Beast And Mat- [Gay] - BbANDLOVRr - Wattpad

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• BETY AND THE BEAST “DIDN’T GO FAR ENOUGH” WH GAY LEFOU, SAYS JOSH GAD “I DON’T THK WE DID JTICE TO WHAT A REAL GAY CHARACTER A DISNEY FILM SHOULD BE,” GAD SAID A RECENT TERVIEW.BY SAVANNAH WALSHMARCH 1, 2022FROM SHUTTERSTOCK.SAVE THIS STORYSAVESAVE THIS STORYSAVEIT’S BEEN NEARLY FIVE YEARS SCE DISNEY’S LIVE-ACTN BETY AND THE BEAST MA HEADL FOR AN “EXCLIVELY GAY MOMENT” VOLVG LEFOU (PLAYED BY JOSH GAD), THE DIM-WTED SIKICK TO THE VILLAO GASTON (LE EVANS). THAT SCENE, TEASED BY DIRECTOR BILL CONDON DURG THE FILM’S PRS TOUR, WOUND UP BEG MERELY A BRIEF SHOT OF LEFOU DANCG WH ANOTHER MAN JT BEFORE THE CREDS ROLLED. GAD IS NOW REMORSEFUL ABOUT HIS CHARACTER’S POSNG AS DISNEY’S FIRST TE LGBTQ+ REPRENTATN.“WE DIDN’T GO FAR ENOUGH TO WARRANT ACLAS,” HE RECENTLY TOLD THE INPENNT. “WE DIDN’T GO FAR ENOUGH TO SAY, ‘LOOK HOW BRAVE WE ARE.’ MY REGRET WHAT HAPPENED IS THAT BEME ‘DISNEY’S FIRST EXPLICLY GAY MOMENT’ AND WAS NEVER TEND TO BE THAT. IT WAS NEVER TEND TO BE A MOMENT THAT WE SHOULD LD OURSELV FOR, BEE ANKLY, I DON’T THK WE DID JTICE TO WHAT A REAL GAY CHARACTER A DISNEY FILM SHOULD BE.”AT THE TIME OF BETY AND THE BEAST’S RELEASE, THE IMPLITN THAT A BELOVED ANIMATED CHARACTER WOULD BE QUEER ED NTROVERSY. AN ALABAMA THEATER REFED TO SCREEN THE FILM, MALAYSIA BALKED AT SCREENG AN UNCENSORED VERSN OF , AND RSIA APPROVED THE FILM FOR SCREENG BUT WH AN AGE RATG OF 16 AND ABOVE. AMIDST THE FALLOUT, CONDON REVISED HIS EARLIER MENTS, LLG VERAGE OF THE SCENE “OVERBLOWN.” MEANWHILE, GAD TOLD USA TODAY AT THE FILM’S PREMIERE THAT THE SCRIPT DID NOT EXPLICLY DISCLOSE LEFOU’S SEXUALY AS GAY. “THAT WAS NOT LEFOU,” GAD NTUED HIS REMARKS TO THE INPENNT. “IF WE’RE GOG TO PAT OURSELV ON THE BACK, THEN DAMN , WE SHOULD HAVE GONE FURTHER WH THAT. EVERYBODY SERV AN OPPORTUNY TO SEE THEMSELV ON SCREEN, AND I DON’T THK WE’VE DONE ENOUGH—AND I CERTALY HAVEN’T DONE ENOUGH TO DO THAT.”GAD WAS SET TO REPRISE HIS ROLE AS LEFOU A PREQUEL SERI FOR DISNEY+, WHICH WOULD HAVE RNED WH EVANS’S GASTON. HOWEVER, DISNEY POSTPONED THE PROJECT EARLIER THIS YEAR, DUE TO CREATIVE LAYS. “WE TRIED TO MAKE ALL WORK BUT UNR THE GUN WASN’T MEANT TO BE…FOR NOW,” GAD, WHO WAS ALSO A SHOWNNER ON THE SERI, TWEETED. “THE CHARACTERS AND THIS STORY WILL LIVE ON, BUT SOMETIM THE BT TENTNS & REALY LLI & NOTHG N BE DONE.”MORE GREAT STORI FROM VANY FAIR— JERRY LEWIS’S COSTARS SPEAK OUT: “HE GRABBED ME. HE BEGAN TO FONDLE ME. I WAS DUMBSTCK”— INSI CHARLIZE THERON AND TOM HARDY’S MAD MAX WAR— INVENTG ANNA IS A “DANGERO” DISTORTN, SAYS RACHEL WILLIAMS— HOW THE GUN ALEC BALDW’S HANDS TURNED THE RT SET DEADLY— LOVE IS BLD SEASON TWO IS PEAK RED FLAG TELEVISN— PACHKO FIRST LOOK: AN EPIC TALE, AND A HISTORY-MAKG SHOW— VANY FAIR’S HOLLYWOOD ISSUE 2022: SEE THE FULL PORTFOL FEATURG NILE KIDMAN, KRISTEN STEWART, AND MORE— THE UGLY TTH OF HOW MOVIE SR ARE MA— KIRSTEN DUNST ON HER FIRST OSR NOMATN FOR THE POWER OF THE DOG— FROM THE ARCHIVE: WH FRIENDS LIKE THE— SIGN UP FOR THE “HWD DAILY” NEWSLETTER FOR MT-READ DTRY AND AWARDS VERAGE—PL A SPECIAL WEEKLY EDN OF “AWARDS INSIR.”MOST POPULARTHE ELVIS PRLEY WE DIDN’T SEE ELVISBY KATEY RICHRILEY KEOUGH ON GROWG UP PRLEY, LOSG LISA MARIE, AND INHERG GRACELANDBY BRT HENNEMUTHRED, WHE & ROYAL BLUE: THE 6 BIGGT CHANG FROM BOOK TO MOVIEBY SAVANNAH WALSHSAVANNAH WALSH
