Steve Norman Of Spand Ballet - Get Out! Magaze - NYC’s Gay Magaze

Contents:

• HOW A GROUP OF GAY MALE BALLET DANCERS IS RETHKG MASCULY
• GAY MALE BALLET DANCERS, PHOTOS
• IN AND OUT: BOLLE, GOM, STIEFEL – HOW EASY IS TO BE AN OPENLY GAY BALLET DANCER?
• GAY STEREOTYP: ARE THEY TE?
• PAS DX: SEXISM AND THE GENR BARY {GRID-ROW-START:2;GRID-LUMN-START:2;GRID-LUMN-END:3;}@MEDIA (MAX-WIDTH:950PX){{GRID-LUMN-START:1;GRID-LUMN-END:2;}}{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;MARG-BOTTOM:5PX;} A{LOR:#7B1B18;} IMG{PADDG-RIGHT:7PX;}BY {LOR:#BA0600;}SARA KOMATSU, CRIMSON STAFF {BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;}{DISPLAY:NONE;}@MEDIA (MAX-WIDTH:950PX){{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;DISPLAY:BLOCK;PADDG-TOP:20PX;PADDG-BOTTOM:20PX;MARG-TOP:20PX;BORR-TOP:1PX SOLID #EBEBEB;BORR-BOTTOM:1PX SOLID #EBEBEB;}}{DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;WIDTH:TO;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;POSN:-WEBK-STICKY;POSN:STICKY;TOP:70PX;-WEBK-FLEX-DIRECTN:ROW;-MS-FLEX-DIRECTN:ROW;FLEX-DIRECTN:ROW;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:UNSET;} {DISPLAY:LE-BLOCK;PADDG:0PX;} > SPAN{WIDTH:35PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;TEXT-ALIGN:CENTER;BORR-RADI:50%;} SVG{WIDTH:25PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;} .ADDTHIS_BUTTON_EMAIL > SPAN, .ADDTHIS_BUTTON_PRT > SPAN, .ADDTHIS_BUTTON_LK > SPAN{BACKGROUND-LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_UNTER .ADDTHIS_BUTTON_EXPAND{WIDTH:35PX;HEIGHT:35PX;MARG:0PX;PADDG:0PX;BACKGROUND:NONE;TEXT-ALIGN:CENTER;BORR:1PX SOLID #EBEBEB;BORR-RADI:50%;LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_BUTTON_PACT{DISPLAY:NONE !IMPORTANT;} {MARG:0PX 5PX;}{POSN:RELATIVE;WIDTH:100%;} P{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;MARG-TOP:1EM;MARG-BOTTOM:1EM;} OL{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;PADDG-LEFT:80PX;} P A, OL A, P A:VISED, OL A:VISED{LOR:#BA0600;-WEBK-TRANSN:0.3S ALL;TRANSN:0.3S ALL;-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} P A:HOVER, OL A:HOVER{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} H1, H2, H3, H4, H5, H6{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;MARG-TOP:1EM;MARG-BOTTOM:1EM;LOR:#7B1B18;}THE PAS UX IS ARGUABLY THE CENTERPIECE OF CLASSIL BALLET. TRADNALLY, FEATUR A MAN AND A WOMAN DANCG TOGETHER, EACH PERFORMG SOLOS, AND THEN G TOGETHER ONCE MORE FOR A DA. WHEN THE TWO ARE DANCG ON STAGE TOGETHER, THE JOB OF THE MAN IS TO SUPPORT AND PRENT THE BALLERA, BEE “BALLET IS WOMAN,” AS GEE BALANCHE FAMOLY (OR PERHAPS NOTORLY) SAID. WHILE THIS MAY BE TE, THERE IS MUCH TO BE QUTNED ABOUT THE ROLE OF GENR BALLET.CLASSIL BALLET NTAS EXTREMELY STRICT GENR ROL, WH MEN AND WOMEN PERFORMG DIFFERENT TYP OF MOVEMENTS AND DANCG VERY DIFFERENT ROL. IN SCHOOLS, THOUGH EVERYONE TAK BARRE AND CENTER TOGETHER, THE BOYS WILL THEN LEAVE FOR A SEPARATE “MEN’S CLASS” WHILE THE GIRLS FOC ON POTEWORK. DRS S ARE GENRED AS WELL — PK TIGHTS AND BLACK LEOTARDS FOR THE GIRLS, BLACK TIGHTS AND WHE SHIRTS FOR THE BOYS. THIS RIGID DIVI LEAV LTLE ROOM FOR FLEXIBILY OR THE CLN OF THOSE WHOSE GENR INTY DON’T F WH THE TRADNAL CISGENR ROL ON WHICH BALLET IS BUILT.THOUGH PANI LIKE THE ALL-MALE DRAG L BALLETS TROCKARO MONTE CARLO EXIST, THE PANY IS MEANT TO PERFORM PARODI, WH A EDIC ELEMENT. OPPORTUNY AND CLN OF NON-BARY DANCERS CLASSIL BALLET ARE NEARLY NONEXISTANT, AND THE STARK GENR DIVI MAY BE DIFFICULT TO SURMOUNT FOR TRANSGENR DANCERS. IN 2018, CHASE JOHNSEY BROKE BARRIERS WHEN HE BEME THE FIRST MAN TO PERFORM A FEMALE ROLE A MAJOR BALLET PANY—ENGLISH NATNAL BALLET. THOUGH POSIVELY RECEIVED, SOME, LIKE FORMER NEW YORK CY BALLET PRCIPAL WENDY WHELAN, WERE UT THEIR RPONSE, CG THE POSSIBILY OF YET MORE OBSTACL FOR WOMEN A WORLD ALREADY STACKED AGAST THEM.RETURNG TO THE PAS UX, THE BALLET WORLD HAS ONLY RECENTLY BEGUN TO SEE MORE SUBVERSN OF S TRADNAL STCTURE, ALBE MOSTLY WH NTEMPORARY PAS UX NSISTG OF TWO MEN. AMERIN BALLET THEATER’S RECENT WORK “TOUCHE” WAS GROUNDBREAKG AS THEIR FIRST ALL MALE PAS UX AND WAS ALSO EXPLICLY GAY D. THOUGH THE WORKS ARE PROOF OF PROGRS AND THE BREAKDOWN OF STIFLG TRADNS, THEY ARE ONCE AGA PRIMARILY CREATG OPPORTUNI FOR MEN AND NOT WOMEN. WHILE PERHAPS THIS IMBALANCE IS DUE TO HIGHER VISIBILY OF GAY MAL BALLET OR THE ABILY OF MEN TO PERFORM PARTNERG FEATS LIKE LIFTS, STANDALONE PIEC SUCH AS THE ROYAL BALLET’S 2017 “DUET” HELP TO CREATE BARRIER-BREAKG OPPORTUNI FOR WOMEN AS WELL. A RARE PIECE THE BALLET WORLD, “DUET” WAS CHOREOGRAPHED FOR TWO WOMEN—BY A FEMALE CHOREOGRAPHER, NO LS.WHELAN’S RERVATNS ABOUT JOHNSEY’S HISTORIC PERFORMANCE, WHILE PERHAPS OVERBLOWN THIS NTEXT, ARE GROUND REALY. AS THE FIRST FEMALE A POSN OF ARTISTIC LEARSHIP AT NYCB, SHE CERTALY KNOWS THE GLASS CEILGS OF BALLET ALL TOO WELL. THOUGH THERE ARE TYPILLY MORE WOMEN A PANY OF DANCERS THAN MEN, POSNS OF POWER — ARTISTIC DIRECTN AND CHOREOGRAPHY — HAVE NEARLY ALWAYS BEEN, AND NTUE TO BE, HELD BY MEN. UNRNEATH THE SHOWMANSHIP OF BALANCHE’S “BALLET IS WOMAN,” THE POSNS THAT DICTATE FEMALE VISIBILY ON STAGE ARE ONCE AGA ULTIMATELY NTROLLED BY MEN, A REALY THAT MIGHT EVEN BE SAID TO BE REFLECTED THE CHOREOGRAPHY OF THE CLASSIL BALLET NON. AS DANCE CRIC ALASTAIR MAULAY NSIRS, IS