Motown's Tragic Omen: Tammi Terrell Collaps Into Marv Gaye's Arms

Contents:

• MARV GAYE’S WIFE REVEALS HOW HE TORTURED HER
• MARV {LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:600;MARG-BOTTOM:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:0.875REM;LE-HEIGHT:1.2;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:1.25REM;LE-HEIGHT:1.2;}} A{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:HER;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;} A:HOVER{LOR:#A00000;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL {MARG-BOTTOM:0.625REM;PADDG-RIGHT:0.3125REM;LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;} SPAN{LE-HEIGHT:1.6;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;}{FONT-STYLE:NORMAL;PADDG-RIGHT:0.3125REM;FONT-FAY:RALAS,GEIA,TIM,SERIF;LOR:#323232;FONT-SIZE:0.75REM;LE-HEIGHT:1.3;FONT-WEIGHT:BOLD;TEXT-TRANSFORM:PALIZE;}{DISPLAY:LE-BLOCK;TEXT-TRANSFORM:UPPERSE;MARG-LEFT:0.625REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}UPDATED: APR 19, {DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;}{MARG-BOTTOM:0.9375REM;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 64REM){{MAX-WIDTH:LC(100VW - (1REM * 2));MARG-LEFT:1REM;MARG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(-1 * 1REM);}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MARG-LEFT:TO;MARG-RIGHT:TO;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC((100VW - (LC(20.625REM * 2 - 1REM) - 2 * 1REM)) / -2);}}@MEDIA(M-WIDTH: 61.25REM) AND (MAX-WIDTH: 90REM){{MAX-WIDTH:LC(20.625REM * 2 - 1REM);MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / 2);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / -2) - 1REM);}}@MEDIA(M-WIDTH: 90REM){{MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 2);MAX-WIDTH:LC(20.625REM * 2 - 1REM);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 + 1REM)) / -2) - LC(2 * 1REM));}[DATA-HAS-SPONSOR] {MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);MARG-RIGHT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);}}{JTIFY-SELF:CENTER;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 48REM){{MARG-LEFT:-50VW;MARG-RIGHT:-50VW;WIDTH:100VW;LEFT:50%;RIGHT:50%;}}{HEIGHT:TO;}@MEDIA(MAX-WIDTH: 48REM){{MARG:TO LC(50% - 50VW);}}@MEDIA(M-WIDTH: 48REM){{MARG:TO;}}{POSN:RELATIVE;HEIGHT:TO;}{POSN:RELATIVE;--POSN:ABSOLUTE;HEIGHT:TO;} IMG{MAX-WIDTH:100%;HEIGHT:TO;} A{POSN:ABSOLUTE;}{POSN:RELATIVE;WIDTH:100%;HEIGHT:100%;OBJECT-F:VER;VERTIL-ALIGN:TOP;}{BACKGROUND:#C92228;BOTTOM:0;PADDG:.5REM;RIGHT:0;}@MEDIA(M-WIDTH: 64REM){{PADDG:0.39REM;}}{DISPLAY:BLOCK;HEIGHT:1REM;WIDTH:1REM;}@MEDIA(M-WIDTH: 64REM){{WIDTH:1.063REM;HEIGHT:1.063REM;}}{LE-HEIGHT:1;MARG-TOP:0.3125REM;}@MEDIA(MAX-WIDTH: 73.75REM){{PADDG-LEFT:0.9375REM;}}@MEDIA(M-WIDTH: 64REM){{PADDG-LEFT:0;}}{PADDG-RIGHT:0.3125REM;LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}PHOTO: NBCU PHOTO BANK/GETTY {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;PADDG-LEFT:0REM;PADDG-RIGHT:0REM;POSN:RELATIVE;}@MEDIA(M-WIDTH: 48REM){{PADDG-LEFT:3.5REM;PADDG-RIGHT:3.5REM;}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MAX-WIDTH:45.25REM;MARG-LEFT:TO;MARG-RIGHT:TO;}}@MEDIA(M-WIDTH: 61.25REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 73.75REM) AND (MAX-WIDTH: 100REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 90REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;}{CLEAR:BOTH;NTENT:" ";DISPLAY:BLOCK;FONT-SIZE:0.7REM;LE-HEIGHT:1.5REM;HEIGHT:0REM;VISIBILY:HIDN;}{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;}(1939-1984){LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:800;LETTER-SPACG:0.02EM;MARG-BOTTOM:0.625REM;MARG-TOP:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:1.875REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 64REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;}WHO WAS MARV GAYE?MARV GAYE SANG HIS FATHER'S CHURCH AND THE MOONGLOWS BEFORE SIGNG WH MOTOWN. HE RERD SONGS BY SMOKEY ROBSON BEFORE BEG HIS OWN PRODUCER ON THE PROTT ALBUM WHAT'S GOG ON (1971). GAYE'S LATER RERDS VELOPED HIS PRODUCTN STYLE AND YIELD SEVERAL HS, CLUDG "LET'S GET IT ON," "SEXUAL HEALG" AND "I HEARD THROUGH THE GRAPEVE." GAYE WAS KILLED 1984 DURG A DOMTIC DISPUTE WH HIS FATHER.EARLY LIFESGER MARV PENTZ GAYE, JR., ALSO KNOWN AS THE "PRCE OF SOUL," WAS BORN WASHGTON, D.C., ON APRIL 2, 1939. GAYE WAS RAISED UNR THE STRICT NTROL OF HIS FATHER, REVEREND MARV GAY SR.—MARV GAYE JR. ADD THE "E" ON THE END OF HIS NAME LATER LIFE—THE MISTER AT A LOL CHURCH, AGAST A BLEAK BACKDROP OF WISPREAD VLENCE HIS NEIGHBORHOOD. THROUGHOUT HIS CHILDHOOD, GAYE OFTEN FOUND PEACE MIC, MASTERG THE PIANO AND DMS AT A YOUNG AGE. UNTIL HIGH SCHOOL, HIS SGG EXPERIENCE WAS LIMED TO CHURCH REVIVALS, BUT SOON HE VELOPED A LOVE FOR R&B AND DOO-WOP THAT WOULD SET THE FOUNDATN FOR HIS REER. IN THE LATE 1950S, GAYE JOED A VOL GROUP LLED THE NEW MOONGLOWS. THE TALENTED SGER HAD A PHENOMENAL RANGE THAT SPANNED THREE VOL STYL AND HE SOON IMPRSED THE GROUP'S FOUNR, HARVEY FUQUA. IT WASN'T LONG BEFORE GAYE AND FUQUA BOTH ME TO THE ATTENTN OF DETRO MIC IMPRAR {-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:#A00000;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;}{LOR:#595959;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}BERRY GORDY JR. AND WERE SIGNED TO GORDY'S LEGENDARY MOTOWN RERDS.MOTOWN RERDSGAYE'S FIRST CERTIFIED H UNR HIS