• 'BETY AND THE BEAST' FEATUR DISNEY'S FIRST GAY CHARACTER
• THE SERIAL KILLER WHO PREYED UPON GAY NEW YORKERSMONSTROUSHBO’S DOCERI “LAST CALL” TELLS THE CHILLG STORY OF A STRG OF ANTI-LGBT MURRS ’90S NYC—AND MANAG TO HONOR THE VICTIMS THE PROCS.NICK SCHAGERENTERTAMENT CRICUPDATED JUL. 08, 2023 3:16AM EDT / PUBLISHED JUL. 07, 2023 8:30PM EDT COURTY OF HBOLAST CALL: WHEN A SERIAL KILLER STALKED QUEER NEW YORK IS YET ANOTHER DISTURBG TE-CRIME DOCUMENTARY ABOUT A FIEND PREYG UPON A MARGALIZED MUNY. HOWEVER, THE PELLG HOOK OF ANTHONY CARONNA AND HOWARD GERTLER’S FOUR-PART HBO VTIGATN (JULY 9) IS THAT ’S BOTH A WHODUN AND A SOCLOGIL CRIQUE OF THE ERA AND ENVIRONMENT WHICH S TALE TOOK PLACE: EARLY 1990S NEW YORK CY, WHOSE CLIMATE OF HOMOPHOBIA FACILATED S VILLA’S HOMICIS. WH ANTI-GAY AND TRANS LEGISLATN CURRENTLY SWEEPG THE NATN, ’S AN ALL-TOO-RELEVANT STORY ABOUT PERSECUTN AND VLENCE, AND THE WAY WHICH PUBLIC RHETORIC—AND ACTN—FOSTERS FURTHER HATE.DIRECTOR CARONNA’S SERI BEGS WH THE 1992 DISVERY BY MATENANCE WORKERS OF A DISMEMBERED BODY BURLGTON COUNTY, NEW JERSEY. CUT TO SEVEN PIEC, EACH OF THEM WRAPPED NEWSPAPER (AND A SHOWER CURTA) AND PACKED TO DIFFERENT TRASH BAGS, THIS DIVIDUAL WAS—VIA HIS BRIEFSE AND PERSONAL BELONGGS—SWIFTLY INTIFIED AS THOMAS MULHY, A 57-YEAR-OLD HBAND AND FATHER WHO WAS THE AREA FOR A BS MEETG. DETECTIV ALSO FOUND LATEX GLOV, A PASS SAW, AND A LEN SHEET THE PLASTIC BAGS, ONE OF WHICH WAS EVENTUALLY TRACED BACK TO STATEN ISLAND’S LONE CVS. OTHERWISE, HOWEVER, THERE WAS LTLE EFUL PHYSIL EVINCE PROCURED OM THE EMS, SO PS SHIFTED THEIR ATTENTN TO MULHY’S MOVEMENTS THE DAYS AND HOURS LEADG UP TO HIS MURR. AS THEY SOON LEARNED, MULHY HAD LAST BEEN SEEN ON JULY 8, 1992, AT MIDTOWN MANHATTAN’S TOWNHOE BAR, AN UPSLE GAY WATERG HOLE WHERE OLR WELL-TO-DO GENTLEMEN OFTEN MET YOUNGER SUORS. DOUGLAS GIBSON REMEMBERS TALKG TO MULHY THAT EVENG AND SPYG AN UNKNOWN MAN HIS VICY, BUT HE DIDN’T GET A GOOD ENOUGH LOOK AT THIS STRANGER TO PROVI AN ACTUAL SCRIPTN. COPS, MEANWHILE, FOUND DIFFICULT TO NVCE PEOPLE AND AROUND THIS TABLISHMENT TO TALK TO THEM, SCE 1992, THE RELATNSHIP BETWEEN THE POLICE AND THE GAY MUNY WAS FED BY DISTST, IF NOT OUTRIGHT ANTIPATHY, MUCH OF BORN OM THE FORMER’S HISTORY OF PREJUDICED HARASSMENT AND HOSTILY. IF THAT PROVED A SIGNIFINT HURDLE THE SE, SO TOO WAS LAW ENFORCEMENT’S STILL-LACKG TERPARTMENTAL MUNITNS, AND WAS THIS FAILURE THAT LAYED THEIR REALIZATN THAT MULHY’S MURR WAS PART OF A GHASTLY PATTERN.A YEAR EARLIER LANSTER COUNTY, PENNSYLVANIA, THE SIARLY DISMEMBERED BODY OF PETER ANRSON HAD BEEN FOUND. LIKE MULHY, ANRSON WAS A CLOSETED GAY MAN, AND ON THE NIGHT OF HIS DISAPPEARANCE ON MAY 5, 1991, HE TOO HAD VISED THE TOWNHOE. WHEN VTIGATORS TO MULHY’S SLAYG HEARD ABOUT THIS, THEY KNEW THE TWO MURRS WERE LKED. WORSE, THEY WERE FOLLOWED BY THE NEARLY INTIL MURRS OF 44-YEAR-OLD PROSTUTE ANTHONY MARRERO ( MAY 1993) AND OF 55-YEAR-OLD GREENWICH VILLAGE RINT MICHAEL SAKARA ( JULY 1993), THE LATTER OF WHOM WAS A REGULAR AND WELL-KNOWN STAPLE AT THE FIVE OAKS BAR. CLEARLY, SOMEONE WAS KILLG GAY MEN AFTER MEETG THEM AT CLUBS, AND BEE OF HIS MOD OPERANDI, THE ASSAILANT WAS DUBBED BY THE NEW YORK DAILY NEWS AS THE “LAST CALL KILLER.” STILL OM LAST CALL: WHEN A SERIAL KILLER STALKED QUEER NEW YORKHBO LAST CALL IS, ON THE ONE HAND, A TRADNAL