUGH THE GRAPEVENOT MUCH LONGER WOULD YOU BE MEOH, I HEARD THROUGH THE GRAPEVEAND I'M JT ABOUT TO LOSE MY MDHONEY, HONEY, YEAH (HEARD THROUGH THE GRAPEVE, NOT MUCH LONGER WOULD YOU BE MY BABY)[VERSE 3]PEOPLE SAY BELIEVE HALF OF WHAT YOU SEESON, AND NONE OF WHAT YOU HEARBUT I N'T HELP BEG NFEDIF 'S TE PLEASE TELL ME, ARDO YOU PLAN TO LET ME GOFOR THE OTHER GUY YOU LOVED BEFORE?DON'T YOU KNOW[CHOS]I HEARD THROUGH THE GRAPEVENOT MUCH LONGER WOULD YOU BE ME, BABYI HEARD THROUGH THE GRAPEVEOOH, I'M JT ABOUT TO LOSE MY MDHONEY, HONEY, YEAH (HEARD THROUGH THE GRAPEVE, NOT MUCH LONGER WOULD YOU BE MY BABY)[OUTRO](YEAH, YEAH, YEAH)HONEY, HONEY, I KNOW (HEARD THROUGH THE GRAPEVE, NOT MUCH LONGER WOULD YOU BE MY BABY)THAT YOU'RE LETTG ME GO (YEAH, YEAH, YEAH)SAID I HEARD THROUGH THE GRAPEVE (HEARD THROUGH THE GRAPEVE, NOT MUCH LONGER WOULD YOU BE MY BABY)OOH, HEARD THROUGH THE GRAPEVE (YEAH, YEAH, YEAH)8EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT

MARV GAYE’S WIFE REVEALS HOW HE TORTURED HER

Janis Hunter was a mother of two her early 20s when her longtime lover, father of her children and one of the world’s most lted-after soul sgers, Marv Gaye, suggted an amoro liaison wh another uple. The four had been smokg weed and snortg e when Gaye noticed the pair sizg her up.

SEXUAL HEALGMARV GAYETRACK 2 ON MIDNIGHT LOVE PRODUCED BYMARV GAYERELEASED 1982, “SEXUAL HEALG” IS ONE OF MARV GAYE’S MOST POPULAR SONGS, AND HIS LAST TO REACH THE TOP 20 THE US, UK AND ATRALIA. IT WON THE GRAMMY AWARD FOR… READ MORE SEP. 30, 19821 VIEWER264.8K VIEWS49 CONTRIBUTORSSEXUAL HEALG LYRICS[INTRO]GET UP, GET UP, GET UP, GET UPWAKE UP, WAKE UP, WAKE UP, WAKE UPOH BABY, NOW LET'S GET DOWN TONIGHTOOH[VERSE 1]BABY I'M HOT JT LIKE AN OVEN (HEAL ME, MY DARLG)I NEED SOME LOV' (HEAL ME, MY DARLG)AND BABY, I N'T HOLD