THE MALE PARTNER BEHD THE BALLERA “SERVG HER OR NTROLLG HER?”BALLET, AS AN ART FORM TIED TO TRADN, N BE A EPLY SEXIST AND EXCLIVE PLACE. BUT WOMEN ARE SLOWLY BUT SURELY BREAKG THROUGH THE GLASS CEILG AND PROVG THEIR PABILI. TAMARA ROJO, ARTISTIC DIRECTOR OF ENGLISH NATNAL BALLET, IS ONE OF THOSE RARE WOMEN A POSN OF POWER AT A MAJOR BALLET PANY. SHE HAS SUCCSFULLY LED THE PANY TO FELY GREATER PRTIGE THE LAST , WHILE NTUG TO DANCE AS A PRCIPAL BALLERA, AND WAS ALSO THE DIRECTOR WHO GAVE THE PREVLY MENTNED CHASE JOHNSEY THE RADIL OPPORTUNY TO DANCE THE FEMALE RPS.WH THE CHOREOGRAPHY AND NARRATIV OF THE CLASSIL BALLET NON, THERE IS CERTALY ROOM TO REEVALUATE HOW THE WORKS PRENT AND REPRENT WOMEN AND POWER DYNAMICS BETWEEN THE SEX. MOREOVER, THE BALLET WORLD MT LEARN TO LET GO OF SOME OF S RIGIDY AND ACTIVELY WORK TO BEE A MORE CLIVE AND WELG PLACE.— SARA KOMATSU ‘23’S LUMN “BACKSTAGE AT THE BALLET” EXPLOR ANYTHG AND EVERYTHG BALLET-RELATED, OM S MOMENTS OF JOY AND SPAIR TO THE BROAR, SYSTEMATIC ISSU WH {FONT-SIZE:16.5PX;LE-HEIGHT:26PX;BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;MARG:1EM TO;} A{LOR:#7B1B18;}WANT TO KEEP UP WH BREAKG NEWS? 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• IS BARBIE GAY AND WHY IS THE NEW MOVIE RATED PG-13?
• JAGS' MAXEN IS FIRST MALE AMERIN PRO SPORTS ACH TO E OUT AS GAY
• KEN HAS ALWAYS BEEN BARBIE’S GAY BT FRIEND—NOT HER BOYIENDBARBIE’S BELOVED BEARD?FOR YEARS, PEOPLE HAVE QUTNED WHAT ROLE KEN REALLY PLAYS BARBIE’S LIFE. BUT THE TTH IS PLA SIGHT: KEN’S NOT BOYIEND MATERIAL. AT LEAST, NOT FOR BARBIE.BARRY LEVTFREELANCE WRERUPDATED JUL. 21, 2023 4:35AM EDT PHOTO ILLTRATN BY THE DAILY BEAST/GETTYIT’S BARBIE WEEK AT THE DAILY BEAST’S OBSSED, CELEBRATG THE DOLL’S POP-CULTURE HISTORY, OUR FAVORE BARBIE MEMORI, AND A CERTA MAJOR MOVIE. READ ALL OF OUR VERAGE HERE!“SHE’S EVERYTHG. HE’S JT KEN.” THAT’S THE TAGLE FOR THE WILDLY ANTICIPATED BARBIE MOVIE, DIRECTED BY GRETA GERWIG AND STARRG MARGOT ROBBIE AND RYAN GOSLG. THE IMPLITN IS CLEAR: COME FOR BARBIE, AND STAY FOR BARBIE… BUT KEN HAPPENS TO BE THERE TOO.KEN HAS LONG BEEN SEEN AS NOTHG BUT BARBIE’S HUMAN ACCSORY, BUT WASN’T ALWAYS THIS WAY FOR THE POOR MISUNRSTOOD DOLL. WHEN KEN WAS FIRST TRODUCED 1961, HIS FIRST MERCIAL TRIED TO POSN HIM AS BARBIE’S EQUAL AND, UNMISTAKABLY, BOYIEND. “GET BOTH BARBIE AND KEN AND SEE WHERE THE ROMANCE WILL LEAD!” THE MERCIAL PROMISED.SCE THEN, LIKE BARBIE, KEN HAS UNRGONE UNTLS TRANSFORMATNS AND FASHNS. BUT AS TIME WENT ON, KEN FOUND HIMSELF AN AFTERTHOUGHT. TOYMAKERS MATTEL NEVER GAVE HIM THE SAME KD OF BACKSTORI AS BARBIE—WHILE SHE’S HAD OVER 200 REERS, KEN HAS HAD JT SOME 40-ODD PROFSNS. (AN CREDIBLE AMOUNT OF JOBS FOR A PERSON, SURE. BUT FOR A DOLL? EMBARRASSG.) BARBIE HAS STARRED LOTS OF VIO GAM AND MORE THAN THREE DOZEN FILMS; KEN HAS HAD A MAJOR ROLE A MERE HANDFUL OF THEM. BUT THERE’S ONE KEY REASON WHY KEN IS ALWAYS LAGGG SIGNIFINTLY BEHD BARBIE AND 'S A LOT EPER THAN THE DOLL’S SEEMG LACK OF POPULARY: KEN HAS BEEN MISST. HE’S NOT BARBIE’S BOYIEND. HE’S BARBIE’S GAY BT IEND.DPE MATTEL’S SISTENCE THAT BARBIE AND KEN ARE A HAPPY ROMANTIC RELATNSHIP, THERE’S PLENTY OF SPECULATN ABOUT KEN’S SEXUALY. EVEN IF HIS MAKERS CLAIM HIM TO BE STRAIGHT, THERE’S MOUNTG PROOF TO THE NTRARY. PERHAPS THE MOST DISPUTABLE EVINCE THAT KEN IS FACT BOTH A MEMBER OF THE QUEER MUNY AND BARBIE’S BTIE, NOT BOY TOY, OM A RATHER SURPRISG PLACE: 2010’S TOY STORY 3.IN TOY STORY 3, BARBIE AND KEN PLAY A SURPRISGLY LARGE ROLE. THEIR TRODUCTN TO THE FILM IS TGED WH ROMANTIC TENSN. WHEN THE PAIR MEET, THE FILM VOK A MON TROPE: A ROMANTIC NEEDLE DROP HS THE MOMENT THE LOVERS LOCK EY. IN THIS SE, ’S “DREAM WEAVER” BY GARY WRIGHT. AS FAR AS BARBIE AND KEN ARE NCERNED, THEY’RE THE ONLY ON THE ROOM. “I LOVE YOUR LEG WARMERS!” KEN TELLS BARBIE. “NICE AST,” SHE BANTERS, WH HEAVY EMPHASIS ON THE FIRST SYLLABLE. BEFORE THGS GET TOO HEATED, THEY LOCK ARMS AND WALK OFF TOGETHER. PHOTO ILLTRATN BY KELLY CAMERO / THE DAILY BEAST / GETTY LET’S BE HONT—SPE THE ROMANTIC OVERTON OF THE SCENE, THEIR BRIEF EXCHANGE TELLS EVERYTHG ABOUT HOW THEY SEE EACH OTHER. KEN DON’T MENTN ANYTHG ABOUT BARBIE’S BODY, STEAD HIGHLIGHTG HER LEG WARMERS. BUT BARBIE IS UNSUBTLY TRYG TO SCE KEN JT TWO WORDS. SHE’S AFTER KEN, BUT KEN IS AFTER SOMEONE WHOSE CLOTH HE N ADMIRE.SURE, LATER THE FILM, KEN AND BARBIE SAY “I LOVE YOU” TO EACH OTHER. AND THEY GO BACK AND FORTH BETWEEN SAYG EACH WORD OF “I LOVE YOU”—SO SOMEONE DIFFERENT N SAY “LOVE” EACH TIME, AS KEN EXPLAS. HE MENTNS OFFHAND THAT HE HAS EVERYTHG EXCEPT SOMEONE TO SHARE WH. BARBIE AND KEN EVEN NUZZLE THEIR NOS TOGETHER. Y, THERE’S FELY LOVE BETWEEN IENDS—BUT THROUGH ALL, THERE’S NOT A HT OF SEXUAL CHEMISTRY.LOOK, I KNOW WHAT YOU’RE THKG—SIR, THIS IS TOY STORY; WHAT EXACTLY ARE YOU EXPECTG? IF YOU LOOK AT OTHER ROMANC THE ANCHISE—WOODY AND BO PEEP, AND JSE AND BUZZ—THERE’S NO DOUBT THAT THERE’S REAL LOVE THERE BETWEEN THE SENTIENT TOYS. THEIR PASSN FOR ONE ANOTHER TRANSCENDS MORE THAN SIMPLY BEG TERTED EACH OTHER’S OUTFS. THE SAME NNOT BE SAID OF THE MATTEL DOLLS. THAT’S MA EVINT WHEN KEN FALLY GETS AN OPPORTUNY FOR TIMACY WH BARBIE. “THIS IS WHERE THE MAGIC HAPPENS,” HE TELLS BARBIE WHEN THEY FALLY GO TO HIS DREAMHOE TOGETHER, HAVG PARENTS ALL OVER THE WORLD