SPENSEFUL MYSTERY, WH VAR POLICE OFFICERS DISCSG THEIR EFFORTS TO PIECE TOGETHER CLU AND UNRSTAND THEIR VICTIMS’ BACKSTORI ORR TO LOTE A SPECT. JT AS PTIVATG, THOUGH, ’S A VIVID SNAPSHOT OF S PARTICULAR MOMENT, NARRATED LARGE PART BY TWO DIVIDUALS WHO WERE ON THE ONTL OF THE FIGHT FOR EQUAL LGTBQ+ RIGHTS: THE NEW YORK GAY & LBIAN ANTI-VLENCE PROJECT’S BEA HANSON AND MATT FOREMAN. RELLG A TIME WHEN GAY AMERINS WERE BOTH EMERGG OM THE SHADOWS FORCE (PECIALLY NYC) AND FACG CREASED ANTAGONISM AND THREATS (CLUDG OM THE RAGG AIDS EPIMIC), HANSON AND FOREMAN OFFER TIMATE AND PASSNATE FIRST-HAND ACUNTS OF THE CULTURAL AND POLIL ATMOSPHERE OF THE EARLY ’90S. IN DOG SO, THEY HELP NTEXTUALIZE THE MURRS AS AN OUTGROWTH OF THE LONG-STANDG BTALY THAT GAY (AND TRANS) MEN AND WOMEN FACED ON A DAILY BASIS. EMPLOYG PLENTIFUL ARCHIVAL MATERIAL, LAST CALL IS A SIMULTANEOLY VIBRANT AND SORROWFUL LOOK BACKWARDS, S NOSTALGIA FOR THE BURGEONG GAY MOVEMENT LORED BY THE FEAR THAT SO MANY FELT BEE OF HOMOPHOBIA AND THE MORTAL DANGER POSED—AS WELL AS THE ANGER THAT WAS A DIRECT BYPRODUCT OF BEG IGNORED, SLANRED, AND OPPRSED. DIRECTOR CARONNA’S SERI HONTLY AND PASSNATELY REVISS THE PAST, PUTTG A NUANCED FACE ON PEOPLE WHO WERE SO OFTEN DISMISSED, DISRD, AND RCED TO UNFLATTERG STEREOTYP, CLUDG MULHY, ANRSON, MARRERO, AND SAKARA. FEATURG TERVIEWS WH IENDS, LOVERS, AND RELATIV OF THE FOUR MEN WHOSE LIV WERE HORRIFILLY CUT SHORT BY A MADMAN, REMEMBERS—AND CELEBRAT—THEM NOT AS STATISTICS, BUT AS FLH-AND-BLOOD DIVIDUALS. STILL OM LAST CALL: WHEN A SERIAL KILLER STALKED QUEER NEW YORKHBO IN SEPARATE TERVIEWS WH DIFFERENT TECTIV, LAST CALL HIGHLIGHTS POLICE OFFICERS’ IGNORANCE ABOUT THE GAY MUNY AND THEIR RETICENCE TO RELATE TO THE MURRS. SUCH BLDNS, WHETHER WILLFUL OR NOT, FEELS AT LEAST SOMEWHAT NNECTED TO THE SERI’ OWN LIBERATE DISMISSAL OF THE FACT THAT THE KILLER—WHO, THROUGH MORN FGERPRT ANALYSIS, WAS INTIFIED AS MOUNT SAI NURSE RICHARD ROGERS JR.—WAS ALSO A GAY MAN. THERE’S A PERSISTENT SENSE, OM ALL ANGL, THAT TOLERANCE (AND FEAR OF VILIFITN) HAS REPEATEDLY TRATED ATTEMPTS TO SOLVE, AND PREHEND, THIS TRAGEDY, AND THE FACT THAT ROGERS NEVER OPENED UP ABOUT HIS MOTIVATNS ONLY FURTHER LEAV THGS FEELG PRSGLY MURKY.WHAT REMAS CLEAR, THOUGH, IS ROGERS’ GUILT. HAVG BEEN PREVLY ACQUTED OF KILLG HIS LLEGE ROOMMATE AND, YEARS LATER, OF ASSLTG ANOTHER MAN, THE QUIET AND SOFT-SPOKEN MEDIL PROFSNAL WAS UNDOUBTEDLY THE SERIAL CULPR THORI HAD SOUGHT. NO MATTER THE QUTNS ABOUT JURISDICTN THAT AROSE AT TRIAL, HE WAS JTLY SENTENCED TO TWO NSECUTIVE LIFE SENTENC, ENDG A REIGN OF TERROR THAT—DUE TO HIS HAB OF TAKG ROUTE TRIPS AROUND THE UNTRY—MAY HAVE CLUD MANY MORE UNKNOWN VICTIMS. HE WAS, BY ALL ACUNTS, A MONSTER SEEMGLY WHOUT REMORSE, AND LAST CALL IS SHARPT WHEN POSS HIM AS THE RULT OF A SOCIETY THAT MONIZ WH MALIC TENT (BE ANA BRYANT THE ’70S OR RON DESANTIS TODAY) AND, THE PROCS, SPIR EVABLE CELTY. NICK SCHAGER
• GAY BEAST
• THE CONTROVERSY SURROUNDG THE GAY 'BETY AND THE BEAST' SUBPLOT REEKS OF HYPOCRISY
• GAY BEAST
• LEFOU EMBRAC LE FEY: DISNEY GO GAY IN ‘BETY AND THE BEAST’
• ALL THE CHARACTERS 'BETY AND THE BEAST' WHO WERE PROBABLY GAY ALL ALONG
• JOSH GAD SAYS HE DON'T THK 'BETY AND THE BEAST' DID 'JTICE TO WHAT A REAL GAY CHARACTER A DISNEY FILM SHOULD BE'
• ‘BETY AND THE BEAST’: JOSH GAD PLAYS DISNEY’S FIRST-EVER GAY CHARACTER