MUCH LONGER (HEAL ME, MY DARLG)IT'S GETTG STRONGER AND STRONGER (HEAL ME, MY DARLG)[CHOS]AND WHEN I GET THAT FEELGI WANT SEXUAL HEALGSEXUAL HEALG, OH BABYMAK ME FEEL SO FEHELPS TO RELIEVE MY MDSEXUAL HEALG, BABY, IS GOOD FOR MESEXUAL HEALG IS SOMETHG THAT'S GOOD FOR ME[BRIDGE]WHENEVER BLUE TEARDROPS ARE FALLGAND MY EMOTNAL STABILY IS LEAVG METHERE IS SOMETHG I N DOI N GET ON THE TELEPHONE AND LL YOU UP, BABY, ANDHONEY, I KNOW YOU'LL BE THERE TO RELIEVE METHE LOVE YOU GIVE TO ME WILL EE MEIF YOU DON'T KNOW THE THG YOU'RE ALGOH, I N TELL YOU, DARLG, THAT 'S SEXUAL HEALGYOU MIGHT ALSO LIKE[BREAK](GET UP, GET UP, GET UP, GET UP)LET'S MAKE LOVE TONIGHT(WAKE UP, WAKE UP, WAKE UP, WAKE UP)'CSE YOU DO RIGHT[VERSE 2]BABY, I GOT SICK THIS MORNG (HEAL ME, MY DARLG)A SEA WAS STORMG SI OF ME (HEAL ME, MY DARLG)BABY, I THK I'M PSIZG (HEAL ME, MY DARLG)THE WAV ARE RISG AND RISG (HEAL ME, MY DARLG)[CHOS]AND WHEN I GET THAT FEELGI WANT SEXUAL HEALGSEXUAL HEALG IS GOOD FOR MEMAK ME FEEL SO FE, 'S SUCH A SHHELPS TO RELIEVE THE MD, AND 'S GOOD FOR SEXUAL HEALG, BABY, 'S GOOD FOR MESEXUAL HEALG IS SOMETHG THAT'S GOOD FOR ME[BRIDGE]AND 'S GOOD FOR ME, AND 'S SO GOOD TO MEMY BABY, OHHHCOME TAKE NTROL, JT GRAB A HOLDOF MY BODY AND MD, SOON WE'LL BE MAKG , HONEYOH, WE'RE FEELG FEYOU'RE MY MEDICE, OPEN UP AND LET ME DARLG, YOU'RE SO GREATI N'T WA FOR YOU TO OPERATE[BREAK](HEAL ME, MY DARLG)I N'T WA FOR YOU TO OPERATE[CHOS]WHEN I GET THIS FEELG (HEAL ME, MY DARLG)I NEED SEXUAL HEALGOH, WHEN I GET THIS FEELG (HEAL ME, MY DARLG)I NEED SEXUAL HEALGI GOTTA HAVE SEXUAL HEALG, DARLG (HEAL ME, MY DARLG)'CSE I'M ALL ALONEI NEED SEXUAL HEALG, DARLG (HEAL ME, MY DARLG)'TIL YOU E BACK HOMEPLEASE DON'T PROCRASTATE (HEAL ME, MY DARLG)IT'S NOT GOOD TO MASTURBATE18EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT

After, Gaye projected his joy at the event onto Hunter. The next night, when the other uple returned for more, Gaye’s enthiasm had bee somethg else. She refed, the uple left and Gaye told her how he really felt about the fantasy that his proddg had ma real.

Marv and Jan GayeCourty of Jan Gaye. “After the Dance, ” a memoir by Gaye’s mistrs-turned-wife Jan Gaye, wrten wh David Rz, rells a love affair propelled by jt the sorts of md gam. Marv Gaye’s immense, unniable talent for sgg and songwrg, and his equally impossible-to-dismiss sex appeal, were acpanied by creasgly heavy dg e — eebasg e eventually did him — and erratic moods, a nstant tug of war between thrills, love, lt and terror.

LET’S GET IT ONMARV GAYETRACK 1 ON LET’S GET IT ON PRODUCED BYMARV GAYE & ED TOWNSEND“LET’S GET IT ON” IS A CEPTIVELY SIMPLE CLARATN OF SEX-POSIVY, RELEASED AT A TIME WHEN SUCH STATEMENTS WERE REVOLUTNARY. IT IS EVEN MORE IMPRSIVE WHEN ONE… READ MORE JUN. 15, 19731 VIEWER224.6K VIEWS45 CONTRIBUTORSLET’S GET IT ON LYRICS[VERSE 1]I'VE BEEN REALLY TRYG, BABYTRYG TO HOLD BACK THIS FEELG FOR SO LONGAND IF YOU FEEL LIKE I FEEL, BABYTHEN E ON, OH, E ON, OOH[CHOS]LET'S GET ON, OW BABYLET'S GET ON, LET'S LOVE, BABYLET'S GET ON, SUGARLET'S GET ON, WOO[VERSE 2]WE'RE ALL SENSIVE PEOPLE WH SO MUCH TO GIVEUNRSTAND ME, SUGARSCE WE GOT TO BE HERE, LET'S LIVE, I LOVE YOUTHERE'S NOTHG WRONG WH ME LOVG YOU, BABY, NO, NOAND GIVG YOURSELF TO ME N NEVER BE WRONGIF THE LOVE IS TE, OH, BABY, OOH[BRIDGE]DON'T YOU KNOW HOW SWEET AND WONRFUL LIFE N BE, OOH-OOHI'M ASKG YOU, BABY, TO GET ON WH ME, OOH-OOH-OOHI A'T GONNA WORRY, I A'T GONNA PH, I WON'T PH YOU, BABYSO E ON, E ON, E ON, E ON, E ON, BABYSTOP BEATG 'ROUND THE BH, HEYYOU MIGHT ALSO LIKE[VERSE 3]LET'S GET ON, LET'S GET ONYOU KNOW WHAT I'M TALK' 'BOUTCOME ON, BABY, HEY, LET YOUR LOVE E OUTIF YOU BELIEVE LOVELET'S GET ON, OOH, LET'S GET ON BABYTHIS MUTE, OH YEAH, LET'S GET ONPLEASE, LET'S GET ON, HEY, HEY[BRIDGE]I KNOW YOU KNOW WHAT I BEEN DREAM' OF, DON'T YOU, BABY?MY WHOLE BODY WANTS THAT FEEL' OF LOVE, OH, HELP ME, WOOI A'T GONNA WORRY, NO, I A'T GONNA PHI WON'T PH YOU, BABY, WOOCOME ON, E ON, E ON, E ON, DARLGSTOP BEAT' 'ROUND THE BH, HEY[REA]OH, GONNA GET ON, THREATEN' YOU, BABYI WANNA GET ONYOU DON'T HAVE TO WORRY THAT 'S WRONGIF THE SPIR MOV YOULET ME GROOVE YOU GOODLET YOUR LOVE E DOWNOH, GET ON, E ON, BABYDO YOU KNOW THE MEANG?OF BEG SANCTIFIED, HEY, HEYGIRL, YOU GIVE ME GOOD FEELGSO GOOD, SOMETH' LIKE SANCTIFIEDOH, DO RIGHT, BABYNOTHG WRONG WH LOVEIF YOU WANT TO LOVE ME, JT LET YOURSELF GOOH BABY, LET'S GET ON RIGHT NOW24EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT

Janis Hunter met Marv Gaye when she was 17. Her mother, Barbara, was iends wh Ed Townsend, Gaye’s producer, and he brought her to the stud to watch Gaye rerd. Hunter rells her first time seeg Gaye person.

Hunter met Gaye when she was jt 17.

At the time, Gaye was tranged om his wife, Anna Gordy, sister of Motown imprar Berry Gordy. Motown was Gaye’s rerd label, and both Gordys had played an outsized role Gaye’s reer.

10 SURPRISG FACTS ABOUT MARV GAYE

Mutually enamored, Gaye brought Hunter to an Italian rtrant Hollywood, where he bribed the waer $20 to brg his unrage date aprit sours. Soon after, they ma love for the first time Gaye’s sparse one-bedroom apartment, which had a “hio gold uch” where Gaye’s assistant, a junkie named Abe, had taken up rince.

Soon, Hunter began to see how Gaye thrived on the emotnal turmoil of those around him and learned the pth of his jealoy and posssivens. Hunter says that Gaye clearly wanted her pregnant, and she did nothg to prevent .

Hunter would have a dghter and son wh Gaye by the time she was 22. Courty of Jan Gaye.