CLUTCHG THEIR PEARLS. BUT FEAR NOT: KEN SIMPLY TAK BARBIE TO… HIS WALK- WARDROBE. ANY SEMBLANCE OF ROMANCE MAK WAY FOR IENDSHIP, WHEN THE PAIR JUBILANTLY PESE KEN’S OUTFS. AND STEAD OF DOG SOMETHG WILD LIKE KISSG BARBIE, KEN PUTS ON A FASHN SHOW FOR HER STEAD. THE FILM WON’T SAY , BUT A POST-CREDS PUNCHLE ABOUT KEN’S HANDWRG, PLETE WH HEARTS AND STARS SURROUNDG HIS NAME, TELLS WHAT WE NEED TO KNOW.THE HEAVILY IMPLIED NATURE OF KEN’S GAYNS TOY STORY 3 HARKENS BACK TO HOLLYWOOD’S TRADNAL GAY BT IEND-TYPE CHARACTERS. IN THE HAYS CO ERA, EXPLIC REFERENC TO HOMOSEXUALY WEREN’T ALLOWED, SO CHARACTERS LIKE VAN BUREN (FRANKL PANGBORN) 1937’S EASY LIVG, KIP (DAVID WAYNE) 1949’S ADAM’S RIB, OR ADDISON (GEE SANRS) 1950’S ALL ABOUT EVE STEAD WERE IMBUED WH EFFEMATE CHARACTERISTICS, OFFERG A GLIMPSE OUTSI OF HETERONORMATIVY WHOUT EXPLICLY BEG QUEER.NONE OF THE CHARACTERS WERE THE SAME—SOME WERE TTY, OTHERS SWEET. SOME HAD ULTERR MOTIV, AND OTHERS OFFERED UNNDNAL SUPPORT. BUT EACH OF THE GAY BT IENDS WAS TRSILLY FED BY THEIR RELATNSHIPS WH THEIR STRAIGHT IENDS. WE NEVER REALLY LEARNED MUCH ABOUT THEM AS DIVIDUALS. THEY LIVED ON THE MARGS, FLHG OUT THEIR STRAIGHT UNTERPARTS, HARDLY HAVG A PURPOSE WHOUT THEM; THAT PORTRAYAL REMAS TE TODAY. PHOTO ILLTRATN BY KELLY CAMERO / THE DAILY BEAST / PHOTOS BY GETTY / WARNER BROS. DES LATER, 2010, THE GAY BT IEND WAS ALL THE RAGE; TEEN VOGUE EVEN WENT SO FAR AS TO PROCLAIM THE GBF AS THE SUMMER’S MT-HAVE ACCSORY. BUT UNLIKE THE FIRST HALF OF THE 20TH CENTURY, TODAY’S CEMA, THE GBF IS ALLOWED TO BE OPENLY GAY. AT THE SAME TIME, THEY STILL BARELY REGISTER AS PEOPLE WH CHARACTER TRAS BEYOND THEIR RELATNSHIPS WH THEIR STRAIGHT UNTERPARTS. IN MOVI LIKE MEAN GIRLS (2004), THE DEVIL WEARS PRADA (2006), EASY A (2010), NO STRGS ATTACHED (2011), AND ISN’T IT ROMANTIC (2019), GAY IENDS EXIST ENTIRELY THE ORB OF THEIR FEMALE IENDS. IT’S SUCH A STRONG TROPE THAT EVEN PERSISTS QUEER ROMANTIC EDI: 2020’S HAPPIT SEASON FDS JOHN (DAN LEVY) OFFERG ADVICE AND SNARKY ONE-LERS TO HIS LBIAN BTIE LI OF MEANGFUL CHARACTER VELOPMENT.IN TOY STORY 3, THE SAME IS TE OF KEN. HIS EXISTENCE PENDS ON AND CIRCULAT AROUND BARBIE. IN BARBIE, KEN HAS FOUND SOMEONE WHO REALLY UNRSTANDS HIM. HE DON’T GET ALONG WH THE OTHER TOYS, WHO MOCK HIM FOR BEG A “GIRL'S TOY.” BUT BARBIE LOV FASHN, JT LIKE HE DO. “NO ONE APPRECIAT CLOTH HERE, BARBIE,” KEN LAMENTS TO BARBIE, ABOUT THE OTHER TOYS’ TREATMENT OF HIM. “NO ONE!” BUT BARBIE DO, AND FOR KEN, THAT’S LIFE-CHANGG.THERE ARE PLENTY OF REASONS WHY THE FILM WOULDN’T OUTRIGHTLY STATE THAT KEN IS HOMOSEXUAL. NOT ONLY DO DISNEY SELF HAVE A PLITED HISTORY WH QUEER CHARACTERS, BUT KEN AND BARBIE ARE ALSO THE PROPERTY OF MATTEL, WHICH HAS ALWAYS BEEN STEADFAST ASSERTG KEN’S HETEROSEXUALY. THAT’S NEVER BEEN CLEARER THAN 1993 WHEN THE TOY PANY TRIED TO REIGNE KEN’S POPULARY MATTEL’S SOLUTN? EARRG MAGIC KEN. EARRG MAGIC KEN WAS A FIERCER, FELY MORE QUEER KEN THAN EVER BEFORE. THIS VERSN OF THE DOLL HAD BLEACHED BLON HAIR, A PURPLE LEATHER VT (!), A PK-PURPLE MH TOP (!!), AND OF URSE, AND EARRG THE “GAY EAR”. BUT THAT’S NOT ALL: AROUND KEN’S NECK WAS SOMETHG THAT ANY ACTIVE PARTICIPANT OF THE QUEER SCENE THE ’90S REGNIZED STANTLY—A CK RG (!!!).THE EARRG MAGIC KEN TURNED BARBIE’S BOYIEND TO AN OUT-AND-PROUD HOMOSEXUAL RAVER. MATTEL, OF URSE, VEHEMENTLY NIED ANY CLAIMS THAT KEN WAS GAY, LET ALONE THAT HE HAD SOMETHG AS PREPOSTERO AS A CK RG AROUND HIS NECK. AS LISA MCKENDALL, FORMER MANAGER OF MARKETG AND MUNITNS, SAID AN TERVIEW ABOUT THE DOLL, “WE’RE NOT THE BS OF PUTTG CK RGS TO THE HANDS OF LTLE GIRLS.”REGARDLS OF MATTEL’S TENTNS, ’S HARD TO NY WHAT THE EYE N SEE. DPE THE NAME, CK RGS AT THE TIME WERE ED AS A FASHN ACCSORY AND A SIGN OF FIANT QUEERNS AND SEX POSIVY. AS A RULT, GAY MEN BOUGHT THE DOLL DROV, AND SPE MATTEL ULTIMATELY RELLG THE DOLL AND WIPG AWAY ANY TRACE OF EARRG MAGIC KEN, WAS NEAR-IMPOSSIBLE TO SEE KEN AS ANYTHG BUT THE GLOR HOMOSEXUAL HE WAS BORN TO BE OM THEN ON. MATTEL SPENT THE NEXT UPLE OF S TRYG TO RETA KEN’S MORE HETERONORMATIVE, MASCULE IMAGE, BUT THE VEIL WAS LIFTED, AND THERE WAS NO GOG BACK. PHOTO ILLTRATN BY KELLY CAMERO/THE DAILY BEAST/PHOTOS BY GETTY/WARNER BROS. THOUGH MATTEL DON’T SEEM TO BE WILLG TO SAY KEN IS ACTUALLY GAY, THE KEN DOLLS OF RECENT YEARS SEEM TO REALLY LEAN TO KEN’S QUEERNS. THE YASSIFITN OF KEN IS CLEARLY UNRWAY. WHILE THERE IS NO WAY TO “DRS GAY,” THERE ARE SEVERAL DOLLS THAT SEEM TO SUGGT OTHERWISE, SUCH AS:FASHNISTA KEN #193, WHO LOOKS VERY EXCED TO TELL YOU ABOUT HIS NEW OBSSN, TROYE SIVAN;TRAVEL KEN DOLL, WHO HAS A SATCHEL PERFECT FOR BATHHO AND A PURPLE OVERNIGHT BAG THAT LERALLY PROCLAIMS HE’S “EXTRA;”KEN LOOKS DOLL, SERVG “I’M GONNA GIVE YOU A MAKEOVER”-TYPE REALNS WHILE SPORTG BLACK PLEATHER PANTS;THIS KEN, WHO WEARS THE LEAST HETEROSEXUAL DOUBLE NIM IMAGABLE.WHILE I HAVE A FEELG THE NEW BARBIE MOVIE WILL PUT THE WORK TO NVCE THAT KEN IS A HETERO DU WHO LOV NOTHG LIFE MORE THAN BARBIE HERSELF, THE WRG’S ALREADY ON THE WALL: KEN IS, AND ALWAYS WILL BE, BARBIE’S GAY BT IEND.KEEP OBSSG! SIGN UP FOR THE DAILY BEAST’S OBSSED NEWSLETTER AND FOLLOW ON FACEBOOK, TWTER, INSTAGRAM AND TIKTOK.READ MORE OF OUR BARBIE VERAGE HERE. BARRY LEVT
• JAGUARS ASSISTANT KEV MAXEN IS FIRST MALE NFL ACH TO E OUT AS GAY