BETY AND THE BEAST “DIDN’T GO FAR ENOUGH” WH GAY LEFOU, SAYS JOSH GAD “I DON’T THK WE DID JTICE TO WHAT A REAL GAY CHARACTER A DISNEY FILM SHOULD BE,” GAD SAID A RECENT TERVIEW.BY SAVANNAH WALSHMARCH 1, 2022FROM SHUTTERSTOCK.SAVE THIS STORYSAVESAVE THIS STORYSAVEIT’S BEEN NEARLY FIVE YEARS SCE DISNEY’S LIVE-ACTN BETY AND THE BEAST MA HEADL FOR AN “EXCLIVELY GAY MOMENT” VOLVG LEFOU (PLAYED BY JOSH GAD), THE DIM-WTED SIKICK TO THE VILLAO GASTON (LE EVANS). THAT SCENE, TEASED BY DIRECTOR BILL CONDON DURG THE FILM’S PRS TOUR, WOUND UP BEG MERELY A BRIEF SHOT OF LEFOU DANCG WH ANOTHER MAN JT BEFORE THE CREDS ROLLED. GAD IS NOW REMORSEFUL ABOUT HIS CHARACTER’S POSNG AS DISNEY’S FIRST TE LGBTQ+ REPRENTATN.“WE DIDN’T GO FAR ENOUGH TO WARRANT ACLAS,” HE RECENTLY TOLD THE INPENNT. “WE DIDN’T GO FAR ENOUGH TO SAY, ‘LOOK HOW BRAVE WE ARE.’ MY REGRET WHAT HAPPENED IS THAT BEME ‘DISNEY’S FIRST EXPLICLY GAY MOMENT’ AND WAS NEVER TEND TO BE THAT. IT WAS NEVER TEND TO BE A MOMENT THAT WE SHOULD LD OURSELV FOR, BEE ANKLY, I DON’T THK WE DID JTICE TO WHAT A REAL GAY CHARACTER A DISNEY FILM SHOULD BE.”AT THE TIME OF BETY AND THE BEAST’S RELEASE, THE IMPLITN THAT A BELOVED ANIMATED CHARACTER WOULD BE QUEER ED NTROVERSY. AN ALABAMA THEATER REFED TO SCREEN THE FILM, MALAYSIA BALKED AT SCREENG AN UNCENSORED VERSN OF , AND RSIA APPROVED THE FILM FOR SCREENG BUT WH AN AGE RATG OF 16 AND ABOVE. AMIDST THE FALLOUT, CONDON REVISED HIS EARLIER MENTS, LLG VERAGE OF THE SCENE “OVERBLOWN.” MEANWHILE, GAD TOLD USA TODAY AT THE FILM’S PREMIERE THAT THE SCRIPT DID NOT EXPLICLY DISCLOSE LEFOU’S SEXUALY AS GAY. “THAT WAS NOT LEFOU,” GAD NTUED HIS REMARKS TO THE INPENNT. “IF WE’RE GOG TO PAT OURSELV ON THE BACK, THEN DAMN , WE SHOULD HAVE GONE FURTHER WH THAT. EVERYBODY SERV AN OPPORTUNY TO SEE THEMSELV ON SCREEN, AND I DON’T THK WE’VE DONE ENOUGH—AND I CERTALY HAVEN’T DONE ENOUGH TO DO THAT.”GAD WAS SET TO REPRISE HIS ROLE AS LEFOU A PREQUEL SERI FOR DISNEY+, WHICH WOULD HAVE RNED WH EVANS’S GASTON. HOWEVER, DISNEY POSTPONED THE PROJECT EARLIER THIS YEAR, DUE TO CREATIVE LAYS. “WE TRIED TO MAKE ALL WORK BUT UNR THE GUN WASN’T MEANT TO BE…FOR NOW,” GAD, WHO WAS ALSO A SHOWNNER ON THE SERI, TWEETED. “THE CHARACTERS AND THIS STORY WILL LIVE ON, BUT SOMETIM THE BT TENTNS & REALY LLI & NOTHG N BE DONE.”MORE GREAT STORI FROM VANY FAIR— JERRY LEWIS’S COSTARS SPEAK OUT: “HE GRABBED ME. HE BEGAN TO FONDLE ME. I WAS DUMBSTCK”— INSI CHARLIZE THERON AND TOM HARDY’S MAD MAX WAR— INVENTG ANNA IS A “DANGERO” DISTORTN, SAYS RACHEL WILLIAMS— HOW THE GUN ALEC BALDW’S HANDS TURNED THE RT SET DEADLY— LOVE IS BLD SEASON TWO IS PEAK RED FLAG TELEVISN— PACHKO FIRST LOOK: AN EPIC TALE, AND A HISTORY-MAKG SHOW— VANY FAIR’S HOLLYWOOD ISSUE 2022: SEE THE FULL PORTFOL FEATURG NILE KIDMAN, KRISTEN STEWART, AND MORE— THE UGLY TTH OF HOW MOVIE SR ARE MA— KIRSTEN DUNST ON HER FIRST OSR NOMATN FOR THE POWER OF THE DOG— FROM THE ARCHIVE: WH FRIENDS LIKE THE— SIGN UP FOR THE “HWD DAILY” NEWSLETTER FOR MT-READ DTRY AND AWARDS VERAGE—PL A SPECIAL WEEKLY EDN OF “AWARDS INSIR.”MOST POPULARTHE ELVIS PRLEY WE DIDN’T SEE ELVISBY KATEY RICHRILEY KEOUGH ON GROWG UP PRLEY, LOSG LISA MARIE, AND INHERG GRACELANDBY BRT HENNEMUTHRED, WHE & ROYAL BLUE: THE 6 BIGGT CHANG FROM BOOK TO MOVIEBY SAVANNAH WALSHSAVANNAH WALSH