OWN NAME WOULDN'T E UNTIL 1962, BUT HIS EARLY YEARS AT MOTOWN WERE FULL OF BEHD-THE-SCEN SUCCS. HE WAS A SSN DMMER FOR MOTOWN LEGENDS SUCH AS LTLE STEVIE WONR, THE SUPREM, THE MARVELETT AND MARTHA AND THE VANLLAS. SHOWG HIS STRIP AS MOTOWN'S RENAISSANCE MAN, GAYE WENT ON TO BREAK TO THE TOP 40 FOR THE FIRST TIME ON HIS OWN 1962 WH HIS SOLO SGLE "HCH HIKE." THROUGHOUT THE 1960S, GAYE WOULD SHOW HIS IMMENSE RANGE, CHURNG OUT SOLO DANCE HS AND ROMANTIC DUETS WH H-MAKERS LIKE DIANA ROSS AND MARY WELLS. "CAN I GET A WNS" AND "I HEARD THROUGH THE GRAPEVE" WERE SOME OF GAYE'S BIGGT HS OF THE PERD, THE LATTER ACHIEVG S PLACE AS MOTOWN'S BT-SELLG SGLE OF THE 1960S. FOR THREE HIGH-FLYG YEARS, GAYE AND TAMMI TERRELL WOWED THE UNTRY WH THEIR SOARG DUET PERFORMANC OF SONGS LIKE "A'T NO MOUNTA HIGH ENOUGH" AND "IF I COULD BUILD MY WHOLE WORLD AROUND YOU." UNFORTUNATELY, THEIR REIGN AS THE ROYAL COUPLE OF R&B END WHEN TERRELL SUCCUMBED TO A BRA TUMOR 1970. HIS BELOVED PARTNER'S ATH HERED A DARK PERD FOR THE SGER, WHO SWORE NEVER TO PARTNER WH ANOTHER FEMALE VOLIST AND THREATENED TO ABANDON THE STAGE FOR GOOD.POLIL MSAGEIN 1970, SPIRED BY LATG VLENCE AND POLIL UNRT OVER THE VIETNAM WAR, GAYE WROTE THE LANDMARK SONG "WHAT'S GOG ON." DPE CLASH WH MOTOWN OVER THE SONG'S CREATIVE DIRECTN, THE SGLE WAS RELEASED 1971 AND BEME AN STANT SMASH. ITS SUCCS PROMPTED GAYE TO TAKE EVEN MORE RISKS, BOTH MILLY AND POLILLY. WHEN WAS RELEASED THE SPRG OF 1971, THE WHAT'S GOG ON ALBUM SERVED TO OPEN GAYE UP TO NEW DIENC WHILE MATAG HIS MOTOWN FOLLOWG. DEPARTG OM THE TRIED AND TE MOTOWN FORMULA, GAYE WENT OUT ON HIS OWN ARTISTILLY, PAVG THE WAY FOR OTHER MOTOWN ARTISTS LIKE WONR AND MICHAEL JACKSON TO BRANCH OUT LATER YEARS. BEYOND FLUENCG HIS PEERS, THE ALBUM GARNERED WISPREAD CRIL ACCLAIM, WNG THE ROLLG STONE ALBUM OF THE YEAR AWARD.CROSSOVER SUCCSIN 1972, GAYE MOVED TO LOS ANGEL AND SOON MET JANIS HUNTER, WHO WOULD LATER BEE HIS SEND WIFE. INSPIRED PART BY HIS NEWFOUND PENNCE, GAYE RERD ONE OF THE MOST REVERED LOVE ANTHEMS OF ALL TIME, "LET'S GET IT ON." THE SONG BEME HIS SEND NO. 1 BILLBOARD H, CEMENTG HIS CROSSOVER APPEAL ONCE AND FOR ALL. SHORTLY AFTERWARDS, MOTOWN PHED GAYE TO TOURG TO PALIZE ON HIS MOST RECENT SUCCS; RELUCTANTLY THE SGER-SONGWRER RETURNED TO THE STAGE. THROUGH MOST OF THE MID-1970S, GAYE WAS TOURG, LLABORATG OR PRODUCG. WORKG WH DIANA ROSS AND THE MIRACL, HE PUT OFF RELEASG ANOTHER SOLO ALBUM UNTIL 1976. HE NTUED TOURG AFTER THE RELEASE OF I WANT YOU (1976) AND, AFTER SRG A NO. 1 H 1977 WH THE DANCE SGLE "GOT TO GIVE IT UP," RELEASED HIS LAST ALBUM FOR MOTOWN RERDS (HERE, MY DEAR) 1978. (DES LATER, "GOT TO GIVE IT UP" WOULD BEE THE CENTER OF A BIG NTROVERSY. IN 2013, GAYE'S TATE ASSERTED THAT PRODUCER/SONGWRER PHARRELL WILLIAMS AND SGER/SONGWRER ROB THICKE HAD MTED PYRIGHT GEMENT BY TAKG MAJOR MIL ELEMENTS OM THE DIS TRACK FOR THE MEGA-H "BLURRED L." AFTER A SE WHICH THICKE TTIFIED THAT HE'D HAD LTLE TO DO WH THE WRG OF THE SONG, THE JURY LED FAVOR OF GAYE'S FAY, WHO WERE AWARD $7.3 LN DAMAG AND PROF SHAR. THE JURY ALSO LED THAT NEHER WILLIAMS OR THICKE HAD PURPOSELY MTED GEMENT.) AFTER TWO S AT MOTOWN, GAYE SIGNED WH CBS'S COLUMBIA RERDS 1982 AND BEGAN TO WORK ON HIS LAST ALBUM, MIDNIGHT LOVE. THE LEAD SGLE OM THAT ALBUM, "SEXUAL HEALG," BEME A HUGE EBACK H FOR THE R&B STAR AND EARNED HIM HIS FIRST TWO GRAMMY AWARDS AND AN AMERIN MIC AWARD FOR FAVORE SOUL SGLE.PERSONAL LIFEIN 1975, GAYE'S WIFE ANNA GORDY—BERRY GORDY'S SISTER—FILED FOR DIVORCE, AND TWO YEARS LATER GAYE MARRIED HUNTER, WHO HAD BY THEN GIVEN BIRTH TO THEIR DGHTER, NONA (BORN SEPTEMBER 4, 1974) AND THEIR SON FRANKIE (BORN NOVEMBER 16, 1975). GAYE ALSO HAD AN ADOPTED SON (MARV PENTZ GAYE III) OM HIS PREV MARRIAGE. THE SGER'S MARRIAGE TO HUNTER PROVED SHORT LIVED AND TUMULTUO, ENDG DIVORCE 1981.DEATH AND LEGACYDPE HIS SUCCSFUL EBACK THE EARLY 1980S, GAYE STGGLED BADLY WH THE SUBSTANCE ABE AND BOUTS OF PRSN THAT HAD PLAGUED HIM FOR MOST OF HIS LIFE. AFTER HIS LAST TOUR, HE MOVED TO HIS PARENTS' HOE. THERE HE AND HIS FATHER FELL TO A PATTERN OF VLENT FIGHTS AND QUARRELS THAT RELLED NFLICTS THAT HAD HNTED THE FAY FOR S. ON APRIL 1, 1984, MARV GAYE SR. SHOT AND KILLED HIS SON AFTER A PHYSIL ALTERTN; THE FATHER CLAIMED HE ACTED SELF-FENSE BUT WOULD LATER BE NVICTED OF VOLUNTARY MANSLGHTER. THREE YEARS AFTER HIS ATH, GAYE WAS DUCTED TO THE ROCK AND ROLL HALL OF FAME. CREATG BETIFUL ART OM A TROUBLED LIFE, GAYE AGA AND AGA BROUGHT HIS VISN, RANGE AND ARTISTRY TO THE WORLD STAGE. AT THE END OF HIS REER, HE ADMTED HE NO LONGER MA MIC FOR PLEASURE; STEAD, HE SAID, "I RERD SO THAT I N FEED PEOPLE WHAT THEY NEED, WHAT THEY FEEL. HOPEFULLY, I RERD SO THAT I N HELP SOMEONE OVERE A BAD TIME."{BORR:0;BORR-BOTTOM:TH SOLID BLACK;MARG:1.875REM 0;CLEAR:BOTH;}QUICK {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;MARG:0.9375REM 0 0 0.625REM;PADDG:0 0 0 1.25REM;}@MEDIA(M-WIDTH: 48REM){{MARG:0.9375REM 0;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;} LI{PADDG-BOTTOM:0.625REM;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;} LI::MARKER{LOR:#323232;}NAME: MARV GAYEBIRTH YEAR: 1939BIRTH DATE: APRIL 2, 1939BIRTH CY: WASHGTON, D. C.BIRTH COUNTRY: UNED STATGENR: MALEBT KNOWN FOR: MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL THEM.INDTRIPOPASTROLOGIL SIGN: ARIINTERTG FACTSBEFORE MAKG AS A SOLO ARTIST, MARV GAYE PLAYED DMS FOR ARTISTS SUCH AS STEVIE WONR AND THE SUPREM.DEATH YEAR: 1984DEATH DATE: APRIL 1, 1984DEATH STATE: CALIFORNIADEATH CY: LOS ANGELDEATH COUNTRY: UNED STATFACT CHECKWE STRIVE FOR ACCURACY AND YOU SEE SOMETHG THAT DON'T LOOK RIGHT,NTACT !CITATION INFORMATIONARTICLE TLE: MARV GAYE BGRAPHYAUTHOR: EDORSWEBSE NAME: THE WEBSEURL: ACCS DATE: PUBLISHER: A&E; TELEVISN NETWORKSLAST UPDATED: APRIL 19, 2021ORIGAL PUBLISHED DATE: APRIL 2, 2014QUOTES