HOW A GROUP OF GAY MALE BALLET DANCERS IS RETHKG MASCULY

No, this is about the ballero — my word for him — I met and what he reprented to a lonely gay kid Southern California 1984, a kid who had never before met another gay person. Somethg about his movement told me he was gay, and I felt he was dancg not only for himself but for me.

GAY MALE BALLET DANCERS, PHOTOS

(I showed the clip to a gay iend, who said, “That basilly sums up my relatnship wh my boyiend. Shortly after “Not Our Fate” premiered, Jt Peck, Cy Ballet’s rint choreographer, further challenged ballet’s genr norms when he adapted the woman’s role the pas ux at the heart of his 2017 “The Tim Are Racg, ” pairg Stanley wh Daniel Applebm, a 32-year-old gay soloist wh the you didn’t know much about classil ballet, you might thk ’s an obv home for queer artists and narrativ, but ’s more plited than that: Ballet, of urse, has always had gay dancers and choreographers and homoeroticism, but ’s an artistic disciple shaped by tradn. Masc Femme Butch KweenThere’s a hashtag for everythg on Instagram; when you type #gayballet, you will e across men tights and trag shorts, and eventually you might fd Jam Whi, most likely bare-chted wh a large scratch tattooed on his ribs.

IN AND OUT: BOLLE, GOM, STIEFEL – HOW EASY IS TO BE AN OPENLY GAY BALLET DANCER?

For the choreographer Lar Lubovch’s 2015 productn of “Othello, ” Whi didn’t want to waste the opportuny of workg wh a gay llaborator — his Iago was fed wh what he lls “queer rage. ReprentHarper Watters, 26, is many thgs: acclaimed Hoton Ballet soloist; son of two former llege profsors; host of a backstage chat show lled “The Pre Show” on his YouTube channel; a black gay man om New Hampshire now livg Texas; a lean, ventive artist who danc wh the eedom that om knowg who you are; a vourer of pop culture. In many ways, this uld be a live-stream of two young gay men gettg ready for a night out at the bars, but over the urse of the 16.

Drsed as a swan hunter, Watters talks to the mera a butch tone and says he and Stark are about to go out and do “boy thgs” like scg women and fightg, but then they lgh and return to their natural voic — distctly, unapologetilly gay — and clarify, “a different kd of boy thg. This was the domant narrative the 1990s, when only a few male dancers were openly gay.

“My inty as a gay man has many layers, ” Lidberg adds.

GAY STEREOTYP: ARE THEY TE?

Johnsey, who male pronouns, says he and others felt harassed bee “we don’t live up to some mascule ial of what a gay man is. Whi tells me about a letter he received om a woman who thks her young son is gay. “I wrote her back and said that was me — headstrong ltle effemate gay kid, ” Whi says.

In 2017, the pote shoe maker Gaynor Mn beme the first to offer slippers shas matchg a variety of darker sk ton.

“This beg a gay work, I wanted to make sure that everyone the st was also gay.