MARV {LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:600;MARG-BOTTOM:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:0.875REM;LE-HEIGHT:1.2;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:1.25REM;LE-HEIGHT:1.2;}} A{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:HER;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;} A:HOVER{LOR:#A00000;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL {MARG-BOTTOM:0.625REM;PADDG-RIGHT:0.3125REM;LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;} SPAN{LE-HEIGHT:1.6;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;}{FONT-STYLE:NORMAL;PADDG-RIGHT:0.3125REM;FONT-FAY:RALAS,GEIA,TIM,SERIF;LOR:#323232;FONT-SIZE:0.75REM;LE-HEIGHT:1.3;FONT-WEIGHT:BOLD;TEXT-TRANSFORM:PALIZE;}{DISPLAY:LE-BLOCK;TEXT-TRANSFORM:UPPERSE;MARG-LEFT:0.625REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}UPDATED: APR 19, {DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;}{MARG-BOTTOM:0.9375REM;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 64REM){{MAX-WIDTH:LC(100VW - (1REM * 2));MARG-LEFT:1REM;MARG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(-1 * 1REM);}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MARG-LEFT:TO;MARG-RIGHT:TO;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC((100VW - (LC(20.625REM * 2 - 1REM) - 2 * 1REM)) / -2);}}@MEDIA(M-WIDTH: 61.25REM) AND (MAX-WIDTH: 90REM){{MAX-WIDTH:LC(20.625REM * 2 - 1REM);MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / 2);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / -2) - 1REM);}}@MEDIA(M-WIDTH: 90REM){{MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 2);MAX-WIDTH:LC(20.625REM * 2 - 1REM);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 + 1REM)) / -2) - LC(2 * 1REM));}[DATA-HAS-SPONSOR] {MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);MARG-RIGHT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);}}{JTIFY-SELF:CENTER;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 48REM){{MARG-LEFT:-50VW;MARG-RIGHT:-50VW;WIDTH:100VW;LEFT:50%;RIGHT:50%;}}{HEIGHT:TO;}@MEDIA(MAX-WIDTH: 48REM){{MARG:TO LC(50% - 50VW);}}@MEDIA(M-WIDTH: 48REM){{MARG:TO;}}{POSN:RELATIVE;HEIGHT:TO;}{POSN:RELATIVE;--POSN:ABSOLUTE;HEIGHT:TO;} IMG{MAX-WIDTH:100%;HEIGHT:TO;} A{POSN:ABSOLUTE;}{POSN:RELATIVE;WIDTH:100%;HEIGHT:100%;OBJECT-F:VER;VERTIL-ALIGN:TOP;}{BACKGROUND:#C92228;BOTTOM:0;PADDG:.5REM;RIGHT:0;}@MEDIA(M-WIDTH: 64REM){{PADDG:0.39REM;}}{DISPLAY:BLOCK;HEIGHT:1REM;WIDTH:1REM;}@MEDIA(M-WIDTH: 64REM){{WIDTH:1.063REM;HEIGHT:1.063REM;}}{LE-HEIGHT:1;MARG-TOP:0.3125REM;}@MEDIA(MAX-WIDTH: 73.75REM){{PADDG-LEFT:0.9375REM;}}@MEDIA(M-WIDTH: 64REM){{PADDG-LEFT:0;}}{PADDG-RIGHT:0.3125REM;LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}PHOTO: NBCU PHOTO BANK/GETTY {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;PADDG-LEFT:0REM;PADDG-RIGHT:0REM;POSN:RELATIVE;}@MEDIA(M-WIDTH: 48REM){{PADDG-LEFT:3.5REM;PADDG-RIGHT:3.5REM;}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MAX-WIDTH:45.25REM;MARG-LEFT:TO;MARG-RIGHT:TO;}}@MEDIA(M-WIDTH: 61.25REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 73.75REM) AND (MAX-WIDTH: 100REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 90REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;}{CLEAR:BOTH;NTENT:" ";DISPLAY:BLOCK;FONT-SIZE:0.7REM;LE-HEIGHT:1.5REM;HEIGHT:0REM;VISIBILY:HIDN;}{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;}(1939-1984){LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:800;LETTER-SPACG:0.02EM;MARG-BOTTOM:0.625REM;MARG-TOP:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:1.875REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 64REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;}WHO WAS MARV GAYE?MARV GAYE SANG HIS FATHER'S CHURCH AND THE MOONGLOWS BEFORE SIGNG WH MOTOWN. HE RERD SONGS BY SMOKEY ROBSON BEFORE BEG HIS OWN PRODUCER ON THE PROTT ALBUM WHAT'S GOG ON (1971). GAYE'S LATER RERDS VELOPED HIS PRODUCTN STYLE AND YIELD SEVERAL HS, CLUDG "LET'S GET IT ON," "SEXUAL HEALG" AND "I HEARD THROUGH THE GRAPEVE." GAYE WAS KILLED 1984 DURG A DOMTIC DISPUTE WH HIS FATHER.EARLY LIFESGER MARV PENTZ GAYE, JR., ALSO KNOWN AS THE "PRCE OF SOUL," WAS BORN WASHGTON, D.C., ON APRIL 2, 1939. GAYE WAS RAISED UNR THE STRICT NTROL OF HIS FATHER, REVEREND MARV GAY SR.—MARV GAYE JR. ADD THE "E" ON THE END OF HIS NAME LATER LIFE—THE MISTER AT A LOL CHURCH, AGAST A BLEAK BACKDROP OF WISPREAD VLENCE HIS NEIGHBORHOOD. THROUGHOUT HIS CHILDHOOD, GAYE OFTEN FOUND PEACE MIC, MASTERG THE PIANO AND DMS AT A YOUNG AGE. UNTIL HIGH SCHOOL, HIS SGG EXPERIENCE WAS LIMED TO CHURCH REVIVALS, BUT SOON HE VELOPED A LOVE FOR R&B AND DOO-WOP THAT WOULD SET THE FOUNDATN FOR HIS REER. IN THE LATE 1950S, GAYE JOED A VOL GROUP LLED THE NEW MOONGLOWS. THE TALENTED SGER HAD A PHENOMENAL RANGE THAT SPANNED THREE VOL STYL AND HE SOON IMPRSED THE GROUP'S FOUNR, HARVEY FUQUA. IT WASN'T LONG BEFORE GAYE AND FUQUA BOTH ME TO THE ATTENTN OF DETRO MIC IMPRAR {-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:#A00000;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;}{LOR:#595959;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}BERRY GORDY JR. AND WERE SIGNED TO GORDY'S LEGENDARY MOTOWN RERDS.MOTOWN RERDSGAYE'S FIRST CERTIFIED H UNR HIS OWN NAME WOULDN'T E UNTIL 1962, BUT HIS EARLY YEARS AT MOTOWN WERE FULL OF BEHD-THE-SCEN SUCCS. HE WAS A SSN DMMER FOR MOTOWN LEGENDS SUCH AS LTLE STEVIE WONR, THE SUPREM, THE MARVELETT AND MARTHA AND THE VANLLAS. SHOWG HIS STRIP AS MOTOWN'S RENAISSANCE MAN, GAYE WENT ON TO BREAK TO THE TOP 40 