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iRsSlw"><a class="RubricLk-gRWSOU fgWnkQ bric__lk" href="/magaze/a-cric-at-large"><span class="RubricName-fVtemz cLxcNi">A Cric at Large</span></a></div></div></div><h1 data-ttid="ContentHearHed" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ContentHearHed-NCyCC iUEiRd NbxED hpJvIc">“Moonlight” Undo Our Expectatns</h1></div><div class="ContentHearAccredatn-lfctVB enhwXT ntent-hear__accredatn" data-ttid="ContentHearAccredatn"><div class="ContentHearDek-bIqFFZ Mtme">By avoidg the overblown clichés so often ed to reprent black Amerin life film, Barry Jenks has created somethg achgly alive.</div><div class="ContentHearByle-kmPyCa gvUmxJ"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset ContentHearContributorImage-cvjZXn jKACOU"><picture class="RponsiveImagePicture-cWuUZO dUOtEa ContentHearContributorImage-cvjZXn jKACOU rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="66px"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="66px"/><img alt="" 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2016</time></div></div></div></div></div></hear></div><div data-attribute-verso-pattern="article-body" class="ArticlePageContentBackGround-cNiFNN kbAoLA article-body__ntent"><div class="ActnBarWrapperContent-lasBkU cAHp"><div class="ActnBarWrapperComponent-cjwxLS bEeSLb"><div data-attr-viewport-monor="" class="ActnBarWrapper-dhxmQh kNjTbQ viewport-monor-anchor"><button id="bookmark" aria-label="Save this story" class="ActnBarButton-dyFOZU hQrwCF bookmark large-screen"><span class="ActnBarSendaryButtonPrimaryIn-isbvyN cAwccV bookmark-button-in"><svg class="in in-bookmark" width="24" height="24" viewBox="0 0 24 24" fill="none" xmlns="><tle>Save this story</tle><path class="in-bookmark-fill" d="M20 23.9508L12.5 19.7312L5 23.9508V2.95081H14V3.93211H6V22.1845L12.5 18.5536L19 22.1845V8.83866H20V23.9508Z"></path><path class="in-bookmark-fill" d="M23 3H20V0H19V3H16V4H19V7H20V4H23V3Z"></path></svg></span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ ActnBarButtonText-bYXYuh iUEiRd bkefvo 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class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ArticlePageChunksGrid-hfxa bjczjj grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="BodyWrapper-kufPGa bDyAMU body body__ntaer article__body" data-journey-hook="client-ntent" data-ttid="BodyWrapper"><div class="body__ner-ntaer"><div class="GenericCalloutWrapper-tojWn iHBnEl llout--has-top-borr set-embedd-le" data-ttid="GenericCallout"><figure class="AssetEmbedWrapper-eVDQiB byBkf asset-embed"><div class="AssetEmbedAssetContaer-eJxoAx dBHGoQ asset-embed__asset-ntaer"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO KhjZz AssetEmbedRponsiveAsset-cXBNxi eCxVQK asset-embed__rponsive-asset rponsive-image rponsive-image--expandable"><noscript><img alt="Ashton Sanrs as the teenage Chiron has a njurers gifts and an tuive unrstandg of how the mera works." class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src=" srcSet=" 120w, 240w, 320w, 640w, 960w, 1280w, 1600w, 1920w, 2240w" siz="100vw"/></noscript></picture></span></div><div class="CaptnWrapper-jSZdqE iTuhkZ ptn AssetEmbedCaptn-fNQBPI fmQnYP asset-embed__ptn"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnText-bHjzlu iUEiRd hWyo iXWezO ptn__text">Ashton Sanrs, as the teen-age Chiron, has a njurer’s gifts, and an tuive unrstandg of how the mera works.</span><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ CaptnCred-ejegDm iUEiRd iicloT jbIJNS ptn__cred">Photograph by Gabriele Stabile for The New Yorker</span></div></figure></div><p class="has-dropp has-dropp__lead-standard-headg">Did I ever image, durg my anx, closeted childhood, that I’d live long enough to see a movie like “Moonlight,” Barry Jenks’s brilliant, achgly alive new work about black queerns? Did any gay man who me of age, as I did, the era of Ronald Reagan, Margaret Thatcher, and <em class="small">AIDS</em>, thk he’d survive to see a versn of his life told onscreen wh such knowledge, unpredictabily, and grace? Based on a story by the gay black playwright Tarell Alv McCraney—Jenks himself is not gay—the film is virtuosic part bee of Jenks’s eye and part bee of the tale tells, which begs neteen-eighti Miami.