PAS DX: SEXISM AND THE GENR BARY {GRID-ROW-START:2;GRID-LUMN-START:2;GRID-LUMN-END:3;}@MEDIA (MAX-WIDTH:950PX){{GRID-LUMN-START:1;GRID-LUMN-END:2;}}{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;FONT-FAY:'COLABORATE LIGHT','LUCIDA SANS UNI',SANS-SERIF;MARG-BOTTOM:5PX;} A{LOR:#7B1B18;} IMG{PADDG-RIGHT:7PX;}BY {LOR:#BA0600;}SARA KOMATSU, CRIMSON STAFF {BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;}{DISPLAY:NONE;}@MEDIA (MAX-WIDTH:950PX){{BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;DISPLAY:BLOCK;PADDG-TOP:20PX;PADDG-BOTTOM:20PX;MARG-TOP:20PX;BORR-TOP:1PX SOLID #EBEBEB;BORR-BOTTOM:1PX SOLID #EBEBEB;}}{DISPLAY:-WEBK-BOX;DISPLAY:-WEBK-FLEX;DISPLAY:-MS-FLEXBOX;DISPLAY:FLEX;-WEBK-FLEX-DIRECTN:LUMN;-MS-FLEX-DIRECTN:LUMN;FLEX-DIRECTN:LUMN;WIDTH:TO;-WEBK-ALIGN-EMS:CENTER;-WEBK-BOX-ALIGN:CENTER;-MS-FLEX-ALIGN:CENTER;ALIGN-EMS:CENTER;POSN:-WEBK-STICKY;POSN:STICKY;TOP:70PX;-WEBK-FLEX-DIRECTN:ROW;-MS-FLEX-DIRECTN:ROW;FLEX-DIRECTN:ROW;-WEBK-BOX-PACK:CENTER;-WEBK-JTIFY-NTENT:CENTER;-MS-FLEX-PACK:CENTER;JTIFY-NTENT:CENTER;POSN:UNSET;} {DISPLAY:LE-BLOCK;PADDG:0PX;} > SPAN{WIDTH:35PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;TEXT-ALIGN:CENTER;BORR-RADI:50%;} SVG{WIDTH:25PX !IMPORTANT;HEIGHT:35PX !IMPORTANT;} .ADDTHIS_BUTTON_EMAIL > SPAN, .ADDTHIS_BUTTON_PRT > SPAN, .ADDTHIS_BUTTON_LK > SPAN{BACKGROUND-LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_UNTER .ADDTHIS_BUTTON_EXPAND{WIDTH:35PX;HEIGHT:35PX;MARG:0PX;PADDG:0PX;BACKGROUND:NONE;TEXT-ALIGN:CENTER;BORR:1PX SOLID #EBEBEB;BORR-RADI:50%;LOR:#EBEBEB !IMPORTANT;} .ADDTHIS_BUTTON_PACT{DISPLAY:NONE !IMPORTANT;} {MARG:0PX 5PX;}{POSN:RELATIVE;WIDTH:100%;} P{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;MARG-TOP:1EM;MARG-BOTTOM:1EM;} OL{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;FONT:17PX/25PX GEIA,SERIF;PADDG-LEFT:80PX;} P A, OL A, P A:VISED, OL A:VISED{LOR:#BA0600;-WEBK-TRANSN:0.3S ALL;TRANSN:0.3S ALL;-WEBK-TEXT-RATN:NONE;TEXT-RATN:NONE;} P A:HOVER, OL A:HOVER{-WEBK-TEXT-RATN:UNRLE;TEXT-RATN:UNRLE;} H1, H2, H3, H4, H5, H6{MAX-WIDTH:600PX;MARG:0PX TO;PADDG:0PX 20PX;BOX-SIZG:NTENT-BOX;MARG-TOP:1EM;MARG-BOTTOM:1EM;LOR:#7B1B18;}THE PAS UX IS ARGUABLY THE CENTERPIECE OF CLASSIL BALLET. TRADNALLY, FEATUR A MAN AND A WOMAN DANCG TOGETHER, EACH PERFORMG SOLOS, AND THEN G TOGETHER ONCE MORE FOR A DA. WHEN THE TWO ARE DANCG ON STAGE TOGETHER, THE JOB OF THE MAN IS TO SUPPORT AND PRENT THE BALLERA, BEE “BALLET IS WOMAN,” AS GEE BALANCHE FAMOLY (OR PERHAPS NOTORLY) SAID. WHILE THIS MAY BE TE, THERE IS MUCH TO BE QUTNED ABOUT THE ROLE OF GENR BALLET.CLASSIL BALLET NTAS EXTREMELY STRICT GENR ROL, WH MEN AND WOMEN PERFORMG DIFFERENT TYP OF MOVEMENTS AND DANCG VERY DIFFERENT ROL. IN SCHOOLS, THOUGH EVERYONE TAK BARRE AND CENTER TOGETHER, THE BOYS WILL THEN LEAVE FOR A SEPARATE “MEN’S CLASS” WHILE THE GIRLS FOC ON POTEWORK. DRS S ARE GENRED AS WELL — PK TIGHTS AND BLACK LEOTARDS FOR THE GIRLS, BLACK TIGHTS AND WHE SHIRTS FOR THE BOYS. THIS RIGID DIVI LEAV LTLE ROOM FOR FLEXIBILY OR THE CLN OF THOSE WHOSE GENR INTY DON’T F WH THE TRADNAL CISGENR ROL ON WHICH BALLET IS BUILT.THOUGH PANI LIKE THE ALL-MALE DRAG L BALLETS TROCKARO MONTE CARLO EXIST, THE PANY IS MEANT TO PERFORM PARODI, WH A EDIC ELEMENT. OPPORTUNY AND CLN OF NON-BARY DANCERS CLASSIL BALLET ARE NEARLY NONEXISTANT, AND THE STARK GENR DIVI MAY BE DIFFICULT TO SURMOUNT FOR TRANSGENR DANCERS. IN 2018, CHASE JOHNSEY BROKE BARRIERS WHEN HE BEME THE FIRST MAN TO PERFORM A FEMALE ROLE A MAJOR BALLET PANY—ENGLISH NATNAL BALLET. THOUGH POSIVELY RECEIVED, SOME, LIKE FORMER NEW YORK CY BALLET PRCIPAL WENDY WHELAN, WERE UT THEIR RPONSE, CG THE POSSIBILY OF YET MORE OBSTACL FOR WOMEN A WORLD ALREADY STACKED AGAST THEM.RETURNG TO THE PAS UX, THE BALLET WORLD HAS ONLY RECENTLY BEGUN TO SEE MORE SUBVERSN OF S TRADNAL STCTURE, ALBE MOSTLY WH NTEMPORARY PAS UX NSISTG OF TWO MEN. AMERIN BALLET THEATER’S RECENT WORK “TOUCHE” WAS GROUNDBREAKG AS THEIR FIRST ALL MALE PAS UX AND WAS ALSO EXPLICLY GAY D. THOUGH THE WORKS ARE PROOF OF PROGRS AND THE BREAKDOWN OF STIFLG TRADNS, THEY ARE ONCE AGA PRIMARILY CREATG OPPORTUNI FOR MEN AND NOT WOMEN. WHILE PERHAPS THIS IMBALANCE IS DUE TO HIGHER VISIBILY OF GAY MAL BALLET OR THE ABILY OF MEN TO PERFORM PARTNERG FEATS LIKE LIFTS, STANDALONE PIEC SUCH AS THE ROYAL BALLET’S 2017 “DUET” HELP TO CREATE BARRIER-BREAKG OPPORTUNI FOR WOMEN AS WELL. A RARE PIECE THE BALLET WORLD, “DUET” WAS CHOREOGRAPHED FOR TWO WOMEN—BY A FEMALE CHOREOGRAPHER, NO LS.WHELAN’S RERVATNS ABOUT JOHNSEY’S HISTORIC PERFORMANCE, WHILE PERHAPS OVERBLOWN THIS NTEXT, ARE GROUND REALY. AS THE FIRST FEMALE A POSN OF ARTISTIC LEARSHIP AT NYCB, SHE CERTALY KNOWS THE GLASS CEILGS OF BALLET ALL TOO WELL. THOUGH THERE ARE TYPILLY MORE WOMEN A PANY OF DANCERS THAN MEN, POSNS OF POWER — ARTISTIC DIRECTN AND CHOREOGRAPHY — HAVE NEARLY ALWAYS BEEN, AND NTUE TO BE, HELD BY MEN. UNRNEATH THE SHOWMANSHIP OF BALANCHE’S “BALLET IS WOMAN,” THE POSNS THAT DICTATE FEMALE VISIBILY ON STAGE ARE ONCE AGA ULTIMATELY NTROLLED BY MEN, A REALY THAT MIGHT EVEN BE SAID TO BE REFLECTED THE CHOREOGRAPHY OF THE CLASSIL BALLET NON. AS DANCE CRIC ALASTAIR MAULAY NSIRS, IS THE MALE PARTNER BEHD THE BALLERA “SERVG HER OR NTROLLG HER?”BALLET, AS AN ART FORM TIED TO TRADN, N BE A EPLY SEXIST AND EXCLIVE PLACE. BUT WOMEN ARE SLOWLY BUT SURELY BREAKG THROUGH THE GLASS CEILG AND PROVG THEIR PABILI. TAMARA ROJO, ARTISTIC DIRECTOR OF ENGLISH NATNAL BALLET, IS ONE OF THOSE RARE WOMEN A POSN OF POWER AT A MAJOR BALLET PANY. SHE HAS SUCCSFULLY LED THE PANY TO FELY GREATER PRTIGE THE LAST , WHILE NTUG TO DANCE AS A PRCIPAL BALLERA, AND WAS ALSO THE DIRECTOR WHO GAVE THE PREVLY MENTNED CHASE JOHNSEY THE RADIL OPPORTUNY TO DANCE THE FEMALE RPS.WH THE CHOREOGRAPHY AND NARRATIV OF THE CLASSIL BALLET NON, THERE IS CERTALY ROOM TO REEVALUATE HOW THE WORKS PRENT AND REPRENT WOMEN AND POWER DYNAMICS BETWEEN THE SEX. MOREOVER, THE BALLET WORLD MT LEARN TO LET GO OF SOME OF S RIGIDY AND ACTIVELY WORK TO BEE A MORE CLIVE AND WELG PLACE.— SARA KOMATSU ‘23’S LUMN “BACKSTAGE AT THE BALLET” EXPLOR ANYTHG AND EVERYTHG BALLET-RELATED, OM S MOMENTS OF JOY AND SPAIR TO THE BROAR, SYSTEMATIC ISSU WH {FONT-SIZE:16.5PX;LE-HEIGHT:26PX;BOX-SIZG:NTENT-BOX;MAX-WIDTH:600PX;PADDG:0PX 20PX;MARG:0PX TO;MARG:1EM TO;} A{LOR:#7B1B18;}WANT TO KEEP UP WH BREAKG NEWS? 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“I wanted to make sure that I was offerg an opportuny for a gay person to fally play a role that rembled the life that they lead. “The next day I was watchg dancers take class at Lln Center, onstage at the Koch Theater, and h me that I wanted to e this platform to highlight te gay love, ” Rudd says. ” A year earlier, he had choreographed a male-female pas ux for his own pany, and s “overenthiastic” rponse was all the enuragement he need to create a work that more closely rembled his own love st Touché wh gay dancers, Rudd turned to Instagram, bg through profil of dancers for evince of their romantic liv.

