Contents:
- MOONLIGHT IS A BETIFULLY NUANCED GAY G-OF-AGE TALEMOONLIGHT IS A BETIFULLY NUANCED GAY G-OF-AGE TALE
- MOONLIGHT REVIEW – VASTATG DRAMA IS VAL PORTRA OF BLACK GAY MASCULY AMERI
- ‘IT’S IMPOSSIBLE TO BE VULNERABLE’: HOW MOONLIGHT REFLECTS BEG A BLACK GAY MAN THE US
- IN 'MOONLIGHT,' GROWG UP BLACK, GAY AND POOR IN 1980S MIAMI
MOONLIGHT IS A BETIFULLY NUANCED GAY G-OF-AGE TALEMOONLIGHT IS A BETIFULLY NUANCED GAY G-OF-AGE TALE
’ Juan: A ‘faggot’ is a word ed to make gay people feel bad. Like Carol and Brokeback Mounta before , Moonlight nveys the pa of the ntug social stigma around homosexualy, the search for eedom and love, and the nstant stggle to munite and drop personal barriers.
Moonlight rembl Brokeback Mounta and Carol s lh stagg, tensely ternal performanc, and treatment of the gay experience a very specific i. The creasgly documented humany towards Ain Amerin men by police and the btal act of homophobia that took mostly Hispanic liv at a gay club Orlando have awakened many to the bleak knowledge that progrs is stallg and stead, regrsive views on race and sexualy are still dangeroly pervasive.
MOONLIGHT REVIEW – VASTATG DRAMA IS VAL PORTRA OF BLACK GAY MASCULY AMERI
It’s a thrillg, eply necsary work that opens up a much-need and rarely approached on-screen nversatn about the nature of gay on the play In Moonlight Black Boys Look Blue by Tarell Alv McCraney, the film follows the life of a man three key stag.
It’s yet more levy that helps the film om beg unrelentgly Jenks don’t pull any punch showg the cshg lonels and horrific vlence of beg a gay man a culture where homosexualy is seen as a weakns.
‘IT’S IMPOSSIBLE TO BE VULNERABLE’: HOW MOONLIGHT REFLECTS BEG A BLACK GAY MAN THE US
We see the visible and visible srs that velop om a lack of acceptance and by the time we fally meet adult Chiron, played wh credible nuance by ex-athlete Trevante Rhos, he’s trapped by his own sire, regulatg his behavur to remove anythg that uld be seen as “gay”.
It’s betifully choreographed and easily the most believably timate gay pairg sce Andrew Haigh’s Weekend. Moonlight is a profoundly movg film about growg up as a gay man disguise, a difficult and damagg journey that’s realised wh staggerg re and licy and one that will ronate wh anyone who has had to do the same.
We’re starved of the narrativ and Jenks’ electrifyg drama shows why they are so hugely important, providg an dience wh a rarely seen portra of what really means to be a black gay man Ameri today.
IN 'MOONLIGHT,' GROWG UP BLACK, GAY AND POOR IN 1980S MIAMI
Dpe renewed lls for people to judge the film on s own importance, the distrsg accatns of rape agast Parker – s star, as well as wrer and director – have meant s red-rpet-to-awards glory is lookg nsirably ls no movie was perhaps ever more sorely required to prevent another #OsrsSoWhe than Moonlight: Barry Jenks’s drama trackg a black gay man at three stag over his film has had an extraordary embrace on the tumn ftival circu; s brilliance has left few stumblg out of the cema unmoved.
It is a sentiment that, oddly, echo that of Parker, who claimed he would never play a gay character bee of the need to “prerve black masculy”. ”In the film, Chiron regulat his behavur orr to prevent people om knowg he’s gay, but the bulli at school and his cel mother are aware of his sexualy and persecute him as a rult. One of the film’s most memorable scen when a teenage Chiron star at himself his bathroom, his face bloodied om a fight wh homophobic school bulli.
He is young, black, gay, poor, and largely iendls—the kd of person who feels like he uld lerally vanish om beg so unseen by the world.