</p><p class="paywall">Four whe Miami-Da police officers have beaten a young black man to ath and been acquted of manslghter, settg off rts the cy’s black enclav—Liberty Cy, Overtown, and elsewhere. It’s hard for a man of lor walkg those sun-bleached streets not to watch his back or feel that his days are numbered. That’s how Juan (the betiful Mahershala Ali) rri himself—fensively, warily. He’s a dope aler, so there’s that, too. He may be a boss on the streets—his black do-rag is his crown—but he’s telligent enough to know that he’s expendable, that real power don’t belong to men like him. Crack is spreadg through the cy like a fever. Steppg out of his r, Juan asks a cranky dg nner what’s up. (Jenks and his arnt cematographer, Jam Laxton, film the r as if were a kd of enclosed throne.) Juan, his mouth fixed a pout—sometim he sucks on his tongue, as if were a pacifier—don’t take his ey off the street. He n’t afford to; this suatn, any suatn, uld be changed an stant by a gun or a knife.</p><p class="paywall">In this world, which is amed by the vlence to e—bee will e—Juan se a skny kid nng, his backpack flappg behd him. He’s beg pursued by a group of boys, and he ducks to a nmned buildg to pe. Juan follows, enterg through a blasted-out wdow, a symbol, perhaps, of the left by the rts. Insi, a dark, silent space, the kid star at Juan, and Juan star at the kid. There’s a kd of mirrorg gog on. Maybe Juan is lookg at his past while the boy looks up at a future he didn’t know he uld have. It’s a disorientg scene, not so much bee of what happens as bee of what don’t happen. Throughout the movie, Jenks avoids what I ll Negro hyperbole—the overblown clichés that are so often ed to reprent black Amerin life. For stance, Juan don’t take that naway kid unr his wg orr to pimp him out and turn him to a dg nner; stead, he brgs him home to feed him, nourish him.</p><p class="paywall">Juan liv a small, unassumg hoe wh his soft-spoken but nfint partner, Tera (played by the sger Janelle Monáe). The uple look on as the kid eats and eats; ’s clear, though, that he’s hungry for more than food. The boy don’t even say his name, Chiron, until Juan nudg him: “You don’t talk much but you damn sure n eat.” The affectnate sldg mak Chiron (Alex Hibbert, a first-time actor, who uldn’t be better) s up and take notice; tells him that he unts. And he knows he unts even more when Juan lls him by his nickname—Ltle—as a way of claimg him.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">“Faggot” is another name, and ’s one that Chiron hears often as he grows up. He’s an outsir at school, and at home, too. He liv public hog wh his sgle mother, Pla (Naomie Harris), who go on dg bg, ls to alleviate her sadns than to exprs her wrath—agast the world and, pecially, agast her son, who she thks keeps her om the world. Chiron liv for the moments when he n get away om his mother’s untls recrimatns and needs, and swim the unfaiar waters of love wh Juan and Tera. One lible scene shows Juan holdg Chiron his arms a ripplg blue ocean, teachg him to float—which is another way of teachg him the lettg go that wh tst, wh love.</p><p class="paywall">But, at the end of every outg, Tera and Juan show their rpect by returng Chiron home. No matter how awful Pla is, she is still Chiron’s mother. This gture is one of many that Jenks, who, like McCraney, was raised Liberty Cy, unrstands om the si out. Growg up this muny, Juan and Pla were tght to re for children, their own and others’. (There are no whe characters the film, and this is a radil move on Jenks’s part. Wh would have troduced a different dynamic to “Moonlight.” Jenks’s story is about a self-erng black society, no matter how actured.) But dgs have ma a ms of fay, or the ia of fay, and Pla gets Juan’s face when he tri to stop her om g. She has a child, sure, but how n he talk when he’s the one sellg dgs? It’s a vic cycle, which the characters are opprsed by everythg but hope. Still, Juan do hope, if only for Chiron. That he is able to pluck that feelg out of the darkns of those Miami nights mak him a classilly heroic figure: he knows his limatns, he knows that life is tragic, but he is still willg to dream.