“We would spend full days workg on character velopment, ” Royal says, “stg and talkg about our journeys as dancers; as openly gay men the ballet world, and what that experience was like; what our g out experienc were like; how we sort of navigated the challeng; and when we felt like we fally embraced ourselv, who we are, and what we stand for. Like a butterfly’s metamorphosis, Rudd’s piece spans the stag of a gay man’s journey to self-acceptance—om piercg uncertaty to unfortable enunters to peace wh one's own’s sk. Related | Gallery: Gay BalletFor all s pageantry, licy, and ostensibly queer-iendly elements, ballet--be the settg of ABT or Jofey Ballet School, which Hill attends--n also be a tradn-bound microsm of the wir world's opprsns.

Basilly, 's an credibly homophobic look at somethg that should be celebrated.

IS BARBIE GAY AND WHY IS THE NEW MOVIE RATED PG-13?

The really tertg thg about most homophobic people is that they're too wardly to be outwardly homophobic. So they talk about wh other homophob and create this ltle world of homophobia that they n live The ballet pany I danced wh Texas told me I need to change my hair.

And while I don't know if any of them are ed homophobic, I fely see the fear of appearg gay wh a lot of people, stead of jt existg and beg fortable their sexualy. And once aga, gog back to the wardice of homophobia, no one has ever e up to me my pany and said, you know, "You're gonna burn, faggot! And beg gay adds another layer to .

JAGS' MAXEN IS FIRST MALE AMERIN PRO SPORTS ACH TO E OUT AS GAY

I have to supprs that gayns to a certa extent to be a strong man on 's some feedback you've received om fans, iends, or fay that's enuraged you?