It’s been nearly five years sce Disney’s live-actn Bety and the Beast ma headl for an “exclively gay moment” volvg LeFou (played by Josh Gad), the dim-wted sikick to the villao Gaston (Le Evans).

’ My regret what happened is that beme ‘Disney’s first explicly gay moment’ and was never tend to be that. It was never tend to be a moment that we should ld ourselv for, bee ankly, I don’t thk we did jtice to what a real gay character a Disney film should be. ” Meanwhile, Gad told USA Today at the film’s premiere that the script did not explicly disclose LeFou’s sexualy as gay.

'BETY AND THE BEAST' FEATUR DISNEY'S FIRST GAY CHARACTER

The highly anticipated live-actn remake of “Bety and the Beast” will feature a gay character for the first time Disney's history, acrdg to the film’s director. Director Bill Condon said an terview wh Attu, a Brish gay magaze, that LeFou, the goofy sikick of the film’s ma villa, Gaston, will fd his own subplot by explorg his sexualy. ” Condon promised the film will have a “nice, exclively gay moment” at the the LGBTQ have been advotg to see themselv reprented Disney films.

Those g were advotg for givg the lead character Disney’s blockbter h “Frozen” a female love tert the news of LeFou beg Disney’s first gay character, however, was met wh mixed reactns. However, the pellg hook of Anthony Caronna and Howard Gertler’s four-part HBO vtigatn (July 9) is that ’s both a whodun and a soclogil crique of the era and environment which s tale took place: early 1990s New York Cy, whose climate of homophobia facilated s villa’s homicis.

Wh anti-gay and trans legislatn currently sweepg the natn, ’s an all-too-relevant story about persecutn and vlence, and the way which public rhetoric—and actn—fosters further hate. Otherwise, however, there was ltle eful physil evince procured om the ems, so ps shifted their attentn to Mulhy’s movements the days and hours leadg up to his they soon learned, Mulhy had last been seen on July 8, 1992, at midtown Manhattan’s Townhoe Bar, an upsle gay waterg hole where olr well-to-do gentlemen often met younger suors.