</p><div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--article-mid-ntent" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--article-mid-ntent nsumer-marketg-un__slot---ntent"></div><div class="journey-un"></div></div></div><p class="paywall">About thirty mut to the film, Chiron, stg at Juan and Tera’s orrly table, asks what a faggot is. At the screeng I attend, the entire dience oze, as did the figur onscreen. Then Chiron asks if he himself is a faggot. There’s no mic this scene; no one cri; Juan don’t grab a gun and try to blow the slanrg universe away. Instead, he tak the word apart, and don’t take Chiron apart wh . He knows that Chiron is marked for misery, and how will Juan’s heart bear , let alone Chiron’s?</p><p class="has-dropp has-dropp__lead-standard-headg paywall">“Moonlight” undo our expectatns as viewers, and as human begs, too. As we watch, another movie plays our mds, real-life footage of the many forms of damage done to black men, which n sometim lead them to turn that hateful madns on their own kd, passg on the poison that was their herance. As Juan squir his fatherls iend about, we n’t help thkg, Will he abe him? Will happen now? Jenks keeps the fear but not the melodrama his film. He builds his scen slowly, whout tre dialogue or explosns. He rpects our telligence enough to let jt s still and watch the glor fac of his characters as they move through time. Scene follows scene wh the kd of purposefulns you fd fairy tal, or those Dickens novels about boys ma and unma by fate.</p><div class="Contaer-bkChBi byNLHx"></div><p class="paywall">Jenks has fluenc—I would gus that Apichatpong Weerasethakul, Terrence Malick, and Charl Burt are high on the list, along wh Michael Roemer’s 1964 film “Nothg But a Man,” one of the first morn black love stori to avoid buffoonery and improbabily—but what really gets him gog here is filmmakg self, and the story he’s tellg. Directors such as Marlon Riggs and Isaac Julien explored gay black masculy the neti, but they did so say-films, which allowed the dience a kd of built- distance. Of urse, no one the neti wanted to fance films about gay black men. Twenty years later, I still don’t know how Jenks got this flick ma. But he did. And chang everythg.</p><p class="paywall">The film is divid to three parts, tled “Ltle,” “Chiron,” and “Black.” In the send part, Chiron (played now by Ashton Sanrs) is a teen-ager, th and walkg wh the ph, rolve, and lonels of a character for whom Billie Holiday would have given her all a song. Like any young person, Chiron wants to be claimed bodily but is not entirely <em></em> his body. He’s growg up whout much rercement outsi Juan and Tera’s home. Pla’s dg addictn has lated and so has her anger. She’s a rotten baby, flailg around, as full of bile as Terrel (Patrick DeCile, an credible characterizatn), who bulli Chiron at school. So when a classmate, Kev (Jharrel Jerome), shows Chiron somethg other than hostily, feels like a kd of fantasy. Ined, after Kev jok wh Chiron about a girl, he dreams about Kev havg sex wh her. And ’s like a dream one night when Chiron, tstg ltle but wantg to tst more, approach Kev at the beach where Juan tght him to swim.</p><p class="paywall">The light-skned Kev has nicknamed Chiron Black, and he asks why, wonrg if ’s a put-down. Kev, who is more fortable his own body, says that ’s bee Chiron is black; to him, ’s not an sult. This moment of nfn—about ternalized self-hatred and the affectn of namg—is unlike anythg that’s been put onscreen before; shows what eedom and pa n look like, all one ame. When the boys kiss, Chiron apologiz for , and we wce, bee who among hasn’t wanted to apologize for his prence? Intimacy mak the world, the body, feel strange. How do make a boy who’s been rejected bee of his sk lor, his sexual terts, and his sensivy feel? Kev says, “What have you got to be sorry for?” As he works his hand down Chiron’s shorts, the mera pulls back; this is the only moment of physil timacy the film, and Jenks knows that this study of black male closens the pot isn’t to show fuckg; ’s to show the stops and starts, the hatn, and the sh that when one black male body fds pleasure and somethg like liberatn another.</p><p class="paywall">Watchg Sanrs play Chiron at this stage of his life is rather like seeg Montgomery Clift act for the first time, or Gloria Foster “Nothg But a Man.” There’s no acuntg for talent like this. Sanrs has a njurer’s gifts, and an tuive unrstandg of how the mera works—how n ph to an actor’s face and nscns, and how the actor n ph back agast the tsn by habg the realy of the moment.