KEN HAS ALWAYS BEEN BARBIE’S GAY BT FRIEND—NOT HER BOYIENDBARBIE’S BELOVED BEARD?FOR YEARS, PEOPLE HAVE QUTNED WHAT ROLE KEN REALLY PLAYS BARBIE’S LIFE. BUT THE TTH IS PLA SIGHT: KEN’S NOT BOYIEND MATERIAL. AT LEAST, NOT FOR BARBIE.BARRY LEVTFREELANCE WRERUPDATED JUL. 21, 2023 4:35AM EDT PHOTO ILLTRATN BY THE DAILY BEAST/GETTYIT’S BARBIE WEEK AT THE DAILY BEAST’S OBSSED, CELEBRATG THE DOLL’S POP-CULTURE HISTORY, OUR FAVORE BARBIE MEMORI, AND A CERTA MAJOR MOVIE. READ ALL OF OUR VERAGE HERE!“SHE’S EVERYTHG. HE’S JT KEN.” THAT’S THE TAGLE FOR THE WILDLY ANTICIPATED BARBIE MOVIE, DIRECTED BY GRETA GERWIG AND STARRG MARGOT ROBBIE AND RYAN GOSLG. THE IMPLITN IS CLEAR: COME FOR BARBIE, AND STAY FOR BARBIE… BUT KEN HAPPENS TO BE THERE TOO.KEN HAS LONG BEEN SEEN AS NOTHG BUT BARBIE’S HUMAN ACCSORY, BUT WASN’T ALWAYS THIS WAY FOR THE POOR MISUNRSTOOD DOLL. WHEN KEN WAS FIRST TRODUCED 1961, HIS FIRST MERCIAL TRIED TO POSN HIM AS BARBIE’S EQUAL AND, UNMISTAKABLY, BOYIEND. “GET BOTH BARBIE AND KEN AND SEE WHERE THE ROMANCE WILL LEAD!” THE MERCIAL PROMISED.SCE THEN, LIKE BARBIE, KEN HAS UNRGONE UNTLS TRANSFORMATNS AND FASHNS. BUT AS TIME WENT ON, KEN FOUND HIMSELF AN AFTERTHOUGHT. TOYMAKERS MATTEL NEVER GAVE HIM THE SAME KD OF BACKSTORI AS BARBIE—WHILE SHE’S HAD OVER 200 REERS, KEN HAS HAD JT SOME 40-ODD PROFSNS. (AN CREDIBLE AMOUNT OF JOBS FOR A PERSON, SURE. BUT FOR A DOLL? EMBARRASSG.) BARBIE HAS STARRED LOTS OF VIO GAM AND MORE THAN THREE DOZEN FILMS; KEN HAS HAD A MAJOR ROLE A MERE HANDFUL OF THEM. BUT THERE’S ONE KEY REASON WHY KEN IS ALWAYS LAGGG SIGNIFINTLY BEHD BARBIE AND 'S A LOT EPER THAN THE DOLL’S SEEMG LACK OF POPULARY: KEN HAS BEEN MISST. HE’S NOT BARBIE’S BOYIEND. HE’S BARBIE’S GAY BT IEND.DPE MATTEL’S SISTENCE THAT BARBIE AND KEN ARE A HAPPY ROMANTIC RELATNSHIP, THERE’S PLENTY OF SPECULATN ABOUT KEN’S SEXUALY. EVEN IF HIS MAKERS CLAIM HIM TO BE STRAIGHT, THERE’S MOUNTG PROOF TO THE NTRARY. PERHAPS THE MOST DISPUTABLE EVINCE THAT KEN IS FACT BOTH A MEMBER OF THE QUEER MUNY AND BARBIE’S BTIE, NOT BOY TOY, OM A RATHER SURPRISG PLACE: 2010’S TOY STORY 3.IN TOY STORY 3, BARBIE AND KEN PLAY A SURPRISGLY LARGE ROLE. THEIR TRODUCTN TO THE FILM IS TGED WH ROMANTIC TENSN. WHEN THE PAIR MEET, THE FILM VOK A MON TROPE: A ROMANTIC NEEDLE DROP HS THE MOMENT THE LOVERS LOCK EY. IN THIS SE, ’S “DREAM WEAVER” BY GARY WRIGHT. AS FAR AS BARBIE AND KEN ARE NCERNED, THEY’RE THE ONLY ON THE ROOM. “I LOVE YOUR LEG WARMERS!” KEN TELLS BARBIE. “NICE AST,” SHE BANTERS, WH HEAVY EMPHASIS ON THE FIRST SYLLABLE. BEFORE THGS GET TOO HEATED, THEY LOCK ARMS AND WALK OFF TOGETHER. PHOTO ILLTRATN BY KELLY CAMERO / THE DAILY BEAST / GETTY LET’S BE HONT—SPE THE ROMANTIC OVERTON OF THE SCENE, THEIR BRIEF EXCHANGE TELLS EVERYTHG ABOUT HOW THEY SEE EACH OTHER. KEN DON’T MENTN ANYTHG ABOUT BARBIE’S BODY, STEAD HIGHLIGHTG HER LEG WARMERS. BUT BARBIE IS UNSUBTLY TRYG TO SCE KEN JT TWO WORDS. SHE’S AFTER KEN, BUT KEN IS AFTER SOMEONE WHOSE CLOTH HE N ADMIRE.SURE, LATER THE FILM, KEN AND BARBIE SAY “I LOVE YOU” TO EACH OTHER. AND THEY GO BACK AND FORTH BETWEEN SAYG EACH WORD OF “I LOVE YOU”—SO SOMEONE DIFFERENT N SAY “LOVE” EACH TIME, AS KEN EXPLAS. HE MENTNS OFFHAND THAT HE HAS EVERYTHG EXCEPT SOMEONE TO SHARE WH. BARBIE AND KEN EVEN NUZZLE THEIR NOS TOGETHER. Y, THERE’S FELY LOVE BETWEEN IENDS—BUT THROUGH ALL, THERE’S NOT A HT OF SEXUAL CHEMISTRY.LOOK, I KNOW WHAT YOU’RE THKG—SIR, THIS IS TOY STORY; WHAT EXACTLY ARE YOU EXPECTG? IF YOU LOOK AT OTHER ROMANC THE ANCHISE—WOODY AND BO PEEP, AND JSE AND BUZZ—THERE’S NO DOUBT THAT THERE’S REAL LOVE THERE BETWEEN THE SENTIENT TOYS. THEIR PASSN FOR ONE ANOTHER TRANSCENDS MORE THAN SIMPLY BEG TERTED EACH OTHER’S OUTFS. THE SAME NNOT BE SAID OF THE MATTEL DOLLS. THAT’S MA EVINT WHEN KEN FALLY GETS AN OPPORTUNY FOR TIMACY WH BARBIE. “THIS IS WHERE THE MAGIC HAPPENS,” HE TELLS BARBIE WHEN THEY FALLY GO TO HIS DREAMHOE TOGETHER, HAVG PARENTS ALL OVER THE WORLD CLUTCHG THEIR PEARLS. BUT FEAR NOT: KEN SIMPLY TAK BARBIE TO… HIS WALK- WARDROBE. ANY SEMBLANCE OF ROMANCE MAK WAY FOR IENDSHIP, WHEN THE PAIR JUBILANTLY PESE KEN’S OUTFS. AND STEAD OF DOG SOMETHG WILD LIKE KISSG BARBIE, KEN PUTS ON A FASHN SHOW FOR HER STEAD. THE FILM WON’T SAY , BUT A POST-CREDS PUNCHLE ABOUT KEN’S HANDWRG, PLETE WH HEARTS AND STARS SURROUNDG HIS NAME, TELLS WHAT WE NEED TO KNOW.THE HEAVILY IMPLIED NATURE OF KEN’S GAYNS TOY STORY 3 HARKENS BACK TO HOLLYWOOD’S TRADNAL GAY BT IEND-TYPE CHARACTERS. IN THE HAYS CO ERA, EXPLIC REFERENC TO HOMOSEXUALY WEREN’T ALLOWED, SO CHARACTERS LIKE VAN BUREN (FRANKL PANGBORN) 1937’S EASY LIVG, KIP (DAVID WAYNE) 1949’S ADAM’S RIB, OR ADDISON (GEE SANRS) 1950’S ALL ABOUT EVE STEAD WERE IMBUED WH EFFEMATE CHARACTERISTICS, OFFERG A GLIMPSE OUTSI OF HETERONORMATIVY WHOUT EXPLICLY BEG QUEER.NONE OF THE CHARACTERS WERE THE SAME—SOME WERE TTY, OTHERS SWEET. SOME HAD ULTERR MOTIV, AND OTHERS OFFERED UNNDNAL SUPPORT. BUT EACH OF THE GAY BT IENDS WAS TRSILLY FED BY THEIR RELATNSHIPS WH THEIR STRAIGHT IENDS. WE NEVER REALLY LEARNED MUCH ABOUT THEM AS DIVIDUALS. THEY