• MARV GAYE
• TOGETHER WE STAND (DIVID WE FALL)MARV GAYETRACK 38 ON THE MASTER (1961-1984) PRODUCED BYFRANK WILSONAPR. 25, 19951 VIEWER1 CONTRIBUTORTOGETHER WE STAND (DIVID WE FALL) LYRICS[INTRO](YOU N'T STAND ALONEALONEYOU N'T STAND ALONE)[VERSE 1]AH, THE SHOULR YOU SAY YOU DON'T NEEDIS THE SAME ONE YOU CRIED WHEN YOUR BROTHER WENT TO JAILTHOSE ARMS, LTLE DARL', THAT WANT TO BE EEARE THE SAME ARMS THAT TNT ME WHEN I TRY AND FAIL[PRE-CHOS]STAND ALONE, NO, NO, NO (STAND ALONE)NOBODY N STAND ALONE, OH DARL', WOO[CHOS]LIKE THE TY LTLE ROCKS THAT MAKE A MOUNTA SO TALLTOGETHER WE STAND, DIVID WE FALL[VERSE 2]THE HANDS, YEAH, EMBARRASS YOU NOWBUT FOR SIX DAYS A WEEK, THEY WORK THE OLD STEEL'CSE OF THREE LTLE WORDS YOUR LIPS WILL NOT FOUNDMY WORK, WORK'S VA, AND MY LOUR FACE HAS STILL [?][PRE-CHOS]STAND ALONE, NO, NO, NO (STAND ALONе)NOBODY N STAND ALONE, NOBODY, WOAH WOAHYOU MIGHT ALSO LIKE[CHOS]AN OLD MAN TOLD HIS NE ON THE WALLTOGеTHER WE STAND, DIVID WE FALLOH, YEAHOH, OH, OH, OHOH, DARL'TLY, TLYTLY TOGETHER[BRIDGE]GOLIATH, HE WAS STRONG AND (YEAH, YEAH)BUT HE FELL AT THE WELL OF STCTN (YEAH, YEAH)WH THE HELP OF A ROCK AND A SLG (YEAH, YEAH)LTLE DAVID MA THIS ONE DUCTN, OOH (YEAH, YEAH)[PRE-CHOS]STAND ALONE, NO, NO, NO (STAND ALONE)NOBODY N STAND ALONE, NOBODY, OOH[CHOS]LIKE THE TY LTLE BRICKS THAT MAKE THE JERICHO WALLTOGETHER WE STAND, DIVID WE FALLOH, BABY, DON'T YOU, OH YEAHBUT IF WE WALK HAND--HAND, HEART--HEART (TOGETHER WE STAND, DIVID WE FALL)WE N MAKE , OH Y WE N (YOU N'T STAND ALONE)HONEY, OOH, I KNOW, KNOW, BABY (ALONE, YOU N'T STAND ALONE)OH, Y WE WILLWE N LOVE, WE N DANCE, YOU GON' SEE (ALONE, YOU N'T STAND ALONE)WOO, OH BABYEMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUTHAVE THE SI SOP ON THIS SONG?SIGN UP AND DROP SOME KNOWLEDGESTART THE SONG BASK A QUTN ABOUT THIS SONGASK A QUTN *‌WHO PRODUCED “TOGETHER WE STAND (DIVID WE FALL)” BY MARV GAYE?WHEN DID MARV GAYE RELEASE “TOGETHER WE STAND (DIVID WE FALL)”?WHO WROTE “TOGETHER WE STAND (DIVID WE FALL)” BY MARV GAYE?THE MASTER (1961-1984) (1995)MARV GAYE1. STUBBORN KD OF FELLOW2. PRI AND JOY3. HCH HIKE4. WHEREVER I LAY MY HAT (THAT’S MY HOME)5. WHAT DO YOU WANT WH HIM6. ONCE UPON A TIME7. WHAT’S THE MATTER WH YOU BABY8. CAN I GET A WNS?9. COULDN’T ASK FOR MORE10. YOU’RE WONRFUL11. I WONR12. YOU’RE A WONRFUL ONE13. IT’S GOT TO BE LOVE14. TRY IT BABY15. LEAV’16. MY LOVE FOR YOU17. HOW SWEET IT IS (TO BE LOVED BY YOU)18. BABY DON’T YOU DO IT19. JT LIKE A MAN20. PRETTY LTLE BABY21. TALK ABOUT A GOOD FEELG22. I’LL BE DOGGONE23. LTLE DARLG (I NEED YOU)24. ONE MORE HEARTACHE25. A’T THAT PECULIAR26. YOU’RE THE ONE FOR ME27. TAKE THIS HEART OF ME28. YOUR UNCHANGG LOVE29. IT TAK TWO30. I COULDN’T HELP FALLG FOR YOU31. LONELY LOVER32. WHOUT YOUR SWEET LOV’33. A’T NO MOUNTA HIGH ENOUGH34. IF I COULD BUILD MY WHOLE WORLD AROUND YOU35. YOUR PREC LOVE36. IF THIS WORLD WERE ME37. WHOUT YOU (MY WORLD IS LONELY)38. TOGETHER WE STAND (DIVID WE FALL)39. YOU40. CHAED41. I HEARD IT THROUGH THE GRAPEVE42. YOU’RE WHAT’S HAPPENG (IN THE WORLD TODAY)43. THIS LOVE STARVED HEART OF ME (IT’S KILLG ME)44. A’T NOTHG LIKE THE REAL THG45. KEEP ON LOV’ ME HONEY46. YOU’RE ALL I NEED TO GET BY47. TOO BY THKG ABOUT MY BABY48. MORE THAN A HEART CAN STAND49. HOW CAN I FET50. THAT’S THE WAY LOVE IS51. YTERDAY52. THE END OF OUR ROAD53. GOOD LOV’ A’T EASY TO COME BY54. WHAT YOU GAVE ME55. WHAT’S GOG ON56. SAVE THE CHILDREN57. MERCY MERCY ME (THE ELOGY)58. INNER CY BLU (MAKE ME WANNA HOLLER)59. I’M GOG HOME (MOVE)60. PIECE OF CLAY61. YOU’RE THE MAN, PT. I & II (SGLE VERSN)62. CHECKG OUT (DOUBLE CLUTCH)63. TROUBLE MAN64. LET’S GET IT ON65. COME GET TO THIS66. JT TO KEEP YOU SATISFIED67. PLEDGG MY LOVE68. MY MISTAKE (WAS TO LOVE YOU)69. DISTANT LOVER70. I WANT YOU71. AFTER THE DANCE (VOL)72. GOT TO GIVE IT UP73. HERE, MY DEAR74. WHEN DID YOU STOP LOVG ME, WHEN DID I STOP LOVG YOU75. ANGER76. ANNA’S SONG77. A FUNKY SPACE RERNATN78. WHEN DID YOU STOP LOVG ME, WHEN DID I STOP LOVG YOU (REPRISE)79. SHE NEEDS ME80. WHY DID I CHOOSE YOU?81. LIFE IS FOR LEARNG82. FUNK ME83. LOVE ME NOW OR LOVE ME LATER84. EGO TRIPPG OUT85. THE STAR-SPANGLED BANNER86. I HEARD IT THROUGH THE GRAPEVE (LIVE)87. ROCK’ AFTER MIDNIGHT88. SEXUAL HEALG89. THE LORD’S PRAYERCREDSPRODUCED BYFRANK WILSONWRTEN BYFRANK WILSON & SYLVIA MOYRELEASE DATEAPRIL 25, 1995TAGSR&BEXPAND COMMENTSADD A MENTSIGN UP AND DROP KNOWLEDGE ?GENI IS THE ULTIMATE SOURCE OF MIC KNOWLEDGE, CREATED BY SCHOLARS LIKE YOU WHO SHARE FACTS AND SIGHT ABOUT THE SONGS AND ARTISTS THEY LOVE.SIGN UPGENI IS THE WORLD’S BIGGT LLECTN OF SONG LYRICS AND MIL KNOWLEDGE
• MOTOWN’S TRAGIC OMEN: TAMMI TERRELL COLLAPS INTO MARV GAYE’S ARMS
• ‘MORE LIKE A STORY THAN A SONG’: HOW MARV GAYE’S ‘WHAT’S GOG ON’ REMAS RELEVANT 50 YEARS LATER
• MARV GAYE III
• MARV GAYE - TIME TO GET IT TOGETHER LYRICS
• INSI MARV GAYE'S TOXIC MARRIAGE WH WIFE JANIS HUNTER