THE SERIAL KILLER WHO PREYED UPON GAY NEW YORKERSMONSTROUSHBO’S DOCERI “LAST CALL” TELLS THE CHILLG STORY OF A STRG OF ANTI-LGBT MURRS ’90S NYC—AND MANAG TO HONOR THE VICTIMS THE PROCS.NICK SCHAGERENTERTAMENT CRICUPDATED JUL. 08, 2023 3:16AM EDT / PUBLISHED JUL. 07, 2023 8:30PM EDT COURTY OF HBOLAST CALL: WHEN A SERIAL KILLER STALKED QUEER NEW YORK IS YET ANOTHER DISTURBG TE-CRIME DOCUMENTARY ABOUT A FIEND PREYG UPON A MARGALIZED MUNY. HOWEVER, THE PELLG HOOK OF ANTHONY CARONNA AND HOWARD GERTLER’S FOUR-PART HBO VTIGATN (JULY 9) IS THAT ’S BOTH A WHODUN AND A SOCLOGIL CRIQUE OF THE ERA AND ENVIRONMENT WHICH S TALE TOOK PLACE: EARLY 1990S NEW YORK CY, WHOSE CLIMATE OF HOMOPHOBIA FACILATED S VILLA’S HOMICIS. WH ANTI-GAY AND TRANS LEGISLATN CURRENTLY SWEEPG THE NATN, ’S AN ALL-TOO-RELEVANT STORY ABOUT PERSECUTN AND VLENCE, AND THE WAY WHICH PUBLIC RHETORIC—AND ACTN—FOSTERS FURTHER HATE.DIRECTOR CARONNA’S SERI BEGS WH THE 1992 DISVERY BY MATENANCE WORKERS OF A DISMEMBERED BODY BURLGTON COUNTY, NEW JERSEY. CUT TO SEVEN PIEC, EACH OF THEM WRAPPED NEWSPAPER (AND A SHOWER CURTA) AND PACKED TO DIFFERENT TRASH BAGS, THIS DIVIDUAL WAS—VIA HIS BRIEFSE AND PERSONAL BELONGGS—SWIFTLY INTIFIED AS THOMAS MULHY, A 57-YEAR-OLD HBAND AND FATHER WHO WAS THE AREA FOR A BS MEETG. DETECTIV ALSO FOUND LATEX GLOV, A PASS SAW, AND A LEN SHEET THE PLASTIC BAGS, ONE OF WHICH WAS EVENTUALLY TRACED BACK TO STATEN ISLAND’S LONE CVS. OTHERWISE, HOWEVER, THERE WAS LTLE EFUL PHYSIL EVINCE PROCURED OM THE EMS, SO PS SHIFTED THEIR ATTENTN TO MULHY’S MOVEMENTS THE DAYS AND HOURS LEADG UP TO HIS MURR. AS THEY SOON LEARNED, MULHY HAD LAST BEEN SEEN ON JULY 8, 1992, AT MIDTOWN MANHATTAN’S TOWNHOE BAR, AN UPSLE GAY WATERG HOLE WHERE OLR WELL-TO-DO GENTLEMEN OFTEN MET YOUNGER SUORS. DOUGLAS GIBSON REMEMBERS TALKG TO MULHY THAT EVENG AND SPYG AN UNKNOWN MAN HIS VICY, BUT HE DIDN’T GET A GOOD ENOUGH LOOK AT THIS STRANGER TO PROVI AN ACTUAL SCRIPTN. COPS, MEANWHILE, FOUND DIFFICULT TO NVCE PEOPLE AND AROUND THIS TABLISHMENT TO TALK TO THEM, SCE 1992, THE RELATNSHIP BETWEEN THE POLICE AND THE GAY MUNY WAS FED BY DISTST, IF NOT OUTRIGHT ANTIPATHY, MUCH OF BORN OM THE FORMER’S HISTORY OF PREJUDICED HARASSMENT AND HOSTILY. IF THAT PROVED A SIGNIFINT HURDLE THE SE, SO TOO WAS LAW ENFORCEMENT’S STILL-LACKG TERPARTMENTAL MUNITNS, AND WAS THIS FAILURE THAT LAYED THEIR REALIZATN THAT MULHY’S MURR WAS PART OF A GHASTLY PATTERN.A YEAR EARLIER LANSTER COUNTY, PENNSYLVANIA, THE SIARLY DISMEMBERED BODY OF PETER ANRSON HAD BEEN FOUND. LIKE MULHY, ANRSON WAS A CLOSETED GAY MAN, AND ON THE NIGHT OF HIS DISAPPEARANCE ON MAY 5, 1991, HE TOO HAD VISED THE TOWNHOE. WHEN VTIGATORS TO MULHY’S SLAYG HEARD ABOUT THIS, THEY KNEW THE TWO MURRS WERE LKED. WORSE, THEY WERE FOLLOWED BY THE NEARLY INTIL MURRS OF 44-YEAR-OLD PROSTUTE ANTHONY MARRERO ( MAY 1993) AND OF 55-YEAR-OLD GREENWICH VILLAGE RINT MICHAEL SAKARA ( JULY 1993), THE LATTER OF WHOM WAS A REGULAR AND WELL-KNOWN STAPLE AT THE FIVE OAKS BAR. CLEARLY, SOMEONE WAS KILLG GAY MEN AFTER MEETG THEM AT CLUBS, AND BEE OF HIS MOD OPERANDI, THE ASSAILANT WAS