LIVED ON THE MARGS, FLHG OUT THEIR STRAIGHT UNTERPARTS, HARDLY HAVG A PURPOSE WHOUT THEM; THAT PORTRAYAL REMAS TE TODAY. PHOTO ILLTRATN BY KELLY CAMERO / THE DAILY BEAST / PHOTOS BY GETTY / WARNER BROS. DES LATER, 2010, THE GAY BT IEND WAS ALL THE RAGE; TEEN VOGUE EVEN WENT SO FAR AS TO PROCLAIM THE GBF AS THE SUMMER’S MT-HAVE ACCSORY. BUT UNLIKE THE FIRST HALF OF THE 20TH CENTURY, TODAY’S CEMA, THE GBF IS ALLOWED TO BE OPENLY GAY. AT THE SAME TIME, THEY STILL BARELY REGISTER AS PEOPLE WH CHARACTER TRAS BEYOND THEIR RELATNSHIPS WH THEIR STRAIGHT UNTERPARTS. IN MOVI LIKE MEAN GIRLS (2004), THE DEVIL WEARS PRADA (2006), EASY A (2010), NO STRGS ATTACHED (2011), AND ISN’T IT ROMANTIC (2019), GAY IENDS EXIST ENTIRELY THE ORB OF THEIR FEMALE IENDS. IT’S SUCH A STRONG TROPE THAT EVEN PERSISTS QUEER ROMANTIC EDI: 2020’S HAPPIT SEASON FDS JOHN (DAN LEVY) OFFERG ADVICE AND SNARKY ONE-LERS TO HIS LBIAN BTIE LI OF MEANGFUL CHARACTER VELOPMENT.IN TOY STORY 3, THE SAME IS TE OF KEN. HIS EXISTENCE PENDS ON AND CIRCULAT AROUND BARBIE. IN BARBIE, KEN HAS FOUND SOMEONE WHO REALLY UNRSTANDS HIM. HE DON’T GET ALONG WH THE OTHER TOYS, WHO MOCK HIM FOR BEG A “GIRL'S TOY.” BUT BARBIE LOV FASHN, JT LIKE HE DO. “NO ONE APPRECIAT CLOTH HERE, BARBIE,” KEN LAMENTS TO BARBIE, ABOUT THE OTHER TOYS’ TREATMENT OF HIM. “NO ONE!” BUT BARBIE DO, AND FOR KEN, THAT’S LIFE-CHANGG.THERE ARE PLENTY OF REASONS WHY THE FILM WOULDN’T OUTRIGHTLY STATE THAT KEN IS HOMOSEXUAL. NOT ONLY DO DISNEY SELF HAVE A PLITED HISTORY WH QUEER CHARACTERS, BUT KEN AND BARBIE ARE ALSO THE PROPERTY OF MATTEL, WHICH HAS ALWAYS BEEN STEADFAST ASSERTG KEN’S HETEROSEXUALY. THAT’S NEVER BEEN CLEARER THAN 1993 WHEN THE TOY PANY TRIED TO REIGNE KEN’S POPULARY MATTEL’S SOLUTN? EARRG MAGIC KEN. EARRG MAGIC KEN WAS A FIERCER, FELY MORE QUEER KEN THAN EVER BEFORE. THIS VERSN OF THE DOLL HAD BLEACHED BLON HAIR, A PURPLE LEATHER VT (!), A PK-PURPLE MH TOP (!!), AND OF URSE, AND EARRG THE “GAY EAR”. BUT THAT’S NOT ALL: AROUND KEN’S NECK WAS SOMETHG THAT ANY ACTIVE PARTICIPANT OF THE QUEER SCENE THE ’90S REGNIZED STANTLY—A CK RG (!!!).THE EARRG MAGIC KEN TURNED BARBIE’S BOYIEND TO AN OUT-AND-PROUD HOMOSEXUAL RAVER. MATTEL, OF URSE, VEHEMENTLY NIED ANY CLAIMS THAT KEN WAS GAY, LET ALONE THAT HE HAD SOMETHG AS PREPOSTERO AS A CK RG AROUND HIS NECK. AS LISA MCKENDALL, FORMER MANAGER OF MARKETG AND MUNITNS, SAID AN TERVIEW ABOUT THE DOLL, “WE’RE NOT THE BS OF PUTTG CK RGS TO THE HANDS OF LTLE GIRLS.”REGARDLS OF MATTEL’S TENTNS, ’S HARD TO NY WHAT THE EYE N SEE. DPE THE NAME, CK RGS AT THE TIME WERE ED AS A FASHN ACCSORY AND A SIGN OF FIANT QUEERNS AND SEX POSIVY. AS A RULT, GAY MEN BOUGHT THE DOLL DROV, AND SPE MATTEL ULTIMATELY RELLG THE DOLL AND WIPG AWAY ANY TRACE OF EARRG MAGIC KEN, WAS NEAR-IMPOSSIBLE TO SEE KEN AS ANYTHG BUT THE GLOR HOMOSEXUAL HE WAS BORN TO BE OM THEN ON. MATTEL SPENT THE NEXT UPLE OF S TRYG TO RETA KEN’S MORE HETERONORMATIVE, MASCULE IMAGE, BUT THE VEIL WAS LIFTED, AND THERE WAS NO GOG BACK. PHOTO ILLTRATN BY KELLY CAMERO/THE DAILY BEAST/PHOTOS BY GETTY/WARNER BROS. THOUGH MATTEL DON’T SEEM TO BE WILLG TO SAY KEN IS ACTUALLY GAY, THE KEN DOLLS OF RECENT YEARS SEEM TO REALLY LEAN TO KEN’S QUEERNS. THE YASSIFITN OF KEN IS CLEARLY UNRWAY. WHILE THERE IS NO WAY TO “DRS GAY,” THERE ARE SEVERAL DOLLS THAT SEEM TO SUGGT OTHERWISE, SUCH AS:FASHNISTA KEN #193, WHO LOOKS VERY EXCED TO TELL YOU ABOUT HIS NEW OBSSN, TROYE SIVAN;TRAVEL KEN DOLL, WHO HAS A SATCHEL PERFECT FOR BATHHO AND A PURPLE OVERNIGHT BAG THAT LERALLY PROCLAIMS HE’S “EXTRA;”KEN LOOKS DOLL, SERVG “I’M GONNA GIVE YOU A MAKEOVER”-TYPE REALNS WHILE SPORTG BLACK PLEATHER PANTS;THIS KEN, WHO WEARS THE LEAST HETEROSEXUAL DOUBLE NIM IMAGABLE.WHILE I HAVE A FEELG THE NEW BARBIE MOVIE WILL PUT THE WORK TO NVCE THAT KEN IS A HETERO DU WHO LOV NOTHG LIFE MORE THAN BARBIE HERSELF, THE WRG’S ALREADY ON THE WALL: KEN IS, AND ALWAYS WILL BE, BARBIE’S GAY BT IEND.KEEP OBSSG! SIGN UP FOR THE DAILY BEAST’S OBSSED NEWSLETTER AND FOLLOW ON FACEBOOK, TWTER, INSTAGRAM AND TIKTOK.READ MORE OF OUR BARBIE VERAGE HERE. BARRY LEVT

Whi: A mother sent me a msage about her son, and she was basilly sayg that her son is a big fan of me and he is a young dancer and he's always been very flamboyant and effemate and fabuloly gay om a very young age. And there's so much gayns the Dairy Queens, the drag group I'm .

I had such a great time playg that role bee, even though there are moments where 's very clear that my tert li a woman, there are still tim when I'm teractg wh Othello and I n explore my homosexual unrton and ep sir. One of the days I'm gonna have a super gay pas ux wh a man and I'm gonna be livg my life.

Gay Male Ballet Dancers, PhotosOnstage and onle, this rps is brgg new dienc to the most classic of art forms.

JAGUARS ASSISTANT KEV MAXEN IS FIRST MALE NFL ACH TO E OUT AS GAY

You are here: Home / *dance / In and Out: Bolle, Gom, Stiefel – how easy is to be an openly gay ballet dancer?

Openly gay ballet dancers, like openly gay actors and sgers, are few and far between.