MARV GAYE’S WIFE REVEALS HOW HE TORTURED HER

Janis Hunter was a mother of two her early 20s when her longtime lover, father of her children and one of the world’s most lted-after soul sgers, Marv Gaye, suggted an amoro liaison wh another uple.

The next night, when the other uple returned for more, Gaye’s enthiasm had bee somethg else. She refed, the uple left and Gaye told her how he really felt about the fantasy that his proddg had ma real. “After the Dance, ” a memoir by Gaye’s mistrs-turned-wife Jan Gaye, wrten wh David Rz, rells a love affair propelled by jt the sorts of md gam.

MARV {LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:600;MARG-BOTTOM:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:0.875REM;LE-HEIGHT:1.2;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:1.25REM;LE-HEIGHT:1.2;}} A{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:HER;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;} A:HOVER{LOR:#A00000;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL {MARG-BOTTOM:0.625REM;PADDG-RIGHT:0.3125REM;LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;} SPAN{LE-HEIGHT:1.6;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;}{FONT-STYLE:NORMAL;PADDG-RIGHT:0.3125REM;FONT-FAY:RALAS,GEIA,TIM,SERIF;LOR:#323232;FONT-SIZE:0.75REM;LE-HEIGHT:1.3;FONT-WEIGHT:BOLD;TEXT-TRANSFORM:PALIZE;}{DISPLAY:LE-BLOCK;TEXT-TRANSFORM:UPPERSE;MARG-LEFT:0.625REM;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}UPDATED: APR 19, {DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;}{MARG-BOTTOM:0.9375REM;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 64REM){{MAX-WIDTH:LC(100VW - (1REM * 2));MARG-LEFT:1REM;MARG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(-1 * 1REM);}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MARG-LEFT:TO;MARG-RIGHT:TO;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC((100VW - (LC(20.625REM * 2 - 1REM) - 2 * 1REM)) / -2);}}@MEDIA(M-WIDTH: 61.25REM) AND (MAX-WIDTH: 90REM){{MAX-WIDTH:LC(20.625REM * 2 - 1REM);MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / 2);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 - 1REM) - 1REM - 20.625REM) / -2) - 1REM);}}@MEDIA(M-WIDTH: 90REM){{MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 2);MAX-WIDTH:LC(20.625REM * 2 - 1REM);PADDG-LEFT:1REM;PADDG-RIGHT:1REM;} .E152U5OS0{WIDTH:100VW;MARG-LEFT:LC(LC((100VW - LC(20.625REM * 2 + 1REM)) / -2) - LC(2 * 1REM));}[DATA-HAS-SPONSOR] {MARG-LEFT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);MARG-RIGHT:LC((100VW - LC(20.625REM * 2 - 1REM)) / 4);}}{JTIFY-SELF:CENTER;POSN:RELATIVE;}@MEDIA(MAX-WIDTH: 48REM){{MARG-LEFT:-50VW;MARG-RIGHT:-50VW;WIDTH:100VW;LEFT:50%;RIGHT:50%;}}{HEIGHT:TO;}@MEDIA(MAX-WIDTH: 48REM){{MARG:TO LC(50% - 50VW);}}@MEDIA(M-WIDTH: 48REM){{MARG:TO;}}{POSN:RELATIVE;HEIGHT:TO;}{POSN:RELATIVE;--POSN:ABSOLUTE;HEIGHT:TO;} IMG{MAX-WIDTH:100%;HEIGHT:TO;} A{POSN:ABSOLUTE;}{POSN:RELATIVE;WIDTH:100%;HEIGHT:100%;OBJECT-F:VER;VERTIL-ALIGN:TOP;}{BACKGROUND:#C92228;BOTTOM:0;PADDG:.5REM;RIGHT:0;}@MEDIA(M-WIDTH: 64REM){{PADDG:0.39REM;}}{DISPLAY:BLOCK;HEIGHT:1REM;WIDTH:1REM;}@MEDIA(M-WIDTH: 64REM){{WIDTH:1.063REM;HEIGHT:1.063REM;}}{LE-HEIGHT:1;MARG-TOP:0.3125REM;}@MEDIA(MAX-WIDTH: 73.75REM){{PADDG-LEFT:0.9375REM;}}@MEDIA(M-WIDTH: 64REM){{PADDG-LEFT:0;}}{PADDG-RIGHT:0.3125REM;LOR:#595959;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-SIZE:0.75REM;LE-HEIGHT:1;FONT-WEIGHT:800;}PHOTO: NBCU PHOTO BANK/GETTY {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;PADDG-LEFT:0REM;PADDG-RIGHT:0REM;POSN:RELATIVE;}@MEDIA(M-WIDTH: 48REM){{PADDG-LEFT:3.5REM;PADDG-RIGHT:3.5REM;}}@MEDIA(M-WIDTH: 48REM) AND (MAX-WIDTH: 61.25REM){{MAX-WIDTH:45.25REM;MARG-LEFT:TO;MARG-RIGHT:TO;}}@MEDIA(M-WIDTH: 61.25REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 73.75REM) AND (MAX-WIDTH: 100REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}}@MEDIA(M-WIDTH: 