FOR THE FIRST TIME ON HIS OWN 1962 WH HIS SOLO SGLE "HCH HIKE." THROUGHOUT THE 1960S, GAYE WOULD SHOW HIS IMMENSE RANGE, CHURNG OUT SOLO DANCE HS AND ROMANTIC DUETS WH H-MAKERS LIKE DIANA ROSS AND MARY WELLS. "CAN I GET A WNS" AND "I HEARD THROUGH THE GRAPEVE" WERE SOME OF GAYE'S BIGGT HS OF THE PERD, THE LATTER ACHIEVG S PLACE AS MOTOWN'S BT-SELLG SGLE OF THE 1960S. FOR THREE HIGH-FLYG YEARS, GAYE AND TAMMI TERRELL WOWED THE UNTRY WH THEIR SOARG DUET PERFORMANC OF SONGS LIKE "A'T NO MOUNTA HIGH ENOUGH" AND "IF I COULD BUILD MY WHOLE WORLD AROUND YOU." UNFORTUNATELY, THEIR REIGN AS THE ROYAL COUPLE OF R&B END WHEN TERRELL SUCCUMBED TO A BRA TUMOR 1970. HIS BELOVED PARTNER'S ATH HERED A DARK PERD FOR THE SGER, WHO SWORE NEVER TO PARTNER WH ANOTHER FEMALE VOLIST AND THREATENED TO ABANDON THE STAGE FOR GOOD.POLIL MSAGEIN 1970, SPIRED BY LATG VLENCE AND POLIL UNRT OVER THE VIETNAM WAR, GAYE WROTE THE LANDMARK SONG "WHAT'S GOG ON." DPE CLASH WH MOTOWN OVER THE SONG'S CREATIVE DIRECTN, THE SGLE WAS RELEASED 1971 AND BEME AN STANT SMASH. ITS SUCCS PROMPTED GAYE TO TAKE EVEN MORE RISKS, BOTH MILLY AND POLILLY. WHEN WAS RELEASED THE SPRG OF 1971, THE WHAT'S GOG ON ALBUM SERVED TO OPEN GAYE UP TO NEW DIENC WHILE MATAG HIS MOTOWN FOLLOWG. DEPARTG OM THE TRIED AND TE MOTOWN FORMULA, GAYE WENT OUT ON HIS OWN ARTISTILLY, PAVG THE WAY FOR OTHER MOTOWN ARTISTS LIKE WONR AND MICHAEL JACKSON TO BRANCH OUT LATER YEARS. BEYOND FLUENCG HIS PEERS, THE ALBUM GARNERED WISPREAD CRIL ACCLAIM, WNG THE ROLLG STONE ALBUM OF THE YEAR AWARD.CROSSOVER SUCCSIN 1972, GAYE MOVED TO LOS ANGEL AND SOON MET JANIS HUNTER, WHO WOULD LATER BEE HIS SEND WIFE. INSPIRED PART BY HIS NEWFOUND PENNCE, GAYE RERD ONE OF THE MOST REVERED LOVE ANTHEMS OF ALL TIME, "LET'S GET IT ON." THE SONG BEME HIS SEND NO. 1 BILLBOARD H, CEMENTG HIS CROSSOVER APPEAL ONCE AND FOR ALL. SHORTLY AFTERWARDS, MOTOWN PHED GAYE TO TOURG TO PALIZE ON HIS MOST RECENT SUCCS; RELUCTANTLY THE SGER-SONGWRER RETURNED TO THE STAGE. THROUGH MOST OF THE MID-1970S, GAYE WAS TOURG, LLABORATG OR PRODUCG. WORKG WH DIANA ROSS AND THE MIRACL, HE PUT OFF RELEASG ANOTHER SOLO ALBUM UNTIL 1976. HE NTUED TOURG AFTER THE RELEASE OF I WANT YOU (1976) AND, AFTER SRG A NO. 1 H 1977 WH THE DANCE SGLE "GOT TO GIVE IT UP," RELEASED HIS LAST ALBUM FOR MOTOWN RERDS (HERE, MY DEAR) 1978. (DES LATER, "GOT TO GIVE IT UP" WOULD BEE THE CENTER OF A BIG NTROVERSY. IN 2013, GAYE'S TATE ASSERTED THAT PRODUCER/SONGWRER PHARRELL WILLIAMS AND SGER/SONGWRER ROB THICKE HAD MTED PYRIGHT GEMENT BY TAKG MAJOR MIL ELEMENTS OM THE DIS TRACK FOR THE MEGA-H "BLURRED L." AFTER A SE WHICH THICKE TTIFIED THAT HE'D HAD LTLE TO DO WH THE WRG OF THE SONG, THE JURY LED FAVOR OF GAYE'S FAY, WHO WERE AWARD $7.3 LN DAMAG AND PROF SHAR. THE