DUBBED BY THE NEW YORK DAILY NEWS AS THE “LAST CALL KILLER.” STILL OM LAST CALL: WHEN A SERIAL KILLER STALKED QUEER NEW YORKHBO LAST CALL IS, ON THE ONE HAND, A TRADNAL SPENSEFUL MYSTERY, WH VAR POLICE OFFICERS DISCSG THEIR EFFORTS TO PIECE TOGETHER CLU AND UNRSTAND THEIR VICTIMS’ BACKSTORI ORR TO LOTE A SPECT. JT AS PTIVATG, THOUGH, ’S A VIVID SNAPSHOT OF S PARTICULAR MOMENT, NARRATED LARGE PART BY TWO DIVIDUALS WHO WERE ON THE ONTL OF THE FIGHT FOR EQUAL LGTBQ+ RIGHTS: THE NEW YORK GAY & LBIAN ANTI-VLENCE PROJECT’S BEA HANSON AND MATT FOREMAN. RELLG A TIME WHEN GAY AMERINS WERE BOTH EMERGG OM THE SHADOWS FORCE (PECIALLY NYC) AND FACG CREASED ANTAGONISM AND THREATS (CLUDG OM THE RAGG AIDS EPIMIC), HANSON AND FOREMAN OFFER TIMATE AND PASSNATE FIRST-HAND ACUNTS OF THE CULTURAL AND POLIL ATMOSPHERE OF THE EARLY ’90S. IN DOG SO, THEY HELP NTEXTUALIZE THE MURRS AS AN OUTGROWTH OF THE LONG-STANDG BTALY THAT GAY (AND TRANS) MEN AND WOMEN FACED ON A DAILY BASIS. EMPLOYG PLENTIFUL ARCHIVAL MATERIAL, LAST CALL IS A SIMULTANEOLY VIBRANT AND SORROWFUL LOOK BACKWARDS, S NOSTALGIA FOR THE BURGEONG GAY MOVEMENT LORED BY THE FEAR THAT SO MANY FELT BEE OF HOMOPHOBIA AND THE MORTAL DANGER POSED—AS WELL AS THE ANGER THAT WAS A DIRECT BYPRODUCT OF BEG IGNORED, SLANRED, AND OPPRSED. DIRECTOR CARONNA’S SERI HONTLY AND PASSNATELY REVISS THE PAST, PUTTG A NUANCED FACE ON PEOPLE WHO WERE SO OFTEN DISMISSED, DISRD, AND RCED TO UNFLATTERG STEREOTYP, CLUDG MULHY, ANRSON, MARRERO, AND SAKARA. FEATURG TERVIEWS WH IENDS, LOVERS, AND RELATIV OF THE FOUR MEN WHOSE LIV WERE HORRIFILLY CUT SHORT BY A MADMAN, REMEMBERS—AND CELEBRAT—THEM NOT AS STATISTICS, BUT AS FLH-AND-BLOOD DIVIDUALS. STILL OM LAST CALL: WHEN A SERIAL KILLER STALKED QUEER NEW YORKHBO IN SEPARATE TERVIEWS WH DIFFERENT TECTIV, LAST CALL HIGHLIGHTS POLICE OFFICERS’ IGNORANCE ABOUT THE GAY MUNY AND THEIR RETICENCE TO RELATE TO THE MURRS. SUCH BLDNS, WHETHER WILLFUL OR NOT, FEELS AT LEAST SOMEWHAT NNECTED TO THE SERI’ OWN LIBERATE DISMISSAL OF THE FACT THAT THE KILLER—WHO, THROUGH MORN FGERPRT ANALYSIS, WAS INTIFIED AS MOUNT SAI NURSE RICHARD ROGERS JR.—WAS ALSO A GAY MAN. THERE’S A PERSISTENT SENSE, OM ALL ANGL, THAT TOLERANCE (AND FEAR OF VILIFITN) HAS REPEATEDLY TRATED ATTEMPTS TO SOLVE, AND PREHEND, THIS TRAGEDY, AND THE FACT THAT ROGERS NEVER OPENED UP ABOUT HIS MOTIVATNS ONLY FURTHER LEAV THGS FEELG PRSGLY MURKY.WHAT REMAS CLEAR, THOUGH, IS ROGERS’ GUILT. HAVG BEEN PREVLY ACQUTED OF KILLG HIS LLEGE ROOMMATE AND, YEARS LATER, OF ASSLTG ANOTHER MAN, THE QUIET AND SOFT-SPOKEN MEDIL PROFSNAL WAS UNDOUBTEDLY THE SERIAL CULPR THORI HAD SOUGHT. NO MATTER THE QUTNS ABOUT JURISDICTN THAT AROSE AT TRIAL, HE WAS JTLY SENTENCED TO TWO NSECUTIVE LIFE SENTENC, ENDG A REIGN OF TERROR THAT—DUE TO HIS HAB OF TAKG ROUTE TRIPS AROUND THE UNTRY—MAY HAVE CLUD MANY MORE UNKNOWN VICTIMS. HE WAS, BY ALL ACUNTS, A MONSTER SEEMGLY WHOUT REMORSE, AND LAST CALL IS SHARPT WHEN POSS HIM AS THE RULT OF A SOCIETY THAT MONIZ WH MALIC TENT (BE ANA BRYANT THE ’70S OR RON DESANTIS TODAY) AND, THE PROCS, SPIR EVABLE CELTY. NICK SCHAGER