90REM){{PADDG-LEFT:0REM;PADDG-RIGHT:0REM;}} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;}{CLEAR:BOTH;NTENT:" ";DISPLAY:BLOCK;FONT-SIZE:0.7REM;LE-HEIGHT:1.5REM;HEIGHT:0REM;VISIBILY:HIDN;}{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;}(1939-1984){LOR:#323232;FONT-FAY:GILROY,HELVETI,ARIAL,SANS-SERIF;FONT-WEIGHT:800;LETTER-SPACG:0.02EM;MARG-BOTTOM:0.625REM;MARG-TOP:0.625REM;}@MEDIA(MAX-WIDTH: 48REM){{FONT-SIZE:1.875REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 48REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}}@MEDIA(M-WIDTH: 64REM){{FONT-SIZE:2REM;LE-HEIGHT:1.1;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;}WHO WAS MARV GAYE?MARV GAYE SANG HIS FATHER'S CHURCH AND THE MOONGLOWS BEFORE SIGNG WH MOTOWN. HE RERD SONGS BY SMOKEY ROBSON BEFORE BEG HIS OWN PRODUCER ON THE PROTT ALBUM WHAT'S GOG ON (1971). GAYE'S LATER RERDS VELOPED HIS PRODUCTN STYLE AND YIELD SEVERAL HS, CLUDG "LET'S GET IT ON," "SEXUAL HEALG" AND "I HEARD THROUGH THE GRAPEVE." GAYE WAS KILLED 1984 DURG A DOMTIC DISPUTE WH HIS FATHER.EARLY LIFESGER MARV PENTZ GAYE, JR., ALSO KNOWN AS THE "PRCE OF SOUL," WAS BORN WASHGTON, D.C., ON APRIL 2, 1939. GAYE WAS RAISED UNR THE STRICT NTROL OF HIS FATHER, REVEREND MARV GAY SR.—MARV GAYE JR. ADD THE "E" ON THE END OF HIS NAME LATER LIFE—THE MISTER AT A LOL CHURCH, AGAST A BLEAK BACKDROP OF WISPREAD VLENCE HIS NEIGHBORHOOD. THROUGHOUT HIS CHILDHOOD, GAYE OFTEN FOUND PEACE MIC, MASTERG THE PIANO AND DMS AT A YOUNG AGE. UNTIL HIGH SCHOOL, HIS SGG EXPERIENCE WAS LIMED TO CHURCH REVIVALS, BUT SOON HE VELOPED A LOVE FOR R&B AND DOO-WOP THAT WOULD SET THE FOUNDATN FOR HIS REER. IN THE LATE 1950S, GAYE JOED A VOL GROUP LLED THE NEW MOONGLOWS. THE TALENTED SGER HAD A PHENOMENAL RANGE THAT SPANNED THREE VOL STYL AND HE SOON IMPRSED THE GROUP'S FOUNR, HARVEY FUQUA. IT WASN'T LONG BEFORE GAYE AND FUQUA BOTH ME TO THE ATTENTN OF DETRO MIC IMPRAR {-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;TEXT-RATN-THICKNS:0.0625REM;TEXT-RATN-LOR:HER;TEXT-UNRLE-OFFSET:0.25REM;LOR:#A00000;-WEBK-TRANSN:ALL 0.3S EASE--OUT;TRANSN:ALL 0.3S EASE--OUT;}{LOR:#595959;TEXT-RATN-LOR:BORR-LK-BODY-HOVER;}BERRY GORDY JR. AND WERE SIGNED TO GORDY'S LEGENDARY MOTOWN RERDS.MOTOWN RERDSGAYE'S FIRST CERTIFIED H UNR HIS OWN NAME WOULDN'T E UNTIL 1962, BUT HIS EARLY YEARS AT MOTOWN WERE FULL OF BEHD-THE-SCEN SUCCS. HE WAS A SSN DMMER FOR MOTOWN LEGENDS SUCH AS LTLE STEVIE WONR, THE SUPREM, THE MARVELETT AND MARTHA AND THE VANLLAS. SHOWG HIS STRIP AS MOTOWN'S RENAISSANCE MAN, GAYE WENT ON TO BREAK TO THE TOP 40 FOR THE FIRST TIME ON HIS OWN 1962 WH HIS SOLO SGLE "HCH HIKE." THROUGHOUT THE 1960S, GAYE WOULD SHOW HIS IMMENSE RANGE, CHURNG OUT SOLO DANCE HS AND ROMANTIC DUETS WH H-MAKERS LIKE DIANA ROSS AND MARY WELLS. "CAN I GET A WNS" AND "I HEARD THROUGH THE GRAPEVE" WERE SOME OF GAYE'S BIGGT HS OF THE PERD, THE LATTER ACHIEVG S PLACE AS MOTOWN'S BT-SELLG SGLE OF THE 1960S. FOR THREE HIGH-FLYG YEARS, GAYE AND TAMMI TERRELL WOWED THE UNTRY WH THEIR SOARG DUET PERFORMANC OF SONGS LIKE "A'T NO MOUNTA HIGH ENOUGH" AND "IF I COULD BUILD MY WHOLE WORLD AROUND YOU." UNFORTUNATELY, THEIR REIGN AS THE ROYAL COUPLE OF R&B END WHEN TERRELL SUCCUMBED TO A BRA TUMOR 1970. HIS BELOVED PARTNER'S ATH HERED A DARK PERD FOR THE SGER, WHO SWORE NEVER TO PARTNER WH ANOTHER FEMALE VOLIST AND THREATENED TO ABANDON THE STAGE FOR GOOD.POLIL MSAGEIN 1970, SPIRED BY LATG VLENCE AND POLIL UNRT OVER THE VIETNAM WAR, GAYE WROTE THE LANDMARK SONG "WHAT'S GOG ON." DPE CLASH WH MOTOWN OVER THE SONG'S CREATIVE DIRECTN, THE SGLE WAS RELEASED 1971 AND BEME AN STANT SMASH. ITS SUCCS PROMPTED GAYE TO TAKE EVEN MORE RISKS, BOTH MILLY AND POLILLY. WHEN WAS RELEASED THE SPRG OF 1971, THE WHAT'S GOG ON ALBUM SERVED TO OPEN GAYE UP TO NEW DIENC WHILE MATAG HIS MOTOWN FOLLOWG. DEPARTG OM THE TRIED AND TE MOTOWN FORMULA, GAYE WENT OUT ON HIS OWN ARTISTILLY, PAVG THE WAY FOR OTHER MOTOWN ARTISTS LIKE WONR AND MICHAEL JACKSON TO BRANCH OUT LATER YEARS. BEYOND FLUENCG HIS PEERS, THE ALBUM GARNERED WISPREAD CRIL ACCLAIM, WNG THE ROLLG STONE ALBUM OF THE YEAR AWARD.CROSSOVER SUCCSIN 1972, GAYE MOVED TO LOS ANGEL AND SOON MET JANIS HUNTER, WHO WOULD LATER BEE HIS SEND WIFE. INSPIRED