</p><p class="paywall">But the moment of love don’t last. When Terrel challeng Kev about his attachment to Chiron, Kev beats Chiron up, and then Terrel jumps on him, too. It’s “The Lord of the Fli” all over aga: whale on sensivy before n get to you. In a bid to protect his dream of love, Chiron shows up at school one day and, wordlsly, breaks a chair over Terrel’s back. It’s every queer kid’s revenge fantasy, but what follows is every queer kid’s realy: fight back, and you’ll pay for ; the power do not belong to you.</p><p class="has-dropp has-dropp__lead-standard-headg paywall">In the third part of the film, Chiron (geoly played by Trevante Rhos) is an adult, but still lookg after his mother. She’s rehab Atlanta, and he has fulfilled his sty by example: like Juan, he’s a dg aler a do-rag. But he don’t have a Tera, don’t have anyone. He wears his sensivy like a shroud around his now mcular body, which looks very black the moonlight as he li bed, startled to have received a phone ll om Kev after many years. Rhos’s portrayal of the grownup Chiron feels like a natural evolutn om the earlier performanc. The gold onts that his Chiron wears are jt another form of armor agast longg, a mouth that yearns to taste Kev’s once aga, to relive that forbidn love, for which black men sometim punish one another. Rarely has the world tght them not to. But at tim, when no one’s lookg, love happens, jt the same. ♦</p></div></div></div><div class="GridItem-buujkM fVLMby grid--em grid-layout__asi"><asi class="PersistentAsiWrapper-VGrR daRVRt persistent-asi" style="posn:absolute;top:to;height:to" data-ttid="PersistentAsiWrapper"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box ArticlePageSplAdRail-OyjwD jikppc"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="ArticlePageSplAdRailContent-jsltpq iZDmmY spl-ad-rail-ntent"><div class="ArticlePageSplAdRailTop-jUrrVY jzzFg"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="qbqpn"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div><div class="ArticlePageSplAdRailMiddle-tiRvu hiZeZX spl-ad-rail-middle"></div><div class="ArticlePageSplAdRailBottom-dBKMGQ jmCMsn spl-ad-rail-bottom"><div class="StickyBoxWrapper-jfYB jxBcTH sticky-box"><div class="StickyBoxPrimary-dzWDWL cdhYoN sticky-box__primary"><div class="AdWrapper-dQtivb fZrssQ ad ad--rail"><div class="ad__slot ad__slot--rail" data-no-id="lggtrl"></div></div><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--display-rail" role="prentatn" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--display-rail"></div><div class="journey-un"></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></div></div></div><div class="StickyBoxPlaceholr-grPmrg dxAvXx"></div></div></asi></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 PaywallInleBarrierWhWrapperGrid-fyrGfS kLQIUk grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__le-barrier article__body"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"><asi class="PaywallInleBarrierWrapper-iBnuqk lfXXa-D" data-ttid="PaywallInleBarrierWrapper"><div class="ConsumerMarketgUnThemedWrapper-iUTMTf jssHut nsumer-marketg-un nsumer-marketg-un--paywall-le-barrier" role="prentatn" aria-live="pole" aria-hidn="te"><div class="nsumer-marketg-un__slot nsumer-marketg-un__slot--paywall-le-barrier"></div><div class="journey-un"></div></div></asi></div></div></div></div></div></div></div><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 ContentWrapperGrid-fvkmBv brYtrA grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="body body__ntaer"><div class="ntaer ntaer--body"><div class="ntaer--body-ner"></div></div></div></div></div></div></article><div class="ContentFooterWrapper-jVNdRG dTJkpP ArticlePageContentFooterGrid-ccsXYy eMZRHU article-body__footer"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><footer class="ContentFooterMagazeDisclaimer-gzKAqo iZIuUU" data-ttid="MagazeDisclaimerWrapper">Published the prt edn of the <a href="/magaze/2016/10/24" data-reactroot="">October 24, 2016</a>, issue, wh the headle “Black Power.”