JURY ALSO LED THAT NEHER WILLIAMS OR THICKE HAD PURPOSELY MTED GEMENT.) AFTER TWO S AT MOTOWN, GAYE SIGNED WH CBS'S COLUMBIA RERDS 1982 AND BEGAN TO WORK ON HIS LAST ALBUM, MIDNIGHT LOVE. THE LEAD SGLE OM THAT ALBUM, "SEXUAL HEALG," BEME A HUGE EBACK H FOR THE R&B STAR AND EARNED HIM HIS FIRST TWO GRAMMY AWARDS AND AN AMERIN MIC AWARD FOR FAVORE SOUL SGLE.PERSONAL LIFEIN 1975, GAYE'S WIFE ANNA GORDY—BERRY GORDY'S SISTER—FILED FOR DIVORCE, AND TWO YEARS LATER GAYE MARRIED HUNTER, WHO HAD BY THEN GIVEN BIRTH TO THEIR DGHTER, NONA (BORN SEPTEMBER 4, 1974) AND THEIR SON FRANKIE (BORN NOVEMBER 16, 1975). GAYE ALSO HAD AN ADOPTED SON (MARV PENTZ GAYE III) OM HIS PREV MARRIAGE. THE SGER'S MARRIAGE TO HUNTER PROVED SHORT LIVED AND TUMULTUO, ENDG DIVORCE 1981.DEATH AND LEGACYDPE HIS SUCCSFUL EBACK THE EARLY 1980S, GAYE STGGLED BADLY WH THE SUBSTANCE ABE AND BOUTS OF PRSN THAT HAD PLAGUED HIM FOR MOST OF HIS LIFE. AFTER HIS LAST TOUR, HE MOVED TO HIS PARENTS' HOE. THERE HE AND HIS FATHER FELL TO A PATTERN OF VLENT FIGHTS AND QUARRELS THAT RELLED NFLICTS THAT HAD HNTED THE FAY FOR S. ON APRIL 1, 1984, MARV GAYE SR. SHOT AND KILLED HIS SON AFTER A PHYSIL ALTERTN; THE FATHER CLAIMED HE ACTED SELF-FENSE BUT WOULD LATER BE NVICTED OF VOLUNTARY MANSLGHTER. THREE YEARS AFTER HIS ATH, GAYE WAS DUCTED TO THE ROCK AND ROLL HALL OF FAME. CREATG BETIFUL ART OM A TROUBLED LIFE, GAYE AGA AND AGA BROUGHT HIS VISN, RANGE AND ARTISTRY TO THE WORLD STAGE. AT THE END OF HIS REER, HE ADMTED HE NO LONGER MA MIC FOR PLEASURE; STEAD, HE SAID, "I RERD SO THAT I N FEED PEOPLE WHAT THEY NEED, WHAT THEY FEEL. HOPEFULLY, I RERD SO THAT I N HELP SOMEONE OVERE A BAD TIME."{BORR:0;BORR-BOTTOM:TH SOLID BLACK;MARG:1.875REM 0;CLEAR:BOTH;}QUICK {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;MARG:0.9375REM 0 0 0.625REM;PADDG:0 0 0 1.25REM;}@MEDIA(M-WIDTH: 48REM){{MARG:0.9375REM 0;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;} LI{PADDG-BOTTOM:0.625REM;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;} LI::MARKER{LOR:#323232;}NAME: MARV GAYEBIRTH YEAR: 1939BIRTH DATE: APRIL 2, 1939BIRTH CY: WASHGTON, D. C.BIRTH COUNTRY: UNED STATGENR: MALEBT KNOWN FOR: MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL THEM.INDTRIPOPASTROLOGIL SIGN: ARIINTERTG FACTSBEFORE MAKG AS A SOLO ARTIST, MARV GAYE PLAYED DMS FOR ARTISTS SUCH AS STEVIE WONR AND THE SUPREM.DEATH YEAR: 1984DEATH DATE: APRIL 1, 1984DEATH STATE: CALIFORNIADEATH CY: LOS ANGELDEATH COUNTRY: UNED STATFACT CHECKWE STRIVE FOR ACCURACY AND YOU SEE SOMETHG THAT DON'T LOOK RIGHT,NTACT !CITATION INFORMATIONARTICLE TLE: MARV GAYE BGRAPHYAUTHOR: EDORSWEBSE NAME: THE WEBSEURL: ACCS DATE: PUBLISHER: A&E; TELEVISN NETWORKSLAST UPDATED: APRIL 19, 2021ORIGAL PUBLISHED DATE: APRIL 2, 2014QUOTES