PART BY HIS NEWFOUND PENNCE, GAYE RERD ONE OF THE MOST REVERED LOVE ANTHEMS OF ALL TIME, "LET'S GET IT ON." THE SONG BEME HIS SEND NO. 1 BILLBOARD H, CEMENTG HIS CROSSOVER APPEAL ONCE AND FOR ALL. SHORTLY AFTERWARDS, MOTOWN PHED GAYE TO TOURG TO PALIZE ON HIS MOST RECENT SUCCS; RELUCTANTLY THE SGER-SONGWRER RETURNED TO THE STAGE. THROUGH MOST OF THE MID-1970S, GAYE WAS TOURG, LLABORATG OR PRODUCG. WORKG WH DIANA ROSS AND THE MIRACL, HE PUT OFF RELEASG ANOTHER SOLO ALBUM UNTIL 1976. HE NTUED TOURG AFTER THE RELEASE OF I WANT YOU (1976) AND, AFTER SRG A NO. 1 H 1977 WH THE DANCE SGLE "GOT TO GIVE IT UP," RELEASED HIS LAST ALBUM FOR MOTOWN RERDS (HERE, MY DEAR) 1978. (DES LATER, "GOT TO GIVE IT UP" WOULD BEE THE CENTER OF A BIG NTROVERSY. IN 2013, GAYE'S TATE ASSERTED THAT PRODUCER/SONGWRER PHARRELL WILLIAMS AND SGER/SONGWRER ROB THICKE HAD MTED PYRIGHT GEMENT BY TAKG MAJOR MIL ELEMENTS OM THE DIS TRACK FOR THE MEGA-H "BLURRED L." AFTER A SE WHICH THICKE TTIFIED THAT HE'D HAD LTLE TO DO WH THE WRG OF THE SONG, THE JURY LED FAVOR OF GAYE'S FAY, WHO WERE AWARD $7.3 LN DAMAG AND PROF SHAR. THE JURY ALSO LED THAT NEHER WILLIAMS OR THICKE HAD PURPOSELY MTED GEMENT.) AFTER TWO S AT MOTOWN, GAYE SIGNED WH CBS'S COLUMBIA RERDS 1982 AND BEGAN TO WORK ON HIS LAST ALBUM, MIDNIGHT LOVE. THE LEAD SGLE OM THAT ALBUM, "SEXUAL HEALG," BEME A HUGE EBACK H FOR THE R&B STAR AND EARNED HIM HIS FIRST TWO GRAMMY AWARDS AND AN AMERIN MIC AWARD FOR FAVORE SOUL SGLE.PERSONAL LIFEIN 1975, GAYE'S WIFE ANNA GORDY—BERRY GORDY'S SISTER—FILED FOR DIVORCE, AND TWO YEARS LATER GAYE MARRIED HUNTER, WHO HAD BY THEN GIVEN BIRTH TO THEIR DGHTER, NONA (BORN SEPTEMBER 4, 1974) AND THEIR SON FRANKIE (BORN NOVEMBER 16, 1975). GAYE ALSO HAD AN ADOPTED SON (MARV PENTZ GAYE III) OM HIS PREV MARRIAGE. THE SGER'S MARRIAGE TO HUNTER PROVED SHORT LIVED AND TUMULTUO, ENDG DIVORCE 1981.DEATH AND LEGACYDPE HIS SUCCSFUL EBACK THE EARLY 1980S, GAYE STGGLED BADLY WH THE SUBSTANCE ABE AND BOUTS OF PRSN THAT HAD PLAGUED HIM FOR MOST OF HIS LIFE. AFTER HIS LAST TOUR, HE MOVED TO HIS PARENTS' HOE. THERE HE AND HIS FATHER FELL TO A PATTERN OF VLENT FIGHTS AND QUARRELS THAT RELLED NFLICTS THAT HAD HNTED THE FAY FOR S. ON APRIL 1, 1984, MARV GAYE SR. SHOT AND KILLED HIS SON AFTER A PHYSIL ALTERTN; THE FATHER CLAIMED HE ACTED SELF-FENSE BUT WOULD LATER BE NVICTED OF VOLUNTARY MANSLGHTER. THREE YEARS AFTER HIS ATH, GAYE WAS DUCTED TO THE ROCK AND ROLL HALL OF FAME. CREATG BETIFUL ART OM A TROUBLED LIFE, GAYE AGA AND AGA BROUGHT HIS VISN, RANGE AND ARTISTRY TO THE WORLD STAGE. AT THE END OF HIS REER, HE ADMTED HE NO LONGER MA MIC FOR PLEASURE; STEAD, HE SAID, "I RERD SO THAT I N FEED PEOPLE WHAT THEY NEED, WHAT THEY FEEL. HOPEFULLY, I RERD SO THAT I N HELP SOMEONE OVERE A BAD TIME."{BORR:0;BORR-BOTTOM:TH SOLID BLACK;MARG:1.875REM 0;CLEAR:BOTH;}QUICK {FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-SIZE:1.1875REM;LE-HEIGHT:1.6;MARG:0.9375REM 0 0 0.625REM;PADDG:0 0 0 1.25REM;}@MEDIA(M-WIDTH: 48REM){{MARG:0.9375REM 0;}} B, STRONG{FONT-FAY:HER;FONT-WEIGHT:BOLD;} EM{FONT-STYLE:ALIC;FONT-FAY:CHARTER,GEIA,TIM,SERIF;} EM, I{FONT-FAY:HER;FONT-STYLE:ALIC;} LI{PADDG-BOTTOM:0.625REM;} STRONG{FONT-FAY:CHARTER,GEIA,TIM,SERIF;FONT-WEIGHT:BOLD;} LI::MARKER{LOR:#323232;}NAME: MARV GAYEBIRTH YEAR: 1939BIRTH DATE: APRIL 2, 1939BIRTH CY: WASHGTON, D. C.BIRTH COUNTRY: UNED STATGENR: MALEBT KNOWN FOR: MARV GAYE WAS A SOUL SGER-SONGWRER WH MOTOWN THE 1960S AND 1970S. HE PRODUCED HIS OWN RERDS AND OFTEN ADDRSED NTROVERSIAL THEM.INDTRIPOPASTROLOGIL SIGN: ARIINTERTG FACTSBEFORE MAKG AS A SOLO ARTIST, MARV GAYE PLAYED DMS FOR ARTISTS SUCH AS STEVIE WONR AND THE SUPREM.DEATH YEAR: 1984DEATH DATE: APRIL 1, 1984DEATH STATE: CALIFORNIADEATH CY: LOS ANGELDEATH COUNTRY: UNED STATFACT CHECKWE STRIVE FOR ACCURACY AND YOU SEE SOMETHG THAT DON'T LOOK RIGHT,NTACT !CITATION INFORMATIONARTICLE TLE: MARV GAYE BGRAPHYAUTHOR: EDORSWEBSE NAME: THE WEBSEURL: ACCS DATE: PUBLISHER: A&E; TELEVISN NETWORKSLAST UPDATED: APRIL 19, 2021ORIGAL PUBLISHED DATE: APRIL 2, 2014QUOTES