</footer></div></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"></div></div></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div class="ContributorsWrapper-eNpWFu GWFsc ntributors" data-ttid="Contributors"><div class="ContributorBWrapper-bnVHbt gMon"><div class="ContributorBAvatar-bIGTqf eMWbvj"><a href="/ntributors/hilton-als"><span class="SpanWrapper-umhxW jvZaPI rponsive-asset"><picture class="RponsiveImagePicture-cWuUZO dUOtEa rponsive-image"><source media="(max-width: 767px)" srcSet=" 120w, 240w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w" siz="100vw"/><img alt="" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></picture></span></a></div><div class="ContributorBContent-ubQdr jZTSSi"><div class="ContributorBHear-ledood XOIEx"></div><div class="ContributorBB-fBolsO giFhKz"><a href="/ntributors/hilton-als">Hilton Als</a>, a staff wrer at The New Yorker, won the 2017 Pulzer Prize for cricism. He published “<a href=">My Pup</a>,” November, 2022.</div><div class="ContributorBFooter-brqDlv ezUmSv"></div></div></div></div></div></div></div><div data-ttid="RowWrapper" class="RowWrapper-UmqTg HEhan"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="TagCloudWrapper" class="TagCloudWrapper-gGgndx ctyZyK ContentFooterTagCloud-krQmRG ZLGh"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudSectnHear-cOforY iUEiRd bPyAoD kQQRmu">More:</span><a href="/tag/barry-jenks" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Barry Jenks</span></a><a href="/tag/culture" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Culture</span></a><a href="/tag/moonlight" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Moonlight</span></a><a href="/tag/movi" class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BaseLk-eNWuiM TagCloudLk-kvjZFu iUEiRd ggMZaT gFob hIhJOI"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TagCloudName-eAUnLd iUEiRd gwIVBQ bUkXwu">Movi</span></a></div></div></div></div><div data-ttid="ContentFooterBottom" class="ContentFooterBottom-jwWZfC kcbyiW"><div class="ContentFooterNewsletterContentWrapper-bmjtna kixtae"><div class="GridWrapper-cAzTTK kHBDeH grid grid-margs grid-ems-2 grid-layout--adrail narrow wi-adrail"><div class="GridItem-buujkM stRKV grid--em grid-layout__ntent"><div data-ttid="NewsletterSubscribeFormWrapper" class="NewsletterSubscribeFormWrapper-fCqqkN jKSBhE newsletter-subscribe-form ContentFooterNewsletterForm-hKeYwa liPqcf"><div data-ttid="NewsletterSubscribeFormHedDekWrapper" class="NewsletterSubscribeFormHedDekWrapper-fpMElW eglIBL"><h3 class="NewsletterSubscribeFormDangeroHed-kRwWjt jjsHHz newsletter-subscribe-form__hed ContentFooterNewsletterForm-hKeYwa liPqcf">Weekly</h3><div class="NewsletterSubscribeFormDek-kXonvc lhYeOn newsletter-subscribe-form__k">Your gui to the latt magaze and our biggt stori of the week, pl highlights om podsts, humor, and more.</div></div><div data-ttid="NewsletterSubscribeFormInputsWrapper" class="NewsletterSubscribeFormInputsWrapper-keARJE hVWbzr"><form class="form-wh-validatn NewsletterSubscribeFormValidatn-iCYa-Dt dweEln" id="newsletter" name="newsletter" novalidate="" method="POST"><span class="TextFieldWrapper-Pzdqp hNhevp text-field" data-ttid="TextFieldWrapper__email"><label class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ TextFieldLabel-klrYvg iUEiRd stdEm fvoOvz text-field__label text-field__label--sgle-le" for="newsletter-text-field-email" data-ttid="TextFieldLabel__email"><div class="TextFieldLabelText-cvvxBl eeDYTb">E-mail addrs</div><div class="TextFieldInputContaer-jcMPhb oFrOs"><put type="email" aria-scribedby="privacy-text" aria-valid="false" id="newsletter-text-field-email" required="" name="email" placeholr="E-mail addrs" class="BaseInput-fAzTdK TextFieldControlInput-eFUxkf eGzzTT laFPCK text-field__ntrol text-field__ntrol--put" data-ttid="TextFieldInput__email"/></div></label><button class="BaseButton-bLlsy ButtonWrapper-xCepQ bqVKKv dwpimO button button--utily TextFieldButton-csBrgY edxbrw" data-event-click="{"element":"Button"}" data-ttid="Button" type="subm"><span class="ButtonLabel-cjAuJN hzwRuG button__label">Sign up</span></button></span><div id="privacy-text" tabx="-1" class="NewsletterSubscribeFormDisclaimer-bTVtiV lnYvsZ"><span><p>By signg up, you agree to our <a href=" rel="nofollow noopener noreferrer" target="_blank">User Agreement</a> and <a href=" rel="nofollow noopener noreferrer" target="_blank">Privacy Policy & Cookie Statement</a>. 