Gaye was tranged om his wife Anna Gordy when he met Hunter.

MARV GAYE: 'I WAS TERRIBLY DISILLNED WH LIFE'

Gordy and Hunter briefly met once, and Gordy told Gaye to never brg “” to her home Imag.

“I jt want to see what someone like you looks like, ” Gordy told her, before turng to addrs Gaye.

Hunter found herself pregnant soon after and noticed a troublg tenncy Gaye.

I HEARD IT THROUGH THE GRAPEVEMARV GAYETRACK 4 ON IN THE GROOVE/I HEARD IT THROUGH THE GRAPEVE PRODUCED BYNORMAN WHFIELD“I HEARD IT THROUGH THE GRAPEVE” WAS ORIGALLY A SONG WRTEN BY NORMAN WHFIELD AND BARRETT STRONG FOR MOTOWN RERDS 1966, AND MA FAMO BY MARV GAYE A… READ MORE AUG. 26, 19681 VIEWER148.6K VIEWS39 CONTRIBUTORSI HEARD IT THROUGH THE GRAPEVE LYRICS[VERSE 1]OOH-OOH, I BET YOU'RE WONRG HOW I KNEW'BOUT YOUR PLANS TO MAKE ME BLUEWH SOME OTHER GUY YOU KNEW BEFOREBETWEEN THE TWO OF GUYSYOU KNOW I LOVE YOU MOREIT TOOK ME BY SURPRISE, I MT SAYWHEN I FOUND OUT YTERDAYDON'T YOU KNOW THAT[CHOS]I HEARD THROUGH THE GRAPEVENOT MUCH LONGER WOULD YOU BE MEOH, I HEARD THROUGH THE GRAPEVEOH, I'M JT ABOUT TO LOSE MY MDHONEY, HONEY, YEAH (HEARD THROUGH THE GRAPEVE, NOT MUCH LONGER WOULD YOU BE MY BABY)[VERSE 2]I KNOW A MAN A'T SUPPOSED TO CRYBUT THE TEARS, I N'T HOLD SILOSG YOU WOULD END MY LIFE, YOU SEE'CSE YOU MEAN THAT MUCH TO MEYOU ULD HAVE TOLD ME YOURSELFTHAT YOU LOVE SOMEONE ELSEINSTEADYOU MIGHT ALSO LIKE[CHOS]I HEARD THROUGH THE GRAPEVENOT MUCH LONGER WOULD YOU BE MEOH, I HEARD THROUGH THE GRAPEVEAND I'M JT ABOUT TO LOSE MY MDHONEY, HONEY, YEAH (HEARD THROUGH THE GRAPEVE, NOT MUCH LONGER WOULD YOU BE MY BABY)[VERSE 3]PEOPLE SAY BELIEVE HALF OF WHAT YOU SEESON, AND NONE OF WHAT YOU HEARBUT I N'T HELP BEG NFEDIF 'S TE PLEASE TELL ME, ARDO YOU PLAN TO LET ME GOFOR THE OTHER GUY YOU LOVED BEFORE?DON'T YOU KNOW[CHOS]I HEARD THROUGH THE GRAPEVENOT MUCH LONGER WOULD YOU BE ME, BABYI HEARD THROUGH THE GRAPEVEOOH, I'M JT ABOUT TO LOSE MY MDHONEY, HONEY, YEAH (HEARD THROUGH THE GRAPEVE, NOT MUCH LONGER WOULD YOU BE MY BABY)[OUTRO](YEAH, YEAH, YEAH)HONEY, HONEY, I KNOW (HEARD THROUGH THE GRAPEVE, NOT MUCH LONGER WOULD YOU BE MY BABY)THAT YOU'RE LETTG ME GO (YEAH, YEAH, YEAH)SAID I HEARD THROUGH THE GRAPEVE (HEARD THROUGH THE GRAPEVE, NOT MUCH LONGER WOULD YOU BE MY BABY)OOH, HEARD THROUGH THE GRAPEVE (YEAH, YEAH, YEAH)8EMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUT

” Anytime they discsed their child, Gaye referred to him as a boy, and exprsed a preference for such. Hunter suffered a misrriage, and Gaye nsoled her by tellg her, “God giv and God tak away. Hunter’s first words to Gaye upon his seeg the child were, “I’m sorry.

Gaye plimented Nona’s bety and pared to Hunter’s, but Hunter saw the disappotment his ey. But if Gaye grew quickly acceptg of his dghter, his attu toward Hunter — specifilly her new, jt-gave-birth body — changed. Gaye got over his body hangups (for a while), and they settled to fay life, spendg their days high on ke and pot as Gaye wrote and produced new mic.

Gee Clton and Bernie Worrell would often drop by to shoot hoops and drop acid wh Gaye. She didn’t tell Gaye for fear of startg a fight, but time, she learned the effect may have been oppose.