Marv Gaye’s immense, unniable talent for sgg and songwrg, and his equally impossible-to-dismiss sex appeal, were acpanied by creasgly heavy dg e — eebasg e eventually did him — and erratic moods, a nstant tug of war between thrills, love, lt and terror.

MARV GAYE

Her mother, Barbara, was iends wh Ed Townsend, Gaye’s producer, and he brought her to the stud to watch Gaye rerd.

TOGETHER WE STAND (DIVID WE FALL)MARV GAYETRACK 38 ON THE MASTER (1961-1984) PRODUCED BYFRANK WILSONAPR. 25, 19951 VIEWER1 CONTRIBUTORTOGETHER WE STAND (DIVID WE FALL) LYRICS[INTRO](YOU N'T STAND ALONEALONEYOU N'T STAND ALONE)[VERSE 1]AH, THE SHOULR YOU SAY YOU DON'T NEEDIS THE SAME ONE YOU CRIED WHEN YOUR BROTHER WENT TO JAILTHOSE ARMS, LTLE DARL', THAT WANT TO BE EEARE THE SAME ARMS THAT TNT ME WHEN I TRY AND FAIL[PRE-CHOS]STAND ALONE, NO, NO, NO (STAND ALONE)NOBODY N STAND ALONE, OH DARL', WOO[CHOS]LIKE THE TY LTLE ROCKS THAT MAKE A MOUNTA SO TALLTOGETHER WE STAND, DIVID WE FALL[VERSE 2]THE HANDS, YEAH, EMBARRASS YOU NOWBUT FOR SIX DAYS A WEEK, THEY WORK THE OLD STEEL'CSE OF THREE LTLE WORDS YOUR LIPS WILL NOT FOUNDMY WORK, WORK'S VA, AND MY LOUR FACE HAS STILL [?][PRE-CHOS]STAND ALONE, NO, NO, NO (STAND ALONе)NOBODY N STAND ALONE, NOBODY, WOAH WOAHYOU MIGHT ALSO LIKE[CHOS]AN OLD MAN TOLD HIS NE ON THE WALLTOGеTHER WE STAND, DIVID WE FALLOH, YEAHOH, OH, OH, OHOH, DARL'TLY, TLYTLY TOGETHER[BRIDGE]GOLIATH, HE WAS STRONG AND (YEAH, YEAH)BUT HE FELL AT THE WELL OF STCTN (YEAH, YEAH)WH THE HELP OF A ROCK AND A SLG (YEAH, YEAH)LTLE DAVID MA THIS ONE DUCTN, OOH (YEAH, YEAH)[PRE-CHOS]STAND ALONE, NO, NO, NO (STAND ALONE)NOBODY N STAND ALONE, NOBODY, OOH[CHOS]LIKE THE TY LTLE BRICKS THAT MAKE THE JERICHO WALLTOGETHER WE STAND, DIVID WE FALLOH, BABY, DON'T YOU, OH YEAHBUT IF WE WALK HAND--HAND, HEART--HEART (TOGETHER WE STAND, DIVID WE FALL)WE N MAKE , OH Y WE N (YOU N'T STAND ALONE)HONEY, OOH, I KNOW, KNOW, BABY (ALONE, YOU N'T STAND ALONE)OH, Y WE WILLWE N LOVE, WE N DANCE, YOU GON' SEE (ALONE, YOU N'T STAND ALONE)WOO, OH BABYEMBEDCANCELHOW TO FORMAT LYRICS:TYPE OUT ALL LYRICS, EVEN REPEATG SONG PARTS LIKE THE CHOSLYRICS SHOULD BE BROKEN DOWN TO DIVIDUAL LUSE SECTN HEARS ABOVE DIFFERENT SONG PARTS LIKE [VERSE], [CHOS], ETC.USE ALICS (<I>LYRIC</I>) AND BOLD (<B>LYRIC</B>) TO DISTGUISH BETWEEN DIFFERENT VOLISTS THE SAME SONG PARTIF YOU DON’T UNRSTAND A LYRIC, E [?]TO LEARN MORE, CHECK OUT OUR TRANSCRIPTN GUI OR VIS OUR TRANSCRIBERS FOMABOUTHAVE THE SI SOP ON THIS SONG?SIGN UP AND DROP SOME KNOWLEDGESTART THE SONG BASK A QUTN ABOUT THIS SONGASK A QUTN *‌WHO PRODUCED “TOGETHER WE STAND (DIVID WE FALL)” BY MARV GAYE?WHEN DID MARV GAYE RELEASE “TOGETHER WE STAND (DIVID WE FALL)”?WHO WROTE “TOGETHER WE STAND (DIVID WE FALL)” BY MARV GAYE?THE MASTER (1961-1984) (1995)MARV GAYE1. STUBBORN KD OF FELLOW2. PRI AND JOY3. HCH HIKE4. WHEREVER I LAY MY HAT (THAT’S MY HOME)5. WHAT DO YOU WANT WH HIM6. ONCE UPON A TIME7. WHAT’S THE MATTER WH YOU BABY8. CAN I GET A WNS?9. COULDN’T ASK FOR MORE10. YOU’RE WONRFUL11. I WONR12. YOU’RE A WONRFUL ONE13. IT’S GOT TO BE LOVE14. TRY IT BABY15. LEAV’16. MY LOVE FOR YOU17. HOW SWEET IT IS (TO BE LOVED BY YOU)18. BABY DON’T YOU DO IT19. JT LIKE A MAN20. PRETTY LTLE BABY21. TALK ABOUT A GOOD FEELG22. I’LL BE DOGGONE23. LTLE DARLG (I NEED YOU)24. ONE MORE HEARTACHE25. A’T THAT PECULIAR26. YOU’RE THE ONE FOR ME27. TAKE THIS HEART OF ME28. YOUR UNCHANGG LOVE29. IT TAK TWO30. I COULDN’T HELP FALLG FOR YOU31. LONELY LOVER32. WHOUT YOUR SWEET LOV’33. A’T NO MOUNTA HIGH ENOUGH34. IF I COULD BUILD MY WHOLE WORLD AROUND YOU35. YOUR PREC LOVE36. IF THIS WORLD WERE ME37. WHOUT YOU (MY WORLD IS LONELY)38. TOGETHER WE STAND (DIVID WE FALL)39. YOU40. CHAED41. I HEARD IT THROUGH THE GRAPEVE42. YOU’RE WHAT’S HAPPENG (IN THE WORLD TODAY)43. THIS LOVE STARVED HEART OF ME (IT’S KILLG ME)44. A’T NOTHG LIKE THE REAL THG45. KEEP ON LOV’ ME HONEY46. YOU’RE ALL I NEED TO GET BY47. TOO BY THKG ABOUT MY BABY48. MORE THAN A HEART CAN STAND49. HOW CAN I FET50. THAT’S THE WAY LOVE IS51. YTERDAY52. THE END OF OUR ROAD53. GOOD LOV’ A’T EASY TO COME BY54. WHAT YOU GAVE ME55. WHAT’S GOG ON56. SAVE THE CHILDREN57. MERCY MERCY ME (THE ELOGY)58. INNER CY BLU (MAKE ME WANNA HOLLER)59. I’M GOG HOME (MOVE)60. PIECE OF CLAY61. YOU’RE THE MAN, PT. I & II (SGLE VERSN)62. CHECKG OUT (DOUBLE CLUTCH)63. TROUBLE MAN64. LET’S GET IT ON65. COME GET TO THIS66. JT TO KEEP YOU SATISFIED67. PLEDGG MY LOVE68. MY MISTAKE (WAS TO LOVE YOU)69. DISTANT LOVER70. I WANT YOU71. AFTER THE DANCE (VOL)72. GOT TO GIVE IT UP73. HERE, MY DEAR74. WHEN DID YOU STOP LOVG ME, WHEN DID I STOP LOVG YOU75. ANGER76. ANNA’S SONG77. A FUNKY SPACE RERNATN78. WHEN DID YOU STOP LOVG ME, WHEN DID I STOP LOVG YOU (REPRISE)79. SHE NEEDS ME80. WHY DID I CHOOSE YOU?81. LIFE IS FOR LEARNG82. FUNK ME83. LOVE ME NOW OR LOVE ME LATER84. EGO TRIPPG OUT85. THE STAR-SPANGLED BANNER86. I HEARD IT THROUGH THE GRAPEVE (LIVE)87. ROCK’ AFTER MIDNIGHT88. SEXUAL HEALG89. THE LORD’S PRAYERCREDSPRODUCED BYFRANK WILSONWRTEN BYFRANK WILSON & SYLVIA MOYRELEASE DATEAPRIL 25, 1995TAGSR&BEXPAND COMMENTSADD A MENTSIGN UP AND DROP KNOWLEDGE ?GENI IS THE ULTIMATE SOURCE OF MIC KNOWLEDGE, CREATED BY SCHOLARS LIKE YOU WHO SHARE FACTS AND SIGHT ABOUT THE SONGS AND ARTISTS THEY LOVE.SIGN UPGENI IS THE WORLD’S BIGGT LLECTN OF SONG LYRICS AND MIL KNOWLEDGE