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siz="100vw"/><img alt="New York Film Ftival’s Breakout Films" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Movi</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-2" data-recirc-pattern="summary-em" href="/magaze/2016/10/03/new-york-film-ftivals-breakout-films" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">New York Film Ftival’s Breakout Films</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2016/10/03/new-york-film-ftivals-breakout-films" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-2" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="New York Film Ftival’s Breakout Films" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">At Lln Center, tablished filmmakers try out bold new ias and produce works that offer high artistic qualy and probg social perspectiv.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Richard Brody</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--article summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only summary-em--layout-posn-image-right 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siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="“The Birth of a Natn” Isn’t Worth Defendg" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="SummaryItemContent-eiDYMl ldWYvC summary-em__ntent"><div class="RubricWrapper-dKmCNX kImuKS bric bric--disvery SummaryItemRubric-dguGKN fYiFyD summary-em__bric"><span class="RubricName-fVtemz cLxcNi">Dept. of Disputatn</span></div><a class="SummaryItemHedLk-civM cZPaWG summary-em-trackg__hed-lk summary-em__hed-lk" data-ponent-type="recirc-river" data-recirc-id="em-hed-3" data-recirc-pattern="summary-em" href="/magaze/2016/10/10/the-birth-of-a-natn-isnt-worth-fendg" target="_self"><div class="SummaryItemHedBase-hiFYpQ iIjKeM summary-em__hed" data-ttid="SummaryItemHed">“The Birth of a Natn” Isn’t Worth Defendg</div></a><div class="SummaryItemAssetContaer-gwhFFH VOyg summary-em__asset-ntaer"><a class="SummaryItemImageLk-dshqxb USLvL summary-em__image-lk summary-em-trackg__image-lk" href="/magaze/2016/10/10/the-birth-of-a-natn-isnt-worth-fendg" aria-hidn="te" tabx="-1" data-ponent-type="recirc-river" data-recirc-id="em-image-3" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="“The Birth of a Natn” Isn’t Worth Defendg" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Nate Parker’s retellg of Nat Turner’s rebelln do not succeed as art or as propaganda.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div class="SummaryItemBaseByle-fFbXkY cgDBtc summary-em__byle"><div class="summary-em__byle__ntent"><div data-ttid="BylWrapper" class="BylWrapper-KIudk irTIfE byl"><p class="ByleWrapper-jWHrLH dSEWiO byle byl__byle" data-ttid="ByleWrapper" emProp="thor" emType="><span emProp="name" class="ByleNamWrapper-jbHncj fuDQVo"><span data-ttid="ByleName" class="ByleName-kwmrLn cYaBaU byle__name"><span class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ BylePreamble-iJolpQ iUEiRd jslZfG gnILss byle__preamble">By </span>Vson Cunngham</span></span></p></div></div></div></div></div></div><div class="SummaryItemWrapper-iwvBff hlYhBH summary-em summary-em--ARTICLE summary-em--no-in summary-em--text-align-left summary-em--layout-placement-text-below-sktop-only 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data-ponent-type="recirc-river" data-recirc-id="em-image-4" data-recirc-pattern="summary-em" target="_self"><span class="SpanWrapper-umhxW kGxnNB rponsive-asset SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image"><div data-tt="aspect-rat-ntaer" class="AspectRatContaer-bJHpJz jMoLpX"><div class="aspect-rat--overlay-ntaer"><picture class="RponsiveImagePicture-cWuUZO dUOtEa SummaryItemRponsiveAsset-hjGIGg egpoQR summary-em__image rponsive-image"><noscript><source media="(max-width: 767px)" srcSet=" 120w, 240w, 320w, 640w" siz="100vw"/><source media="(m-width: 768px)" srcSet=" 120w, 240w, 320w" siz="100vw"/><img alt="Iphigenia Fort Hills" class="RponsiveImageContaer-eybHBd fptoWY rponsive-image__image" src="></noscript></picture></div></div></span></a></div><div class="BaseWrap-sc-gjQpdd BaseText-ewhhUZ SummaryItemDek-CRfsi iUEiRd jxOIpm cPtisA summary-em__k">Anatomy of a murr trial.</div><div class="SummaryItemByleWrapper-boCfbi hYsZi summary-em__byle-date-in"><div 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moonlight 2016 gay scene