Cops, meanwhile, found difficult to nvce people and around this tablishment to talk to them, sce 1992, the relatnship between the police and the gay muny was fed by distst, if not outright antipathy, much of born om the former’s history of prejudiced harassment and hostily.

Like Mulhy, Anrson was a closeted gay man, and on the night of his disappearance on May 5, 1991, he too had vised The Townhoe. Clearly, someone was killg gay men after meetg them at clubs, and bee of his mod operandi, the assailant was dubbed by The New York Daily News as the “Last Call Killer. Jt as ptivatg, though, ’s a vivid snapshot of s particular moment, narrated large part by two dividuals who were on the ontl of the fight for equal LGTBQ+ rights: The New York Gay & Lbian Anti-Vlence Project’s Bea Hanson and Matt Foreman.

Rellg a time when gay Amerins were both emergg om the shadows force (pecially NYC) and facg creased antagonism and threats (cludg om the ragg AIDS epimic), Hanson and Foreman offer timate and passnate first-hand acunts of the cultural and polil atmosphere of the early ’90s. In dog so, they help ntextualize the murrs as an outgrowth of the long-standg btaly that gay (and trans) men and women faced on a daily basis.

GAY BEAST

Employg plentiful archival material, Last Call is a simultaneoly vibrant and sorrowful look backwards, s nostalgia for the burgeong gay movement lored by the fear that so many felt bee of homophobia and the mortal danger posed—as well as the anger that was a direct byproduct of beg ignored, slanred, and opprsed.

Still om Last Call: When a Serial Killer Stalked Queer New YorkHBO In separate terviews wh different tectiv, Last Call highlights police officers’ ignorance about the gay muny and their reticence to relate to the murrs. —was also a gay man.

Gay Beast formed mid-2005 durg a f of anxiety towards Midwtern passive aggrsn and as an attempt to make mic that was queer posn and athetic. Wh releas on DNT, Gilgongo, and Sk Graft, Gay Beast have garnered a reputatn for uniquens on the rock ge, their sound beg both too weird for the stereotype of a “gay band” and “too gay” for the noise-rock set. This nctn, livered via Gay Beast’s unique polil approach to posn, is explored heavily on their third album To Smhereens, appearg Wter 2010 on Sk Graft Rerds.

THE CONTROVERSY SURROUNDG THE GAY 'BETY AND THE BEAST' SUBPLOT REEKS OF HYPOCRISY

Gay Beast. As for the unrwhelmg “exclively gay” subplot, though?

That is the extent of the so-lled gay subplot.

GAY BEAST

Not exactly the image wh which gay men like to be associated. There is a pattern wh all of the d “gay” characters, all of whom uld be scribed ntemporary terms as genr non-nformg: They’re all villas.

In an terview wh Bra’s Attu Magaze, Condon revealed that he will make his mark on the Disney legacy by allowg years of subtext to fally e to the surface, prentg the first “nice, exclively gay moment a Disney movie, ” the director said.

READ MORE: Cate Blanchett Remds You Why She’s A Gay In Wh Powerhoe Drag Bar Lip Sync — Watch. Condon, who unts Sir Ian McKellen as a good iend, is openly gay.

LEFOU EMBRAC LE FEY: DISNEY GO GAY IN ‘BETY AND THE BEAST’

Even if the moment wreaks of tokenism, is still a historic tone for Disney to regnize a gay character out loud.

In 2017, Disney's "Bety and the Beast" director said the movie had an "exclively gay moment. Actor Josh Gad, who played Gaston's sikick LeFou the "Bety and the Beast" remake, recently shared that he agre wh some Disney fans who were left disappoted after was said that his character was a gay a new terview wh The Inpennt, Gad said he agre wh people who believed the moment was overhyped.

ALL THE CHARACTERS 'BETY AND THE BEAST' WHO WERE PROBABLY GAY ALL ALONG

LeFou's anticipated "gay moment"  the 2017 film turned out to be two sends of him dancg wh a man. ' My regret what happened is that beme 'Disney's first explicly gay moment' and was never tend to be that.

"The hype around LeFou's "gay moment" began jt a uple of weeks before the "Bety and the Beast" remake was set to premiere.

The ver for an April 2017 edn of Attu, a gay liftyle magaze, touted a world exclive about "the same-sex surprise" fans would see the movie.

JOSH GAD SAYS HE DON'T THK 'BETY AND THE BEAST' DID 'JTICE TO WHAT A REAL GAY CHARACTER A DISNEY FILM SHOULD BE'

But is a nice, exclively gay moment a Disney movie.

‘BETY AND THE BEAST’: JOSH GAD PLAYS DISNEY’S FIRST-EVER GAY CHARACTER

The phrase "exclively gay moment" beme a foc of the movie's chang to the 1991 origal animated when people flocked to the theater, the only "gay moment" LeFou's character was given me durg the movie's endg montage. "It was never tend to be a moment that we should ld ourselv for, bee ankly, I don't thk we did jtice to what a real gay character a Disney film should be, " Gad told the Inpennt this week. There was a great al of ntroversy six years ago when Disney announced that the 2017 live-actn remake film of Bety and the Beast would feature the "first openly gay moment" any Disney film.

Lyrics such as "We don't like/What we don't unrstand/In fact sr /And this monster is myster at least" powerfully skewer the nventnal fears and stigmas aimed at LGBT+ people, particularly at the time when the AIDS crisis was beg blamed on the gay muny and homophobia was beg exprsed publicly and celly.