At the time, Gaye was tranged om his wife, Anna Gordy, sister of Motown imprar Berry Gordy.

MOTOWN’S TRAGIC OMEN: TAMMI TERRELL COLLAPS INTO MARV GAYE’S ARMS

Mutually enamored, Gaye brought Hunter to an Italian rtrant Hollywood, where he bribed the waer $20 to brg his unrage date aprit sours. Soon after, they ma love for the first time Gaye’s sparse one-bedroom apartment, which had a “hio gold uch” where Gaye’s assistant, a junkie named Abe, had taken up rince. Soon, Hunter began to see how Gaye thrived on the emotnal turmoil of those around him and learned the pth of his jealoy and posssivens.

‘MORE LIKE A STORY THAN A SONG’: HOW MARV GAYE’S ‘WHAT’S GOG ON’ REMAS RELEVANT 50 YEARS LATER

“I jt want to see what someone like you looks like, ” Gordy told her, before turng to addrs Gaye. ” Anytime they discsed their child, Gaye referred to him as a boy, and exprsed a preference for such. Hunter suffered a misrriage, and Gaye nsoled her by tellg her, “God giv and God tak away.

MARV GAYE III

Gaye plimented Nona’s bety and pared to Hunter’s, but Hunter saw the disappotment his ey. But if Gaye grew quickly acceptg of his dghter, his attu toward Hunter — specifilly her new, jt-gave-birth body — changed.

Gaye got over his body hangups (for a while), and they settled to fay life, spendg their days high on ke and pot as Gaye wrote and produced new mic. She didn’t tell Gaye for fear of startg a fight, but time, she learned the effect may have been oppose. Gaye veloped a hab of steerg Hunter toward other men, whether out of some perverse masochism or genue light.

MARV GAYE - TIME TO GET IT TOGETHER LYRICS

Notg a chemistry between Hunter and Maze sger Frankie Beverly, Gaye did everythg he uld to set up an illic liaison between the two. When Beverly me for a vis, Gaye not only booked him a room at a lol motel but booked the adjog room for Hunter, sayg he need her out of the hoe so he uld foc on mic. After a long, ugly and expensive legal battle, Gaye was fally divorced om Anna Gordy, and married Hunter — now Jan Gaye — October 1977.

Gaye — now almost 40 — plaed to his 22-year-old wife about her saggg breasts and her stretch marks, explag, “There’s a big difference between pleasure and excement. They had vic fights, cludg one time when Gaye, behd the wheel wh both kids the r, began to swerve and threatened to “drive this thg off the road!

Soon after, Gaye left Jan and the kids behd on a planned trip to Hawaii wh his fay, begng a pattern that would repeat over the years of Gaye leavg LA and his fay behd, only to implore them to jo him once at his statn. In time, torn by Gaye’s cel treatment, Jan slept wh Beverly and also hooked up wh Teddy Penrgrass, Gaye’s ma mil rival.

INSI MARV GAYE'S TOXIC MARRIAGE WH WIFE JANIS HUNTER

Courty of Jan Gaye The next five years saw Gaye, Jan and their children embroiled nasty back-and-forth battl, cludg, after Jan brought the kids to see Gaye Hawaii, his refg to let Frankie leave, g Jan to not see her son for over a year. Gaye, out of his md on e, would tell Jan that the “end days” were approachg or acce her of sendg her father or gang members to try to kill him. “That I lost myself someone else — someone as remarkable as Marv Gaye — is no longer e for self-nmnatn.

Many of may have heard about the tight kn sister-brother bond that Marv Gaye and Tammi Terrell shared. What many of may not have ‘heard through the grapeve’ as of yet, is the extremely touchg thg that Marv did for Tammi when she was the fal stag of bra ncer and attendg his Gaye and Tammi TerrellMarv Gave Tammi One Last Opportuny To Do What She LovedIt’s been reported by some of Terrell’s loved on, that at the end of 1969, jt before Tammi’s passg 1970, she ma her last public appearance wh the help for her iend, Marv Gaye.

Tammi rarely went out public at that time due to her failg health, but on that day when Gaye was performg at the Apollo Theater, she felt well enough to there, Marv spotted Tammi the crowd om the stage and quickly walked off stage to sg wh her. Marv Gaye’s impromptu performance allowed Tammi to perform live one last time and she loved .