Contents:

MOONLIGHT IS A BETIFULLY NUANCED GAY G-OF-AGE TALEMOONLIGHT IS A BETIFULLY NUANCED GAY G-OF-AGE TALE

’ Juan: A ‘faggot’ is a word ed to make gay people feel bad. Like Carol and Brokeback Mounta before , Moonlight nveys the pa of the ntug social stigma around homosexualy, the search for eedom and love, and the nstant stggle to munite and drop personal barriers.

Moonlight rembl Brokeback Mounta and Carol s lh stagg, tensely ternal performanc, and treatment of the gay experience a very specific i. The creasgly documented humany towards Ain Amerin men by police and the btal act of homophobia that took mostly Hispanic liv at a gay club Orlando have awakened many to the bleak knowledge that progrs is stallg and stead, regrsive views on race and sexualy are still dangeroly pervasive. It’s a thrillg, eply necsary work that opens up a much-need and rarely approached on-screen nversatn about the nature of gay on the play In Moonlight Black Boys Look Blue by Tarell Alv McCraney, the film follows the life of a man three key stag.

It’s yet more levy that helps the film om beg unrelentgly Jenks don’t pull any punch showg the cshg lonels and horrific vlence of beg a gay man a culture where homosexualy is seen as a weakns. We see the visible and visible srs that velop om a lack of acceptance and by the time we fally meet adult Chiron, played wh credible nuance by ex-athlete Trevante Rhos, he’s trapped by his own sire, regulatg his behavur to remove anythg that uld be seen as “gay”.

MOONLIGHT REVIEW – VASTATG DRAMA IS VAL PORTRA OF BLACK GAY MASCULY AMERI

It’s betifully choreographed and easily the most believably timate gay pairg sce Andrew Haigh’s Weekend. Moonlight is a profoundly movg film about growg up as a gay man disguise, a difficult and damagg journey that’s realised wh staggerg re and licy and one that will ronate wh anyone who has had to do the same.

‘IT’S IMPOSSIBLE TO BE VULNERABLE’: HOW MOONLIGHT REFLECTS BEG A BLACK GAY MAN THE US

We’re starved of the narrativ and Jenks’ electrifyg drama shows why they are so hugely important, providg an dience wh a rarely seen portra of what really means to be a black gay man Ameri today. Dpe renewed lls for people to judge the film on s own importance, the distrsg accatns of rape agast Parker – s star, as well as wrer and director – have meant s red-rpet-to-awards glory is lookg nsirably ls no movie was perhaps ever more sorely required to prevent another #OsrsSoWhe than Moonlight: Barry Jenks’s drama trackg a black gay man at three stag over his film has had an extraordary embrace on the tumn ftival circu; s brilliance has left few stumblg out of the cema unmoved.

IN 'MOONLIGHT,' GROWG UP BLACK, GAY AND POOR IN 1980S MIAMI

It is a sentiment that, oddly, echo that of Parker, who claimed he would never play a gay character bee of the need to “prerve black masculy”. ”In the film, Chiron regulat his behavur orr to prevent people om knowg he’s gay, but the bulli at school and his cel mother are aware of his sexualy and persecute him as a rult. One of the film’s most memorable scen when a teenage Chiron star at himself his bathroom, his face bloodied om a fight wh homophobic school bulli.

*BEAR-MAGAZINE.COM* MOONLIGHT 2016 GAY SCENE

Moonlight review – vastatg drama is val portra of black gay masculy Ameri | Moonlight | The Guardian .

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